Difference between revisions of "ESAT Plays 2 N"
| Line 154: | Line 154: | ||
[[Not Now, Darling]] | [[Not Now, Darling]] | ||
| − | [[Nothing But The Truth]] | + | [[Nothing But The Truth]] (Montgomery) |
[[Le Nouveau Signeur du Village|Nouveau Signeur du Village, Le]] (Auguste and Roger) | [[Le Nouveau Signeur du Village|Nouveau Signeur du Village, Le]] (Auguste and Roger) | ||
Revision as of 05:36, 29 April 2018
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Please Note
Afrikaans titles beginning with the article " ‘n " (= the English "A" or "An") are listed under the following noun, according to normal bibliographic usage.
The list
Naamgenoten (Westerman)
Naamlose Briefwisseling,, 'n (Fuchs-Nordhoff/De Waal)
Nachtmerrie, De (Hafner/Perinet/Vreedenberg)
Nachtmerrie, De, of De Vampyr (Hafner/Perinet/Vreedenberg)
Nachtwacht, De (Körner) See Der Nachtwächter
Nachtwächter, Der (Körner)
Nag van die Brandende Ape, Die
Nathan van Geneve (Warnsinck)
Natuur en Pligt, of De Zoon Rechter over Zijnen Vader (Pelletier-Volméranges)
Naufrage, Le, ou La Pompe Funèbre de Crispin (Lefont)
Neef uit Oost-Indië, De (Sinderam)
De Negers (Von Kotzebue) See Die Negersklaven
Die Negersklaven (Von Kotzebue)
Les Nègres (De Sauvigny)
Neue Sonntagskind, Das (Hafner/Perinet)
New Way to Pay Old Debts, A (Massinger)
Nid d'Amour, Le (Anon)
Nid d'Amour, Le,ou Les Amours Vengés (Hus and Gaultier)
Niet of Graag (Anon.)
Niets en Iets, of De Vijf Gestorvenen (Stoopendaal)
Nieuwe Landheer, De, of De Gewaande Marquis (Auguste and Roger/Engelman) See Le Nouveau Signeur du Village
Night Thoreau Spent in Jail, The
No 1 Round the Corner (Anon.)
No. 23, John-Street, Adelphi (Buckstone)
No. 99 (Arnold)
No Song, No Supper (Hoare)
Nonkel en de Jukebox (Brulin)
Not a Bad Judge, or Lavater, the Physiognomist (Planché)
Nothing But The Truth (Montgomery)
Nouveau Signeur du Village, Le (Auguste and Roger)
Now There's Just the Three of Us
Return to
Return to South African Stage Plays
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to The ESAT Entries
Return to Main Page
