Difference between revisions of "Die Van Aardes van Grootoor"
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== Performance history in South Africa == | == Performance history in South Africa == | ||
| − | 1975: The first version, | + | 1975: The first version, a one-act sketch created and performed by [[Pieter-Dirk Uys|Uys]] as part of the anti-censorship revue '''''[[Strike Up the Banned]]''''', performed at the [[Space Theatre]] in Cape Town. The action took place in a familiar [[Springbok Radio]] studio and he and [[Trix Pienaar]] enacted the recording of a serial called “Die Van Aardes van Grootoor” and involved the whole drama, "snot en trane" (lit. "snot and tears") as presented by Kux toiletseep (a word play on Lux toilet soap, a well known sponsor of radio programmes) and dramatically introduced by the most famous theme music, still associated with the even more famous (and real) radio serial, ''[[Die Du Plooys van Soetmelksvlei]]''. |
1977: [[Dawie Malan]], [[Chris Galloway]] and [[Bill Curry]] formed the nucleus of an experimental theatre group called [[Fringe]] and performed it as a full-length play to a small audience in [[The Studio]] at the [[Baxter Theatre]] at the end of November, directed by [[Dawie Malan|Malan]], starring [[Antoinette Kellermann]], [[Mary Dreyer]], [[Chris Galloway]], [[Bill Curry]], [[Lida Botha]] and [[Marthinus Basson]]. | 1977: [[Dawie Malan]], [[Chris Galloway]] and [[Bill Curry]] formed the nucleus of an experimental theatre group called [[Fringe]] and performed it as a full-length play to a small audience in [[The Studio]] at the [[Baxter Theatre]] at the end of November, directed by [[Dawie Malan|Malan]], starring [[Antoinette Kellermann]], [[Mary Dreyer]], [[Chris Galloway]], [[Bill Curry]], [[Lida Botha]] and [[Marthinus Basson]]. | ||
Revision as of 20:07, 19 March 2023
Die Van Aardes van Grootoor ("The Van Aardes [lit: those of the earth] of Great Ear") is a play by Pieter-Dirk Uys (1945-).
Subtitled "'n Epiese verhaal in 780 episodes, 5 bedrywe en 2 landstale" ("an epic tale in 780 episodes, 5 acts and 2 national languages").
Contents
The original text
An iconic Afrikaans play, satyrising Nationalist politics, this is a full-length version of a one-act sketch created and performed by Uys as part of the anti-censorship revue Strike Up the Banned at the Space Theatre in Cape Town. It is based on the format of popular and long-running Afrikaans radio soap operas of the late 1950s and early 1960s, such as Liefdeslied ("love song") and Die Du Plooys van Soetmelksvlei (from which the title of Uys's play derives).
The text was published by Taurus, 1979
Translations and adaptations
The text was re-written by Pieter-Dirk Uys before the production that opened at the Market Theatre on 20 September 1978.
Performance history in South Africa
1975: The first version, a one-act sketch created and performed by Uys as part of the anti-censorship revue Strike Up the Banned, performed at the Space Theatre in Cape Town. The action took place in a familiar Springbok Radio studio and he and Trix Pienaar enacted the recording of a serial called “Die Van Aardes van Grootoor” and involved the whole drama, "snot en trane" (lit. "snot and tears") as presented by Kux toiletseep (a word play on Lux toilet soap, a well known sponsor of radio programmes) and dramatically introduced by the most famous theme music, still associated with the even more famous (and real) radio serial, Die Du Plooys van Soetmelksvlei.
1977: Dawie Malan, Chris Galloway and Bill Curry formed the nucleus of an experimental theatre group called Fringe and performed it as a full-length play to a small audience in The Studio at the Baxter Theatre at the end of November, directed by Malan, starring Antoinette Kellermann, Mary Dreyer, Chris Galloway, Bill Curry, Lida Botha and Marthinus Basson.
1978: Staged (with a slightly adapted text) in The Laager at the Market Theatre for 18 months (as the theatre's opening production), after which it moved to the main Market Theatre in July 1979. Directed by Dawie Malan, with Antoinette Kellermann (Dolla van Aarde), Rina Nienaber (Mimi Degenaar & Brenda Botha), Magda Beukes (Ouma Degenaar & Elana van Aarde), Pieter-Dirk Uys (John Firestone Jnr. & Tertius van Aarde), Nomsa Nene (Ou Aia & Klein Siena & Madame Daphne Quazilezi) and Jacques Malan (Fanie van Aarde & Evert van Graan). Other actors who also took part during the run at The Market include Chris Galloway, Bill Curry, Marthinus Basson, Richard van der Westhuizen, Eon de Vos, Elize Cawood, Johan Botha, Lida Botha, Zaza Vorster and Allan Dyssel.
1984: Directed by James Blanckenberg for the University of Cape Town Drama Department at the UCT Arena, Hiddingh Campus in August. Antoinette Butler assisted as director and the cast members were Shirley Ellis, Bernadine Strutt, Susan Dall, Jamie Bartlett, Paul Savage, Gideon de Wet, Isadora Verwey and Robert Finlayson.
1987: Staged by PACT, directed by Louis van Niekerk, with Christine Basson (Dolla), Lida Meiring (Ouma Diegenaar/Elana), Nomhle Nkonyeni (Aia/Siena/ Madame Quazilezi), Ronel Kriel (Mimi/Brenda), Frans Kalp (John Firestone/Tertius) and Gert van Niekerk (Fanie/Evert). Design by James MacNamara.
1992: Restaged by Pieter Toerien at the Theatre on the Bay and the Leonard Rayne Theatre in a new, updated, version featuring Casper de Vries, Trix Pienaar, Lizz Meiring, Grethe Brazelle, Motshabi Tyelele, Andrew Wilson directed by Pieter-Dirk Uys.
2004: Taken to various festivals in a production directed by Anthony Wilson, with a Cape Flats cast including Denise Newman, Lee-Ann van Rooi, André Samuels, Irvine van der Merwe, Nomkhita Bavuma and Lindie Stander.
2009: Staged at Evita se Perron in Darling as part of the ongoing Perron Drama Project, again directed by Uys, with Jo-Anne Delport, Sari Vlotman, Ella du Plessis, Frits van Ryneveld, Omnia Grobler and Owen Britz.
2012: A new version directed by Albert Maritz featuring Marion Holm, Esther von Waltsleben, De Klerk Oelofse, Anna-Mart van der Merwe, Noxolo Bodlani and Pierre van Heerden.
Sources
Two of Antoinette Kellerman's performance copies of the original full-length text ( signed by the author) found in the Stellenbosch Drama Department archives in 2022. The one bound copy includes small textual changes, including cuts/adjustments to some of the more overt racial and sexual terms (presumably made before the Market Theatre production) and copies of three Cape Town reviews from 1977, by W.S. Kaplan (The Argus), "K.B." (Die Burger) and Glennifer Gillespie (The Cape Times). The other text also has a range of alterations over the course of the Cape Town run, including a full rewrite of the fifth act on 20 November 1977, signed by the author.
A bound copy of the published text based on the adapted Market Theatre text, (Taurus, 1979), including two copies of the programme (with cast names) for the 1992 Pieter Toerien production, found in the Stellenbosch Drama Department archives in 2022.
Market Theatre programme, 1978.
PACT theatre programme, 1987.
Die Van Aardes van Grootoor programme notes, 1992.
KKNK programme, 29 March-6 April 2013.
Petru & Carel Trichardt theatre programme collection.
Cape Times, 23 November 2009.
Go to ESAT Bibliography
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