Difference between revisions of "ESAT Plays 2 O"
(63 intermediate revisions by 3 users not shown) | |||
Line 1: | Line 1: | ||
+ | Return to [[South_African_Theatre/Plays|South African Stage Plays]] | ||
− | Return to [[ | + | Return to [[PLAYS I: Original SA plays]] |
+ | |||
+ | Return to [[PLAYS II: Foreign plays]] | ||
+ | |||
+ | Return to [[PLAYS III: Collections]] | ||
+ | |||
+ | Return to [[PLAYS IV: Pageants and public performances]] | ||
Return to [[The ESAT Entries]] | Return to [[The ESAT Entries]] | ||
Return to [[Main Page]] | Return to [[Main Page]] | ||
+ | |||
+ | |||
+ | == The list == | ||
Line 14: | Line 24: | ||
[[Odd Man In]] | [[Odd Man In]] | ||
+ | |||
+ | [[Odds and Ends]] (Du Val) | ||
[[Oedipus]] | [[Oedipus]] | ||
Line 22: | Line 34: | ||
[[Oedipus the King]] | [[Oedipus the King]] | ||
+ | |||
+ | [[O'Flaherty V.C.]] | ||
[[Of Mice and Men]] | [[Of Mice and Men]] | ||
[[Off the Cuff]] | [[Off the Cuff]] | ||
+ | |||
+ | [[Off the Record]] | ||
[[Der Offentliche Anklager|Offentliche Anklager, Der]] | [[Der Offentliche Anklager|Offentliche Anklager, Der]] | ||
+ | |||
+ | [[Een Offer der Vrijheid (1762)|Offer der Vrijheid (1762), Een]]'' (Schuitemaker) | ||
[[Oh What a Lovely War]] | [[Oh What a Lovely War]] | ||
Line 34: | Line 52: | ||
[[Oganda's Journey]] | [[Oganda's Journey]] | ||
+ | |||
+ | [[Oh, Clarence]] | ||
[[Oh Coward!]] | [[Oh Coward!]] | ||
[[Oh Dad, Poor Dad, Mama’s Hung you in the Closet and I’m feeling so Sad]] | [[Oh Dad, Poor Dad, Mama’s Hung you in the Closet and I’m feeling so Sad]] | ||
+ | |||
+ | [[The Okavango Macbeth|Okavango Macbeth, The]] | ||
[[Oklahoma!]] | [[Oklahoma!]] | ||
[[Old King Cole]] | [[Old King Cole]] | ||
+ | |||
+ | [[The Old Ladies|Old Ladies, The]] | ||
[[The Old Lady Shows Her Medals|Old Lady Shows Her Medals, The]] | [[The Old Lady Shows Her Medals|Old Lady Shows Her Medals, The]] | ||
− | [[The Old Maid]] (Murphy) | + | [[The Old Maid|Old Maid, The]] (Murphy) |
[[Old Wicked Songs]] | [[Old Wicked Songs]] | ||
Line 54: | Line 78: | ||
[[Oliver!]] | [[Oliver!]] | ||
+ | |||
+ | [[The Omnibus, or A Convenient Distance|Omnibus, The, or A Convenient Distance]] (Raymond/Pocock) | ||
[[On Approval]] | [[On Approval]] | ||
+ | [[On Dartmoor]] | ||
+ | |||
+ | [[On Fait ce qu'on Peut et non pas ce qu'on Veut]] (Dorvigny) | ||
+ | |||
+ | [[On Golden Pond]] | ||
+ | |||
+ | [[On ne s'Avise de Tout]] (Sedaine and Monsigny ) | ||
+ | |||
+ | [[On the Frontier]] | ||
+ | |||
+ | [[On the Harmful Effects of Tobacco]] (Chekhov) | ||
+ | |||
+ | [[On the High Road]] (Chekhov) | ||
+ | |||
[[On the Open Road]] | [[On the Open Road]] | ||
[[On the Razzle]] | [[On the Razzle]] | ||
− | [[On the | + | [[On the Sly]] (Morton) |
+ | |||
+ | [[Once in a Lifetime]] | ||
+ | |||
+ | [[Once on This Island]] | ||
+ | |||
+ | [[Once Upon a Mattress]] | ||
[[One for the Pot]] | [[One for the Pot]] | ||
Line 69: | Line 115: | ||
[[One Man]] | [[One Man]] | ||
− | [[De Onechte Zoon]] (Kotzebue) | + | [[One Season's King]] |
+ | |||
+ | [[One Tree Hill]] (Craven) | ||
+ | |||
+ | [[One Way Pendulum]] | ||
+ | |||
+ | [[De Onechte Zoon|Onechte Zoon, De]] (Kotzebue) '''See ''[[Das Kind der Liebe]]''''' | ||
− | [[De Onechte Dochter]] (Meijer) | + | [[De Onechte Dochter|Onechte Dochter, De]] (Meijer) |
+ | |||
+ | [[Een Ongelukkig Minnaar, of Mislukte Liefdesverklaring|Ongelukkig Minnaar, Een, of Mislukte Liefdesverklaring]] (T. van der Stempel) | ||
+ | |||
+ | [[Die Ongeluksvoël|Ongeluksvoël, Die]] (Blumenthal and Kadelburg) '''See ''[[Hans Huckebein, der Unglücksrabe]]''''' | ||
+ | |||
+ | [[Only a Halfpenny]] (Oxenford) | ||
+ | |||
+ | [[Only an Orphan Girl]] | ||
[[Onskuldig Veroordeel]] | [[Onskuldig Veroordeel]] | ||
+ | |||
+ | [[Onteerd]] (Henle) '''See ''[[Entehrt]]''''' | ||
[[Ooh! La-La]] | [[Ooh! La-La]] | ||
− | [[Oom Vania | + | [[Oom en Neef, of Misverstand op Misverstand]] (J. Schuitekmaker te Purmerend) |
+ | |||
+ | [[Een Oom uit Californië|Oom uit Californië, Een]] (Hoek) | ||
+ | |||
+ | [[Oom Vania]] (Chekhov) '''See ''[[Uncle Vanya]]''''' | ||
+ | |||
+ | [[Oom Vanya]] (Chekhov) '''See ''[[Uncle Vanya]]''''' | ||
[[Oorskotjie]] | [[Oorskotjie]] | ||
Line 86: | Line 154: | ||
[[Op die Weegskaal]] | [[Op die Weegskaal]] | ||
+ | |||
+ | [[Op Hoop van Zegen]] (Heijermans) | ||
[[L'Opéra-Comique assiégé]] (Lesage and d'Orneval) | [[L'Opéra-Comique assiégé]] (Lesage and d'Orneval) | ||
+ | |||
+ | [[Der Opfer-Tod|Opfer-Tod, Der]] (Von Kotzebue) | ||
+ | |||
+ | [[Ophelia Thinks Harder]] (Shakespeare/Betts) | ||
+ | |||
+ | [[De Opkomst van het Huis Rothschild|Opkomst van het Huis Rothschild, De]] (Van der Stempel) | ||
[[Oppad]] (Chekhov/Smith) | [[Oppad]] (Chekhov/Smith) | ||
Line 98: | Line 174: | ||
[[The Original|Original, The]] (Morton) | [[The Original|Original, The]] (Morton) | ||
+ | |||
+ | [[Orison]] | ||
+ | |||
+ | [[Oromidas, ou Le Balêt de Balais]] (Anon) | ||
+ | |||
+ | [[De Ortenbergsche Familie|Ortenbergsche Familie, De]] (Vreedenberg) | ||
[[Oscar and the Pink Lady]] '''See[[Oscar et la Dame rose]]''' | [[Oscar and the Pink Lady]] '''See[[Oscar et la Dame rose]]''' | ||
Line 103: | Line 185: | ||
[[Oscar et la Dame rose]] (Schmitt) | [[Oscar et la Dame rose]] (Schmitt) | ||
− | [[Oskar en die Pienk Tannie]] '''See[[Oscar et la Dame rose]]''' | + | [[Oskar en die Pienk Tannie]] (Schmitt/Morgan) '''See ''[[Oscar et la Dame rose]]''''' |
+ | |||
+ | [[Othello]] (Shakespeare) | ||
+ | |||
+ | [[Othello, or The Moor of Venice]] (Shakespeare) See '''[[Othello]]''' | ||
+ | |||
+ | [[Othello, of De Jaloersche Zwart]] (Shakespeare) See '''[[Othello]]''' | ||
+ | |||
+ | [[Othello, of De Moor van Venetien]] (Shakespeare) See '''[[Othello]]''' | ||
− | [[Othello]] | + | [[Othello Slegs Blankes]] (Shakespeare/Howarth) |
− | [[Othello | + | [[Othello Travestie]] (Dowling) |
[[Other People's Money]] | [[Other People's Money]] | ||
Line 118: | Line 208: | ||
[[Otherwise Engaged]] | [[Otherwise Engaged]] | ||
+ | |||
+ | [[Een Oud Soldaat|Oud Soldaat, Een]] (Nieuwmeyer) | ||
+ | |||
+ | [[Oud tot Jong Gemaald, of De Krommesprongen van Harlequin]] (Anon.) | ||
+ | |||
+ | [[Een Oude Rat in de Val|Oude Rat in de Val, Een]] (Schuitemaker) | ||
[[De Oude Meid|Oude Meid, De]] '''See [[The Old Maid]] (Murphy)''' | [[De Oude Meid|Oude Meid, De]] '''See [[The Old Maid]] (Murphy)''' | ||
+ | |||
+ | [[De Oude Rot|Oude Rot, De]] (Anon.) | ||
+ | |||
+ | [[Het Ouderlijk Huis|Ouderlijk Huis, Het]] (Südermann) '''See ''[[Heimat]]''''' | ||
+ | |||
+ | [[Een Oujaarsavond|Oujaarsavond, Een]] (Dikkema) | ||
[[Oupa Brompie]] | [[Oupa Brompie]] | ||
Line 129: | Line 231: | ||
[[Our Miss Gibbs]] | [[Our Miss Gibbs]] | ||
− | [[Our Town]] | + | [[Our Town]] (Wilder) |
+ | |||
+ | [[Our Wife, or The Rose of Amiens]] (Morton) | ||
+ | |||
+ | [[Out at Sea]] | ||
+ | |||
+ | [[Out on the Sly]] (Selby) | ||
[[The Outcast|Outcast, The]] | [[The Outcast|Outcast, The]] | ||
[[Outcry]] | [[Outcry]] | ||
+ | |||
+ | [[Outrageous Fortune]] | ||
[[Outside Edge]] | [[Outside Edge]] | ||
[[The Outsider|Outsider, The]] | [[The Outsider|Outsider, The]] | ||
+ | |||
+ | [[The Outsider (by Camus)|Outsider (by Camus), The]] | ||
[[Outward Bound]] | [[Outward Bound]] | ||
− | [[Un Ouvrage De Dames|Ouvrage De Dames, Un]] | + | [[Un Ouvrage De Dames|Ouvrage De Dames, Un]] |
+ | == Return to == | ||
+ | |||
+ | Return to [[South_African_Theatre/Plays|South African Stage Plays]] | ||
+ | Return to [[PLAYS I: Original SA plays]] | ||
+ | Return to [[PLAYS II: Foreign plays]] | ||
+ | Return to [[PLAYS III: Collections]] | ||
+ | Return to [[PLAYS IV: Pageants and public performances]] | ||
− | + | Return to [[The ESAT Entries]] | |
− | Return to [[ | ||
Return to [[Main Page]] | Return to [[Main Page]] |
Latest revision as of 07:18, 10 February 2021
Return to South African Stage Plays
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to The ESAT Entries
Return to Main Page
The list
Odds and Ends (Du Val)
Offer der Vrijheid (1762), Een (Schuitemaker)
Oh Dad, Poor Dad, Mama’s Hung you in the Closet and I’m feeling so Sad
Old Lady Shows Her Medals, The
Old Maid, The (Murphy)
Omnibus, The, or A Convenient Distance (Raymond/Pocock)
On Fait ce qu'on Peut et non pas ce qu'on Veut (Dorvigny)
On ne s'Avise de Tout (Sedaine and Monsigny )
On the Harmful Effects of Tobacco (Chekhov)
On the High Road (Chekhov)
On the Sly (Morton)
One Tree Hill (Craven)
Onechte Zoon, De (Kotzebue) See Das Kind der Liebe
Onechte Dochter, De (Meijer)
Ongelukkig Minnaar, Een, of Mislukte Liefdesverklaring (T. van der Stempel)
Ongeluksvoël, Die (Blumenthal and Kadelburg) See Hans Huckebein, der Unglücksrabe
Only a Halfpenny (Oxenford)
Oom en Neef, of Misverstand op Misverstand (J. Schuitekmaker te Purmerend)
Oom uit Californië, Een (Hoek)
Oom Vania (Chekhov) See Uncle Vanya
Oom Vanya (Chekhov) See Uncle Vanya
Oost-Indien-vaarer, De (Arresto)
Op Hoop van Zegen (Heijermans)
L'Opéra-Comique assiégé (Lesage and d'Orneval)
Opfer-Tod, Der (Von Kotzebue)
Ophelia Thinks Harder (Shakespeare/Betts)
Opkomst van het Huis Rothschild, De (Van der Stempel)
Oppad (Chekhov/Smith)
Original, The (Morton)
Oromidas, ou Le Balêt de Balais (Anon)
Ortenbergsche Familie, De (Vreedenberg)
Oscar and the Pink Lady SeeOscar et la Dame rose
Oscar et la Dame rose (Schmitt)
Oskar en die Pienk Tannie (Schmitt/Morgan) See Oscar et la Dame rose
Othello (Shakespeare)
Othello, or The Moor of Venice (Shakespeare) See Othello
Othello, of De Jaloersche Zwart (Shakespeare) See Othello
Othello, of De Moor van Venetien (Shakespeare) See Othello
Othello Slegs Blankes (Shakespeare/Howarth)
Othello Travestie (Dowling)
Oud Soldaat, Een (Nieuwmeyer)
Oud tot Jong Gemaald, of De Krommesprongen van Harlequin (Anon.)
Oude Rat in de Val, Een (Schuitemaker)
Oude Meid, De See The Old Maid (Murphy)
Oude Rot, De (Anon.)
Ouderlijk Huis, Het (Südermann) See Heimat
Oujaarsavond, Een (Dikkema)
Our Town (Wilder)
Our Wife, or The Rose of Amiens (Morton)
Out on the Sly (Selby)
Return to
Return to South African Stage Plays
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to The ESAT Entries
Return to Main Page