Waiting for Godot
The original text
One of the most influential plays of the twentieth century, Beckett’s Absurdist masterpiece of two clowns waiting for the "coming" of the enigmatic "Godot" has been performed in numerous guises across the world by professionals, amateurs and students.
(1953).Published by Faber and Faber, 1956.
Translations and adaptations
Locally it has also had an enormous influence on the nature of South African theatre, inter alia on the work of Athol Fugard (see Boesman and Lena for example), Bartho Smit, André P. Brink and Charles J. Fourie. (See Absurdist Theatre in Part 3 Section 1: Terminology*?)
Duckrabbit (Lara Foot-Newton and Gerhard Marx) staged a Karoo version of Waiting for Godot. 2001: Produced and directed by Lara Foot-Newton’s production for the 2001 Grahamstown Festival with Seputla Sebogodi, Lionel Newton, Robert Whitehead and Bheki Vilakazi).
Actress & Girl is a two-woman play, based on Waiting for Godot and created and performed by Maude Sandham and Rachael Neary , two young theatre-makers in South Africa, produced by Masidlale Productions[i]. Performed at the Musho! Festival 2015. http://original-vs-copy.interartive.org/2015/07/jacobs/
Performance history in South Africa
1955-6: First produced professionally in South Africa by Leonard Schach on his return from an overseas excursion in 1955. It opened at the Little Theatre in Cape Town with Gavin Haughton as Vladimir and Alec Bell as Estragon, also starring Donald Inskip (Lucky), Gordon Roberts (Pazzo) and Frank Rothgiesser (A Boy). Decor by Cecil Pym and lighting by E.G. Marshall. The play was also presented at the Hofmeyr Theatre and then taken on a tour of several country towns in South Africa under Brian Brooke’s management. Schach claims that Cape Town audiences saw it before any other English language audiences, outside of London.
1959: Schach then collaborated with Leon Gluckman and Taubie Kushlick as co-producers to stage it once again, this time at the Technical College Hall in 1956, starring Alec Bell, Gerrit Wessels and Gavin Haughton.
1965: Presented by the University of Cape Town Department of Speech and Drama at the Little Theatre, directed by Robert Mohr, starring Frank Lazarus (Extragon), John Mitchell (Vladimir), Joey Wishnia (Lucky), Roy Sargeant (Pozzo) and Chronis Papacostas (A Boy). Set designed by Keith Anderson, costumes by Helen Rooza, lighting by Cliff Taylor.
1970: A PACOFS production was directed by Bill Smuts for PACT, 1970. Three black and white photographs of Neels Coetzee, William Egan, George Barnes and Leon Cloete in scenes from the PACOFS production of Waiting for Godot. Directed by Bill Smuts, 1970.
1980: Staged at the Baxter Theatre and the Market Theatre, directed by Donald Howarth, with John Kani, Winston Ntshona, Pieter-Dirk Uys, Peter Piccolo and Silamour Philander. The multiracial cast, approved by Beckett himself, caused quite a stir back then. The production later went to Britain and the USA.
2010: After two years of touring with a critically acclaimed production of Waiting for Godot, British actor Ian McKellen  and his cast were in SA to perform Beckett's seminal play at The Fugard Theatre. The play was directed by Sean Mathias.
Theatre programme (PACOFS 1970): NELM [Collection: Performing Arts Council Orange Free State (PACOFS)]: 2009. 67. 1. 2. 49).
Lantern, December 1959.
Photograph (1962 production) held by NELM: Photograph collection, large format [Collection: MISCELLANEOUS]: 2005. 20. 71.
Inskip, 1977. p 119.
Theatre programmes Little Theatre (1955), UCT (1965) and Baxter (1980).
PACT Info (1), 1991-1992.
Business Day, 7 September 2010.
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