Cape Town Opera
Cape Town Opera (CTO) is a professional opera company in Cape Town, run as a permanent section 21-company non-profit performing arts organisation.
Contents
History
It was officially founded in 1999 by the management and staff of the former South Africa Arts Council Opera and the Cape Performing Arts Board (CAPAB) (although the theatre programme for the 1997 production of Into the Woods shows it was produced by Cape Town Opera). The company was formed, following the demise of CAPAB Opera, to ensure the survival of opera in Cape Town.
It is the only opera company to produce operas in Cape Town, with some productions in conjunction with the University of Cape Town Opera School.
Although standard Italian opera remains part of the company’s repertoire, it has become the opera company that has produced the most indigenous operatic works in the history of opera in South Africa. New works include Amarantha, Love and Green Onions.
Although the casts had changed from predominantly white singers to predominantly black singers, the choice of repertoire remained based on the quality of the available voices and their ability to sing and interpret the roles and operas. However, the new voices had given the company the possibilities to explore new repertoire and create new work for the available singers.
Cape Town Opera Young Artist Training Programme
Cape Town Opera also offers the Cape Town Opera Young Artist Training Programme, which is a unique, two year training programme aimed at giving graduate singers, with soloist potential, the opportunity to consolidate and refine their technique and stage skills before launching professional careers.
Operas
1999: Le Nozze di Figaro, Madama Butterfly, L'elisir d'amore, Carmen, Aida, Hänsel und Gretel, Elektra
2000: Die Lustige Witwe, La Traviata, Suor Angelica, Gianni Schicchi, Tannhäuser, Don Giovanni, Die Zauberflöte, Amarantha
2001: Porgy and Bess, Love and Green Onions, Macbeth, Un Ballo in Maschera, Rigoletto, La Bohème
2002: Die Zauberflöte, Dido and Aeneas, Madama Butterfly, Idomeneo, Lucia di Lammermoor, Aida, Il Barbiere di Siviglia, Cavalleria Rusticana, I Pagliacci, Les Pêcheurs de Perles
2003: La Traviata, Hänsel und Gretel, earthdiving, Nabucco, The Bartered Bride, Faust, La Damnation de Faust, Così Fan Tutte
2004: Dark Sonnet, The Pardoner’s Tale, Fidelio, La Traviata, Alcina, Die Zauberflöte, La Traviata, Andrea Chénier, Die Fledermaus
2005: Il Trovatore, Valley Song, Nabucco, A Midsummer Night’s Dream, Carmen, Masque, Cavalleria Rusticana, Gianni Schicchi
2006: Rusalka, Treemonisha, La Bohème, Le Nozze di Figaro, Porgy and Bess, Così Fan Tutte
2007: Tosca, The Orphans of Qumbu, La Rondine, Die Zauberflöte, Manon
2008: Rigoletto, Werther, Don Giovanni, Aida, Poet and Prophetess, L'incoronazione di Poppea
2009: Madama Butterfly, L'elisir d'amore, Dead Man Walking, The Cunning Little Vixen
2010: Il Viaggio a Reims, Der Rosenkavalier, African Songbook: A Musical Tribute to the Life of Nelson Mandela, Lucia di Lammermoor, Five:20 Operas Made in SA (Out of Time, Words from a Broken String, Saartjie, Hani, Tronkvoël)
2011: Carmen, Gianni Schicchi, Suor Angelica, Brundibar, The Rake’s Progress, La Traviata, Die Entführung aus dem Serail
2012: Fidelio, The Flower of Shembe, La Bohème, Porgy and Bess, Les Contes d'Hoffmann
2013: Otello, Two:30 (Sing the Body Electric!, Between a Rock and a Hard Place), Don Giovanni, Madama Butterfly, Il Barbiere di Siviglia
2014: Il Viaggio a Reims, Le Nozze di Figaro, Postcards from Morocco
2015: La Traviata, Heart of Redness, The Merry Widow of Malagawi, Maria Stuarda, Four:30 – Operas Made in South Africa (The Application, Blood of Mine, Bessie: The Blue-Eyed Xhosa, Anti-Lauis)
2016:
2017: Rigoletto
Musicals
1997: Into the Woods
2017: Tiger Bay The Musical
Sources
http://www.capetownopera.co.za/index.php/company/about-us
https://en.wikipedia.org/wiki/Cape_Town_Opera
Wayne Muller. 2018. A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015). Unpublished PhD thesis.
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