Romeo and Juliet

History of the text

Believed to have been written between 1591 and 1595, the play was first published in a quarto version in 1597. This text was of poor quality, and later editions corrected it, bringing it more in line with Shakespeare's original.

Adaptations of the text

Romeo and Juliet has been adapted numerous times for stage, film, musical and opera (many versions of which have been done in South Africa over the years).

During the English Restoration, it was revived and heavily revised by William Davenant. David Garrick's 18th-century version also modified several scenes, removing material then considered indecent, and Georg Benda's operatic adaptation omitted much of the action and added a happy ending.

Performances in the 19th century, including Charlotte Cushman's, restored the original text, and focused on greater realism. John Gielgud's 1935 version kept very close to Shakespeare's text, and used Elizabethan costumes and staging to enhance the drama. In the 20th century the play has been adapted in versions as diverse as George Cukor's comparatively faithful 1936 production, Franco Zeffirelli's 1968 version, and Baz Luhrmann's 1996 MTV-inspired Romeo + Juliet. Other 20th century stage adaptations include Jean Anouilh's Roméo et Jeanette, Peter Verhelst's Romeo en Julia, Leonard Bernstein’s West Side Story, Joe Calarco's Shakespeare's R&J, *)

South African productions

An eternal favourite, this play has been performed in various guises in South Africa.

Performances of the standard text

First performed here in 18** by **.

Other major productions were:

1830

Performed on 3 July by All the World's a Stage in the Cape Town Theatre (i.e. the African Theatre), with as afterpiece the one-act farce The Married Bachelor, or Master and Man (O'Callaghan).

1949

The Johannesburg REPS, directed by André van Gyseghem, starring Eugenie Heyns, Leon Gluckman, Muriel Alexander, and Herbert Kretzmer, with sets by Len Grosset and costumes by Louis Jacobson. Put on in the Pretoria Opera House and the Wits University Great Hall)

1972

Directed by Roy Sargeant assisted by John Burch for CAPAB English Company opening at the Nico Malan Theatre Saturday 7 October 1972. Costumes and sets by Peter Cazalet. The cast: Stephen Gurney, Glynn Day, David Sherwood, Charles Kinsman, David Haynes, Paul Slabolepszy, Ronald France, Marion Achber, Don Maguire, Liz Dick, Michael Swinton, Wilson Dunster, John Burch, Joyce Bradley, Helen Bourne, Roger Dwyer, Keith Grenville, Charles Hickman, Howard Ayrst, Douglas Skinner, Elliot Playfair. Music by Michael Tuffin.

1992

Directed for PACT Drama by Ilse van Hemert, 1992, starring Raymond Sargent, Peter Se-Puma, Joss Levine, Neville Thomas, David Germond, Soli Philander, Martin Le Maitre, David Clatworthy, Dale Cutts, Samson Khumalo, Saul Bamberger, Bruce Laing, Graham Bulllen, Jane Noble, Billy Second, Emma-Jane Mezher, Nomhle Nkonyeni, Ian Ferguson. Recorded during a performance in Johannesburg, it is avilable as a videorecording. (Skenia in association with Nedbank [distributor], c1992.--145 min).

1980

Maynardville, directed by Leslie French,

2000

Maynardville, directed by Clare Stopford. Designs Michael Mitchell, lighting Malcolm Hurrell, sound Robin Shuttleworth. With Blaise Koch, Royston Stoffels, Denise Newman, Nomsa Nene, Denver Vraagom, Rehane Abrahams, Oscar Peterson and Siswe Msutu.

2007

Maynardville, directed by Fred Abrahamse.

2009

Directed by Helen Wilkins and performed by Manville Open-Air Theatre, Port Elizabeth Shakespearean Festival, February, 2009.

Romeo and Juliette, choreographed by Dada Masilo and performed at the National Arts Festival, Grahamstown (July, 2009) and Baxter Theatre, Cape Town (October, 2009)).

Translations into South African languages

Translated into a number of South African languages, including:

Afrikaans as Die Tragedie van Romeo en Juliet by André P. Brink, Human & Rousseau, 1975. Performed by PACOFS in 1977 (stage manager Mavis Lilenstein) and in 1981, directed by Sandra Kotzé, starring Gerben Kamper and Rina Nienaber. Published by * in 19*),

Southern Sotho as Romeo le Juliet by I. Mahloane. Published by Mazenod in 1964), .

South African performances of adaptations from abroad

For South African productions of the aqdaptations, go to the individual entries for the verious versions:

South African adaptations

Similarly, many local variations and adaptations have been done. Examples are **

Romeo and Juliet PACT 1970's

In a theatre-in-education programme on Romeo and Juliet (done by PACT Playwork, director Peter Terry) used the text as a springboard to explore the notion of prejudice in South Africa and Northern Ireland, for debate by the audience.

Romeo and Juliet by Western Cape Theatre of the Deaf, 1999

A movement drama version was presented by the Western Cape Theatre of the Deaf, directed by Dale Homes and Bob Masilela with a cast of high school pupils from Khayelitsha, Langa, Mitchell's Plain, Woodstock and Central Cape Town, April 1999.

Juliet+Romeo+Romeo+Juliet by the Drama Department, University of Stellenbosch, 2011

A modern day adaptation by Christiaan Olwagen, based on a workshop process by director Marthinus Basson and 36 student actors from the Drama Department at University of Stellenbosch. Set in the Verona Clinic for the insane, a metaphor for modern day South Africa, which reflects contemporary reality, with identifiable types and situations from everyday news, the love story has to chart a course between the various approaches to the treatment of psychological deviation amidst the power struggles between doctors and administrative staff. Performed in the H.B. Thom Theatre, 19-25 August 2011, directed by Basson, with designs by Wolf Britz.

Sources

Binge,

Bosman, 1928;

http://en.wikipedia.org/wiki/Romeo_and_Juliet

http://www.dramatists.com/cgi-bin/db/single.asp?key=2802

http://www.artlink.co.za/news_article.htm?contentID=28061

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