Difference between revisions of "ESAT Bibliography Hau"
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Click on the appropriate letters of the alphabet in the sub-list below. | Click on the appropriate letters of the alphabet in the sub-list below. | ||
| − | [[ESAT Bibliography H-Hat|H-Hat]] [[ESAT Bibliography Hau|Hau]] [[ESAT Bibliography Haw-Her|Haw-Her]] [[ESAT Bibliography Hes-Hol|Hes-Hol]] [[ESAT Bibliography Hom-How|Hom-How]] [[ESAT Bibliography Hua-Hun|Hua-Hun]] [[ESAT Bibliography | + | [[ESAT Bibliography H-Hat|H-Hat]] [[ESAT Bibliography Hau|Hau]] [[ESAT Bibliography Haw-Her|Haw-Her]] [[ESAT Bibliography Hes-Hol|Hes-Hol]] [[ESAT Bibliography Hom-How|Hom-How]] [[ESAT Bibliography Hua-Hun|Hua-Hun]] [[ESAT Bibliography Huo-Huz|Huo-Huz]] [[ESAT Bibliography Hy-Hz|Hy-Hz]] |
To return to any other letter, click on the list below | To return to any other letter, click on the list below | ||
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Return to [[Main Page]] | Return to [[Main Page]] | ||
| + | ==The list== | ||
| + | [[Gavin Haughton|Haughton, Gavin]] 1956. What's wrong with the theatre? ''Sound'', 1(4):10. | ||
| − | [[ | + | [[HAUM]], 1974. ''Stellenbosse Galery''. Kaapstad: [[HAUM]]. |
[[Adam Haupt|Haupt, Adam]] 1997. ''AIDS Education Through Theatre: Case Studies From Uganda'', by [[Marion Frank]]. Reviewed in: ''[[South African Theatre Journal]]'', 11(1&2):309-312. | [[Adam Haupt|Haupt, Adam]] 1997. ''AIDS Education Through Theatre: Case Studies From Uganda'', by [[Marion Frank]]. Reviewed in: ''[[South African Theatre Journal]]'', 11(1&2):309-312. | ||
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[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1980. Theatre research in South Africa. ''Critical Arts'', 1(3) :11-22. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1980. Theatre research in South Africa. ''Critical Arts'', 1(3) :11-22. | ||
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1982. [[André Huguenet]] en die Suid-Afrikaanse teater. ''[[Lantern]]'', 31(4):8-23. |
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| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]], [[ | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1983. Taalvariasie op die verhoog: enkele gedagtes na aanleiding van Afrikaanse voorbeelde, in [[G.N. Claassen|Claassen, G.N.]] & [[M.C.J. van Rensburg|Van Rensburg, M.C.J.]] (eds.). ''Taalverskeidenheid: ʼn Blik op die Spektrum van Taalvariasie in Afrikaans''. Pretoria: Academica. 63-79. |
[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1984a. Die magiese kring: skepping, herskepping en resepsie in die teater, in [[Charles Malan|Malan, Charles]] (ed.) ''Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater''. Johannesburg: Perskor. 36-50. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1984a. Die magiese kring: skepping, herskepping en resepsie in die teater, in [[Charles Malan|Malan, Charles]] (ed.) ''Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater''. Johannesburg: Perskor. 36-50. | ||
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[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1984b. ''South Africa: A Laboratory For Theatre Research: research address''. Pretoria: Human Sciences Research Council. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1984b. ''South Africa: A Laboratory For Theatre Research: research address''. Pretoria: Human Sciences Research Council. | ||
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1984c. Theatre research: some thoughts on a new discipline. ''[[Teaterforum]]'', 5(1):66-79. |
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| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1984d. ''Towards A Methodology For Theatre Research: A South African Perspective''. Pretoria: Human Sciences Research Council. |
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] (ed.). 1985a. ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to [[P.P.B. Breytenbach]]''. Johannesburg: The Limelight press.[http://hdl.handle.net/10019.1/85403] |
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1985b. Dramaturg en dialek : enkele gedagtes oor dramatiese dialoog. ''[[Teaterforum]]'', 6(1):46-72. |
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1985c. South Africa: a laboratory for theatre research. ''[[Communicatio]]'', 11(2):38-44. |
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1986a. The [[Market Theatre]]. ''[[Lantern]]'', 35(4) :79-80. |
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1986b. Die nuwe drama. ''[[De Kat]]'', 1(11):22-23. |
[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1987a. ''Aspekte Van Die Nuwe Drama'', deur [[André P. Brink]]. Reviewed in: ''[[South African Theatre Journal]]'', 1(2):87-89. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1987a. ''Aspekte Van Die Nuwe Drama'', deur [[André P. Brink]]. Reviewed in: ''[[South African Theatre Journal]]'', 1(2):87-89. | ||
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1987b. Beyond street theatre and festival: the forms of South African theatre. ''Maske und Kothurn''. 33 | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1987b. Beyond street theatre and festival: the forms of South African theatre. ''Maske und Kothurn''. 33(1-2):175-188. |
[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1987c. ''The Concise Oxford Companion to the Theatre'', edited by [[Phyllis Hartnoll]]. Reviewed in: ''[[South African Theatre Journal]]'', 1(2):94-95. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1987c. ''The Concise Oxford Companion to the Theatre'', edited by [[Phyllis Hartnoll]]. Reviewed in: ''[[South African Theatre Journal]]'', 1(2):94-95. | ||
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[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1989d. Spelers op soek na ‘n konteks. Afrikaans en die nuwe paradigma in die teater. ''Stilet'', 1(1):29-50. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1989d. Spelers op soek na ‘n konteks. Afrikaans en die nuwe paradigma in die teater. ''Stilet'', 1(1):29-50. | ||
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1990a. ''[[ | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1990a. ''[['n Brommer in die Boord]]'', deur [[Hennie Aucamp]]. Reviewed in: ''[[South African Theatre Journal]]'', 4(2):107-108. |
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1990b. ''[[Donderdag | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1990b. ''[[Donderdag se Mense]]'', deur [[Pieter Fourie]]. Reviewed in: ''[[South African Theatre Journal]]'', 4(2):108-109. |
[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1990c. Some thoughts on the future of performance- and theatre research in a “New South Africa” (editorial). ''[[South African Theatre Journal]]'', 4(1):6-11. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1990c. Some thoughts on the future of performance- and theatre research in a “New South Africa” (editorial). ''[[South African Theatre Journal]]'', 4(1):6-11. | ||
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[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1991c. SATJ co-editor Temple Hauptfleisch talks to [[Richard Schechner]] during his visit to the Western Cape in August 1990. ''[[South African Theatre Journal]]'', 5(2):15-21. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1991c. SATJ co-editor Temple Hauptfleisch talks to [[Richard Schechner]] during his visit to the Western Cape in August 1990. ''[[South African Theatre Journal]]'', 5(2):15-21. | ||
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1991. ''Theatre and television'', edited by [[Robert L. Erenstein]]. Reviewed in: ''South African Theatre Journal'', 5(1):127-131. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1991. ''Theatre and television'', edited by [[Robert L. Erenstein]]. Reviewed in: ''[[South African Theatre Journal]]'', 5(1):127-131. |
[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1992a. ''[[Alles op die Spel]]'' deur [[George Weideman]]. Reviewed in: ''[[South African Theatre Journal]]'', 6(1):88-90. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1992a. ''[[Alles op die Spel]]'' deur [[George Weideman]]. Reviewed in: ''[[South African Theatre Journal]]'', 6(1):88-90. | ||
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[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1992d. Post-colonial criticism, performance theory and the evolving forms of South African theatre. ''[[South African Theatre Journal]]'', 6(2):64-83. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1992d. Post-colonial criticism, performance theory and the evolving forms of South African theatre. ''[[South African Theatre Journal]]'', 6(2):64-83. | ||
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1992e. Syncretism, hybridism and crossover theatre in a multicultural community: theatremaking in (a new) South Africa. ''ASSAPH Section C: Studies in the Theatre'', 8:161-176. |
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| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1992f. ''Vrystaat-trilogie'', deur [[Reza de Wet]]. Reviewed in: ''[[South African Theatre Journal]]'', 6(1):85-87. |
[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1993a. African Theatre and Film: An International Conference, University of Toronto. ''[[South African Theatre Journal]]'', 7(2):101-104. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1993a. African Theatre and Film: An International Conference, University of Toronto. ''[[South African Theatre Journal]]'', 7(2):101-104. | ||
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[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1993b. Crossover theatre: New trends in theatremaking in South Africa, in ''Assaph: Studies in Theatre'' Vol 9. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1993b. Crossover theatre: New trends in theatremaking in South Africa, in ''Assaph: Studies in Theatre'' Vol 9. | ||
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1993c. Die dramaturg as towenaar, in ''Trits'' by [[Reza de Wet]]. Pretoria: HAUM-Literêr. 9-19. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1993c. Die dramaturg as towenaar, in ''Trits'' by [[Reza de Wet]]. Pretoria: [[HAUM-Literêr]]. 9-19. |
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1993d. ''Drie eenakters: [[Kombuis Blues]], [[Kopstukke]] en [[ | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1993d. ''Drie eenakters: [[Kombuis Blues]], [[Kopstukke]] en [['n Koffer in die Kas]]'', deur [[Jeanne Goosen]]. Reviewed in: ''[[South African Theatre Journal]]'', 7(2):132-134. |
[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1994a. Editorial. ''[[South African Theatre Journal]]'', 8(1):1-2. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1994a. Editorial. ''[[South African Theatre Journal]]'', 8(1):1-2. | ||
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1994b. ''The Search for a Cultural Identity: A Personal Odyssey'', by [[Muthal Naidoo]] and ''In the Shadow of the Shah: The Indic Contribution to our Developing South African Culture'', by [[Dennis Schauffer]]. Reviewed in: ''[[South African Theatre Journal]]'', 8(1):88-90. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1994b. "G'n Swanesang vir drama". A talk on theatre trends in 1994, given at the Stellenbosch Library Book Week. (Summarised report by [[Gwynneth Bowmer]] in ''[[Die Matie]]'', 5 May: p. 8.) |
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| + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1994c. ''The Search for a Cultural Identity: A Personal Odyssey'', by [[Muthal Naidoo]] and ''In the Shadow of the Shah: The Indic Contribution to our Developing South African Culture'', by [[Dennis Schauffer]]. Reviewed in: ''[[South African Theatre Journal]]'', 8(1):88-90. | ||
[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1995a. The company you keep: subversive thoughts on the impact of the playwright and the performer ''New Theatre Quarterly'', 11(44):322-332. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1995a. The company you keep: subversive thoughts on the impact of the playwright and the performer ''New Theatre Quarterly'', 11(44):322-332. | ||
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[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1996f. ''South Africa Plays'', edited by [[Stephen Gray]]. Reviewed in: ''[[South African Theatre Journal]]'', 10(1):116-117. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1996f. ''South Africa Plays'', edited by [[Stephen Gray]]. Reviewed in: ''[[South African Theatre Journal]]'', 10(1):116-117. | ||
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1997a. Taylor se grootste rol. Grafskrif: [[Mavis Taylor]]. ''Insig'', December:40. |
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| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1997b. ''Theatre and Society in South Africa: Reflections in a Fractured Mirror''. Pretoria: Van Schaik[http://hdl.handle.net/10019.1/85401 ]. |
[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1998. ''The Flag is Flying: A Very Personal History of Theatre in the Old South Africa'', by [[Leonard Schach]]. Reviewed in: ''[[South African Theatre Journal]]'', 12(1&2):257-261. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1998. ''The Flag is Flying: A Very Personal History of Theatre in the Old South Africa'', by [[Leonard Schach]]. Reviewed in: ''[[South African Theatre Journal]]'', 12(1&2):257-261. | ||
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[[Temple Hauptfleisch|Hauptfleisch, Temple]] 2000. In defense of theatre research: An audit revisited (editorial). ''[[South African Theatre Journal]]'', 14:8-17. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2000. In defense of theatre research: An audit revisited (editorial). ''[[South African Theatre Journal]]'', 14:8-17. | ||
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[[Temple Hauptfleisch|Hauptfleisch, Temple]] 2002b. A Response to the XIV IFTR/FIRT Conference on Theatre and Cultural Memory. ''[[South African Theatre Journal]]'', 16:185-189. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2002b. A Response to the XIV IFTR/FIRT Conference on Theatre and Cultural Memory. ''[[South African Theatre Journal]]'', 16:185-189. | ||
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2003. The cultural bazaar: thoughts on festival culture after a visit to the 2003 Klein Karoo Nasionale Kunstefees ([[KKNK]]) in Oudtshoorn. ''[[South African Theatre Journal]]'', 17:258-275. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2003. The cultural bazaar: thoughts on [[Festival|festival]] culture after a visit to the 2003 [[Klein Karoo Nasionale Kunstefees]] ([[KKNK]]) in Oudtshoorn. ''[[South African Theatre Journal]]'', 17:258-275. |
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| + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2004. "Drama (South Africa)" in Eugene Benson and L.W. Conolly (Eds) '''Encyclopedia of Post-Colonial Literatures in English''. London: Routledge. | ||
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2004. Eventification: utilizing the theatrical system to frame the event, in Cremona, Vicky Ann ... [et al.]; ''IFTR/FIRT Theatrical Event Working Group. Theatrical Events: Borders, Dynamics, Frames''. Amsterdam: Rodopi. 279-302. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2004. [[Eventification]]: utilizing the theatrical system to frame the event, in Cremona, Vicky Ann ... [et al.]; ''IFTR/FIRT Theatrical Event Working Group. Theatrical Events: Borders, Dynamics, Frames''. Amsterdam: Rodopi. 279-302. |
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2005a. Artistic output, arts research and the rating of the theatre practitioner as researcher-some responses to the | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2005a. Artistic output, arts research and the rating of the theatre practitioner as researcher-some responses to the [[NRF]] rating system after the first three years. ''[[South African Theatre Journal]]'', 18:9-34. |
[[Temple Hauptfleisch|Hauptfleisch, Temple]] 2005b. Dramatic learning spaces: a South African research conference. University of KwaZulu-Natal, Pietermaritzburg, 23-25 April 2004. ''[[South African Theatre Journal]]'', 18:279-284. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2005b. Dramatic learning spaces: a South African research conference. University of KwaZulu-Natal, Pietermaritzburg, 23-25 April 2004. ''[[South African Theatre Journal]]'', 18:279-284. | ||
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[[Temple Hauptfleisch|Hauptfleisch, Temple]] 2007b. Festivals as eventifying systems, in [[Temple Hauptfleisch|Hauptfleisch]], Lev-Aladgem, Martin, Sauter, and Schoenmakers (Eds.), 2007. 39-47. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2007b. Festivals as eventifying systems, in [[Temple Hauptfleisch|Hauptfleisch]], Lev-Aladgem, Martin, Sauter, and Schoenmakers (Eds.), 2007. 39-47. | ||
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2007c. In search of the rainbow: The Little Karoo | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2007c. In search of the rainbow: The [[KKNK|Little Karoo National Arts Festival]] and the search for cultural identity in South Africa, in [[Temple Hauptfleisch|Hauptfleisch]], Lev-Aladgem, Martin, Sauter, and Schoenmakers (Eds.), 2007. 79-96. |
[[Temple Hauptfleisch|Hauptfleisch, Temple]] 2007d. The seismology of theatre: tracing the shock waves of a theatrical event in society. ''[[South African Theatre Journal]]'', 21: 253-271. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2007d. The seismology of theatre: tracing the shock waves of a theatrical event in society. ''[[South African Theatre Journal]]'', 21: 253-271. | ||
[[Temple Hauptfleisch|Hauptfleisch, Temple]] 2007e. Some major trends of past developments, in Arndt, Susan & Berndt, Katrin (eds.). ''Words and Worlds: African Writing, Theatre and Society; A Commemorative Publication in Honour of [[Eckhard Breitinger]]''. Trenton, NJ : Africa World Press. 57-75. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2007e. Some major trends of past developments, in Arndt, Susan & Berndt, Katrin (eds.). ''Words and Worlds: African Writing, Theatre and Society; A Commemorative Publication in Honour of [[Eckhard Breitinger]]''. Trenton, NJ : Africa World Press. 57-75. | ||
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[[Temple Hauptfleisch|Hauptfleisch, Temple]] 2008. Introduction, in Migliarisi, Anna (ed.). ''Stanislavsky and Directing. Theory, Practice and Influence''. Toronto: Legas. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2008. Introduction, in Migliarisi, Anna (ed.). ''Stanislavsky and Directing. Theory, Practice and Influence''. Toronto: Legas. | ||
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2009. Die dramaturg as dromer, in [[Reza de Wet|De Wet, Reza]]. ''[[ | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2009. Die dramaturg as dromer, in [[Reza de Wet|De Wet, Reza]]. ''[[Blou Uur]]''. Kaapstad: [[Maskew Miller Longman]]. |
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2009. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2009. Groot dinge wat groei uit n beskeie akker(dorpie) Sestig jaar van Toneel en Vermaak in die Bosch In Die [[Eikestadnuus]], April, 2009. |
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2009. Rating the theatre practioner: A South African case-study, in Riley, Shannon Rose. ''Mapping Landscapes for [[Performance]] as Research: Scholarly Acts and Creative Cartographies''. New York: Palgrave-Macmillan. 42-50. |
[[Temple Hauptfleisch|Hauptfleisch, Temple]] 2010. Tipping points in the history of academic theatre and performance studies in South Africa. ''Theatre Research International'', 35(3):275-287. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2010. Tipping points in the history of academic theatre and performance studies in South Africa. ''Theatre Research International'', 35(3):275-287. | ||
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[[Temple Hauptfleisch|Hauptfleisch, Temple]] 2011 Foreword, in Igweonu, Kene (ed.). ''Trends in Twenty-First Century African Theatre and Performance''. Amsterdam/New York, NY Rodopi. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2011 Foreword, in Igweonu, Kene (ed.). ''Trends in Twenty-First Century African Theatre and Performance''. Amsterdam/New York, NY Rodopi. | ||
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2011a. From trance dance to [[PaR]]: Theatre and performance studies in South Africa, in Igweonu, Kene (ed.). ''Trends in Twenty-First Century African Theatre and Performance''. Amsterdam, [[Rodopi. 171-190. |
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| + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2011b. [[SATJ]]: The first 25 years. ''[[South African Theatre Journal]]'', 25(1):1-4. | ||
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| + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2011c. "Theater and performance", in Johnson, Krista & Jacobs, Sean (eds.). ''Encyclopedia of South Africa''. Boulder Colorado: Lynne Rienner Publishers. | ||
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| + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2012. Obituary: [[Reza de Wet]] (1952-2012). ''[[South African Theatre Journal]]'', 26(1):1. | ||
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| + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2014. Critical Responses: The Evolution of the Theatre Critic in South Africa, in Diala, Isidore (ed.). ''Syncretic Arenas. Essays on Postcolonial African Drama and Theatre for Esiaba Irobi''. Amsterdam, Rodopi. 319-332. | ||
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| + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2016. Book Review: ''[[Kristalvlakte]]'' deur [[Amy Jephta]] | ||
| + | ''[[LitNet]]'' 2016-11-02[http://www.litnet.co.za/boekresensie-kristalvlakte-deur-amy-jephta/] | ||
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| + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2016. South African Arts Festivals Today. ''The Theatre Times'' Posted 31st Aug 2016 , South Africa[http://www.thetheatretimes.com/south-african-arts-festivals-today/] | ||
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| + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] and [[Petrus du Preez|Du Preez, Petrus]] 2010. Special Editorial - The long way here and the road ahead. ''[[South African Theatre Journal]]'', 24:8-9. | ||
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| + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] et al. 1986. ''Research On South African Literature and Race Relations: Report on a Seminar held by [[CENSAL]], Johannesburg, 25 May, 1986.''. Pretoria: Human Sciences Research Council. | ||
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| + | [[Temple Hauptfleisch|Hauptfleisch, Temple]], [[Anja Huismans|Huismans, Anja]] & [[Juanita Finestone|Finestone Juanita]] 1999. Unwilling champion: an interview with [[Reza de Wet]]. ''Contemporary Theatre Review'', 9(1):53-63. | ||
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| + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] & [[Yvette Hutchison|Hutchison, Yvette]] 1992. The social relevance of play (editorial). ''[[South African Theatre Journal]]'', 6(1):1-3. | ||
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| + | [[Temple Hauptfleisch|Hauptfleisch Temple]] and [[Marisa Keuris|Keuris, Marisa]]. 2020. ''[[Reza de Wet. Die Dramaturg as Dromer - 'n Huldiging]]''. Pretoria: [[Protea Boekhuis]]. | ||
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| + | [[Temple Hauptfleisch|Hauptfleisch Temple]] and [[Marisa Keuris|Keuris, Marisa]]. 2023. ''[[Bartho Smit. Koorddanser Tussen Triomf en Tragedie - 'n Huldiging]]''. Pretoria: [[Suid-Afrikaanse Akademie vir Wetenskap en Kuns]]. | ||
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| + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] and [[Marie Kruger|Kruger, Marie]] 1997. South Africa, in Rubin, Don (ed.). ''The World Encyclopaedia of Contemporary Theatre. Vol. 3: Africa''. London: Routledge. 268-297. | ||
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| + | [[Temple Hauptfleisch|Hauptfleisch, Temple]]; Lev Aladgem, Shulamith; Martin, Jacqueline; Sauter, Willmar and Schoenmakers, Henri (Eds) 2007. ''Festivalising! Theatrical Events, Politics and Culture''. Amsterdam, Rodopi. | ||
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| + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] & [[Ian Steadman|Steadman, Ian]] (eds.). 1984. ''[[South African Theatre: Four Plays and an Introduction]]''. Pretoria: [[HAUM Educational]]. | ||
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| + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] and [[Hilda van Lill|Van Lill, Hilda]] 2011. Ibsen on the Platteland: The First Professional Production of ''A Doll’s House'' (1929) in Afrikaans, in Fischer-Lichte, Erika, Gronau, Barbara & Weiler, Christine (eds.). ''Global Ibsen: Performing Multiple Modernities''. New York & London: Routledge, 19-38. | ||
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| + | [[Temple Hauptfleisch|Hauptfleisch, Temple]], [[Eunice van Rooyen|Van Rooyen, Eunice]] & [[Annette Cornelissen|Cornelissen, Annette]] 1983. Thoughts on theatre in South Africa during 1981: a review of some trends. ''[[Teaterforum]]'', 4(1):54-76. | ||
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] & | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]], [[Wilma Viljoen|Viljoen, Wilma]] & [[Annette Cornelissen|Cornelissen, Annette]] 1985. South African theatre today: a look at the year 1981, in [[Temple Hauptfleisch|Hauptfleisch, Temple]] (ed.). ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to [[P.P.B. Breytenbach]]''. Johannesburg: The Limelight press. 131-140. |
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]], [[Wilma Viljoen|Viljoen, Wilma]] & [[Celeste van Greunen|Van Greunen, Celeste]] (comps.). 1982. ''[[Athol Fugard]]. A Source Guide''. Johannesburg: Ad Donker. |
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Click on the appropriate letters of the alphabet in the sub-list below. | Click on the appropriate letters of the alphabet in the sub-list below. | ||
| − | [[ESAT Bibliography H-Hat|H-Hat]] [[ESAT Bibliography Hau|Hau]] [[ESAT Bibliography Haw-Her|Haw-Her]] [[ESAT Bibliography Hes-Hol|Hes-Hol]] [[ESAT Bibliography Hom-How|Hom-How]] [[ESAT Bibliography Hua-Hun|Hua-Hun]] [[ESAT Bibliography | + | [[ESAT Bibliography H-Hat|H-Hat]] [[ESAT Bibliography Hau|Hau]] [[ESAT Bibliography Haw-Her|Haw-Her]] [[ESAT Bibliography Hes-Hol|Hes-Hol]] [[ESAT Bibliography Hom-How|Hom-How]] [[ESAT Bibliography Hua-Hun|Hua-Hun]] [[ESAT Bibliography Huo-Huz|Huo-Huz]] [[ESAT Bibliography Hy-Hz|Hy-Hz]] |
To return to any other letter, click on the list below | To return to any other letter, click on the list below | ||
Latest revision as of 15:34, 2 May 2023
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The list
Haughton, Gavin 1956. What's wrong with the theatre? Sound, 1(4):10.
HAUM, 1974. Stellenbosse Galery. Kaapstad: HAUM.
Haupt, Adam 1997. AIDS Education Through Theatre: Case Studies From Uganda, by Marion Frank. Reviewed in: South African Theatre Journal, 11(1&2):309-312.
Hauptfleisch, Gaerin & Bain, Keith 1998. Brecht 2001: A photo essay. Chris Vorster directs Bertolt Brecht’s first play, Baal. South African Theatre Journal, 12(1&2):212-227
Hauptfleisch, Gaerin & Toerien, Francois 1996. Klein Karoo Nasionale Kunstefees 1996. South African Theatre Journal, 10(1):101-106.
Hauptfleisch, Temple 1972. Greek dramatic conventions in modern drama. Unpublished master’s thesis. Pretoria: University of South Africa.
Hauptfleisch, Temple 1978. The play as communication : a study of the language of drama. Unpublished doctoral dissertation. Pretoria: University of South Africa.
Hauptfleisch, Temple 1980. Theatre research in South Africa. Critical Arts, 1(3) :11-22.
Hauptfleisch, Temple 1982. André Huguenet en die Suid-Afrikaanse teater. Lantern, 31(4):8-23.
Hauptfleisch, Temple 1983. Taalvariasie op die verhoog: enkele gedagtes na aanleiding van Afrikaanse voorbeelde, in Claassen, G.N. & Van Rensburg, M.C.J. (eds.). Taalverskeidenheid: ʼn Blik op die Spektrum van Taalvariasie in Afrikaans. Pretoria: Academica. 63-79.
Hauptfleisch, Temple 1984a. Die magiese kring: skepping, herskepping en resepsie in die teater, in Malan, Charles (ed.) Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater. Johannesburg: Perskor. 36-50.
Hauptfleisch, Temple 1984b. South Africa: A Laboratory For Theatre Research: research address. Pretoria: Human Sciences Research Council.
Hauptfleisch, Temple 1984c. Theatre research: some thoughts on a new discipline. Teaterforum, 5(1):66-79.
Hauptfleisch, Temple 1984d. Towards A Methodology For Theatre Research: A South African Perspective. Pretoria: Human Sciences Research Council.
Hauptfleisch, Temple (ed.). 1985a. The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press.[1]
Hauptfleisch, Temple 1985b. Dramaturg en dialek : enkele gedagtes oor dramatiese dialoog. Teaterforum, 6(1):46-72.
Hauptfleisch, Temple 1985c. South Africa: a laboratory for theatre research. Communicatio, 11(2):38-44.
Hauptfleisch, Temple 1986a. The Market Theatre. Lantern, 35(4) :79-80.
Hauptfleisch, Temple 1986b. Die nuwe drama. De Kat, 1(11):22-23.
Hauptfleisch, Temple 1987a. Aspekte Van Die Nuwe Drama, deur André P. Brink. Reviewed in: South African Theatre Journal, 1(2):87-89.
Hauptfleisch, Temple 1987b. Beyond street theatre and festival: the forms of South African theatre. Maske und Kothurn. 33(1-2):175-188.
Hauptfleisch, Temple 1987c. The Concise Oxford Companion to the Theatre, edited by Phyllis Hartnoll. Reviewed in: South African Theatre Journal, 1(2):94-95.
Hauptfleisch, Temple 1987d. Report for PACT: 1987. A summary interpretation of theatre attendance data in the CESAT data-base. Pretoria: HSRC (Confidential report).
Hauptfleisch, Temple 1987e. Theatre and Cultural Struggle in South Africa, by Robert Kavanagh. Reviewed in: South African Theatre Journal, 1(1):138-141.
Hauptfleisch, Temple 1988a. From the Savoy to Soweto: The shifting paradigm in South African theatre. South African Theatre Journal, 2(1):35-63.
Hauptfleisch, Temple 1988b. To capture the moment passing: the work of the Centre for South African Theatre Research. Opvoeding en Kultuuur, 11(2):17. June.
Hauptfleisch, Temple 1988c. The International Symposium on Popular Entertainment as a reflection of national identity. South African Theatre Journal, 2(2):76-80.
Hauptfleisch, Temple 1988d. Multilingual theatre and apartheid society (1970-1987), in Bauer, Roger & Fokkema, Douwe (eds.). Proceedings of the XIIth congress of the International Comparative Literature Association : 1988, Munich = Actes du XIIe congrès de l'Association internationale de littérature comparée. München : Iudicium
Hauptfleisch, Temple 1988e. Shakespeare Against Apartheid, by Martin Orkin. Reviewed in: South African Theatre Journal, 2(2):115-119.
Hauptfleisch, Temple 1988f. Theatre alive! The Baxter Story, 1977-1987, by Brian Barrow & Yvonne Williams-Short. Reviewed in: South African Theatre Journal, 2(2):112-114.
Hauptfleisch, Temple 1989a. Citytalk, theatretalk: dialect, dialogue and multilingual theatre in South Africa. English in Africa, 16(1):71-91.
Hauptfleisch, Temple 1989b. Of actors, academics and the making of theatre (editorial). South African Theatre Journal, 3(1):1-2.
Hauptfleisch, Temple 1989c. Sjampanje vir Ontbyt, deur Hennie Aucamp. Reviewed in: South African Theatre Journal, 3(2):126-128.
Hauptfleisch, Temple 1989d. Spelers op soek na ‘n konteks. Afrikaans en die nuwe paradigma in die teater. Stilet, 1(1):29-50.
Hauptfleisch, Temple 1990a. 'n Brommer in die Boord, deur Hennie Aucamp. Reviewed in: South African Theatre Journal, 4(2):107-108.
Hauptfleisch, Temple 1990b. Donderdag se Mense, deur Pieter Fourie. Reviewed in: South African Theatre Journal, 4(2):108-109.
Hauptfleisch, Temple 1990c. Some thoughts on the future of performance- and theatre research in a “New South Africa” (editorial). South African Theatre Journal, 4(1):6-11.
Hauptfleisch, Temple 1990d. Stille Nag, by Deon Opperman. Reviewed in: South African Theatre Journal, 4(2):109-111.
Hauptfleisch, Temple 1991a. Athol Fugard: the image, the word and the ‘carnal reality’, in Robert L. Ross (ed.). International Literature in English: Essays on the Major Writers. New York: Garland Publishing. 607-620.
Hauptfleisch, Temple 1991b. Of performers, performances and performance theory (editorial). South African Theatre Journal, 5(2):1-2.
Hauptfleisch, Temple 1991c. SATJ co-editor Temple Hauptfleisch talks to Richard Schechner during his visit to the Western Cape in August 1990. South African Theatre Journal, 5(2):15-21.
Hauptfleisch, Temple 1991. Theatre and television, edited by Robert L. Erenstein. Reviewed in: South African Theatre Journal, 5(1):127-131.
Hauptfleisch, Temple 1992a. Alles op die Spel deur George Weideman. Reviewed in: South African Theatre Journal, 6(1):88-90.
Hauptfleisch, Temple 1992b. Alternative dreams: recent South African playwriting in English. Chapman, Michael, Gardner, Colin & Mphahlele, Es’kia (eds.). Perspectives on South African English Literature. Johannesburg: Ad Donker. 403-421.
Hauptfleisch, Temple 1992c. Athol Fugard. A Bibliography, by John Read. Reviewed in: South African Theatre Journal, 6(2):93-94.
Hauptfleisch, Temple 1992d. Post-colonial criticism, performance theory and the evolving forms of South African theatre. South African Theatre Journal, 6(2):64-83.
Hauptfleisch, Temple 1992e. Syncretism, hybridism and crossover theatre in a multicultural community: theatremaking in (a new) South Africa. ASSAPH Section C: Studies in the Theatre, 8:161-176.
Hauptfleisch, Temple 1992f. Vrystaat-trilogie, deur Reza de Wet. Reviewed in: South African Theatre Journal, 6(1):85-87.
Hauptfleisch, Temple 1993a. African Theatre and Film: An International Conference, University of Toronto. South African Theatre Journal, 7(2):101-104.
Hauptfleisch, Temple 1993b. Crossover theatre: New trends in theatremaking in South Africa, in Assaph: Studies in Theatre Vol 9.
Hauptfleisch, Temple 1993c. Die dramaturg as towenaar, in Trits by Reza de Wet. Pretoria: HAUM-Literêr. 9-19.
Hauptfleisch, Temple 1993d. Drie eenakters: Kombuis Blues, Kopstukke en 'n Koffer in die Kas, deur Jeanne Goosen. Reviewed in: South African Theatre Journal, 7(2):132-134.
Hauptfleisch, Temple 1994a. Editorial. South African Theatre Journal, 8(1):1-2.
Hauptfleisch, Temple 1994b. "G'n Swanesang vir drama". A talk on theatre trends in 1994, given at the Stellenbosch Library Book Week. (Summarised report by Gwynneth Bowmer in Die Matie, 5 May: p. 8.)
Hauptfleisch, Temple 1994c. The Search for a Cultural Identity: A Personal Odyssey, by Muthal Naidoo and In the Shadow of the Shah: The Indic Contribution to our Developing South African Culture, by Dennis Schauffer. Reviewed in: South African Theatre Journal, 8(1):88-90.
Hauptfleisch, Temple 1995a. The company you keep: subversive thoughts on the impact of the playwright and the performer New Theatre Quarterly, 11(44):322-332.
Hauptfleisch, Temple 1995b. Editorial. South African Theatre Journal, 9(1):1-2.
Hauptfleisch, Temple 1996a. The Distance Remains and Other Plays, edited by Robin Malan. Reviewed in: South African Theatre Journal, 10(1):118-119.
Hauptfleisch, Temple 1996b. General Editorial. South African Theatre Journal, 10(2):7-8.
Hauptfleisch, Temple 1996c. More Market Plays, edited by John Kani. Reviewed in: South African Theatre Journal, 10(1):117-118.
Hauptfleisch, Temple 1996d. Open Space: Six Contemporary Plays from Africa, edited by Yvette Hutchison and Kole Omotoso. Reviewed in: South African Theatre Journal, 10(1):118.
Hauptfleisch, Temple 1996e. The (re)canonization of South African theatre; thoughts on four play collections. South African Theatre Journal, 10(1):115-119.
Hauptfleisch, Temple 1996f. South Africa Plays, edited by Stephen Gray. Reviewed in: South African Theatre Journal, 10(1):116-117.
Hauptfleisch, Temple 1997a. Taylor se grootste rol. Grafskrif: Mavis Taylor. Insig, December:40.
Hauptfleisch, Temple 1997b. Theatre and Society in South Africa: Reflections in a Fractured Mirror. Pretoria: Van Schaik[2].
Hauptfleisch, Temple 1998. The Flag is Flying: A Very Personal History of Theatre in the Old South Africa, by Leonard Schach. Reviewed in: South African Theatre Journal, 12(1&2):257-261.
Hauptfleisch, Temple 2000. In defense of theatre research: An audit revisited (editorial). South African Theatre Journal, 14:8-17.
Hauptfleisch, Temple 2001a. The Eventification of Afrikaans culture - some thoughts on the Klein Karoo Nasionale Kunstefees (KKNK). South African Theatre Journal, 15:169-176.
Hauptfleisch, Temple 2001b. FIRT/IFTR 2000 Regional Congress – Theatre: Sound Space, Visual Space. South African Theatre Journal, 15:153-157.
Hauptfleisch, Temple 2001c. Homegrown theory for a new theatre (editorial). South African Theatre Journal, 15:5-6.
Hauptfleisch, Temple 2002a. "Oh go play somewhere - and stop bothering us!": On the (ir)relevance of theatre and the performing arts in economic society. New Agenda, (6):68-77.
Hauptfleisch, Temple 2002b. A Response to the XIV IFTR/FIRT Conference on Theatre and Cultural Memory. South African Theatre Journal, 16:185-189.
Hauptfleisch, Temple 2003. The cultural bazaar: thoughts on festival culture after a visit to the 2003 Klein Karoo Nasionale Kunstefees (KKNK) in Oudtshoorn. South African Theatre Journal, 17:258-275.
Hauptfleisch, Temple 2004. "Drama (South Africa)" in Eugene Benson and L.W. Conolly (Eds) 'Encyclopedia of Post-Colonial Literatures in English. London: Routledge.
Hauptfleisch, Temple 2004. Eventification: utilizing the theatrical system to frame the event, in Cremona, Vicky Ann ... [et al.]; IFTR/FIRT Theatrical Event Working Group. Theatrical Events: Borders, Dynamics, Frames. Amsterdam: Rodopi. 279-302.
Hauptfleisch, Temple 2005a. Artistic output, arts research and the rating of the theatre practitioner as researcher-some responses to the NRF rating system after the first three years. South African Theatre Journal, 18:9-34.
Hauptfleisch, Temple 2005b. Dramatic learning spaces: a South African research conference. University of KwaZulu-Natal, Pietermaritzburg, 23-25 April 2004. South African Theatre Journal, 18:279-284.
Hauptfleisch, Temple 2005c. Südafrikanisches Theater – Entwicklungen und Strömungen von Vergangenheit bis Gegenwart, in Arndt, S. & Berndt, K. (eds.). Kreatives Afrika: SchriftstellerInnen über Literatur, Theater und Gesellschaft: eine Festschrift für Eckhard Breitinger. Wuppertal: Peter Hammer Verlag. 91-116.
Hauptfleisch, Temple 2006. Eventifying identity: festivals in South Africa and the search for cultural identity. New Theatre Quarterly, 22(2):181-198.
Hauptfleisch, Temple 2007a. Editorial. South African Theatre Journal, 21:8-10.
Hauptfleisch, Temple 2007b. Festivals as eventifying systems, in Hauptfleisch, Lev-Aladgem, Martin, Sauter, and Schoenmakers (Eds.), 2007. 39-47.
Hauptfleisch, Temple 2007c. In search of the rainbow: The Little Karoo National Arts Festival and the search for cultural identity in South Africa, in Hauptfleisch, Lev-Aladgem, Martin, Sauter, and Schoenmakers (Eds.), 2007. 79-96.
Hauptfleisch, Temple 2007d. The seismology of theatre: tracing the shock waves of a theatrical event in society. South African Theatre Journal, 21: 253-271.
Hauptfleisch, Temple 2007e. Some major trends of past developments, in Arndt, Susan & Berndt, Katrin (eds.). Words and Worlds: African Writing, Theatre and Society; A Commemorative Publication in Honour of Eckhard Breitinger. Trenton, NJ : Africa World Press. 57-75.
Hauptfleisch, Temple 2008. Introduction, in Migliarisi, Anna (ed.). Stanislavsky and Directing. Theory, Practice and Influence. Toronto: Legas.
Hauptfleisch, Temple 2009. Die dramaturg as dromer, in De Wet, Reza. Blou Uur. Kaapstad: Maskew Miller Longman.
Hauptfleisch, Temple 2009. Groot dinge wat groei uit n beskeie akker(dorpie) Sestig jaar van Toneel en Vermaak in die Bosch In Die Eikestadnuus, April, 2009.
Hauptfleisch, Temple 2009. Rating the theatre practioner: A South African case-study, in Riley, Shannon Rose. Mapping Landscapes for Performance as Research: Scholarly Acts and Creative Cartographies. New York: Palgrave-Macmillan. 42-50.
Hauptfleisch, Temple 2010. Tipping points in the history of academic theatre and performance studies in South Africa. Theatre Research International, 35(3):275-287.
Hauptfleisch, Temple 2011 Foreword, in Igweonu, Kene (ed.). Trends in Twenty-First Century African Theatre and Performance. Amsterdam/New York, NY Rodopi.
Hauptfleisch, Temple 2011a. From trance dance to PaR: Theatre and performance studies in South Africa, in Igweonu, Kene (ed.). Trends in Twenty-First Century African Theatre and Performance. Amsterdam, [[Rodopi. 171-190.
Hauptfleisch, Temple 2011b. SATJ: The first 25 years. South African Theatre Journal, 25(1):1-4.
Hauptfleisch, Temple 2011c. "Theater and performance", in Johnson, Krista & Jacobs, Sean (eds.). Encyclopedia of South Africa. Boulder Colorado: Lynne Rienner Publishers.
Hauptfleisch, Temple 2012. Obituary: Reza de Wet (1952-2012). South African Theatre Journal, 26(1):1.
Hauptfleisch, Temple 2014. Critical Responses: The Evolution of the Theatre Critic in South Africa, in Diala, Isidore (ed.). Syncretic Arenas. Essays on Postcolonial African Drama and Theatre for Esiaba Irobi. Amsterdam, Rodopi. 319-332.
Hauptfleisch, Temple 2016. Book Review: Kristalvlakte deur Amy Jephta LitNet 2016-11-02[3]
Hauptfleisch, Temple 2016. South African Arts Festivals Today. The Theatre Times Posted 31st Aug 2016 , South Africa[4]
Hauptfleisch, Temple and Du Preez, Petrus 2010. Special Editorial - The long way here and the road ahead. South African Theatre Journal, 24:8-9.
Hauptfleisch, Temple et al. 1986. Research On South African Literature and Race Relations: Report on a Seminar held by CENSAL, Johannesburg, 25 May, 1986.. Pretoria: Human Sciences Research Council.
Hauptfleisch, Temple, Huismans, Anja & Finestone Juanita 1999. Unwilling champion: an interview with Reza de Wet. Contemporary Theatre Review, 9(1):53-63.
Hauptfleisch, Temple & Hutchison, Yvette 1992. The social relevance of play (editorial). South African Theatre Journal, 6(1):1-3.
Hauptfleisch Temple and Keuris, Marisa. 2020. Reza de Wet. Die Dramaturg as Dromer - 'n Huldiging. Pretoria: Protea Boekhuis.
Hauptfleisch Temple and Keuris, Marisa. 2023. Bartho Smit. Koorddanser Tussen Triomf en Tragedie - 'n Huldiging. Pretoria: Suid-Afrikaanse Akademie vir Wetenskap en Kuns.
Hauptfleisch, Temple and Kruger, Marie 1997. South Africa, in Rubin, Don (ed.). The World Encyclopaedia of Contemporary Theatre. Vol. 3: Africa. London: Routledge. 268-297.
Hauptfleisch, Temple; Lev Aladgem, Shulamith; Martin, Jacqueline; Sauter, Willmar and Schoenmakers, Henri (Eds) 2007. Festivalising! Theatrical Events, Politics and Culture. Amsterdam, Rodopi.
Hauptfleisch, Temple & Steadman, Ian (eds.). 1984. South African Theatre: Four Plays and an Introduction. Pretoria: HAUM Educational.
Hauptfleisch, Temple and Van Lill, Hilda 2011. Ibsen on the Platteland: The First Professional Production of A Doll’s House (1929) in Afrikaans, in Fischer-Lichte, Erika, Gronau, Barbara & Weiler, Christine (eds.). Global Ibsen: Performing Multiple Modernities. New York & London: Routledge, 19-38.
Hauptfleisch, Temple, Van Rooyen, Eunice & Cornelissen, Annette 1983. Thoughts on theatre in South Africa during 1981: a review of some trends. Teaterforum, 4(1):54-76.
Hauptfleisch, Temple, Viljoen, Wilma & Cornelissen, Annette 1985. South African theatre today: a look at the year 1981, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 131-140.
Hauptfleisch, Temple, Viljoen, Wilma & Van Greunen, Celeste (comps.). 1982. Athol Fugard. A Source Guide. Johannesburg: Ad Donker.
Click on the appropriate letters of the alphabet in the sub-list below.
H-Hat Hau Haw-Her Hes-Hol Hom-How Hua-Hun Huo-Huz Hy-Hz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Return to The ESAT Entries
Return to Main Page
