Difference between revisions of "Pieter Fourie"

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As in the case of "Johan", '''Pieter''' is one of the most commonly found first names in [[Afrikaans]], and '''Fourie''' is equally widespread as a surname in South Africa, thus there are a number of individuals involved in theatre named '''Pieter Fourie'''.  
 
As in the case of "Johan", '''Pieter''' is one of the most commonly found first names in [[Afrikaans]], and '''Fourie''' is equally widespread as a surname in South Africa, thus there are a number of individuals involved in theatre named '''Pieter Fourie'''.  
 
  
 
= Pieter Fourie, Playwright  =
 
= Pieter Fourie, Playwright  =
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(1940-) Actor, director, playwright, producer and manager.
 
(1940-) Actor, director, playwright, producer and manager.
  
'''See''': Doctoral thesis (in [[Afrikaans]]) by [[Nico Luwes]] (2012): ''Pieter Fourie (1940- ) se bydrae as Afrikaanse dramaturg en kunstebestuurder: 1965-2010'' (''Pieter Fourie's contribution as Afrikaans playwright and arts manager: 1965-2010'') [http://etd.uovs.ac.za/ETD-db//theses/available/etd-08102012-152250/unrestricted/LuwesNJ.pdf].
+
== Biography ==
 +
 
 +
Born in Phillipolis in the Orange Free State on 3 April, 1940, grew up in Luckhoff. Left school at 15, to become a postal worker in Bloemfontein and Koffiefontein. Then he returned to school in Phillipolis, before going to the [[University of Stellenbosch]], initially doing Drama, but after an argument  with the professor, [[Fred Engelen]], he left to finish with a BA and a BA Honours degree in [[Afrikaans]] Literature (1964). A founding member of [[D.J. Opperman]]’s literary laboratory, he initially published poetry in journals like [[Stiebeuel]], [[Standpunte]], [[Sestiger]] en [[Tydskrif vir Letterkunde]]. He was also a radical student leader at the time and a founding member of **.
 +
 
 +
In 1965 he started his own touring production company, the [[Pieter Fourie Genootskap]], with and in 1966 he joined the [[CAPAB]] Drama Company, in 1967 becoming company manager of the [[Afrikaans]] Company. He would later be a resident dramatist for CAPAB and PACT, a free-lance writer, owner of a number of guest houses, and the Artistic Director of the [[Klein Karoo Nasionale Kunstefees]] (or [[KKNK]]) and the founding owner of [[Rooderandt Produksies]] (see further below).
 +
 
 +
 
 +
Married the actress [[Liz Dick]], with whom he had two daughters,  Tanya and Mashinka and after his divorce, married Marlize Herselmann in 1983, with whom he also had two daughters, [[Natasha]] en [[Nandi]].
 +
 
 +
== His contribution to South African Theatre, Film, Media and Performance ==
 +
 
 +
While a final year student in 1964 he wrote a play called ''[[Tjaka]]'' and in the same year translated the play into [[Afrikaans]] as ''[[Wie is die Moordenaar?]]'', directed it and performed in it with fellow students  [[Marie Pentz]], [[Fanie Smit]] and [[Peter Grobbelaar]] during the vacations.
 +
 
 +
In 1965 he started his own touring production company, the [[Pieter Fourie Genootskap]] ("Pieter Fourie Association"), with actresses such as [[Christine Basson]] en [[Marie Pentz]], writing and directing the work himself.
 +
 
 +
In 1966 he joined the [[CAPAB]] Drama Company as the company manager of the [[Afrikaans]] Company and in 1967 he was made Artistic Director for [[Afrikaans]] Drama, and in 1968 Artistic Director for Drama, a position he held for sixteen years (from 1968-1983), though he was fired three times and then reinstated.
 +
 
 +
Then in 1983 became Playwright in Residence with[CAPAB]] and in 1985 with [ PACT]], a post he held for * years.  
 +
 
 +
He moved to Oudtshoorn and was one of the founders, and in 1997 became Director  of,  the [[Klein Karoo Nasionale Kunstefees]] ([[KKNK]]).  
  
== Biography ==
+
In 1999 he resigned to return to writing and producing on a freelance basis, founding a production company, [[Rooderandt Produksies]], in 2000, which produced a number of his works.
 +
 
 +
Over the years he was also involved as advisor, judge etc. with [[ATKV  Kampustoneel]],[[Logan Toneelfees]].
  
Born in Phillipolis in the Orange Free State, grew up in Luckhoff. Left school at 15, to become a postal worker in Bloemfontein and Koffiefontein. Then he returned to school in Phillipolis, before going to the [[University of Stellenbosch]], initially doing Drama, but after an argument  with the professor, [[Fred Engelen]], he left to finish with a BA and a BA Honours degree in [[Afrikaans]] Literature (1964). A founding member of [[D.J. Opperman]]’s literary laboratory, he initially published poetry in journals like [[Stiebeuel]], [[Standpunte]], [[Sestiger]] en [[Tydskrif vir Letterkunde]]. He was also a radical student leader at the time. In 1964 he started his own touring production company, the [[Pieter Fourie Genootskap]], with actresses such as [[Christine Basson]] en [[Marie Pentz]], writing and directing the work himself. In 1966 he joined the [[CAPAB]] Drama Company as company manager of the [[Afrikaans]] Company. In 1967 he was made Artistic Director for Afrikaans Drama, and in 1968 Artistic Director for Drama, a position he held for sixteen years (from 1968-1983). Then in 1983 became Playwright in Residence with[CAPAB]] and in 1985 with [ PACT]], a post he held for * years. He moved to Oudtshoorn and was one of the founders, and in 1997 director  of  the [[Klein Karoo Nasionale Kunstefees]] ([[KKNK]]). In 1999 he resigned to return to writing and producing, founding a production company, [[Rooderandt Produksies]], in 2000, which produced a number of his works. Over the years he was also involved with [[ATKV  Kampustoneel]],[[Logan Toneelfees]]. was married to actress [[Liz Dick]] and to **
+
=== His career as actor ===
  
== His career as actor ==
+
''[[Die Onbegraafde Lyk]]'' ("The unburied corpse", 1965), ''[[Die Wakker Wewenaar]]'' ("The spry bachelor", 1965), ''[[Vergewe Ons Ons Skulde]]'' ("Forgive us our trespasses", 1966), ''[[Gee Terug My Pen]]'' ("Give me back my pen") and ''[[Ester die Maltrap]]'' ("Ester the madcap").
  
 +
=== His career as director ===
  
 +
He initially wrote and directed his own work for his travelling company, the [[Pieter Fourie Genootskap]],  .
  
 +
In 1969 he directed his first piece for [[CAPAB]], namely ''[[Fando and Lis]]'' by Arrabal. He went on to direct a large number of translated plays in the sixties and seventies, including ''[[Die Selfmoordenaar]]'' (Erdmann), ''[[Die Twee Laksmanne]]'' (Arrabal), 1971, ''[['n Kop vir die strop]]'' (Feydeau), ''[[Die Huwelik van Mnr. Mississippi]]'' (Dürrenmatt), Shakespeare's ''[[Othello]]'', ''[[So 'n Liefde]]'', ''[[Roulette]]'' and  ''[[Arme moordenaar]]'' (all by Pavel Kohout),  .
  
== His career as director ==
+
=== His career as playwright ===
He initially wrote and directed his own work for his travelling company. In 1969 he directed his first piece for [[CAPAB]], namely ''[[Fando and Lis]]'' by Arrabal. He went on to direct a large number of translated plays in the sixties and seventies, including ''[[Die Selfmoordenaar]]'' (Erdmann), ''[[Die Twee Laksmanne]]'' (Arrabal), 1971, ''[['n Kop vir die strop]]'' (Feydeau), ''[[Die Huwelik van Mnr. Mississippi]]'' (Dürrenmatt), Shakespeare's ''[[Othello]]'', ''[[So 'n Liefde]]'', ''[[Roulette]]'' and  ''[[Arme moordenaar]]'' (all by Pavel Kohout),  .
 
  
== His career as playwright ==
+
As playwright he has written many works over the years including ''[[Hansie die Hanslam]]: ’n toneelstuk vir kinders'' (1969, an immensely popular children's play), ''[[Faan se Trein]]'' (1975), ''[[Tsjaka]]'' (1976), ''[[Die Joiner]]'' (1976), ''[[Die Plaasvervangers]]'' (1978) ''[[Mooi Maria]]'' (1980), ''[[Ek, Anna van Wyk]]'' (1986), ''[[Die Proponentjie]]'' (1987),  ''[[Die Koggelaar]]'' (1988), ''[[Faan se Stasie]]'' (19**),  ''[[Donderdag se Mense]]'' (1989/1990); ''[[Die Groot Wit Roos]]'' (1989); ''[[Vat hom, Flaffie!]]'' (1989)  ''[[Naelstring (’n band tussen twee teaterstrominge)]]'' (2001 - also done in English as ''[[Fuck thy Father]]''), ''[[Elke duim 'n koning]]'' ("Every inch a king", 2001), ''[[Gert Garries – 'n baaisiekel babelas]]'' (2002), ''[[Koggelmanderman]]'' (2003), ''[[Jasmyn]]'' (2008), ''[[Post Mortem]]'' (2016)
  
As playwright he has written many works over the years including ''[[Hansie die Hanslam]]: ’n toneelstuk vir kinders'' (1969, an immensely popular children's play),
+
''[[Faan se Trein]]'' was filmed in 2014.
''[[Tsjaka]]'' (1976), ''[[Die Joiner]]'' (1976), ''[[Die Plaasvervangers]]'' (1978) ''[[Die Proponentjie]]'' (1987), ''[[Mooi Maria]]'' (1980), ''[[Ek, Anna van Wyk]]'' (1986), ''[[Die Koggelaar]]'' (1988), ''[[Faan se Trein]]'' (1975), ''[[Faan se Stasie]]'' (19**),  ''[[Donderdag se Mense]]'' (1989/1990); ''[[Die Groot Wit Roos]]'' (1989); ''[[Vat hom, Flaffie!]]'' (1989)  ''[[Naelstring (’n band tussen twee teaterstrominge)]]'' (2001 - also done in English as ''[[Fuck thy Father]]''), ''[[Elke duim 'n koning]]'' ("Every inch a king", 2001), ''[[Gert Garries – 'n baaisiekel babelas]]'' (2002), ''[[Koggelmanderman]]'' (2003),
 
  
 
== Awards ==
 
== Awards ==
  
 +
Received the [[Three Leaves Award]] as best director for ''[[So 'n Liefde]]'' (Pavel Kohout) (19**).
 +
 +
Other awards include [[Johan Nell Prize]] for his contribution to local theatre, [[Dawie Malan]]/[[DALRO]] prize for the best new play; the [[SACPAC|SACPAC Prize]] for the best new South African text (''[[Die Koggelaar]]''); winner [[Nagtegaal/KKNK-competition]] for a new text,  2002; 
  
In 199* awarded a Erepenning (=Honorary Penant) for his contribution to the performing arts by the [[Suid-Afrikaanse Akademie vir Wetenskap en Kuns]] and in 2003 received the prestigious [[Hertzogprys|Hertzog Prize]] for Drama for his plays.  Other awards include [[Johan Nell Prize]] for his contribution to local theatre, [[Dawie Malan]]/[[DALRO]] prize for the best new play; the [[SACPAC|SACPAC Prize]] for the best new South African text (''[[Die Koggelaar]]''); winner [[Nagtegaal/KKNK-competition]] for a new text ,  2002; the [[Three Leaves Award]] for best director; for ''[[So 'n Liefde]]'' (Pavel Kohout). In 2011 an Honorary Doctorate was awarded to him by the '''University of the Free State''' [http://www.ufs.ac.za/]
+
In 199* awarded an Erepenning (=Honorary Penant) for his contribution to the performing arts by the [[Suid-Afrikaanse Akademie vir Wetenskap en Kuns]] and in 2003 received the prestigious [[Hertzogprys|Hertzog Prize]] for Drama for his plays.  In 2011 an Honorary Doctorate was awarded to him by the [[University of the Free State]][http://www.ufs.ac.za/]
  
 
== Sources ==
 
== Sources ==
  
Tucker, 1997
+
[[Percy Tucker]], 1997
  
Erica Terblanche in [[LitNet]] [http://www.argief.litnet.co.za/cgi-bin/giga.cgi?cmd=print_article&news_id=52264&cause_id=1270]
+
https://af.wikipedia.org/wiki/Pieter_Fourie
  
Go to [[South African Theatre/Bibliography]]
+
[[Nico Luwes]] 2012. ''[[Pieter Fourie]] (1940-) se bydrae as Afrikaanse dramaturg en kunsbestuurder: 1965-2010''. Unpublished doctoral dissertation. Bloemfontein: University of the Free State, pp. [http://etd.uovs.ac.za/ETD-db//theses/available/etd-08102012-152250/unrestricted/LuwesNJ.pdf]
  
= Pieter J. Fourie, Professor of Communication Science=
+
https://af.wikipedia.org/wiki/Pieter_Fourie
  
Theorist, critic and academic. He studied Drama and Communication Studies at the [[Potchefstroom University for CHE]], obntaining a Bachelor of Arts (BA -  1971), BA Honours (Drama, 1972), BA Honours (Communication, 1976 - With Distinction) and MA (Communication -  1979, with Distinction)and then did a D.Litt et Phil (Communication), at the University of South Africa (1982).
 
His professional career included stints as a journalist and critic (1970-1971: South African Broadcasting Corporation; 1972-1975: ''Rapport'') and lecturer (1976-1979: Junior lecturer/Lecturer in Communication PU for CHE; 1980- : University of South Africa: Senior Lecturer: 1980 - 1982; Associate professor: 1983; Professor: 1984 -) He is the author and editor of a number of key works in the field of South African media studies, including two of the first publications in South Africa in the field of visual communication and semiotics, ''Beeldkommunikasie: Kultuurkritiek, ideologiese kritiek, en ‘n inleiding tot die beeldsemiologie'' (McGraw-Hill, 1983), and ''Aspects of film and television communication'' (Juta, 1988.) He is a regular participant at national and international conferences on topics in his field of specialisation; has published close to fifty research articles in accredited journals; a number of books and chapters in books; supervised more that twenty research Master’s and doctoral students, and is undergraduate and external examiner at a number of universities. Fourie has been the editor of the accredited research journal ''[[Communicatio: South African Journal for Communication Theory and Research]]'' (published by Unisa Press and Routledge) for the past 23 years and sits on the editorial boards of a number of research journals in the field of communication and media studies, including ''[[Critical Arts]]'' and the ''[[South African Theatre Journal]]''.  He was also involved as an advisor in the founding of [[Kampustoneel]]. He was the president of the ''South African Communication Association'' for a number of years. In 2003 he was awarded the Stals Prize for his contribution to the development of communication science in South Africa by the South African Academy of Science and Arts (die [[Suid-Afrikaanse Akademie vir Wetenskap en Kuns]]). In 2007 he was elected fellow of the International Communicology Institute (USA). His most recent book publications are the edited 2nd editions of the four part Media Studies series (published by Juta, Cape Town), namely,  Media Studies Volume 1: Media History, Media and Society (2007), Media Studies Volume 2: Policy, Management, and Media Representation (2008); and Volume 3: Media Content and Audiences, as well as Volume 4: Media Production Planning and Media Ethics to be published in 2009. Fourie is a [[National Research Foundation]] (NRF) rated researcher.
 
  
 +
[[Erica Terblanche]] in [[LitNet]] [http://www.argief.litnet.co.za/cgi-bin/giga.cgi?cmd=print_article&news_id=52264&cause_id=1270]
  
== Sources ==
+
Go to [[South African Theatre/Bibliography]]
 
 
http://www.unisa.ac.za/Default.asp?Cmd=ViewContent&ContentID=1247
 
  
 
= Pieter Fourie, Arts Administrator =
 
= Pieter Fourie, Arts Administrator =
Line 52: Line 73:
 
(194*-) Hugely influential organisor of the [[ATKV]] drama programmes, festivals and so on (1980**-19**). Perhaps best remembered for his pivotal role in initiating and managing the [[Kampustoneel]] playwriting project (198*-198*). Later a publicist for [[PACOFS]].
 
(194*-) Hugely influential organisor of the [[ATKV]] drama programmes, festivals and so on (1980**-19**). Perhaps best remembered for his pivotal role in initiating and managing the [[Kampustoneel]] playwriting project (198*-198*). Later a publicist for [[PACOFS]].
  
= Pieter-Paul Fourie, Playwright and literary advisor =
+
= Pieter J.Fourie, Academic=
 +
 
 +
An influential lecturer, theorist and academic writer specialising in the field of Communication Studies, and a part-time drama and film critic
 +
 
 +
'''See [[Pieter J. Fourie]]'''
 +
 
 +
= Pieter-Paul Fourie, playwright=
  
 +
A playwright and literary advisor for [[PACT]]
  
See [[Pieter-Paul Fourie]]
 
  
 +
'''See [[Pieter-Paul Fourie]]'''
  
== Return to ==
+
= Return to =
  
 
Return to [[ESAT Personalities F]]
 
Return to [[ESAT Personalities F]]

Revision as of 14:50, 25 September 2017

As in the case of "Johan", Pieter is one of the most commonly found first names in Afrikaans, and Fourie is equally widespread as a surname in South Africa, thus there are a number of individuals involved in theatre named Pieter Fourie.

Pieter Fourie, Playwright

(1940-) Actor, director, playwright, producer and manager.

Biography

Born in Phillipolis in the Orange Free State on 3 April, 1940, grew up in Luckhoff. Left school at 15, to become a postal worker in Bloemfontein and Koffiefontein. Then he returned to school in Phillipolis, before going to the University of Stellenbosch, initially doing Drama, but after an argument with the professor, Fred Engelen, he left to finish with a BA and a BA Honours degree in Afrikaans Literature (1964). A founding member of D.J. Opperman’s literary laboratory, he initially published poetry in journals like Stiebeuel, Standpunte, Sestiger en Tydskrif vir Letterkunde. He was also a radical student leader at the time and a founding member of **.

In 1965 he started his own touring production company, the Pieter Fourie Genootskap, with and in 1966 he joined the CAPAB Drama Company, in 1967 becoming company manager of the Afrikaans Company. He would later be a resident dramatist for CAPAB and PACT, a free-lance writer, owner of a number of guest houses, and the Artistic Director of the Klein Karoo Nasionale Kunstefees (or KKNK) and the founding owner of Rooderandt Produksies (see further below).


Married the actress Liz Dick, with whom he had two daughters, Tanya and Mashinka and after his divorce, married Marlize Herselmann in 1983, with whom he also had two daughters, Natasha en Nandi.

His contribution to South African Theatre, Film, Media and Performance

While a final year student in 1964 he wrote a play called Tjaka and in the same year translated the play into Afrikaans as Wie is die Moordenaar?, directed it and performed in it with fellow students Marie Pentz, Fanie Smit and Peter Grobbelaar during the vacations.

In 1965 he started his own touring production company, the Pieter Fourie Genootskap ("Pieter Fourie Association"), with actresses such as Christine Basson en Marie Pentz, writing and directing the work himself.

In 1966 he joined the CAPAB Drama Company as the company manager of the Afrikaans Company and in 1967 he was made Artistic Director for Afrikaans Drama, and in 1968 Artistic Director for Drama, a position he held for sixteen years (from 1968-1983), though he was fired three times and then reinstated.

Then in 1983 became Playwright in Residence with[CAPAB]] and in 1985 with [ PACT]], a post he held for * years.

He moved to Oudtshoorn and was one of the founders, and in 1997 became Director of, the Klein Karoo Nasionale Kunstefees (KKNK).

In 1999 he resigned to return to writing and producing on a freelance basis, founding a production company, Rooderandt Produksies, in 2000, which produced a number of his works.

Over the years he was also involved as advisor, judge etc. with ATKV Kampustoneel,Logan Toneelfees.

His career as actor

Die Onbegraafde Lyk ("The unburied corpse", 1965), Die Wakker Wewenaar ("The spry bachelor", 1965), Vergewe Ons Ons Skulde ("Forgive us our trespasses", 1966), Gee Terug My Pen ("Give me back my pen") and Ester die Maltrap ("Ester the madcap").

His career as director

He initially wrote and directed his own work for his travelling company, the Pieter Fourie Genootskap, .

In 1969 he directed his first piece for CAPAB, namely Fando and Lis by Arrabal. He went on to direct a large number of translated plays in the sixties and seventies, including Die Selfmoordenaar (Erdmann), Die Twee Laksmanne (Arrabal), 1971, 'n Kop vir die strop (Feydeau), Die Huwelik van Mnr. Mississippi (Dürrenmatt), Shakespeare's Othello, So 'n Liefde, Roulette and Arme moordenaar (all by Pavel Kohout), .

His career as playwright

As playwright he has written many works over the years including Hansie die Hanslam: ’n toneelstuk vir kinders (1969, an immensely popular children's play), Faan se Trein (1975), Tsjaka (1976), Die Joiner (1976), Die Plaasvervangers (1978) Mooi Maria (1980), Ek, Anna van Wyk (1986), Die Proponentjie (1987), Die Koggelaar (1988), Faan se Stasie (19**), Donderdag se Mense (1989/1990); Die Groot Wit Roos (1989); Vat hom, Flaffie! (1989) Naelstring (’n band tussen twee teaterstrominge) (2001 - also done in English as Fuck thy Father), Elke duim 'n koning ("Every inch a king", 2001), Gert Garries – 'n baaisiekel babelas (2002), Koggelmanderman (2003), Jasmyn (2008), Post Mortem (2016)

Faan se Trein was filmed in 2014.

Awards

Received the Three Leaves Award as best director for So 'n Liefde (Pavel Kohout) (19**).

Other awards include Johan Nell Prize for his contribution to local theatre, Dawie Malan/DALRO prize for the best new play; the SACPAC Prize for the best new South African text (Die Koggelaar); winner Nagtegaal/KKNK-competition for a new text, 2002;

In 199* awarded an Erepenning (=Honorary Penant) for his contribution to the performing arts by the Suid-Afrikaanse Akademie vir Wetenskap en Kuns and in 2003 received the prestigious Hertzog Prize for Drama for his plays. In 2011 an Honorary Doctorate was awarded to him by the University of the Free State[1]

Sources

Percy Tucker, 1997

https://af.wikipedia.org/wiki/Pieter_Fourie

Nico Luwes 2012. Pieter Fourie (1940-) se bydrae as Afrikaanse dramaturg en kunsbestuurder: 1965-2010. Unpublished doctoral dissertation. Bloemfontein: University of the Free State, pp. [2]

https://af.wikipedia.org/wiki/Pieter_Fourie


Erica Terblanche in LitNet [3]

Go to South African Theatre/Bibliography

Pieter Fourie, Arts Administrator

(194*-) Hugely influential organisor of the ATKV drama programmes, festivals and so on (1980**-19**). Perhaps best remembered for his pivotal role in initiating and managing the Kampustoneel playwriting project (198*-198*). Later a publicist for PACOFS.

Pieter J.Fourie, Academic

An influential lecturer, theorist and academic writer specialising in the field of Communication Studies, and a part-time drama and film critic

See Pieter J. Fourie

Pieter-Paul Fourie, playwright

A playwright and literary advisor for PACT


See Pieter-Paul Fourie

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