Difference between revisions of "ESAT Plays 1 W"
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− | [[Waai, | + | [[Waai, Westewind]] (De Klerk) |
[[Waak oor ons huis]] | [[Waak oor ons huis]] | ||
Line 69: | Line 69: | ||
[[War]] | [[War]] | ||
+ | |||
+ | [[War and a Woman]] (Stent) | ||
[[War Cry]] | [[War Cry]] | ||
Line 77: | Line 79: | ||
[[Washerwoman]] | [[Washerwoman]] | ||
+ | |||
+ | [[WASPS]] | ||
[[Wat aan die Keiser Behoort]] | [[Wat aan die Keiser Behoort]] | ||
Line 91: | Line 95: | ||
[[The Water Juggler|Water Juggler, The]] | [[The Water Juggler|Water Juggler, The]] | ||
+ | |||
+ | [[Water Pockets]] | ||
[[Die Water Zaak of Engelsch vs. Hollandsch| Water Zaak of Engelsch vs. Hollandsch, Die]] | [[Die Water Zaak of Engelsch vs. Hollandsch| Water Zaak of Engelsch vs. Hollandsch, Die]] | ||
Line 119: | Line 125: | ||
[[We Shall Sing for the Fatherland]] | [[We Shall Sing for the Fatherland]] | ||
+ | |||
+ | [[We 3]] | ||
[[We Three Kings]] | [[We Three Kings]] | ||
[[We Were Robbed]] | [[We Were Robbed]] | ||
+ | |||
+ | [[We Will Rock You!]] (Queen/Sutherland and Botha) '''See ''[[Queen at the Opera]]''''' | ||
[[The Weather Forecast| Weather Forecast, The]] | [[The Weather Forecast| Weather Forecast, The]] | ||
Line 128: | Line 138: | ||
[[Die Web|Web, Die]] | [[Die Web|Web, Die]] | ||
− | [[De Weddenschap| Weddenschap, De]] | + | [[De Weddenschap| Weddenschap, De]] (Brink) |
[[Die Weduwee| Weduwee, Die]] | [[Die Weduwee| Weduwee, Die]] | ||
Line 151: | Line 161: | ||
[[Wees]] | [[Wees]] | ||
+ | |||
+ | [[Die Weeskind|Weeskind, Die]] | ||
[[Weg met die Maatemmer]] | [[Weg met die Maatemmer]] | ||
Line 160: | Line 172: | ||
[[The Well Being|Well Being, The]] | [[The Well Being|Well Being, The]] | ||
− | [[Well-Without-Water]] | + | [[Well-Without-Water]] (Smit) See ''[[Putsonderwater]]'' |
+ | |||
+ | [[Well-without-water, or The Virgin and the Vultures]] (Smit) See ''[[Putsonderwater]]'' | ||
[[Die Welwillende Bedrieër|Welwillende Bedrieër, Die]] | [[Die Welwillende Bedrieër|Welwillende Bedrieër, Die]] | ||
Line 228: | Line 242: | ||
[[White Men with Weapons]] | [[White Men with Weapons]] | ||
− | [[The White Train| White Train, The]] | + | [[The White Train| White Train, The]] |
+ | |||
+ | [[Who Killed Rosenkrantz?]] | ||
[[Who Digs Who!]] | [[Who Digs Who!]] | ||
Line 269: | Line 285: | ||
[[Wie Weet Wen (Wie Weet Wint)]] | [[Wie Weet Wen (Wie Weet Wint)]] | ||
+ | |||
+ | [[Wieretuin]] | ||
[[Wie's in Charge?]] | [[Wie's in Charge?]] | ||
Line 294: | Line 312: | ||
[[Willem Adriaan van der Stel and the Burghers]] | [[Willem Adriaan van der Stel and the Burghers]] | ||
− | [[Willem Nel]] | + | [[Willem Nel]] (Teengs) |
[[Willem Prinsloo’s Peach Brandy]] | [[Willem Prinsloo’s Peach Brandy]] | ||
Line 329: | Line 347: | ||
[[The Wish|Wish, The]] | [[The Wish|Wish, The]] | ||
+ | |||
+ | [[Wishing for Justice]] (Anon.) | ||
[[Wit Leuens en Swart Dade]] | [[Wit Leuens en Swart Dade]] | ||
Line 335: | Line 355: | ||
[[The Witch|Witch, The]] | [[The Witch|Witch, The]] | ||
+ | |||
+ | [[A Witch in my Heart|Witch in my Heart, A]] | ||
[[With Rhyme and Reason]] | [[With Rhyme and Reason]] | ||
Line 412: | Line 434: | ||
[[Worlds Apart]] | [[Worlds Apart]] | ||
− | [[A Worm in the Bud| Worm in the Bud, A]] | + | [[A Worm in the Bud| Worm in the Bud, A]] ([[Reza de Wet|De Wet]]) |
− | [[The Worm in the Bud| Worm in the Bud, The]] | + | [[The Worm in the Bud| Worm in the Bud, The]] ([[Rose Scorgie|Scorgie]]) |
[[Worst of Both Worlds]] (Mabutyana) | [[Worst of Both Worlds]] (Mabutyana) | ||
Line 430: | Line 452: | ||
[[Die Wraak is Myne| Wraak is Myne, Die]] | [[Die Wraak is Myne| Wraak is Myne, Die]] | ||
− | [[The Wraith of Table Mountain| Wraith of Table Mountain, The]] | + | [[The Wraith of Table Mountain| Wraith of Table Mountain, The]] ("A Gentleman of the Cape") |
[[Wrakstukke]] | [[Wrakstukke]] | ||
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[[Wydekloof]] | [[Wydekloof]] | ||
− | [[Wyn]] | + | [[Wyn]] |
== Return to == | == Return to == |
Latest revision as of 17:42, 3 August 2021
Return to South African Stage Plays
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to The ESAT Entries
Return to Main Page
The List
Waai, Westewind (De Klerk)
Waarom is dié wat voor toi-toi altyd so vet?
Waarom Strelitzias Nie Kan Vlieg Nie (Aron/Esterhuizen)
War and a Woman (Stent)
Wat Kleintjies vir die Sending kan doen
Wat Meisies wil Eet (Saartjie Botha)
Water Zaak of Engelsch vs. Hollandsch, Die
Wathint’ Abafazi, Wathint’ Imbokodo
We Shall Sing for the Fatherland
We Will Rock You! (Queen/Sutherland and Botha) See Queen at the Opera
Weddenschap, De (Brink)
Weduwee van die Lange Kloof, Die (J.R.L. van Bruggen)
Weerstaanbare Opkoms van Arturo Ui, Die
Weg met Mans! Or Manlose Wêreld
Well-Without-Water (Smit) See Putsonderwater
Well-without-water, or The Virgin and the Vultures (Smit) See Putsonderwater
We're Not On Top, We're Inside
What Annette Said In Her Sleep Last Night
What was… was (musical)
When a Smile is Born (Zoe’s Dream)
When the Saints Go Marching In
Whiteman (Picardie)
Why Strelitzias Can't Fly (Aron)
Wie is Bang vir Virginia Woolf?
Wie is die Baas van die Plaas?
Willem Adriaan van der Stel and the Burghers
Willem Nel (Teengs)
Willem Prinsloo’s Peach Brandy
Wind in die Takke van die Sassafras
Winde van Verandering (Perold)
Wishing for Justice (Anon.)
Woman in Waiting, A (Farber and Mtshali-Jones)
Wonderkinders van Johannesburg, Die
Wonderlike Avonture van Tambotie die Pop (Amazing Adventures of Tambooti)
Wonders of Cape Town, The (Boniface]
Wood-Ash Stars and the Tale of Nombulelo, The
Working Class Hero (Govender)
Working Class Hero (Nissen)
Worm in the Bud, The (Scorgie)
Worst of Both Worlds (Mabutyana)
Woyzeck on the Highveld Buchner/Kentridge/Handspring Puppet Company
Woza Albert! (Mtwa, Ngema and Simon)
Woza Andries? (Volker)
Wraith of Table Mountain, The ("A Gentleman of the Cape")
Writer’s Last Word, A: The Life and Works of Richard Rive
Wy Komen Niet Uit Met Ons Pensioen
Return to
Return to South African Stage Plays
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to The ESAT Entries
Return to Main Page