Difference between revisions of "ESAT Plays 1 M"
| (33 intermediate revisions by 3 users not shown) | |||
| Line 63: | Line 63: | ||
[[Die Ma-Fias| Ma-Fias, Die]] | [[Die Ma-Fias| Ma-Fias, Die]] | ||
| − | [[Mafahla a | + | [[Mafahla a Lahlehelaneng]] |
[[Mag Ek Saamspeel?]] | [[Mag Ek Saamspeel?]] | ||
| Line 146: | Line 146: | ||
[[Mama and the Load]] | [[Mama and the Load]] | ||
| + | |||
| + | [[Mamfene]] | ||
[[Mamma het planne]] | [[Mamma het planne]] | ||
| Line 152: | Line 154: | ||
[[Mamma, Waar is Kobus?]] | [[Mamma, Waar is Kobus?]] | ||
| − | |||
| − | |||
[[Man (S.nw)]] | [[Man (S.nw)]] | ||
| Line 164: | Line 164: | ||
[[Die Man Daaronder|Man Daaronder, Die]] | [[Die Man Daaronder|Man Daaronder, Die]] | ||
| + | |||
| + | [[A Man from Krugersdorp| Man from Krugersdorp, A]] | ||
| + | |||
| + | [[The Man in Checks| Man in Checks, The]] | ||
[[Man in die Blou Maan]] | [[Man in die Blou Maan]] | ||
| Line 169: | Line 173: | ||
[[Die Man in Saal Ses| Man in Saal Ses, Die]] | [[Die Man in Saal Ses| Man in Saal Ses, Die]] | ||
| − | [[The Man in the | + | [[The Man in the Tree| Man in the Tree, The]] |
[[De Man in Vier Gedaanten, of Musicus, Acteur, Gaskonjer en Taalmeester|Man in Vier Gedaanten, De, of Musicus, Acteur, Gaskonjer en Taalmeester]] (De Lima) | [[De Man in Vier Gedaanten, of Musicus, Acteur, Gaskonjer en Taalmeester|Man in Vier Gedaanten, De, of Musicus, Acteur, Gaskonjer en Taalmeester]] (De Lima) | ||
| Line 183: | Line 187: | ||
[[Die Man Met die Blom in Sy Mond| Man Met die Blom in Sy Mond, Die]] | [[Die Man Met die Blom in Sy Mond| Man Met die Blom in Sy Mond, Die]] | ||
| − | [['n Man met Vakansie| Man met Vakansie, ‘n]] | + | [['n Man met Vakansie| Man met Vakansie, ‘n]] (Barnard) |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
[[Die Man op die Bank| Man op die Bank, Die]] | [[Die Man op die Bank| Man op die Bank, Die]] | ||
| Line 198: | Line 196: | ||
[[Man van Cirene]] | [[Man van Cirene]] | ||
| + | |||
| + | [['n Man van Eer|Man van Eer, 'n]] | ||
[[Die Man van die Sensus| Man van die Sensus, Die]] | [[Die Man van die Sensus| Man van die Sensus, Die]] | ||
| Line 278: | Line 278: | ||
[[Die Markplein| Markplein, Die]] | [[Die Markplein| Markplein, Die]] | ||
| + | |||
| + | [[Maropeng]] | ||
[[Marothodi]] | [[Marothodi]] | ||
| Line 292: | Line 294: | ||
[[Marx@KwaSuka]] | [[Marx@KwaSuka]] | ||
| − | |||
| − | |||
[[Mary en June]] | [[Mary en June]] | ||
| Line 308: | Line 308: | ||
[[Master Harold en die Boys]] | [[Master Harold en die Boys]] | ||
| + | |||
| + | [[The Masterplan|Masterplan, The]] | ||
[[Matanda]] | [[Matanda]] | ||
| Line 321: | Line 323: | ||
[[Matriekmakietie]] | [[Matriekmakietie]] | ||
| − | [[ | + | [[Matshediso]] |
[[A Matter of Convenience| Matter of Convenience, A]] | [[A Matter of Convenience| Matter of Convenience, A]] | ||
| Line 364: | Line 366: | ||
[[Die Meeting Oftewél Vergadering| Meeting Oftewél Vergadering, Die]] | [[Die Meeting Oftewél Vergadering| Meeting Oftewél Vergadering, Die]] | ||
| + | |||
| + | [[Megagaru]] | ||
[[Meharo Ha E Buseletse]] | [[Meharo Ha E Buseletse]] | ||
| Line 375: | Line 379: | ||
[[Die Meisie van Arles| Meisie van Arles, Die]] | [[Die Meisie van Arles| Meisie van Arles, Die]] | ||
| − | [[Meisies van Vervloë Dae]] | + | [[Meisies van Vervloë Dae]] (Smit) '''See ''[[Meisies van Vervloë Jare]]''''' |
| + | |||
| + | [[Meisies van Vervloë Jare]] (Smit) | ||
[[Meko]] | [[Meko]] | ||
[[Melinda]] | [[Melinda]] | ||
| + | |||
| + | [[Melk en Vleis]] | ||
[[Melodi]] | [[Melodi]] | ||
[[Melodie van die Myne]] | [[Melodie van die Myne]] | ||
| + | |||
| + | [[Member of Society]] | ||
[[Memory is the weapon]] | [[Memory is the weapon]] | ||
| Line 480: | Line 490: | ||
[[Mine Boy]] | [[Mine Boy]] | ||
| + | |||
| + | [[The Ministry in a Fix|Ministry in a Fix, The]] (Knight) | ||
[[Minnaars Maak Moles]] | [[Minnaars Maak Moles]] | ||
| Line 497: | Line 509: | ||
[[Mirakel]] | [[Mirakel]] | ||
| − | [[Miranda]] | + | [[Miranda]] (Masson) |
[[Miranda and the Magic Sponge]] | [[Miranda and the Magic Sponge]] | ||
| Line 510: | Line 522: | ||
[[Misdade van die Vaders]] | [[Misdade van die Vaders]] | ||
| + | |||
| + | [[De Misdadigers, of Loon naar Werken|Misdadigers, De, of Loon naar Werken]] ([[Melt J. Brink]]) | ||
[[Miskien Woon Julle Onder Ons]] | [[Miskien Woon Julle Onder Ons]] | ||
| Line 547: | Line 561: | ||
[[Mmalonya]] | [[Mmalonya]] | ||
| − | [[Mma o | + | [[Mma o nthutele ngwana]] |
[[Mma Thari]] | [[Mma Thari]] | ||
| Line 619: | Line 633: | ||
[[Molora]] (Aeschylus/Farber) | [[Molora]] (Aeschylus/Farber) | ||
| − | [[Mosali eo u | + | [[Mosali eo u 'neileng eena]] |
| − | [[Molato ga o | + | [[Molato ga o bole]] |
[[Molatswana wa gaetsho]] | [[Molatswana wa gaetsho]] | ||
| Line 629: | Line 643: | ||
[[Mollusc Mania]] | [[Mollusc Mania]] | ||
| − | [[Molomo wa badimo]] | + | [[Molomo wa badimo]] |
[[The Moment of Doubt| Moment of Doubt, The]] | [[The Moment of Doubt| Moment of Doubt, The]] | ||
| Line 674: | Line 688: | ||
[[Morné se Môre]] | [[Morné se Môre]] | ||
| + | |||
| + | [[Morning, Noon and After]] | ||
[[La Mort du Latanier et la metamorphose de ses feuilles en papilotes|Mort du Latanier et la metamorphose de ses feuilles en papilotes, La]] (Boniface) | [[La Mort du Latanier et la metamorphose de ses feuilles en papilotes|Mort du Latanier et la metamorphose de ses feuilles en papilotes, La]] (Boniface) | ||
| Line 713: | Line 729: | ||
[[Move]] (Orton) | [[Move]] (Orton) | ||
| − | [[Mowshuns and Resoliushuns, or A Peep in the Commercial Room]] ( | + | [[Mowshuns and Resoliushuns, or A Peep in the Commercial Room]] (B |
[[Mpolelle]] | [[Mpolelle]] | ||
| Line 742: | Line 758: | ||
[[Muchuchisi nuna wa mahiri]] | [[Muchuchisi nuna wa mahiri]] | ||
| + | |||
| + | [[Muhloti wa mihloti]] | ||
[[Muhlupheki Ngwanazi]] | [[Muhlupheki Ngwanazi]] | ||
| Line 749: | Line 767: | ||
[[Mumbo Jumbo]] | [[Mumbo Jumbo]] | ||
| − | [[Municipal Muddles]] | + | [[Municipal Muddles, or Love in the Dark]] (Utting) |
[[Muofhe]] | [[Muofhe]] | ||
| Line 758: | Line 776: | ||
[[Music Hall Review]] | [[Music Hall Review]] | ||
| + | |||
| + | [[Music under Difficulties, or The Composer in Search of Quiet]] (St George and Chester) | ||
| + | |||
| + | [[Musical Melange]] (the [[Darkie Serenaders]]) | ||
[[Die Musicians| Musicians, Die]] | [[Die Musicians| Musicians, Die]] | ||
| Line 763: | Line 785: | ||
[[Musiek in die Nag]] | [[Musiek in die Nag]] | ||
| − | [[Musiek Wat Die Koning Wil Hoor]] | + | [[Musiek Wat Die Koning Wil Hoor]] |
| + | |||
| + | [[Een Muzikale Gek|Muzikale Gek, Een]] ([[N.C. Koster]]) | ||
[[Muur van die Dood]] | [[Muur van die Dood]] | ||
[[My Aaklige Jonger Sussie]] | [[My Aaklige Jonger Sussie]] | ||
| + | |||
| + | [[My American Cousin, or A Slight Misunderstanding]] ("[[a Gentleman of Cape Town]]") | ||
[[My Belofte aan Mammie]] | [[My Belofte aan Mammie]] | ||
[[My Besondere Lied]] | [[My Besondere Lied]] | ||
| + | |||
| + | [[My Boarding School]] | ||
[[My Brilliant Divorce]] (Aron) | [[My Brilliant Divorce]] (Aron) | ||
| Line 850: | Line 878: | ||
Return to [[Main Page]] | Return to [[Main Page]] | ||
| + | |||
== Return to == | == Return to == | ||
Latest revision as of 06:25, 5 February 2022
Return to South African Stage Plays
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to The ESAT Entries
Return to Main Page
The List
Maak oop die Graf van my Moeder
Maar Boetie Het Nie Gehuil Nie
MacBeki - A Farce to the Reckoned With (Uys)
macbeth.slapeloos (Basson and cast)
Magrita Prinslo, of Liifde getrou tot in di dood
Magrita Prinslo of Liifde Getrou tot in di Dood
Maljan onder die Hoenders (Brink)
Man in Vier Gedaanten, De, of Musicus, Acteur, Gaskonjer en Taalmeester (De Lima)
Man met die Dertien Kinders, Die
Man Met die Blom in Sy Mond, Die
Man met Vakansie, ‘n (Barnard)
Man Who Jumped in the Lake, The
Mandela's Child (Picardie)
Mankind Faan, Die (Fourie)
Maria en haar Stryd met die Engele
Martelaars, The (Fourie)
Martiens en Miester Mandela or Hierso Madiba
Ma’s is Gemaak Van Feëtjiestof
Masque of the Silver Trees, The (Juta)
May You Grow Like An Onion With Your Head In The Ground (Picardie)
McCullough, or Travels with a Collapsible Woman
Meditations on Blake & The Minotaur’s Sister
Meeting Oftewél Vergadering, Die
Meineed, De (Boniface)
Meisies van Vervloë Dae (Smit) See Meisies van Vervloë Jare
Meisies van Vervloë Jare (Smit)
Meneer Puntila en sy Kneg Matti
Met Wie Gaan Jy Sleep, Amanda?
Meul Dreun, Die (Malherbe)
Mhla Salamana (Doni and Cast)
Mickey Malan aka The Great White Hope
Mies Julie See Miss Julie by August Strindberg
Milestones (Langa)
Ministry in a Fix, The (Knight)
Miracle, or No. 12 Flower Street, The
Miracle Conway (Aron)
Miranda (Masson)
Misdadigers, De, of Loon naar Werken (Melt J. Brink)
Missing (Kani)
Mnr Klepel se Kliengelong Klankopera
Modes van Agter, Skuld van Voor
Moeder Courage en Haar Kinders
Moeilike tye (J.R.L. van Bruggen)
Moervrug (Ferreira/Potgieter) See Die Jaar Toe My Ma Begin Sing Het
Molora (Aeschylus/Farber)
Moord van Dingaan aan Piet Retief, De
Moord by Bloukrans, Die (J.R.L. van Bruggen)
Mort du Latanier et la metamorphose de ses feuilles en papilotes, La (Boniface)
Mouldiwarp and the King of Shadows
Move (Orton)
Mowshuns and Resoliushuns, or A Peep in the Commercial Room (B
Mr McConkey's Suitcase (Aron)
Mrs Kaplan and the Witchdoctor
Municipal Muddles, or Love in the Dark (Utting)
Music under Difficulties, or The Composer in Search of Quiet (St George and Chester)
Musical Melange (the Darkie Serenaders)
Musiek Wat Die Koning Wil Hoor
Muzikale Gek, Een (N.C. Koster)
My American Cousin, or A Slight Misunderstanding ("a Gentleman of Cape Town")
My Brilliant Divorce (Aron)
My Children!, My Africa! (Fugard)
My Last Journey by the Limousine
My nooi se naam is Sarie Takhaar
Mysteries – Yiimimangaliso, The (Dornford-May and cast)
Mystery of the Disappearing Dodo, The
Return to South_African_Theatre/Plays
Return to Main Page
Return to
Return to South African Stage Plays
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to The ESAT Entries
Return to Main Page
