Difference between revisions of "ESAT Bibliography Hom-How"

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Click on the appropriate letters of the alphabet in the sub-list below.  
 
Click on the appropriate letters of the alphabet in the sub-list below.  
  
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[[ESAT Bibliography H-Hat|H-Hat]] [[ESAT Bibliography Hau|Hau]] [[ESAT Bibliography Haw-Her|Haw-Her]] [[ESAT Bibliography Hes-Hol|Hes-Hol]] [[ESAT Bibliography Hom-How|Hom-How]] [[ESAT Bibliography Hug-Hun|Hug-Hun]] [[ESAT Bibliography Hut|Hut]] [[ESAT Bibliography Hy-Hz|Hy-Hz]]
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[[ESAT Bibliography H-Hat|H-Hat]] [[ESAT Bibliography Hau|Hau]] [[ESAT Bibliography Haw-Her|Haw-Her]] [[ESAT Bibliography Hes-Hol|Hes-Hol]] [[ESAT Bibliography Hom-How|Hom-How]] [[ESAT Bibliography Hua-Hun|Hua-Hun]] [[ESAT Bibliography Huo-Huz|Huo-Huz]] [[ESAT Bibliography Hy-Hz|Hy-Hz]]
  
 
To return to any other letter, click on the list below
 
To return to any other letter, click on the list below
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
  
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==The list==
  
  
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[[Greg Homann|Homann, Greg]] 2009. Landscape and body. ''[[South African Theatre Journal]]'', 23:49-176.
  
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[[Greg Homann|Homann, Greg]] 2009. Landscape and body. ''[[South African Theatre Journal]]'', 23:49-176.
+
[[Greg Homann|Homann, Greg]] and [[Marc Maufort|Maufort, Marc]] (Eds). 2015. ''New territories : theatre, drama, and performance in Post-apartheid South Africa''. Bruxelles : P.I.E. Peter Lang.
 +
 
 +
[[Greg Homann|Homann, Greg]]. 2023. "Novel role for literature on stage", ''[[Mail & Guardian]]'', 14 October 2023.[https://mg.co.za/friday/2023-10-14-novel-role-for-literature-on-stage/]
  
 
Honegger, Gitta; Patipatpaopong, Rassami; Schechter, Joel 1984. An interview with [[Athol Fugard]]. ''Theater Magazine'', 16(11):32-39.
 
Honegger, Gitta; Patipatpaopong, Rassami; Schechter, Joel 1984. An interview with [[Athol Fugard]]. ''Theater Magazine'', 16(11):32-39.
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[[Kim Hope|Hope, Kim]] 2005. ‘I love you—you're my woman!’. ''Research in Drama Education'', 10(2):241-245.
 
[[Kim Hope|Hope, Kim]] 2005. ‘I love you—you're my woman!’. ''Research in Drama Education'', 10(2):241-245.
  
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[[Andrew Horn|Horn, Andrew]] 1985. Ideology and the melodramatic vision : popular theatre in Black South Africa and nineteenth-century America. ''English in Africa'', 12(1):1-9.
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Hopkinson, Henry Thomas 1959. Birth of ''[[King Kong]]''. ''The Reporter'', 21:25-26. December 10.
  
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[[Andrew Horn|Horn, Andrew]] 1986a. South African theatre; ideology and rebellion. ''Research in African Literatures'', 17(2):211-233.
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[[Andrew Horn|Horn, Andrew]] 1985. Ideology and the melodramatic vision : popular theatre in Black South Africa and nineteenth-century America. ''[[English in Africa]]'', 12(1):1-9.
  
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[[Andrew Horn|Horn, Andrew]] 1986b. South African theatre; ideology and rebellion, in Barber, K. (ed.). ''Readings in African Popular Culture''. Bloomington, Ind: Indiana University Press. 73-80.
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[[Andrew Horn|Horn, Andrew]] 1986a. South African theatre; ideology and rebellion. ''[[Research in African Literatures]]'', 17(2):211-233.
  
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[[Andrew Horn|Horn, Andrew]] 1990. Introduction to ''The Plays of [[Zakes Mda]]'' by Zakes Mda. Johannesburg: Ravan Press.  
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[[Andrew Horn|Horn, Andrew]] 1986b. South African theatre; ideology and rebellion, in Barber, K. (ed.). ''Readings in African Popular Culture''. Bloomington: Indiana University Press. 73-80.
  
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[[M. Horn|Horn, M.]] 1988. Theater as a weapon. ''U.S. News & World Report'', 105(1):50.  
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[[Andrew Horn|Horn, Andrew]] 1990. Introduction to ''The Plays of [[Zakes Mda]]'' by Zakes Mda. Johannesburg: [[Ravan Press]].
 +
 
 +
[[M. Horn|Horn, M.]] 1988. Theater as a weapon. ''U.S. News & World Report'', 105(1):50-54.  
  
 
[[Peter Horn|Horn, Peter]] 1996. What is a tribal dress? The ‘imbongi’ (praise-singer) and the ‘people’s poet’. Reactivation of a tradition in the liberation struggle, in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.). ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing. 115-131.
 
[[Peter Horn|Horn, Peter]] 1996. What is a tribal dress? The ‘imbongi’ (praise-singer) and the ‘people’s poet’. Reactivation of a tradition in the liberation struggle, in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.). ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing. 115-131.
  
 
[[H. Horne|Horne, H.]] 2008. ''[[Kaburu: ‘n Drama vir die Verhoog]]'', by  [[Deon Opperman]]. Reviewed in: ''South African Journal of Cultural History'', 22(2):155-156.
 
[[H. Horne|Horne, H.]] 2008. ''[[Kaburu: ‘n Drama vir die Verhoog]]'', by  [[Deon Opperman]]. Reviewed in: ''South African Journal of Cultural History'', 22(2):155-156.
 +
 +
[[Hannes Horne|Horne, Jacobus Johannes]] 1970. [[Anna Neethling-Pohl]] se bydrae tot die Afrikaanse verhoogkuns. Unpublished master’s thesis. Pretoria: Universiteit van Pretoria.
  
 
[[Hannes Horne|Horne, Hannes]] 1978. Van dramateks tot toneelopvoering. ''[[Scenaria]]'', June/July: 63-64.
 
[[Hannes Horne|Horne, Hannes]] 1978. Van dramateks tot toneelopvoering. ''[[Scenaria]]'', June/July: 63-64.
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[[Hannes Horne|Horne, Hannes]] 1985. Die Suidwes-Afrikaanse Raad vir die Uitvoerende Kunste ([[SWARUK]]: 1966-1983). [The Performing Arts Council of South West Africa] , in [[Temple Hauptfleisch|Hauptfleisch, Temple]] (ed.). ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to [[P.P.B. Breytenbach]]''. Johannesburg: The Limelight press. 101-105.
 
[[Hannes Horne|Horne, Hannes]] 1985. Die Suidwes-Afrikaanse Raad vir die Uitvoerende Kunste ([[SWARUK]]: 1966-1983). [The Performing Arts Council of South West Africa] , in [[Temple Hauptfleisch|Hauptfleisch, Temple]] (ed.). ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to [[P.P.B. Breytenbach]]''. Johannesburg: The Limelight press. 101-105.
  
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[[Jacobus Johannes Horne|Horne, Jacobus Johannes]] 1970. [[Anna Neethling-Pohl]] se bydrae tot die Afrikaanse verhoogkuns. Unpublished master’s thesis. Pretoria: Universiteit van Pretoria.
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[[Hannes Horne|Horne, J.J.]] 1987. [[Anna Neethling-Pohl]]. ''Lantern'', 36(1):3-13.
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[[J.J. Horn|Horne, J.J.]] 1987. [[Anna Neethling-Pohl]]. ''Lantern'', 36(1):3-13.
 
  
 
[[David Horner|Horner, David]] 1967. Speech and drama. ''Fiat Lux'', 2:297-300.
 
[[David Horner|Horner, David]] 1967. Speech and drama. ''Fiat Lux'', 2:297-300.
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[[David Horner|Horner, David]] 1976. All the world’s a stage – so pity the poor player. ''Journal of the University of Durban-Westville'', 2(4):33-42.
 
[[David Horner|Horner, David]] 1976. All the world’s a stage – so pity the poor player. ''Journal of the University of Durban-Westville'', 2(4):33-42.
  
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[[Barry Hough|Hough, Barry]] 1981. Interview with [[Athol Fugard]] – Port Elizabeth, 30 November 1977. ''Theoria'', 55:37-48.  
+
Hosten Marc and Visser, J. 1999. [[Bartho Smit]] (1924-1986), in ''Perspektief en Profiel : 'n Afrikaanse Literatuurgeskiedenis'', edited by H.P. van Coller. Hatfield, Pretoria: Van Schaik. 2:578-587.
 +
 
 +
[[Barry Hough|Hough, Barry]] 1981. Interview with [[Athol Fugard]] – Port Elizabeth, 30 November 1977. ''[[Theoria]]'', 55:37-48.
 +
 
 +
[[Barry Hough|Hough, Barry]] 1979. [[Athol Fugard|Fugard]]’s ''[[Boesman and Lena]]'' in perspective. ''[[Crux]]'', 13(1):29-36.
  
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[[Barry Hough|Hough, Barry]] 1979. [[Athol Fugard|Fugard]]’s ''[[Boesman and Lena]]'' in perspective. ''Crux'', 13(1):29-36.
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[[Barry Hough|Hough, Barry]] 1985. 'n Boom met sterk wortels, ''[[Beeld]]'' (Kalender, pp. 2-3)
  
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[[Barry Hough|Hough, Barry]] 1985. Exit the king ([[Dawie Malan]]). ''De Kat'', 1(2):95-98. August.
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[[Barry Hough|Hough, Barry]] 1985. Exit the king ([[Dawie Malan]]). ''[[De Kat]]'', 1(2):95-98. August.
  
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[[Barry Hough|Hough, Barry]] 1995. [[Athol Fugard|Fugard]] staan poedelnakend. ''Insig'', 09/95:43.
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[[Barry Hough|Hough, Barry]] 1995. [[Athol Fugard|Fugard]] staan poedelnakend. ''[[Insig]]'', 09/95:43.
  
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[[Victor Houliston|Houliston, Victor]] 1989. Shakespeare not our contemporary: classical rhetoric and the teaching of Shakespeare. ''Shakespeare in Southern Africa'', 3:67-77.
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[[Victor Houliston|Houliston, Victor]] 1989. Shakespeare not our contemporary: classical rhetoric and the teaching of Shakespeare. ''[[Shakespeare in Southern Africa]]'', 3:67-77.
  
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House, Melanie J. 2010. Their place on the South African stage : The [[Peninsula Dramatic Society]] and the [[Trafalgar Players]]. Columbus, Ohio : Ohio State University. Unpublished doctoral dissertation.
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House, Melanie J. 2010. Their place on the South African stage : The [[Peninsula Dramatic Society]] and the [[Trafalgar Players]]. Columbus, Ohio : Ohio State University. Unpublished doctoral dissertation.[https://docplayer.net/42062786-Dissertation-melanie-j-house-b-f-a-m-f-a-m-a-graduate-program-in-theatre-the-ohio-state-university-dissertation-committee.html]
  
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[[Stefan A. Howelss|Howells, Stefan A.]] 1990. Cultural practice and powerful meanings: a study of black urban theatre in South Africa. Unpublished bachelor’s thesis. Harvard University.  
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[[George F. Howard|Howard, George F.]] 1935a. ''[[Hay Fever]]'',([[Johannesburg Drama Circle]]). ''[[South African Opinion]]'', 2(3):16. November 29.
 +
 
 +
[[George F. Howard|Howard, George F.]] 1935b. ''[[Lady with the Lamp]]'' ([[Johannesburg Repertory Playreading Society]]), and three one-act plays ([[Sylvie Mathey Studios]]). ''[[South African Opinion]]'', 2(4):17-18. December 13.
 +
 
 +
[[George F. Howard|Howard, George F.]] 1935c. ''[[Lean Harvest]]'' ([[Johannesburg Repertory Players]]). ''[[South African Opinion]]'',2(2):15. November 15.
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 +
[[George F. Howard|Howard, George F.]] 1935d. ''[[The Man in Checks]]'', by [[Lewis Sowden]], produced by [[Kurt Baum]]. ''[[South African Opinion]]'', 2(1):23.
 +
 
 +
[[George F. Howard|Howard, George F.]] 1936a. ''[[Lady Precious Scream]]'' ([[Johannesburg Repertory Players]]). ''[[South African Opinion]]'', 2(9):14. February 22.
 +
 
 +
[[George F. Howard|Howard, George F.]] 1936b. The new dramatic season. ''[[South African Opinion]]'', 2(6):19. January 10.
  
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[[Leslie Howlett|Howlett, Leslie]] 2002. ''A Midsummer Night’s Dream'' directed by [[Fred Abrahamse]] for the [[Maynardville]] Open Air Theatre, 11 January to 23 February 2002.  ''Shakespeare in Southern Africa'', 14:50-51.
+
[[George F. Howard|Howard, George F.]] 1936c. Scribbling cowards and art. (Playwriting in South Africa). ''[[South African Opinion]]'', 2(7):15-16. January 24.
  
 +
[[Stefan A. Howelss|Howells, Stefan A.]] 1990. Cultural practice and powerful meanings: a study of black urban theatre in South Africa. Unpublished bachelor’s thesis. Harvard University.
  
 +
[[Leslie Howlett|Howlett, Leslie]] 2002. ''[[A Midsummer Night’s Dream]]'' directed by [[Fred Abrahamse]] for the [[Maynardville]] Open Air Theatre, 11 January to 23 February 2002.  ''[[Shakespeare in Southern Africa]]'', 14:50-51.
  
 +
==Return to==
  
 
Click on the appropriate letters of the alphabet in the sub-list below.  
 
Click on the appropriate letters of the alphabet in the sub-list below.  
  
−
[[ESAT Bibliography H-Hat|H-Hat]] [[ESAT Bibliography Hau|Hau]] [[ESAT Bibliography Haw-Her|Haw-Her]] [[ESAT Bibliography Hes-Hol|Hes-Hol]] [[ESAT Bibliography Hom-How|Hom-How]] [[ESAT Bibliography Hug-Hun|Hug-Hun]] [[ESAT Bibliography Hut|Hut]] [[ESAT Bibliography Hy-Hz|Hy-Hz]]
+
[[ESAT Bibliography H-Hat|H-Hat]] [[ESAT Bibliography Hau|Hau]] [[ESAT Bibliography Haw-Her|Haw-Her]] [[ESAT Bibliography Hes-Hol|Hes-Hol]] [[ESAT Bibliography Hom-How|Hom-How]] [[ESAT Bibliography Hua-Hun|Hua-Hun]] [[ESAT Bibliography Huo-Huz|Huo-Huz]] [[ESAT Bibliography Hy-Hz|Hy-Hz]]
  
 
To return to any other letter, click on the list below
 
To return to any other letter, click on the list below
Line 78: Line 101:
  
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 +
 +
Return to [[The ESAT Entries]]
 +
 +
Return to [[Main Page]]

Latest revision as of 06:40, 15 June 2024

Click on the appropriate letters of the alphabet in the sub-list below.

H-Hat Hau Haw-Her Hes-Hol Hom-How Hua-Hun Huo-Huz Hy-Hz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance

The list

Homann, Greg 2009. Landscape and body. South African Theatre Journal, 23:49-176.

Homann, Greg and Maufort, Marc (Eds). 2015. New territories : theatre, drama, and performance in Post-apartheid South Africa. Bruxelles : P.I.E. Peter Lang.

Homann, Greg. 2023. "Novel role for literature on stage", Mail & Guardian, 14 October 2023.[1]

Honegger, Gitta; Patipatpaopong, Rassami; Schechter, Joel 1984. An interview with Athol Fugard. Theater Magazine, 16(11):32-39.

Hookham, John 1991. We the rhino: Ethnographic aggies and the representation of the Bushmen. South African Theatre Journal, 5(1):24-34.

Hoosain, Mohamed Faruk 1992. Alternative cultural practices in drama studies : an exploratory study. Unpublished master’s thesis. Durban: University of Natal.

Hope, Kim 2005. ‘I love you—you're my woman!’. Research in Drama Education, 10(2):241-245.

Hopkinson, Henry Thomas 1959. Birth of King Kong. The Reporter, 21:25-26. December 10.

Horn, Andrew 1985. Ideology and the melodramatic vision : popular theatre in Black South Africa and nineteenth-century America. English in Africa, 12(1):1-9.

Horn, Andrew 1986a. South African theatre; ideology and rebellion. Research in African Literatures, 17(2):211-233.

Horn, Andrew 1986b. South African theatre; ideology and rebellion, in Barber, K. (ed.). Readings in African Popular Culture. Bloomington: Indiana University Press. 73-80.

Horn, Andrew 1990. Introduction to The Plays of Zakes Mda by Zakes Mda. Johannesburg: Ravan Press.

Horn, M. 1988. Theater as a weapon. U.S. News & World Report, 105(1):50-54.

Horn, Peter 1996. What is a tribal dress? The ‘imbongi’ (praise-singer) and the ‘people’s poet’. Reactivation of a tradition in the liberation struggle, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 115-131.

Horne, H. 2008. Kaburu: ‘n Drama vir die Verhoog, by Deon Opperman. Reviewed in: South African Journal of Cultural History, 22(2):155-156.

Horne, Jacobus Johannes 1970. Anna Neethling-Pohl se bydrae tot die Afrikaanse verhoogkuns. Unpublished master’s thesis. Pretoria: Universiteit van Pretoria.

Horne, Hannes 1978. Van dramateks tot toneelopvoering. Scenaria, June/July: 63-64.

Horne, Hannes 1985. Die Suidwes-Afrikaanse Raad vir die Uitvoerende Kunste (SWARUK: 1966-1983). [The Performing Arts Council of South West Africa] , in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 101-105.

Horne, J.J. 1987. Anna Neethling-Pohl. Lantern, 36(1):3-13.

Horner, David 1967. Speech and drama. Fiat Lux, 2:297-300.

Horner, David 1972. Theatre in the hills. Fiat Lux, 7(1):27. February.

Horner, David 1976. All the world’s a stage – so pity the poor player. Journal of the University of Durban-Westville, 2(4):33-42.

Hosten Marc and Visser, J. 1999. Bartho Smit (1924-1986), in Perspektief en Profiel : 'n Afrikaanse Literatuurgeskiedenis, edited by H.P. van Coller. Hatfield, Pretoria: Van Schaik. 2:578-587.

Hough, Barry 1981. Interview with Athol Fugard – Port Elizabeth, 30 November 1977. Theoria, 55:37-48.

Hough, Barry 1979. Fugard’s Boesman and Lena in perspective. Crux, 13(1):29-36.

Hough, Barry 1985. 'n Boom met sterk wortels, Beeld (Kalender, pp. 2-3)

Hough, Barry 1985. Exit the king (Dawie Malan). De Kat, 1(2):95-98. August.

Hough, Barry 1995. Fugard staan poedelnakend. Insig, 09/95:43.

Houliston, Victor 1989. Shakespeare not our contemporary: classical rhetoric and the teaching of Shakespeare. Shakespeare in Southern Africa, 3:67-77.

House, Melanie J. 2010. Their place on the South African stage : The Peninsula Dramatic Society and the Trafalgar Players. Columbus, Ohio : Ohio State University. Unpublished doctoral dissertation.[2]

Howard, George F. 1935a. Hay Fever,(Johannesburg Drama Circle). South African Opinion, 2(3):16. November 29.

Howard, George F. 1935b. Lady with the Lamp (Johannesburg Repertory Playreading Society), and three one-act plays (Sylvie Mathey Studios). South African Opinion, 2(4):17-18. December 13.

Howard, George F. 1935c. Lean Harvest (Johannesburg Repertory Players). South African Opinion,2(2):15. November 15.

Howard, George F. 1935d. The Man in Checks, by Lewis Sowden, produced by Kurt Baum. South African Opinion, 2(1):23.

Howard, George F. 1936a. Lady Precious Scream (Johannesburg Repertory Players). South African Opinion, 2(9):14. February 22.

Howard, George F. 1936b. The new dramatic season. South African Opinion, 2(6):19. January 10.

Howard, George F. 1936c. Scribbling cowards and art. (Playwriting in South Africa). South African Opinion, 2(7):15-16. January 24.

Howells, Stefan A. 1990. Cultural practice and powerful meanings: a study of black urban theatre in South Africa. Unpublished bachelor’s thesis. Harvard University.

Howlett, Leslie 2002. A Midsummer Night’s Dream directed by Fred Abrahamse for the Maynardville Open Air Theatre, 11 January to 23 February 2002. Shakespeare in Southern Africa, 14:50-51.

Return to

Click on the appropriate letters of the alphabet in the sub-list below.

H-Hat Hau Haw-Her Hes-Hol Hom-How Hua-Hun Huo-Huz Hy-Hz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance

Return to The ESAT Entries

Return to Main Page

Retrieved from "https://esat.sun.ac.za/index.php?title=ESAT_Bibliography_Hom-How&oldid=261762"