ESAT Bibliography Haw-Her
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Hawkins, Barry 1998. Hedda Gabler: Eavesdropping on real events. South African Theatre Journal, 12(1&2):109-136.
Haworth-Booth, C. 1966. Puppets on my hands. Femina, November 3-November 17.
Hawthorne, Nigel 2002. Straight Face. The Autobiography. London: Hodder and Stoughton.
Hay-Whitton, Don (ed.) 1979. Theatre - the fun house and its management ; a report of the proceedings at the international symposium of the South African Institute of Theatre Technology held at the Nico Malan Theatre Centre, Cape Town, from 30 July to 3 August 1979.
Haynes, David John 1986. Fear No More the Heat o’ the Sun: Developing Drama in Southern Africa. Cape Town: University of Cape Town.
Heaney, Bobby 1994. Bringing page to stage, in Slabolepszy, Paul Mooi Street and Other Moves. Johannesburg: University of Witwatersrand Press. xix.
Heaney, Bobby 2006. Cross-pollinating skills: directing for theatre, television and film. South African Theatre Journal, 20:221-232.
Heathcote, Dorothy 1988. Role protection and controls in drama teaching. Education Bulletin, 3:49-51.
Hees, Edwin 1990. The Best of Company – The Story of Johannesburg’s Market Theatre, by Pat Schwartz. Reviewed in: South African Theatre Journal, 4(1):167-171.
Hees, Edwin 1995a. Mooi Street and Other Moves, by Paul Slabolepszy. Reviewed in: South African Theatre Journal, 9(1):113-118.
Hees, Edwin 1995b. The Story of South African Theatre 1780 – 1930, by Jill Fletcher. Reviewed in: South African Theatre Journal, 9(1):113-118.
Hees, Edwin 1997a. The Play: A Manual, by Marisa Keuris. Reviewed in: South African Theatre Journal, 11(1&2):305-308.
Hees, Edwin 1997b. Woza Shakespeare! Titus Andronicus in South Africa, by Antony Sher & Gregory Doran. Reviewed in: South African Theatre Journal, 11(1&2):298-304.
Hees, Edwin 1998. Church and Stage in Victorian England, by Richard Foulkes. Reviewed in: South African Theatre Journal, 12(1&2):230-236.
Hees, Edwin 1999. Post-Colonial Shakespeare, edited by Ania Loomba & Martin Orkin. Reviewed in: South African Theatre Journal, 13(1&2):202-205.
Hees, Edwin 2001. The Drama of South Africa. Plays, Pageants and Publics Since 1910, by Loren Kruger. Reviewed in: South African Theatre Journal, 15:192-194.
Hees, Edwin 2002a. The Oxford Companion to Shakespeare, by M. Dobson & S. Wells. Reviewed in: South African Theatre Journal, 16:248-250.
Hees, Edwin 2002b. Who Wrote That? A Dictionary of Writers and Their Works, by M. Cox. Reviewed in: South African Theatre Journal, 16:248-250.
Hees, Edwin 2011. Global Ibsen. Performing multiple modernities, edited by Erika Fischer-Lichte, Barbara Gronau and Christine Weil. Reviewed in South African Theatre Journal, 25(3):245-257.
Helen Bourne – a profile. 1978. Scenaria, February/March:39-40.
Hendriks, Frank S. 1978. ‘n Sinchronies-diachroniese studie van taalgebruik in Kanna, hy kô Hystoe van Adam Small. Unpublished master’s thesis. Bellville: University of the Western Cape.
Henman, R.H. & Van Niekerk, G.T. 1967. Ecce homo! [passion play]. South African Panorama, 12(4): 8-9. April.
Henning, C.G. 1975. Graaff-Reinet - A Cultural History 1786-1886. Cape Town: T.V. Bulpin
Henning, E. 1991. Drama-making in E.S.L. [English Second Language] teaching: the need for classroom-bsed research. Journal for Language Teaching, 25(1):28-35.
Henning, Elizabeth 1980. Dramatiese spel in senior primêre onderrig. Unpublished master’s thesis. Pretoria: University of Pretoria.
Henning, Elbie 1988. Teater vir die voorskoolse kind. Kleuterklanke, 13(1):25-26. June.
Henning, Willemien & Henning, C. 1968. Twee doodgewone sestigers. (Cobus en Sandra Rossouw). Sarie Marais, 20(6): 146-148. September 25.
Henry, William A III[1]. 1994. Home is where the Art is: South African dissident Athol Fugard happily loses his great theme and sets his sights on a post-apartheid world. TIME Magazine, March 21, 1994:20.
Herbst, Kristie 1990. Dramatiseringsmoontlikhede by Boerneef as digter. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education.
Herbstein, Denis 1978. White Man, We Want To Talk To You. Harmondsworth, Penguin.
Hermer, Manfred 1952a. Bou van toneelsale in Suid-Afrika. Helikon, 1(4):24-30. April.
Hermer, Manfred 1952b. Teater vir Aartjiesdaal. Helikon, 2(7):71-76. October.
Hermer, Manfred 1953a. Johannesburg Repertory Theatre. South African Architectural Record, 38(1):20-27.
Hermer, Manfred 1953b. Teaterbou. Helikon, 2(12):103-112. August.
Hermer, Manfred 1958. Bloemfontein’s Civic Theatre. Public Works of South Africa, 18(171):20-23. February.
Hermer, Manfred 1961. Johannesburg’s new theatre has been tailored–to-fit. Construction in Southen Africa, 6(4):25-27.
Hermer, Manfred 1962. Civic Theatre, Johannesburg. South African Architectural Record, 47(11):18-21.
Hermer, Manfred 1963. Civic Theatre, Johannesburg. Architect and Builder, 13(1):2-9.
Herrick, Dean 1942. Develop South Africa’s gold-mines of talent. Outspan, 32(808):35. August 21.
Herrington, Sandra 1985. Some aspects of the methodology involved in adapting the novel for stage and radio. Unpublished master’s thesis. Durban: University of Natal.
Herrington, Sandra 1988. Performance polemics in a plural society : South African theatre in transition. Unpublished doctoral dissertation. Durban: University of Natal.
Herzberg, L. 1966. Mothercare: puppets for poppets. Fair Lady, 2(8): 115. June 15.
Herzberg, L. 1976. Puppet as therapist, psychologist, and doctor. Artlook, 9(4):19. August-September.
Herzberg, Lily 1991. The moving dolls. Animations, 14(5):87-88.
Herzberg, Lily 1992. A Bushman legend in shadows. Animations, 15(2):39-40.
Click on the appropriate letters of the alphabet in the sub-list below.
H-Hat Hau Haw-Her Hes-Hol Hom-How Hua-Hun Huo-Huz Hy-Hz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
