Difference between revisions of "ESAT Plays 1 A"
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| − | + | Return to [[South_African_Theatre/Plays|South African Stage Plays]] | |
| + | |||
| + | Return to [[PLAYS I: Original SA plays]] | ||
| + | |||
| + | Return to [[PLAYS II: Foreign plays]] | ||
| + | |||
| + | Return to [[PLAYS III: Collections]] | ||
| − | Return to [[ | + | Return to [[PLAYS IV: Pageants and public performances]] |
Return to [[The ESAT Entries]] | Return to [[The ESAT Entries]] | ||
| Line 7: | Line 13: | ||
Return to [[Main Page]] | Return to [[Main Page]] | ||
| + | == Please Note == | ||
| + | |||
| + | '''''English titles beginning with the articles "a" and "an" are listed under the following noun, according to normal bibliographic usage. However, for all other indigenous South African languages, such as Sotho, Venda, Xhosa, Zulu so on, the title is given as it is written and listed under "A".''''' | ||
| + | |||
| + | |||
| + | == The list == | ||
| + | |||
| + | |||
| + | [[A! Ndluyamandla!]] ([[B.S.G. Faku]]) | ||
| − | [[A! | + | [[A-a-a! Jongumsobomvu!]] ([[B.B. Mkonto]]) |
| − | [[A hi vuloyi]] | + | [[A hi vuloyi!]] ([[T.M. Rikhotso]]) |
| − | [[A | + | [[A hu bebiwi mbilu]] ([[T.N. Maumela]]) |
| − | [[A swi to yini?]] | + | [[A swi to yini?]] ([[M.T. Ngobeni]]) |
| − | [['n Aand met Wena Naudé|Aand met Wena Naudé, 'n]] | + | [['n Aand met Wena Naudé|Aand met Wena Naudé, 'n]] (comp. Naude) |
| − | [[Die Aand van die Fynproewer| Aand van die Fynproewer, Die]] | + | [[Die Aand van die Fynproewer| Aand van die Fynproewer, Die]] (Van Straaten) |
| − | [[Aandblom van die Witsenberge]] | + | [[Aandblom van die Witsenberge]] (Malherbe) |
| − | [[ | + | [['n Aandjie by die Vernes|Aandjie by die Vernes, 'n]] |
[[Die Aangenome Dogter|Aangenome Dogter, Die]] | [[Die Aangenome Dogter|Aangenome Dogter, Die]] | ||
| Line 36: | Line 51: | ||
[[Aasvoëls en Wolwe]] | [[Aasvoëls en Wolwe]] | ||
| − | [[ | + | [[Ababhemi!]] |
[[Aballino Jr.]] | [[Aballino Jr.]] | ||
| Line 44: | Line 59: | ||
[[Abaddon]] | [[Abaddon]] | ||
| − | [[The Abbess|Abbess, The]] | + | [[The Abbess|Abbess, The]] (Fugard) |
[[Abdoltjie]] | [[Abdoltjie]] | ||
| Line 52: | Line 67: | ||
[[Abel]] | [[Abel]] | ||
| − | [[Abimelech]] | + | [[Abimelech]] (Malherbe) |
| + | |||
| + | [[Abjater Wat So Lag]] | ||
[[Abnormal Load]] | [[Abnormal Load]] | ||
| + | |||
| + | [[Abnormal Loads]] | ||
[[Die Abnormale Familie Retief|Abnormale Familie Retief, Die]] | [[Die Abnormale Familie Retief|Abnormale Familie Retief, Die]] | ||
[[Abnormale Vrag]] | [[Abnormale Vrag]] | ||
| + | |||
| + | [[Abraham My Love]] | ||
[[Academy of Love]] | [[Academy of Love]] | ||
[[Academy Rewards]] | [[Academy Rewards]] | ||
| + | |||
| + | [[Achter de Schermen]] (Viljoen) | ||
| + | |||
| + | [[Acropolis Cafe]] | ||
[[The Act|Act, The]] | [[The Act|Act, The]] | ||
| Line 97: | Line 122: | ||
[[The Adventures of Ntini the Small Otter| Adventures of Ntini the Small Otter, The]] | [[The Adventures of Ntini the Small Otter| Adventures of Ntini the Small Otter, The]] | ||
| + | |||
| + | [[The Adventures of the Black Girl in Her Search for God]] | ||
| + | |||
| + | [[De Advokaat en De Barbier, of Hoe Men Pro Deo Wordt Geschoren|Advokaat, De en De Barbier, of Hoe Men Pro Deo Wordt Geschoren]] (Boniface) | ||
[[Advokaat Markus Antonius spring Riem!]] | [[Advokaat Markus Antonius spring Riem!]] | ||
| Line 125: | Line 154: | ||
[[An African Millionaire|African Millionaire, An]] | [[An African Millionaire|African Millionaire, An]] | ||
| + | |||
| + | [[African Odyssey]] | ||
[[African Star! - The Will Schreiner Story]] | [[African Star! - The Will Schreiner Story]] | ||
| Line 153: | Line 184: | ||
[[Ag Pa, arme Pa, Ma het jou in die Kas Gehang, dis daarom wat ek Kla]] | [[Ag Pa, arme Pa, Ma het jou in die Kas Gehang, dis daarom wat ek Kla]] | ||
| + | |||
| + | [[Aggie's Pitch]] | ||
[[Die Agtdertig na Mafeking| Agtdertig na Mafeking, Die]] | [[Die Agtdertig na Mafeking| Agtdertig na Mafeking, Die]] | ||
| Line 165: | Line 198: | ||
[[Ahimsa Ubuntu]] | [[Ahimsa Ubuntu]] | ||
| + | |||
| + | [[Ahintirho wa yona]] | ||
[[Ahura Mazda]] | [[Ahura Mazda]] | ||
| Line 185: | Line 220: | ||
[[Ain't We Got Fun]] | [[Ain't We Got Fun]] | ||
| + | |||
| + | [[Het Akelige Slot van Madacrestan, Vryheer van Gierenburg|Akelige Slot van Madacrestan, Vryheer van Gierenburg, Het]] (Boniface) | ||
[[Aku Vang 'n Ster]] | [[Aku Vang 'n Ster]] | ||
| Line 233: | Line 270: | ||
[[Along Came a Spider]] | [[Along Came a Spider]] | ||
| + | |||
| + | [[Altyd Jonker]] | ||
[[Altyd maar Glimlag]] | [[Altyd maar Glimlag]] | ||
| Line 242: | Line 281: | ||
[[Amaciko]] | [[Amaciko]] | ||
| − | [[Amadoda la afunani ezintsaneni]] | + | [[Amadoda la afunani ezintsaneni?]] |
[[Amahl en die Nagbesoekers]] | [[Amahl en die Nagbesoekers]] | ||
| Line 272: | Line 311: | ||
[[Amazwi Omoya]] | [[Amazwi Omoya]] | ||
| − | [[Ambrose | + | [[Ambrose Applejohn's Adventure]] |
[[Amelia's African Adventure]] | [[Amelia's African Adventure]] | ||
| Line 287: | Line 326: | ||
[[Anatomie Titus Fall of Rome]] | [[Anatomie Titus Fall of Rome]] | ||
| + | |||
| + | [[Ancestors and Diamonds]] ([[Michael Picardie|Picardie]]) | ||
[[And]] | [[And]] | ||
| Line 300: | Line 341: | ||
[[Die Ander Seun|Ander Seun, Die]] | [[Die Ander Seun|Ander Seun, Die]] | ||
| − | [[ | + | [['n Ander Tongval|Ander Tongval, 'n]] |
[[André]] | [[André]] | ||
| Line 311: | Line 352: | ||
[[Angel in a Dark Room]] | [[Angel in a Dark Room]] | ||
| + | |||
| + | [[Angelina]] (De Waal) | ||
[[Angels Everywhere]] | [[Angels Everywhere]] | ||
| Line 328: | Line 371: | ||
[[Annerkant die Longdrop]] | [[Annerkant die Longdrop]] | ||
| − | [['n Anonieme Briefwisseling|Anonieme Briefwisseling, 'n]] | + | [['n Anonieme Briefwisseling|Anonieme Briefwisseling, 'n]] (Fuchs-Nordhoff/De Waal) |
| + | |||
| + | [[Another Child]] | ||
[[Another Friggin’ Tribute Show]] | [[Another Friggin’ Tribute Show]] | ||
| + | |||
| + | [[Another Kettle of Fish]] | ||
[[Another “Sherlock Holmes” musical]] | [[Another “Sherlock Holmes” musical]] | ||
| Line 341: | Line 388: | ||
[[Antigone in ’71]] | [[Antigone in ’71]] | ||
| + | |||
| + | [[Antigone (not quite/quiet)]] (Fleishman ''et al'') | ||
[[Antjie Somers]] | [[Antjie Somers]] | ||
| Line 435: | Line 484: | ||
[[As Ek Maar Geweet Het]] | [[As Ek Maar Geweet Het]] | ||
| + | |||
| + | [[As Long As Forever Is]] (Goodman/Thomas) | ||
[[As ons twee eers getroud is]] | [[As ons twee eers getroud is]] | ||
| Line 441: | Line 492: | ||
[[Die Asblik|Asblik, Die]] | [[Die Asblik|Asblik, Die]] | ||
| + | |||
| + | [[Ashes (Philip Rademeyer)]] | ||
[[Ashes on our Heads]] | [[Ashes on our Heads]] | ||
| − | [[Asinamali]] | + | [[Asinamali]] (Ngema) |
[[Asingeni lapho]] | [[Asingeni lapho]] | ||
| Line 498: | Line 551: | ||
[[Een Avontuurtje van Mijnheer Kikkerlib| Avontuurtje van Mijnheer Kikkerlib, Een]] | [[Een Avontuurtje van Mijnheer Kikkerlib| Avontuurtje van Mijnheer Kikkerlib, Een]] | ||
| − | [[ | + | [[Awuthunyelwa Gundane]] |
[[The Axe-Man|Axe-Man, The]] | [[The Axe-Man|Axe-Man, The]] | ||
| Line 504: | Line 557: | ||
[[Ayikho inkomo yobuthongo]] | [[Ayikho inkomo yobuthongo]] | ||
| − | [[Azanian Love Song]] | + | [[Azanian Love Song]] |
| + | |||
| + | == Return to == | ||
| + | |||
| + | |||
| + | Return to [[South_African_Theatre/Plays|South African Stage Plays]] | ||
| + | |||
| + | Return to [[PLAYS I: Original SA plays]] | ||
| + | |||
| + | Return to [[PLAYS II: Foreign plays]] | ||
| + | |||
| + | Return to [[PLAYS III: Collections]] | ||
| + | Return to [[PLAYS IV: Pageants and public performances]] | ||
| − | Return to [[ | + | Return to [[The ESAT Entries]] |
Return to [[Main Page]] | Return to [[Main Page]] | ||
Latest revision as of 11:34, 16 November 2022
Return to South African Stage Plays
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to The ESAT Entries
Return to Main Page
Please Note
English titles beginning with the articles "a" and "an" are listed under the following noun, according to normal bibliographic usage. However, for all other indigenous South African languages, such as Sotho, Venda, Xhosa, Zulu so on, the title is given as it is written and listed under "A".
The list
A! Ndluyamandla! (B.S.G. Faku)
A-a-a! Jongumsobomvu! (B.B. Mkonto)
A hu bebiwi mbilu (T.N. Maumela)
Aand met Wena Naudé, 'n (comp. Naude)
Aand van die Fynproewer, Die (Van Straaten)
Aandblom van die Witsenberge (Malherbe)
Aballino Junior, of De Kleine Bandiet (De Lima)
Abbess, The (Fugard)
Abimelech (Malherbe)
Achter de Schermen (Viljoen)
Adventures of a Merry Madcap, The
Adventures of Millicent Microsoft in Computerland, The
Adventures of Ntini the Small Otter, The
The Adventures of the Black Girl in Her Search for God
Advokaat, De en De Barbier, of Hoe Men Pro Deo Wordt Geschoren (Boniface)
Advokaat Markus Antonius spring Riem!
Affêre met Kallie Pienk Pietertjie en die Heilige Kaktus
Africaine, La or High Tall Yawn Uproar
African Star! - The Will Schreiner Story
After Cardenio (Taylor)
Ag Pa, arme Pa, Ma het jou in die Kas Gehang, dis daarom wat ek Kla
AIDS – Wrong Address, it’s not for Me
Akelige Slot van Madacrestan, Vryheer van Gierenburg, Het (Boniface)
Alice’s Adventures Underground
Alicia en el Paris de Las Maravillas
Alicia in die Wonderlike Parys
Almost the Sound of Music (Lingenfelder)
Amadoda la afunani ezintsaneni?
amaQueerKwere (Acty Tang)
Amazing Adventures of Tambootie the Puppet, The
Ancestors and Diamonds (Picardie)
And The Girls in Their Pretty (Sunday?) Dresses
And The Girls in Their Sunday Dresses (Mda)
Angelina (De Waal)
Anonieme Briefwisseling, 'n (Fuchs-Nordhoff/De Waal)
Another “Sherlock Holmes” musical
Antigone (not quite/quiet) (Fleishman et al)
Arlequin by Toeval of Eene Weldaad blijft nooit onbeloond
Art of Charf (Lady Lonely Hearts) See Art of Charf (Lady Lonely Hearts)
Artaxerxes of De Vader Rechter over zijn Zoon
Artscape Schools Arts Festival
As Long As Forever Is (Goodman/Thomas)
Asinamali (Ngema)
Astounding Antics of Anthony Ant, The
Atalia, Wrede Koningmoeder van Juda
Atkinson at 80 – The Importance of Being Michael
Audience with an African Queen, An
Audience with Miss Hobhouse, An (Jackman)
Audience with Evita Bezuidenhout, An (Uys)
Audience With Pieter-Dirk Eish!, An (Uys)
Avalon Court: Dramatic Scenes on the Cape Flats
Avontuurtje van Mijnheer Kikkerlib, Een
Return to
Return to South African Stage Plays
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to The ESAT Entries
Return to Main Page
