Difference between revisions of "Stellenbosch University Drama Department"
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The [[Stellenbosch University Drama Department]] was the third Unversity Drama Department to be founded in the country and is the oldest of the three original Afrikaans-language university-based drama training institutions. It has thus played a significant role in the development of the theatre industry in the country. | The [[Stellenbosch University Drama Department]] was the third Unversity Drama Department to be founded in the country and is the oldest of the three original Afrikaans-language university-based drama training institutions. It has thus played a significant role in the development of the theatre industry in the country. | ||
| − | =BEING EDITED, INTEGRATING THE TWO ENTRIES BELOW= | + | ='''BEING EDITED, INTEGRATING THE TWO ENTRIES BELOW'''= |
| − | =Entry 1= | + | ='''Entry 1'''= |
== The name == | == The name == | ||
| Line 11: | Line 11: | ||
== Background == | == Background == | ||
| − | The Department traces its origins to | + | The Department traces its origins to informal elocution lessons offered on campus from 1903 by various individuals, such as Miss [[I. Gray]], which graudally led to speech classes for music students, presented formally by [[Monica Dolphin]] at the [[Stellenbosch University Conservatorium]] (a Conservatoire for Music) from 1921 onwards. Out of this came a formal course in speech and elocution, with formal plays being put on as part of the training programme. |
| − | + | ||
| − | After Prof. Engelen's unexpected death in 1967 the Department was run for while by Mr [[Jocelyn de Bruyn]], along with Prof. [[George Paul Johannes Trümpelmann|G.P.J. Trümpelmann]] from German | + | In 1949 the course in ''Speech, Recitation and Stagecraft'' was recognised as a fully fledged B.A. subject, with the young [[Robert Mohr]] doing remarkable work in this field. |
| + | |||
| + | In 1961 the University took the next step, by appointing the well-known Flemish director and lecturer, [[Fred Engelen]], as the first professor in drama and head of an independent Drama Department in South Africa. A number of [[Flemish]] and [[Dutch]] staff members were appointed, including his wife, the famous actress [[Tine Balder]], Dr [[Benoni de Haeck]] and Mr [[Jos Willemse]]. Engelen also appointed a young [[Emile Aucamp]] as the theatre technician and [[Elaine Aucamp]] as costumier. Other staff members mentioned in this period include [[Rina Botha]], [[Gisela Täger]] and [[H. Elmer]]. | ||
| + | |||
| + | During Engelen's tenure, he not only trained numerous students, but initiated and guided the construction of a purpose built theatre for Stellenbosch, to also serve as a training centre for drama students. Opened in 1966 the [[H.B. Thom Theatre]] was named after the then Vice Chancellor and Rector of the University, Professor [[H.B. Thom]]. | ||
| + | |||
| + | After Prof. Engelen's unexpected death in 1967, while travelling abroad, the Department was run for while by Mr [[Jocelyn de Bruyn]], along with Prof. [[George Paul Johannes Trümpelmann|G.P.J. Trümpelmann]] from the German department. In 1969 Prof. [[Fred le Roux]] took over as head and after his retirement in 1977, Mr [[Herman Pretorius]] was appointed to the position. A period of exceptional activity followed, inspired by people such as Mr Pretorius, [[Ben de Haeck]], [[Pat Harvey]], [[Johann van Heerden]], [[Emile Aucamp]], [[Elaine Aucamp]], [[Chris Goetsch]], [[Noël Roos]], [[Marie Kruger]], [[Juanita Swanepoel]], [[Rosalind Goodman]] and [[Zoettje Hofmeyr]]. These were gradually augmented in the 1980s by new appointments, such as [[Temple Hauptfleisch]], [[Ilona Frege]], [[Johan Esterhuizen]] and [[Juanita Finestone]]. The Department thus grew strongly in terms of stature, student numbers and courses offered. Under Pretorius's leadership a specifically research-orientated post graduate programme was introduced. He left the University in 1994 after 16 years as head of the Department. | ||
At this stage the University departed from its practice of appointing permanent heads of departments in favour of a system of departmental chairpersons. After serving as acting chair for a period, [[Temple Hauptfleisch]], was elected as the first Chair of the Department of Drama by the staff, serving for three consecutive terms between 1996 and 2005. | At this stage the University departed from its practice of appointing permanent heads of departments in favour of a system of departmental chairpersons. After serving as acting chair for a period, [[Temple Hauptfleisch]], was elected as the first Chair of the Department of Drama by the staff, serving for three consecutive terms between 1996 and 2005. | ||
| Line 19: | Line 25: | ||
During the period 1995-2000 the Department (like the rest of the University) had to make a series of adjustments to the new conditions prevailing in the country and the academic sphere, during which time staff numbers were reduced and the old degree courses were converted to more focused training programmes. There was also considerable pressure to provide career-orientated training. During this phase the postgraduate component was expanded considerably however, and technical and management training made more rigorous and focused. | During the period 1995-2000 the Department (like the rest of the University) had to make a series of adjustments to the new conditions prevailing in the country and the academic sphere, during which time staff numbers were reduced and the old degree courses were converted to more focused training programmes. There was also considerable pressure to provide career-orientated training. During this phase the postgraduate component was expanded considerably however, and technical and management training made more rigorous and focused. | ||
| − | In this period the Department's staff once more included a number of prominent professional theatre practitioners as permanent and part time lecturers, new appointments | + | In this period the Department's staff once more included a number of prominent professional theatre practitioners as permanent and part time lecturers, among the new appointments were [[Mark Graham]], [[Keith Bain]], [[Anja Huismans]], [[Kobus Roussouw]], [[Yvette Hutchison]], [[Edwin Hees]], [[Kole Omotoso]], [[Blaise Koch]], [[Elrina Marais]] and [[Albert Snyman]]. On the academic side the appointment of [[Yvette Hutchison|Hutchison]] and [[Kole Omotoso|Omotoso]] sparked a strong interest in African theatre while [[Edwin Hees|Hees]]'s appointment was a particularly significant factor in enhancing the post graduate courses and initiating a much stronger focus on film as a field of study. The management of the theatre now devolved from the Chair of the Department to a specially appointed theatre manager, the first being [[Johan Esterhuizen]], later followed by [[Albert Snyman]]. The departmnet also introduced the position of publicist, the first encumbant being [[Keith Bain]], followed by [[Gaerin Hauptfleisch]]. |
The Department now also began to concentrate on developing a strong post-graduate and research profile, with the ''[[South African Theatre Journal]]'' being published there and post-graduate student numbers growing rapidly. The department also introduced various new degree courses based on the notion of introducing the notion of practice and research. | The Department now also began to concentrate on developing a strong post-graduate and research profile, with the ''[[South African Theatre Journal]]'' being published there and post-graduate student numbers growing rapidly. The department also introduced various new degree courses based on the notion of introducing the notion of practice and research. | ||
| Line 27: | Line 33: | ||
Under Kruger the post-graduate output of the department was significantly enhanced, and she was enabled to make a number of significant appointments from the professional stage over the next few years, including [[Abduragman Adams]], [[Mareli Hattingh]], [[Antoinette Kellerman]], [[Marthinus Basson]], [[Rufus Swart]], and many others. | Under Kruger the post-graduate output of the department was significantly enhanced, and she was enabled to make a number of significant appointments from the professional stage over the next few years, including [[Abduragman Adams]], [[Mareli Hattingh]], [[Antoinette Kellerman]], [[Marthinus Basson]], [[Rufus Swart]], and many others. | ||
| − | After the retirement of Professor Kruger, she was followed by [[Petrus du Preez]] and [[Mareli Hattingh-Pretorius]], who would alternate in the position for the next period. | + | After the retirement of Professor Kruger, she was followed by [[Petrus du Preez]] and [[Mareli Pretorius|Mareli Hattingh-Pretorius]], who would alternate in the position for the next period. |
Gradually, after, 2000, the department could grow again and by 2010 the staff and student numbers had doubled, with the post-graduate component growing in particular. | Gradually, after, 2000, the department could grow again and by 2010 the staff and student numbers had doubled, with the post-graduate component growing in particular. | ||
| Line 33: | Line 39: | ||
| − | This | + | This developed to formal course in speech under *** in 193*?, with formal plays being put on as part of the training programme. In 19** this evolved into a B.A subject*? Taught by Miss **** and Mr Robert Mohr, with mr Mohr’s fine productions being particularly memorable. It was in fact he who introduced the foirst BA degree with Drama as a subject. In 196*, when Mr Mohr left Stellenbosch for the University of Cape Town, the University appointed the Belgian director and teacher Fred Engelen as first chair of the new Department of Drama. Prof Engelen brought in a number of specialists including his wife, the actress Tine Balder, theatre manager Jos Willemse and director and actor/director Benoni de Haeck. Having originally been housed in the Hollandse Saal (“Dutch Hall”) of the old Chemistry Department, used as the [[Proefteater]], the Department in 1966 acquired the H.B. Thom Theatre complex, with Emile Aucamp as first technician. In 1966* after Prof Engelen’s unexpected death, the Department was briefly run by Prof **Trümpelmann * of the German Department, before Prof Fred le Roux was appointed head and director of the theatre in 196*. He retired in 1979*?, to be replaced by Herman Pretorius, under whose rule the Afrikaans “kabaret” was developed and honed with the help of Hennie Aucamp, educational theatre gained a strong foothold and the Centre for Theatre and Performance Studies was founded by Temple Hauptfleisch. In 1995 Pretorius resigned and was replaced by Hauptfleisch. |
== The staff == | == The staff == | ||
| Line 51: | Line 57: | ||
== Facilities == | == Facilities == | ||
| − | |||
== Origins of speech and drama training in Stellenbosch == | == Origins of speech and drama training in Stellenbosch == | ||
| Line 71: | Line 76: | ||
| + | ===[[Poppespel]]/[[Puppetry]]=== | ||
| + | A course in puppery and marionette production has been a fundamental part of the department. Performances by the students were billed under the name '''[[Matie Poppekas]]'''. | ||
== Related Projects and programmes == | == Related Projects and programmes == | ||
| Line 115: | Line 122: | ||
=== [[Adam Small Theatre Complex]]=== | === [[Adam Small Theatre Complex]]=== | ||
| − | =Entry 2= | + | ='''Entry 2'''= |
'''TO BE EDITED''' | '''TO BE EDITED''' | ||
| Line 150: | Line 157: | ||
Gradually, particularly after 2000, the department continued to grow and in 2006 Hauptfleisch stepped down as Chair to concentrate on research and publication. | Gradually, particularly after 2000, the department continued to grow and in 2006 Hauptfleisch stepped down as Chair to concentrate on research and publication. | ||
| − | [[Marie Kruger]] was elected as Chair of the Department in his place, and built further on the programmes developed in the previous years, not only introducing new programmes, but also continuing to emphasize the post-graduate programmes. Because of a positive change in tertiary education funding policies, the staff and student numbers had doubled by 2010, with the post-graduate component once again being the point of maximum growth. Kruger was appointed an Associate Professor in | + | [[Marie Kruger]] was elected as Chair of the Department in his place, and built further on the programmes developed in the previous years, not only introducing new programmes, but also continuing to emphasize the post-graduate programmes. Because of a positive change in tertiary education funding policies, the staff and student numbers had doubled by 2010, with the post-graduate component once again being the point of maximum growth. Kruger was appointed an Associate Professor in 20**. |
Over the years hundreds of talented and famous people passed through the Department as students and lecturers. They have made all kinds of important contributions towards the development of a dynamic South African theatre and media industry at the artistic as well as administrative and technical levels. Among the well-known names that have made an impact over the years are Limpie Basson, Emile Aucamp, Franz Marx, Mees Xsteen, Antoinette Kellermann, Johan Esterhuizen, Annelize van der Ryst, Eben Cruywagen, Sybil Coetzee, Helene Truter, Duncan Johnson, Ilse Roos, June van Mersch, Peter Holden, Isadora Verwey, Antoinette Pienaar, Charl-Johan Lingenfelder, Chris Vorster, Kobus Roussouw, Mark Graham, Christa Myburgh, Margit Meyer-Rödenbeck, and many others. | Over the years hundreds of talented and famous people passed through the Department as students and lecturers. They have made all kinds of important contributions towards the development of a dynamic South African theatre and media industry at the artistic as well as administrative and technical levels. Among the well-known names that have made an impact over the years are Limpie Basson, Emile Aucamp, Franz Marx, Mees Xsteen, Antoinette Kellermann, Johan Esterhuizen, Annelize van der Ryst, Eben Cruywagen, Sybil Coetzee, Helene Truter, Duncan Johnson, Ilse Roos, June van Mersch, Peter Holden, Isadora Verwey, Antoinette Pienaar, Charl-Johan Lingenfelder, Chris Vorster, Kobus Roussouw, Mark Graham, Christa Myburgh, Margit Meyer-Rödenbeck, and many others. | ||
| − | This is the oldest of the three original Afrikaans-language university based drama training institutions in the country, and has played a significant role in the development of the theatre industry in the country. It had its origins in the Stellenbosch Conservatoire of Music, where classes in speech and elocution were introduced in 1913. This gradually developed to formal course in speech under *** in 193*?, with formal plays being put on as part of the training programme. In 19** this evolved into a B.A subject*? Taught by Miss **** and Mr Robert Mohr, with mr Mohr’s fine productions being particularly memorable. It was in fact he who introduced the foirst BA degree with Drama as a subject. In 196*, when Mr Mohr left Stellenbosch for the University of Cape Town, the University appointed the Belgian director and teacher Fred Engelen as first chair of the new Department of Drama. Prof Engelen brought in a number of specialists including his wife, the actress Tine Balder, theatre manager Jos Willemse and director and actor/director Benoni de Haeck. Having originally been housed in the Hollandse Saal (“Dutch Hall”) of the old Chemistry Department, the Department in 1966 acquired the H.B. Thom Theatre complex, with Emile Aucamp as first technician. In 1966* after Prof Engelen’s unexpected death, the Department was briefly run by Prof **Trümpelmann * of the German Department, before Prof Fred le Roux was appointed head and director of the theatre in 196*. He retired in 1979*?, to be replaced by Herman Pretorius, under whose rule the Afrikaans | + | This is the oldest of the three original Afrikaans-language university based drama training institutions in the country, and has played a significant role in the development of the theatre industry in the country. It had its origins in the Stellenbosch Conservatoire of Music, where classes in speech and elocution were introduced in 1913. This gradually developed to formal course in speech under *** in 193*?, with formal plays being put on as part of the training programme. In 19** this evolved into a B.A subject*? Taught by Miss **** and Mr Robert Mohr, with mr Mohr’s fine productions being particularly memorable. It was in fact he who introduced the foirst BA degree with Drama as a subject. In 196*, when Mr Mohr left Stellenbosch for the University of Cape Town, the University appointed the Belgian director and teacher Fred Engelen as first chair of the new Department of Drama. Prof Engelen brought in a number of specialists including his wife, the actress Tine Balder, theatre manager Jos Willemse and director and actor/director Benoni de Haeck. Having originally been housed in the Hollandse Saal (“Dutch Hall”) of the old Chemistry Department, the Department in 1966 acquired the H.B. Thom Theatre complex, with Emile Aucamp as first technician. In 1966* after Prof Engelen’s unexpected death, the Department was briefly run by Prof **Trümpelmann * of the German Department, before Prof [[Fred le Roux]] was appointed head and director of the theatre in 196*. He retired in 1979*?, to be replaced by [[Herman Pretorius]], under whose rule the [[Afrikaans]] "[[kabaret]]" was developed and honed (with the help of [[Hennie Aucamp]] and others), educational theatre gained a strong foothold and the [[Centre for Theatre and Performance Studies]] was founded by [[Temple Hauptfleisch]]. |
| + | |||
| + | In 1995 Pretorius resigned as Head of the Department and was replaced by [[Temple Hauptfleisch]] as Chair of the Department (1996-2005). In 2006 [[Marie Kruger]] was elected as Chair, while [[Temple Hauptfleisch]] became the full-time director of the [[Centre for Theatre and Performance Studies]] till his retirement in 2010. | ||
| + | |||
| + | After her retirement [[Petrus du Preez]] became the Chair (20**-20**), followed by [[Mareli Hattingh-Pretorius]] (202*-2022) and [[Petrus du Preez]] once more from 2023 onwards. | ||
== The staff == | == The staff == | ||
| Line 211: | Line 222: | ||
PICS: Stellenbosch University to name theatre complex after Adam Small, IOL News, 29 August 2018[https://www.iol.co.za/capeargus/news/pics-stellenbosch-university-to-name-theatre-complex-after-adam-small-16795514] | PICS: Stellenbosch University to name theatre complex after Adam Small, IOL News, 29 August 2018[https://www.iol.co.za/capeargus/news/pics-stellenbosch-university-to-name-theatre-complex-after-adam-small-16795514] | ||
| + | |||
| + | |||
| + | Listing in the [[UTS]] programme for ''[[Arms and the Man]]'', [[H.B. Thom Theatre]], Stellenbosch, 1968 (held in [[ESAT Archive]]) | ||
Programme for the inauguration ceremony of the [[Adam Small Theatre Complex]], 23 November 2018. | Programme for the inauguration ceremony of the [[Adam Small Theatre Complex]], 23 November 2018. | ||
Latest revision as of 16:15, 2 June 2024
The Stellenbosch University Drama Department was the third Unversity Drama Department to be founded in the country and is the oldest of the three original Afrikaans-language university-based drama training institutions. It has thus played a significant role in the development of the theatre industry in the country.
Contents
- 1 BEING EDITED, INTEGRATING THE TWO ENTRIES BELOW
- 2 Entry 1
- 3 Entry 2
- 4 Sources
BEING EDITED, INTEGRATING THE TWO ENTRIES BELOW
Entry 1
The name
("University of Stellenbosch Drama Department") Originally called the Universiteit van Stellenbosch Departement Drama ("University of Stellenbosch Department of Drama") , but since 2008 the University is formally known as Stellenbosch Universiteit or Stellenbosch University, hence the name of the department is now Stellenbosch Universiteit Drama Departement (Stellenbosch University Drama Department).
Background
The Department traces its origins to informal elocution lessons offered on campus from 1903 by various individuals, such as Miss I. Gray, which graudally led to speech classes for music students, presented formally by Monica Dolphin at the Stellenbosch University Conservatorium (a Conservatoire for Music) from 1921 onwards. Out of this came a formal course in speech and elocution, with formal plays being put on as part of the training programme.
In 1949 the course in Speech, Recitation and Stagecraft was recognised as a fully fledged B.A. subject, with the young Robert Mohr doing remarkable work in this field.
In 1961 the University took the next step, by appointing the well-known Flemish director and lecturer, Fred Engelen, as the first professor in drama and head of an independent Drama Department in South Africa. A number of Flemish and Dutch staff members were appointed, including his wife, the famous actress Tine Balder, Dr Benoni de Haeck and Mr Jos Willemse. Engelen also appointed a young Emile Aucamp as the theatre technician and Elaine Aucamp as costumier. Other staff members mentioned in this period include Rina Botha, Gisela Täger and H. Elmer.
During Engelen's tenure, he not only trained numerous students, but initiated and guided the construction of a purpose built theatre for Stellenbosch, to also serve as a training centre for drama students. Opened in 1966 the H.B. Thom Theatre was named after the then Vice Chancellor and Rector of the University, Professor H.B. Thom.
After Prof. Engelen's unexpected death in 1967, while travelling abroad, the Department was run for while by Mr Jocelyn de Bruyn, along with Prof. G.P.J. Trümpelmann from the German department. In 1969 Prof. Fred le Roux took over as head and after his retirement in 1977, Mr Herman Pretorius was appointed to the position. A period of exceptional activity followed, inspired by people such as Mr Pretorius, Ben de Haeck, Pat Harvey, Johann van Heerden, Emile Aucamp, Elaine Aucamp, Chris Goetsch, Noël Roos, Marie Kruger, Juanita Swanepoel, Rosalind Goodman and Zoettje Hofmeyr. These were gradually augmented in the 1980s by new appointments, such as Temple Hauptfleisch, Ilona Frege, Johan Esterhuizen and Juanita Finestone. The Department thus grew strongly in terms of stature, student numbers and courses offered. Under Pretorius's leadership a specifically research-orientated post graduate programme was introduced. He left the University in 1994 after 16 years as head of the Department.
At this stage the University departed from its practice of appointing permanent heads of departments in favour of a system of departmental chairpersons. After serving as acting chair for a period, Temple Hauptfleisch, was elected as the first Chair of the Department of Drama by the staff, serving for three consecutive terms between 1996 and 2005.
During the period 1995-2000 the Department (like the rest of the University) had to make a series of adjustments to the new conditions prevailing in the country and the academic sphere, during which time staff numbers were reduced and the old degree courses were converted to more focused training programmes. There was also considerable pressure to provide career-orientated training. During this phase the postgraduate component was expanded considerably however, and technical and management training made more rigorous and focused.
In this period the Department's staff once more included a number of prominent professional theatre practitioners as permanent and part time lecturers, among the new appointments were Mark Graham, Keith Bain, Anja Huismans, Kobus Roussouw, Yvette Hutchison, Edwin Hees, Kole Omotoso, Blaise Koch, Elrina Marais and Albert Snyman. On the academic side the appointment of Hutchison and Omotoso sparked a strong interest in African theatre while Hees's appointment was a particularly significant factor in enhancing the post graduate courses and initiating a much stronger focus on film as a field of study. The management of the theatre now devolved from the Chair of the Department to a specially appointed theatre manager, the first being Johan Esterhuizen, later followed by Albert Snyman. The departmnet also introduced the position of publicist, the first encumbant being Keith Bain, followed by Gaerin Hauptfleisch.
The Department now also began to concentrate on developing a strong post-graduate and research profile, with the South African Theatre Journal being published there and post-graduate student numbers growing rapidly. The department also introduced various new degree courses based on the notion of introducing the notion of practice and research.
In 2006 Hauptfleisch stepped down as Chair and Marie Kruger was elected as new Chairperson, while Hauptfleisch became the full-time director of the Centre for Theatre and Performance Studies, where he and a number of colleagues (including Arnold Blumer, Edwin Hees and Yvette Hutchison) initiated the online Encyclopaedia project known as ESAT.
Under Kruger the post-graduate output of the department was significantly enhanced, and she was enabled to make a number of significant appointments from the professional stage over the next few years, including Abduragman Adams, Mareli Hattingh, Antoinette Kellerman, Marthinus Basson, Rufus Swart, and many others.
After the retirement of Professor Kruger, she was followed by Petrus du Preez and Mareli Hattingh-Pretorius, who would alternate in the position for the next period.
Gradually, after, 2000, the department could grow again and by 2010 the staff and student numbers had doubled, with the post-graduate component growing in particular.
This developed to formal course in speech under *** in 193*?, with formal plays being put on as part of the training programme. In 19** this evolved into a B.A subject*? Taught by Miss **** and Mr Robert Mohr, with mr Mohr’s fine productions being particularly memorable. It was in fact he who introduced the foirst BA degree with Drama as a subject. In 196*, when Mr Mohr left Stellenbosch for the University of Cape Town, the University appointed the Belgian director and teacher Fred Engelen as first chair of the new Department of Drama. Prof Engelen brought in a number of specialists including his wife, the actress Tine Balder, theatre manager Jos Willemse and director and actor/director Benoni de Haeck. Having originally been housed in the Hollandse Saal (“Dutch Hall”) of the old Chemistry Department, used as the Proefteater, the Department in 1966 acquired the H.B. Thom Theatre complex, with Emile Aucamp as first technician. In 1966* after Prof Engelen’s unexpected death, the Department was briefly run by Prof **Trümpelmann * of the German Department, before Prof Fred le Roux was appointed head and director of the theatre in 196*. He retired in 1979*?, to be replaced by Herman Pretorius, under whose rule the Afrikaans “kabaret” was developed and honed with the help of Hennie Aucamp, educational theatre gained a strong foothold and the Centre for Theatre and Performance Studies was founded by Temple Hauptfleisch. In 1995 Pretorius resigned and was replaced by Hauptfleisch.
The staff
The permanent the staff over the years have featured Jo Gevers, Gisela Taeger, Rina Botha, ****, Johann van Heerden, Noel Roos, Christopher Goetsch, Juanita Swanepoel, Marie Kruger, Temple Hauptfleisch, Johan Esterhuizen, Ilona Frege, Kobus Roussouw, Kole Omotoso, Samantha Pienaar, Elrina Marais, Albert Snyman, Abduragman Adams, Mareli Pretorius, Zoettje Hofmeyr, Petrus du Preez, Marthinus Basson, Antoinette Kellerman, Samantha Pienaar, Edwin Hees, *. In addition, the department has always also made use of prominent figures from the industry as lecturers and guest directors.
Alumni
Over the years hundreds of talented and famous people passed through the Department as students and lecturers. They have made all kinds of important contributions towards the development of a dynamic South African theatre and media industry at the artistic as well as administrative and technical levels. Among the well-known names that have made an impact over the years are Limpie Basson, Esther van Ryswyk, Wilma Stockenström, Pieter Fourie, Johann van Heerden, Herman Binge, GiGi Fourie, Woutrine Theron, Laurika Rauch, Roberta Durrant, Johan Esterhuizen, Antoinette Kellermann, , Dawid Minnaar, Elsabe Daneel, Emile Aucamp, Franz Marx, Mees Xsteen, Annelize van der Ryst, Eben Cruywagen, Sybil Coetzee, Hélène Truter, Duncan Johnson, Ilse Roos, June van Merch, Peter Holden, Isadora Verwey, Antoinette Pienaar, Albert Maritz, Charl-Johan Lingenfelder, Paul du Toit, Chris Vorster, Kobus Roussouw, Mark Graham, Christa Myburgh, Margit Meyer-Rödenbeck, Gaerin Hauptfleisch, Jaco Bouwer, Francois Toerien, Anton Luitingh, Jenny Stead,Elana Afrika, Stian Bam, Tinarie Van Wyk-Loots, Neels van Jaarsveld, and many others.
Among the post-graduate academic alumni are puppetry and voice specialist Marie Kruger, radio specialist Eben Cruywagen, film specialists Keith Bain, Julia Cain , and André Crous, theatre for development specialist Christopher Odhiambo Joseph and the critics and historians Yvette Hutchison, Johann van Heerden and Petrus du Preez.
The curriculum over the years
Facilities
Origins of speech and drama training in Stellenbosch
Structure
Faculty and Staff
Students
Courses and programmes
Poppespel/Puppetry
A course in puppery and marionette production has been a fundamental part of the department. Performances by the students were billed under the name Matie Poppekas.
Related Projects and programmes
ESAT: The Encyclopaedia of South African Theatre and Performance
SATJ: South African Theatre Journal
Boland Moorde
Facilities
Besides using the various rehearsal rooms and classrooms for presentations, the Department performed its productions in a range of venues over the years, among them:
The Hollandse Saal
The Hollandse Saal (“Dutch Hall”), former home of the Chemistry Department, became the first home for the Stellenbosch University Drama Department. It had a hall used for performances. The site was used to build the H.B. Thom Theatre in 1966.
H.B. Thom Theatre
Die Kellerteater
A small experimental space built in a cellar in the H.B. Thom Theatre complex at the University of Stellenbosch in the 1980s.
See entry for more information
Adam Small Theatre Complex
Entry 2
TO BE EDITED
The name
Originally called the Universiteit van Stellenbosch Departement Drama ("University of Stellenbosch Department of Drama") , but since 2008 known the University is formally known as Stellenbosch Universiteit or Stellenbosch University, hence the name of the department is now Stellenbosch Universiteit Drama Departement (Stellenbosch University Drama Department).
Also informally referred to as the Maties Drama Departement (Maties Drama Department) or the US Drama Departement.
Background
The Department traces its origins to the informal elocution lessons offered on campus from 1903, which in turn led to the speech classes presented formally by the Music Conservatoire from 1921. In 1949 Speech, Recitation and Stagecraft was recognised as a fully fledged B.A. subject and the young Robert Mohr did remarkable work in this field.
Founding of the Department of Drama
In 1961 the University appointed the well-known Flemish director and lecturer, Fred Engelen, as the first professor in drama and head of an independent Drama Department in South Africa. Under his guidance the H.B. Thom Theatre was opened in 1996 as a theatre for Stellenbosch and as a training centre, and a number of Flemish and Dutch staff members were appointed, including his wife, the famous actress Tine Balder, Benoni de Haeck and Jos Willemse. He also appointed a young Emile Aucamp as the theatre technician.
After Engelen's unexpected death in 1967, the Department was run for while by Jocelyn de Bruyn, along with Prof. H. Trumpelmannfrom the German Department, before former journalist and critic Fred le Roux took over as head in 1969.
After Le Roux's retirement in 1977, Herman Pretorius - a former student and a lecturer in Drama in Education in the Education Faculty, was appointed to the position. During this period of exceptional activity, the Department grew strongly in terms of stature, student numbers and courses offered. Under Pretorius's leadership a number of areas of specialization were introduced. Most noticeable perhaps was an influential cabaret programme which introduced the notiuon and practice of Afrikaans "Kabaret" to the country, developed and honed with the help of Hennie Aucamp, Johann van Heerden, Arnold Blumer, Jannie Hofmeyr, and others.
In 1988 a specifically research-orientated programme was also introduced with the appointment of a theatre researcher Temple Hauptfleisch in 1988, who not only brought the South African Theatre Journal to Stellenbosch, but also founded the Centre for Theatre and Performance Studies in 1991. The period also saw the beginnings of an expanded programme of post graduate courses and an increase in student numbers. Pretorius left the University in 1994 after 16 years as head of the Department.
At this stage the University departed from its practice of appointing permanent heads of departments in favour of a system of departmental chairpersons. After serving as acting chair for a period, Temple Hauptfleisch was promoted to full professor and elected by the staff as the first Chair of the Department of Drama for the period 1996-2005. Staff in this period included ***
The Department now continued its development of its post-graduate and research profiles, with post-graduate student numbers in particular growing rapidly.
During the period 1995-2000 the Department (like the rest of the University) had to undertake a radical process of restructuring in order to adapt to the new conditions prevailing in the country and the academic sphere. In this time staff numbers were substantially reduced and the old degree courses were converted to more focused and intensive training programmes. There was also considerable pressure to provide career-orientated training. It was during this phase that the postgraduate component was expanded considerably, while the courses in technical and management training were professionalized and made far more rigorous and focused.
Gradually, particularly after 2000, the department continued to grow and in 2006 Hauptfleisch stepped down as Chair to concentrate on research and publication.
Marie Kruger was elected as Chair of the Department in his place, and built further on the programmes developed in the previous years, not only introducing new programmes, but also continuing to emphasize the post-graduate programmes. Because of a positive change in tertiary education funding policies, the staff and student numbers had doubled by 2010, with the post-graduate component once again being the point of maximum growth. Kruger was appointed an Associate Professor in 20**.
Over the years hundreds of talented and famous people passed through the Department as students and lecturers. They have made all kinds of important contributions towards the development of a dynamic South African theatre and media industry at the artistic as well as administrative and technical levels. Among the well-known names that have made an impact over the years are Limpie Basson, Emile Aucamp, Franz Marx, Mees Xsteen, Antoinette Kellermann, Johan Esterhuizen, Annelize van der Ryst, Eben Cruywagen, Sybil Coetzee, Helene Truter, Duncan Johnson, Ilse Roos, June van Mersch, Peter Holden, Isadora Verwey, Antoinette Pienaar, Charl-Johan Lingenfelder, Chris Vorster, Kobus Roussouw, Mark Graham, Christa Myburgh, Margit Meyer-Rödenbeck, and many others.
This is the oldest of the three original Afrikaans-language university based drama training institutions in the country, and has played a significant role in the development of the theatre industry in the country. It had its origins in the Stellenbosch Conservatoire of Music, where classes in speech and elocution were introduced in 1913. This gradually developed to formal course in speech under *** in 193*?, with formal plays being put on as part of the training programme. In 19** this evolved into a B.A subject*? Taught by Miss **** and Mr Robert Mohr, with mr Mohr’s fine productions being particularly memorable. It was in fact he who introduced the foirst BA degree with Drama as a subject. In 196*, when Mr Mohr left Stellenbosch for the University of Cape Town, the University appointed the Belgian director and teacher Fred Engelen as first chair of the new Department of Drama. Prof Engelen brought in a number of specialists including his wife, the actress Tine Balder, theatre manager Jos Willemse and director and actor/director Benoni de Haeck. Having originally been housed in the Hollandse Saal (“Dutch Hall”) of the old Chemistry Department, the Department in 1966 acquired the H.B. Thom Theatre complex, with Emile Aucamp as first technician. In 1966* after Prof Engelen’s unexpected death, the Department was briefly run by Prof **Trümpelmann * of the German Department, before Prof Fred le Roux was appointed head and director of the theatre in 196*. He retired in 1979*?, to be replaced by Herman Pretorius, under whose rule the Afrikaans "kabaret" was developed and honed (with the help of Hennie Aucamp and others), educational theatre gained a strong foothold and the Centre for Theatre and Performance Studies was founded by Temple Hauptfleisch.
In 1995 Pretorius resigned as Head of the Department and was replaced by Temple Hauptfleisch as Chair of the Department (1996-2005). In 2006 Marie Kruger was elected as Chair, while Temple Hauptfleisch became the full-time director of the Centre for Theatre and Performance Studies till his retirement in 2010.
After her retirement Petrus du Preez became the Chair (20**-20**), followed by Mareli Hattingh-Pretorius (202*-2022) and Petrus du Preez once more from 2023 onwards.
The staff
inspired by people such as Herman Pretorius, Ben de Haeck, Pat Harvey, Johann van Heerden, Chris Goetsch, Noel Roos, Marie Kruger, Emile Aucamp and Elaine Aucamp, The permanent the staff over the years have featured Jo Gevers, Gisela Taeger, Rina Botha, ****, Johann van Heerden, Noel Roos, Christopher Goetsch, Juanita Swanepoel, Marie Kruger, Johan Esterhuizen, Ilona Frege, Kobus Roussouw, Kole Omotoso, Chris Vorster, Shirley Johnston, Samantha Pienaar, Elrina Marais, Albert Snyman, Abduragman Adams, Mareli Pretorius, Zoettje Hofmeyr, Petrus du Preez, Marthinus Basson, Antoinette Kellerman, Samantha Pienaar, *. In 2001 the Nigerian born theatre academic and writer/director Kole Omotoso was appointed as a second professor in the Department for a three year contract (2001-2003) and in 2002 Julian Smith (a Vice Rector of the University) was also made a professor in the Department. In 2004 Edwin Hees became an associate professor in charge of the theory and film courses and post-graduate supervision. In addition, the department has always also made use of prominent figures from the industry as lecturers and guest directors.
Alumni
Theatre personalities who have studied there include Limpie Basson, Esther van Ryswyk, Wilma Stockenström, Pieter Fourie, Johann van Heerden, Johan (JJ) Fourie, Franz Marx, Woutrine Theron, Laurika Rauch, Roberta Durrant, Johan Esterhuizen, Antoinette Kellerman, , Dawid Minnaar, Elsabe Daneel, Ilse Roos, Casper de Vries, Herman Binge, Antoinette Pienaar, Charl-Johan Lingenfelder, Paul du Toit, Chris Vorster, Nina Swart, Elana Africa, Duncan Johnstone, June Van Mersch, Anton Luitingh, Jenny Stead, Gaerin Hauptfleisch, Jaco Bouwer, Neels van Jaarsveld, Stian Bam, Christiaan Olwagen, Wolf Britz, Louis Pretorius, Elana Afrika, Tinarie van Wyk-Loots, . Among the later academic alumni are puppetry and voice specialist Marie Kruger, radio specialist Eben Cruywagen, film specialists Keith Bain, Julia Cain , and André Crous, theatre for development specialist Christopher Odhiambo Joseph and the critics and historians Yvette Hutchison, Johann van Heerden and Petrus du Preez.
The curriculum over the years
Facilities
Sources
For more information
See the Departmental website at http://www.sun.ac.za/Drama
See also
Centre for Theatre and Performance Studies
The Encyclopaedia of South African Theatre, Film, Media and Performance (ESAT)
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Sources
Departmental website at http://www.sun.ac.za/Drama
PICS: Stellenbosch University to name theatre complex after Adam Small, IOL News, 29 August 2018[1]
Listing in the UTS programme for Arms and the Man, H.B. Thom Theatre, Stellenbosch, 1968 (held in ESAT Archive)
Programme for the inauguration ceremony of the Adam Small Theatre Complex, 23 November 2018.
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Awards made by the Department
André Huguenet Toekenning (Award)
Made to the best male student performance in a leading role, by University of Stellenbosch Department of Drama. Donated by Hannes Horne in 199*, the floating trophy is the actual sword used by André Huguenet in his 1957 production of Macbeth.
Anna Neethling Pohl Toekenning (Award)
Made to the best female student performance in a leading role, by University of Stellenbosch Department of Drama. Donated by Hannes Horne in 199*, the floating trophy consists of a framed headband, one of the many distinctive headbands traditionally worn by the grand dame of Afrikaans theatre, Anna Neethling Pohl. *** (Because of the fact that they were made of plaited material, they were affectionately referred to as her "koeksusters" [a typical South African sweet cake] by her students).
Mark Graham Toekenning (Award)
Sources
For more information
See the Departmental website at http://www.sun.ac.za/Drama
See also
Centre for Theatre and Performance Studies
Encyclopaedia of South African Theatre, Film, Media and Performance (ESAT)
Return to
Return to South African Theatre Venues, Companies, Societies, etc
Return to The ESAT Entries
Return to Main Page
Return to
Return to South African Theatre Venues, Companies, Societies, etc
Return to The ESAT Entries
Return to Main Page
