Difference between revisions of "Marda Vanne"

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Stage name for [[Martha van Hulsteyn]]. (1897-1970) Actress and director. Born in Pretoria as, she studied acting with Elsie Fogarty at the Central School of Dramatic Art in London. She first performed for [[Leonard Rayne]] in ''[[Milestones]]'' at the [[Opera House]], Cape Town in 1918 under her own name. In the same year she left South Africa for England, where she adopted the stage name of “Marda Vanne” and went on to attain success in London. Her first appearance was in If at the Ambassador's Theatre on 30 May 1921. She also appeared in New York's Empire Theatre in Easy Virtue. She returned to South Africa in 1940 and became A director of the resuscitated [[Pretoria Repertory Theatre]].  In 1942 she and her friend [[Gwen ffrangçon-Davies]] formed a company which toured extensively in South Africa with classical and modern plays during the 1940s. She later returned on occasion and became involved in the establishment of the [[National Theatre Organisation]] ([[N.T.O.]]), being appointed to the first board in 1948 and doing occasional plays for them. Among her more celebrated South African productions as actress are ''[[Watch on the Rhine]]'' (194*), ''[[Flare Path]]'' (194*), ''[[What Every Woman Knows]]'' (194*), ''[[Blithe Spirit]]'' (1944), ''[[Milestones]]'' (194*), ''[[The Wind of Heaven]]'' (194*), ''[[A Month in the Country]]'' (194*), [[Guy Butler]]’s ''[[The Dam]]'' ([[NTO]], 1952), ''[[Waters of the Moon]]'' (???* 1953), [[O’Neill]]’s ''[[A Touch of the Poet]]'' ([[NTO]], 1961). As director did ''[[Die Wewenaar se Vrou]]'' ([[Volksteater]], Pretoria, 1949), **. Before leaving for England [in 1918?/1946??**] she was also famously though briefly married to future Nationalist Prime Minister J.G. Strijdom (the “Lion of the North”), some years before he entered politics. VANNE, Marda. Actress. Briefly married to J.G. Strijdom, Prime Minister before Verwoerd. Partner with [[Gwen Ffrangçon]] in the [[Gwen Ffrangçon-Davies-Marda Vanne Company]]. Presented seasons of plays during the war years at the [[Standard Theatre]]. Produced ''[[Watch on the Rhine]]'' by [[Lilian Hellman]] in 1943 at the [[Standard]]. Starred in ''[[Blithe Spirit]]'' in 1944 with [[Gwen Ffrangçon-Davies]], [[Margaret Inglis]] and [[Siegfried Mynhardt]]. Staged ''[[The Merry Wives of Windsor]]'' together with [[Gwen Ffrangçon-Davies]] in 1945, starring [[Wensley Pithey]] as Falstaff. Presented and starred in [[Emlyn Williams]]' ''[[The Wind of Heaven]]'' in 1946. Also starred [[Zoe Randall]], [[Wensley Pithey]] and [[Sid James]]. Starred in [[Turgenev]]'s ''[[A Month in the Country]]'' in 1946 together with [[Gwen Ffrangçon-Davies]], which was their last production before they went back to England. She was appointed artistic advisor of the [[National Theatre]] in 1950. Directed [[Shaw]]’s ''[[Candida]]'' for the [[National Theatre]] in 1950. Starred in ''[[Waters of the Moon]]'' by [[N.C. Hunter]] in 1953 with [[Gwen Ffrangçon-Davies]]. She made her last appearance for the [[National Theatre]] in  [[Eugene O’Neill]]’s ''[[A Touch of the Poet]]'' in 1961. It was directed by [[Margaret Webster]] and was staged at the [[Alexander Theatre]] in Johannesburg. The male lead was [[Johann Nell]]. Later addition to the [[Breytenbach's NTO Board of Control]] together with [[Elizabeth Sneddon]]. VANNE, Marda,(Stage Name) [[Margaretha van Hulsteyn]] . Joined [[Leonard Rayne]]’s company in 1914.  ''[[A White Man]]'', ''[[Kismet]]'', ''[[The Royal Divorce]]'', ''[[Twelfth Night]]'', [[Gwen ffrangcon-Davies]], 1940/41.  Died 29th April 1970 in England.
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(1896-1970) Stage name for [[Margaretha van Hulsteyn]]. Actress and director. Nicknamed "Scrappy".
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Her name also spelled [[Margueretha van Hulsteyn]], [[Margaret van Hulsteyn]] or [[Martha van Hulsteyn]] by some sources.
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== Biography ==
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Born in Pretoria as [[Margaretha van Hulsteyn]], to lawyer Sir Willem and Lady van Hulsteyn on September 27, 1896.
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 +
She was famously, though briefly, married to future Nationalist Prime Minister [[J.G. Strijdom]] (the "Lion of the North"), some years before he entered politics. In 1918, after a period as actress in South Africa, she left South Africa to  study acting with [[Elsie Fogerty]] at the Central School of Dramatic Art in London. She ended up working in England, only returning in 1940, now calling herself [[Marda Vanne]]. While in England her performances included the "cockney housewife" in ''[[If]]'' (Dunsany), and roles in a number of plays by Noel Coward, Somerset Maugham (e.g ''[[For Services Rendered]]''), Monckton Hoffe (''[[Many Waters]]'') and Charles Morgan's ''[[The Flashing Stream]]''.
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In London she formed a professional and personal partnership with actress [[Gwen ffrangçon-Davies]] that lasted until her death in 1970. She and Gwen worked in South Africa during the war years (1940-1946), after which they returned to England. She gained British Citizenship in 1965, though she continued to visit and be involved in South African theatre for many years.
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She died 29th April 1970 in England.
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== Her career and contribution to South African Theatre ==
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=== First phase:  South Africa, 1914-1918 ===
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She fell in love with theatre as a young girl, and in spite of the opposition of her parents, became an actress, originally  performing under her childhood nickname of [[Scrappy van Hulsteyn]] for [[Stephen Black]]'s company, and making a name for herself in [[Love and the Hyphen]]. In the latter years of the war, she joined [[Leonard Rayne]]'s company for a while, performing under her baptismal name of [[Margaretha van Hulsteyn]]). She appeared in a number of plays for the [[Leonard Rayne]] company, including, ''[[A White Man]]'', ''[[Kismet]]'', ''[[A Royal Divorce]]'', ending with two more [[Stephen Black]] plays (''[[Helena's Hope, Ltd]]'' and ''[[Van Kalabas Does His Bit]]'') in February 1917, and finally an acclaimed major role in ''[[Milestones]]'' in July 1917 at the Cape Town [[Opera House]].
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=== Second phase: England, 1919-1939 ===
 +
 
 +
In 1918 she left South Africa for England, where she adopted the stage name of [[Marda Vanne]] and went on to attain success in London.  
 +
 
 +
Her first appearance was in ''[[If]]'' at the Ambassador's Theatre on 30 May 1921. She also appeared in New York's Empire Theatre in ''[[Easy Virtue]]''.
 +
 
 +
''(For more on her work in England, including her stage, film and TV profile, see http://www.imdb.com/name/nm0889219/).''
 +
 
 +
=== Third phase:  South Africa, 1940-1946 ===
 +
 
 +
She returned to South Africa in 1940 and became a director of the resuscitated [[Pretoria Repertory Theatre]].  In 1942 she and [[Gwen ffrangçon-Davies]] formed the  [[Gwen ffrangçon-Davies / Marda Vanne Company]], which presented seasons of plays at the [[Standard Theatre]] and toured extensively in South Africa with classical and modern plays during the during the war years.
 +
 
 +
Among her more celebrated South African productions as director/producer and actress are ''[[Watch on the Rhine]]'' (1943), ''[[Flare Path]]'' (194*), ''[[What Every Woman Knows]]'' (194*), ''[[Blithe Spirit]]'' (1944), ''[[Milestones]]'' (Bennett and Knoblock, 1944), ''[[The Wind of Heaven]]'' (1946), ''[[A Month in the Country]]'' (1946), ''[[The Wind of Heaven]]'' (1946), which was their last production before she went back to England with [[Gwen ffrangçon-Davies]].
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=== Fourth phase: England and South Africa, 1946-1970 ===
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In this period she still did the occasional theatrical work in London, her final appearance being in [[George Bernard Shaw|Shaw]]'s ''[[Man and Superman]]'' (1965), but most of her theatrical work was done in South Africa, while her London career seems to have been more in television work and the occasional film .  
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 +
''(For more on her work in England, including her stage, film and TV profile, see http://www.imdb.com/name/nm0889219/).''
 +
 
 +
She kept close ties with theatre in South Africa and later returned on occasion to become involved in the establishment of the [[National Theatre Organisation]] ([[NTO]]), she and Gwen being appointed to the first Board of Control in 1948, and doing occasional plays for them. In 1950 she was appointed artistic advisor of the [[NTO]].  
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'''South African productions in this period include''':
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As director: ''[[Die Wewenaar se Vrou]]'' [[Volksteater]], Pretoria, 1949), [[George Bernard Shaw]]’s ''[[Candida]]'' for the [[National Theatre Organisation]] in 1950.
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As actress: [[Guy Butler]]’s ''[[The Dam]]'' ([[NTO]], 1952); N.C. Hunter's ''[[Waters of the Moon]]'' ([[NTO]], 1953); and [[Eugene O'Neill]]'s ''[[A Touch of the Poet]]'' ([[NTO]], 1961), her last South African appearance.  
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[TH, JH]
  
 
== Sources ==  
 
== Sources ==  
See Hartnoll, 19**; Du Toit1988; Tucker, 1997 [TH, JH]
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[[Margot Bryant]] 1979. ''Born To Act: The Story of [[Freda Godfrey]]''. Johannesburg: [[Ad Donker]]: pp.113-115.
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[[P.J. du Toit]] 1988. ''Amateurtoneel in Suid-Afrika''. Pretoria: [[Academica]]
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[[Percy Tucker]] 1997. ''Just the Ticket. My 50 Years in Show Business''. Johannesburg: [[Witwatersrand University Press]]. 
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"S. African actress dies", ''[[Pretoria News]]'' 28 April, 1970.
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http://en.wikipedia.org/wiki/Marda_Vanne
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http://www.imdb.com/name/nm0889219/
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Go to the [[ESAT Bibliography]]
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== Return to ==
 +
 
  
 
Return to [[ESAT Personalities V]]
 
Return to [[ESAT Personalities V]]
  
 
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]
 
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]
 +
 +
Return to [[The ESAT Entries]]
  
 
Return to [[Main Page]]
 
Return to [[Main Page]]

Latest revision as of 12:51, 25 January 2024

(1896-1970) Stage name for Margaretha van Hulsteyn. Actress and director. Nicknamed "Scrappy".

Her name also spelled Margueretha van Hulsteyn, Margaret van Hulsteyn or Martha van Hulsteyn by some sources.

Biography

Born in Pretoria as Margaretha van Hulsteyn, to lawyer Sir Willem and Lady van Hulsteyn on September 27, 1896.

She was famously, though briefly, married to future Nationalist Prime Minister J.G. Strijdom (the "Lion of the North"), some years before he entered politics. In 1918, after a period as actress in South Africa, she left South Africa to study acting with Elsie Fogerty at the Central School of Dramatic Art in London. She ended up working in England, only returning in 1940, now calling herself Marda Vanne. While in England her performances included the "cockney housewife" in If (Dunsany), and roles in a number of plays by Noel Coward, Somerset Maugham (e.g For Services Rendered), Monckton Hoffe (Many Waters) and Charles Morgan's The Flashing Stream.

In London she formed a professional and personal partnership with actress Gwen ffrangçon-Davies that lasted until her death in 1970. She and Gwen worked in South Africa during the war years (1940-1946), after which they returned to England. She gained British Citizenship in 1965, though she continued to visit and be involved in South African theatre for many years.

She died 29th April 1970 in England.

Her career and contribution to South African Theatre

First phase: South Africa, 1914-1918

She fell in love with theatre as a young girl, and in spite of the opposition of her parents, became an actress, originally performing under her childhood nickname of Scrappy van Hulsteyn for Stephen Black's company, and making a name for herself in Love and the Hyphen. In the latter years of the war, she joined Leonard Rayne's company for a while, performing under her baptismal name of Margaretha van Hulsteyn). She appeared in a number of plays for the Leonard Rayne company, including, A White Man, Kismet, A Royal Divorce, ending with two more Stephen Black plays (Helena's Hope, Ltd and Van Kalabas Does His Bit) in February 1917, and finally an acclaimed major role in Milestones in July 1917 at the Cape Town Opera House.

Second phase: England, 1919-1939

In 1918 she left South Africa for England, where she adopted the stage name of Marda Vanne and went on to attain success in London.

Her first appearance was in If at the Ambassador's Theatre on 30 May 1921. She also appeared in New York's Empire Theatre in Easy Virtue.

(For more on her work in England, including her stage, film and TV profile, see http://www.imdb.com/name/nm0889219/).

Third phase: South Africa, 1940-1946

She returned to South Africa in 1940 and became a director of the resuscitated Pretoria Repertory Theatre. In 1942 she and Gwen ffrangçon-Davies formed the Gwen ffrangçon-Davies / Marda Vanne Company, which presented seasons of plays at the Standard Theatre and toured extensively in South Africa with classical and modern plays during the during the war years.

Among her more celebrated South African productions as director/producer and actress are Watch on the Rhine (1943), Flare Path (194*), What Every Woman Knows (194*), Blithe Spirit (1944), Milestones (Bennett and Knoblock, 1944), The Wind of Heaven (1946), A Month in the Country (1946), The Wind of Heaven (1946), which was their last production before she went back to England with Gwen ffrangçon-Davies.

Fourth phase: England and South Africa, 1946-1970

In this period she still did the occasional theatrical work in London, her final appearance being in Shaw's Man and Superman (1965), but most of her theatrical work was done in South Africa, while her London career seems to have been more in television work and the occasional film .

(For more on her work in England, including her stage, film and TV profile, see http://www.imdb.com/name/nm0889219/).

She kept close ties with theatre in South Africa and later returned on occasion to become involved in the establishment of the National Theatre Organisation (NTO), she and Gwen being appointed to the first Board of Control in 1948, and doing occasional plays for them. In 1950 she was appointed artistic advisor of the NTO.

South African productions in this period include:


As director: Die Wewenaar se Vrou Volksteater, Pretoria, 1949), George Bernard Shaw’s Candida for the National Theatre Organisation in 1950.

As actress: Guy Butler’s The Dam (NTO, 1952); N.C. Hunter's Waters of the Moon (NTO, 1953); and Eugene O'Neill's A Touch of the Poet (NTO, 1961), her last South African appearance.

[TH, JH]

Sources

Margot Bryant 1979. Born To Act: The Story of Freda Godfrey. Johannesburg: Ad Donker: pp.113-115.

P.J. du Toit 1988. Amateurtoneel in Suid-Afrika. Pretoria: Academica

Percy Tucker 1997. Just the Ticket. My 50 Years in Show Business. Johannesburg: Witwatersrand University Press.

"S. African actress dies", Pretoria News 28 April, 1970.

http://en.wikipedia.org/wiki/Marda_Vanne

http://www.imdb.com/name/nm0889219/

Go to the ESAT Bibliography

Return to

Return to ESAT Personalities V

Return to South African Theatre Personalities

Return to The ESAT Entries

Return to Main Page