Difference between revisions of "ESAT Bibliography Van H-Van N"

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Click on the appropriate letters of the alphabet in the sub-list below.  
 
Click on the appropriate letters of the alphabet in the sub-list below.  
  
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[[ESAT Bibliography Vaa-Van den|Vaa-Van den]] [[ESAT Bibliography Van der B-Van der W|Van der B-Van der W]] [[ESAT Bibliography Vandes-Van G|Vandes-Van G]] [[ESAT Bibliography Van H-Van N|Van H-Van N]] [[ESAT Bibliography Van O-Van R|Van O-Van R]] [[ESAT Bibliography Van S-Van Z|Van S-Van Z]] [[ESAT Bibliography Vao-Ver|Vao-Ver]] [[ESAT Bibliography Ves-Vis|Ves-Vis]] [[ESAT Bibliography Vit-Vz|Vit-Vz]]  
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[[ESAT Bibliography Vaa-Van den|Vaa-Van den]] [[ESAT Bibliography Van der B-Van der W|Van der B-Van der W]] [[ESAT Bibliography Van des-Van G|Van des-Van G]] [[ESAT Bibliography Van H-Van N|Van H-Van N]] [[ESAT Bibliography Van O-Van R|Van O-Van R]] [[ESAT Bibliography Van S-Van Z|Van S-Van Z]] [[ESAT Bibliography Vand-Ver|Vand-Ver]] [[ESAT Bibliography Ves-Vis|Ves-Vis]] [[ESAT Bibliography Vit-Vz|Vit-Vz]]  
  
 
To return to any other letter, click on the list below
 
To return to any other letter, click on the list below
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==The list==
  
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[[J. van Heerdern|Van Heerden, J.]] 1972. Teatertegniek: agter die skerms. ''Sigma'', 25-29.
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[[C. van Heerden|Van Heerden, C.]] 1966. ''[[Man met die Donker Bril]]'', by G. Basson. Reviewed in: ''[[Tydskrif vir Geesteswetenskappe]]'', 6(2):
 +
 
 +
[[Esther van Heerden|Van Heerden, Esther]] 2011. The social and spatial construction of two South African arts festivals as liminal events. ''[[South African Theatre Journal]]'', 25(1):54-71.
 +
 
 +
[[J. van Heerden|Van Heerden, J.]] 1972. Teatertegniek: agter die skerms. ''Sigma'', 25-29.
  
 
[[Jean van Heerden|Van Heerden, Jean]] 1978 [[Observatory Theatre]], Bloemfontein.  ''[[Scenaria]]'', (8):13.
 
[[Jean van Heerden|Van Heerden, Jean]] 1978 [[Observatory Theatre]], Bloemfontein.  ''[[Scenaria]]'', (8):13.
  
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[[Johann van Heerden|Van Heerden, Johann]] 1978. Die rol van praktiese werk in die onderrig van drama as ’n akademiese dissipline. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
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[[Johann van Heerden|Van Heerden, Johann]] 1978. ''Die rol van praktiese werk in die onderrig van drama as ’n akademiese dissipline''. Unpublished master’s thesis. Stellenbosch: [[University of Stellenbosch]].
  
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[[Johann van Heerden|Van Heerden, Johann]] 1984. Teaterskepper: dramaturg of regisseur? ''Standpunte'', 37(4):18-25.
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[[Johann van Heerden|Van Heerden, Johann]] 1984. Teaterskepper: dramaturg of regisseur? ''[[Standpunte]]'', 37(4):18-25.
  
 
[[Johann van Heerden|Van Heerden, Johann]] 1988. ''[[Diepe Grond]]'', deur [[Reza de Wet]]. Reviewed in:  ''[[South African Theatre Journal]]'', 2(1):81-84.
 
[[Johann van Heerden|Van Heerden, Johann]] 1988. ''[[Diepe Grond]]'', deur [[Reza de Wet]]. Reviewed in:  ''[[South African Theatre Journal]]'', 2(1):81-84.
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[[Johann van Heerden|Van Heerden, Johann]] 1988. ''[[Onderhoud met ’n Bobbejaan]]'', deur [[T.T. Cloete]]. Reviewed in: ''[[South African Theatre Journal]]'', 2(1):78-80.
 
[[Johann van Heerden|Van Heerden, Johann]] 1988. ''[[Onderhoud met ’n Bobbejaan]]'', deur [[T.T. Cloete]]. Reviewed in: ''[[South African Theatre Journal]]'', 2(1):78-80.
  
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[[Johann van Heerden|Van Heerden, Johann]] 2008. Theatre in a new democracy. Unpublished doctoral dissertation. Stellenbosch: University of Stellenbosch.  
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[[Johann van Heerden|Van Heerden, Johann]] 2008. ''Theatre in a new democracy. Some major trends in South African theatre from 1994 to 2003''[http://www.google.co.za/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&ved=0CCUQFjAA&url=http%3A%2F%2Fscholar.sun.ac.za%2Fbitstream%2Fhandle%2F10019.1%2F1443%2Fvanheerden_theatre_2008.pdf%3Fsequence%3D1&ei=_egBU77CNYWJhQeE5oCADQ&usg=AFQjCNEWnD1BzeLnFmOV2tvyGLoMyNeT6Q&bvm=bv.61535280,d.Yms]. Unpublished doctoral dissertation. Stellenbosch: [[University of Stellenbosch]].
 +
 
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[[Johann van Heerden|Van Heerden, Johann]] 2011. Beyond the miracle: trends in South African theatre and performance after 1994, in  Igweonu, Kene (ed.). ''Trends in Twenty-First Century African Theatre and Performance''. Amsterdam, Rodopi. 85-112.
 +
 
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[[Joni van Heerden|Van Heerden, Joni]]. 2013.  ''‘n Psigoanalitiese perspektief op geselekteerde afrikaanse dramatekste van Reza de Wet''.  Unpublished MA thesis, [[University of Fort Hare]].
  
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Van Heyningen, Christina 1961. [[H.W.D. Manson|Manson]]. ''Contrast'', 1(4):71-82.
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[[Christina van Heyningen|Van Heyningen, Christina]]. 1948. A performance of ''[[The Flies]]'' by Jean-Paul Sartre. ''[[Standpunte]]'', 3(1):46-54.
  
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Van Heyningen, Christina 1969. Contemporary theatre. ''Theoria'', 32:25-37. March.
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[[Christina van Heyningen|Van Heyningen, Christina]]. 1961. [[H.W.D. Manson|Manson]]. ''[[Contrast]]'', 1(4):71-82.
  
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Van Heyningen, Christina 1970a. Great playwright  ([[H.W.D. Manson]]). ''Standpunte'', 23(6):11-20.
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[[Christina van Heyningen|Van Heyningen, Christina]]. 1969. Contemporary theatre. ''[[Theoria]]'', 32:25-37. March.
  
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Van Heyningen, Christina  1970b. [[H.W.D. Manson]]’s [[The Counsellors]]. ''Standpunte'', 24(1): 26-43.
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[[Christina van Heyningen|Van Heyningen, Christina]]. 1970a. Great playwright  ([[H.W.D. Manson]]). ''[[Standpunte]]'', 23(6):11-20.
  
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Van Heyningen, Christina 1970c. Remembering [[H.W.D. Manson|‘Cake’ Manson]]. ''Contrast'', 6(4): 44-48.
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[[Christina van Heyningen|Van Heyningen, Christina]].  1970b. [[H.W.D. Manson]]’s ''[[The Counsellors]]''. ''[[Standpunte]]'', 24(1): 26-43.
  
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Van Heyningen, Christine 1970. Great playwright. [bespreking]. ''Standpunte'', 24(2):14-17. December.
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[[Christina van Heyningen|Van Heyningen, Christina]]. 1970c. Remembering [[H.W.D. Manson|‘Cake’ Manson]]. ''[[Contrast]]'', 6(4): 44-48.
  
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Van Heyningen, Christine 1971. [[H.W.D. Manson|Manson]]’s first play (''[[Fight at Finnsburgh]]'') and his last (''[[Magnus]]''). ''Standpunte'', 24(5):46-57. June.
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[[Christina van Heyningen|Van Heyningen, Christina]]. 1970. Great playwright. [bespreking]. ''[[Standpunte]]'', 24(2):14-17. December.
  
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Van Heyningen, Christine 1971. [[H.W.D. Manson|Manson]]’s ''[[The Festival]]''. ''Standpunte'', 24(4):48-57. April.
+
[[Christina van Heyningen|Van Heyningen, Christina]]. 1971. [[H.W.D. Manson|Manson]]’s first play (''[[Fight at Finnsburgh]]'') and his last (''[[Magnus]]''). ''[[Standpunte]]'', 24(5):46-57. June.
  
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Van Heyningen, Christine 1971. New work by [[H.W.D. Manson|Manson]] (''[[Karl Gunter Hoffmann]]''). ''Theoria'', 37:45-49. October.
+
[[Christina van Heyningen|Van Heyningen, Christina]]. 1971. [[H.W.D. Manson|Manson]]’s ''[[The Festival]]''. ''[[Standpunte]]'', 24(4):48-57. April.
  
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Van Heyningen, Christine 1971. [[H.W.D. Manson]]: poet and playwright, and his connections with Natal. ''Natalia'', 1(1):23-25. September.
+
[[Christina van Heyningen|Van Heyningen, Christina]]. 1971. New work by [[H.W.D. Manson|Manson]] (''[[Karl Gunter Hoffmann]]''). ''Theoria'', 37:45-49. October.
  
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Van Heyningen, Christine 1973. Misunderstandings of [[H.W.D. Manson|Manson]]’s plays. ''Theoria'', 40:41-53. May.
+
[[Christina van Heyningen|Van Heyningen, Christina]]. 1971. [[H.W.D. Manson]]: poet and playwright, and his connections with Natal. ''Natalia'', 1(1):23-25. September.
 +
 
 +
[[Christina van Heyningen|Van Heyningen, Christina]]. 1973. Misunderstandings of [[H.W.D. Manson|Manson]]’s plays. ''Theoria'', 40:41-53. May.
  
 
[[Nan van Houte|Van Houte, Nan]] 1994. Over eilandbewoners en bruggenbouwers. Theater in het nieuwe Zuid-Afrika. (On islanders and bridge builders: theatre in the new South Africa). ''Toneel Teatraal'', 115(8):29-34.
 
[[Nan van Houte|Van Houte, Nan]] 1994. Over eilandbewoners en bruggenbouwers. Theater in het nieuwe Zuid-Afrika. (On islanders and bridge builders: theatre in the new South Africa). ''Toneel Teatraal'', 115(8):29-34.
  
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[[M.B. van Huysteen|Van Huysteen, M.B.]] 1988. Die toepaslikheid van dramabenaderings in maatskaplike werk. ''Social Work'', 24(4):273-280. October.
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[[M.B. van Huysteen|Van Huysteen, M.B.]] 1988a. Sosioteater as 'n benadering in maatskaplike werk. Unpublished doctoral dissertation. Bellville, University of the Western Cape.
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 +
[[M.B. van Huysteen|Van Huysteen, M.B.]] 1988b. Die toepaslikheid van dramabenaderings in maatskaplike werk. ''Social Work'', 24(4):273-280. October.
 +
 
 +
[[Anthea van Jaarsveld|Van Jaarsveld, Anthea]] 2012. ''[[Skrapnel]]'', by [[Willem Anker]]. Reviewed in: ''[[South African Theatre Journal]]'', 26(1):105-107.
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 +
[[Anthea van Jaarsveld|Van Jaarsveld, Anthea]] 2012. ''[[Die see]]'' by [[Reza de Wet]]. Reviewed in: ''[[Tydskrif vir Letterkunde]]'' 49(2):
 +
 
 +
[[Hilda van Lill|Van Lill, Hilda]] 2010. Exploring issues of identity and belonging in the films of Mira Nair : ''Salaam Bombay!'', ''Mississippi Masala'' and ''Monsoon Wedding''. Unpublished master's thesis. Stellenbosch : University of Stellenbosch.  
  
 
[[Melissa Louise van Maasdyk|Van Maasdyk, Melissa Louise]] 1992. ''[[Woza Albert!]]'' in French translation: the cross-cultural transfer of a contemporary South African drama.. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.  
 
[[Melissa Louise van Maasdyk|Van Maasdyk, Melissa Louise]] 1992. ''[[Woza Albert!]]'' in French translation: the cross-cultural transfer of a contemporary South African drama.. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.  
  
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[[Marda Vanne|Vanne, Marda]] 1941a. Nothing ventured ([[Ffrangcon-Davies-Marda Vanne Company]]). ''Outspan'', 30(773):15-17. December 19.
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[[Marda Vanne|Vanne, Marda]] 1941a. Nothing venture ([[ffrangcon-Davies-Marda Vanne Theatrical Company]]). ''Outspan'', 30(773):15,17,65,67,69,71. December 19.
  
 
[[Marda Vanne|Vanne, Marda]] 1941b. Theatre can play a vital part in South Africa’s development. ''Outspan'', 25(754): 27-31. August 8.
 
[[Marda Vanne|Vanne, Marda]] 1941b. Theatre can play a vital part in South Africa’s development. ''Outspan'', 25(754): 27-31. August 8.
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[[Daniel Erasmus van Niekerk|Van Niekerk, Daniel Erasmus]] 1997. 'n Kwalitatiewe evaluasie van 'n gehoor se resepsie met betrekking tot simboliek tydens 'n toneelopvoering van Tennessee Williams se ''A Streetcar Named Desire''. Unpublished master’s thesis. Bloemfontein: University of the Free State.
 
[[Daniel Erasmus van Niekerk|Van Niekerk, Daniel Erasmus]] 1997. 'n Kwalitatiewe evaluasie van 'n gehoor se resepsie met betrekking tot simboliek tydens 'n toneelopvoering van Tennessee Williams se ''A Streetcar Named Desire''. Unpublished master’s thesis. Bloemfontein: University of the Free State.
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 +
Van Niekerk, M. 2006. ''[[The Tempest]]'' in South Africa: multilinguaism and our profit on't. ''English Academy Review'', 23(1):
  
 
[[Niel van Niekerk|Van Niekerk, Niel]] 2001. The problematics of qualitative research in theatre. ''[[South African Theatre Journal]]'', 15:135-148.
 
[[Niel van Niekerk|Van Niekerk, Niel]] 2001. The problematics of qualitative research in theatre. ''[[South African Theatre Journal]]'', 15:135-148.
  
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+
==Return to==
−
 
 
  
 
Click on the appropriate letters of the alphabet in the sub-list below.  
 
Click on the appropriate letters of the alphabet in the sub-list below.  
  
−
[[ESAT Bibliography Vaa-Van den|Vaa-Van den]] [[ESAT Bibliography Van der B-Van der W|Van der B-Van der W]] [[ESAT Bibliography Vandes-Van G|Vandes-Van G]] [[ESAT Bibliography Van H-Van N|Van H-Van N]] [[ESAT Bibliography Van O-Van R|Van O-Van R]] [[ESAT Bibliography Van S-Van Z|Van S-Van Z]] [[ESAT Bibliography Vao-Ver|Vao-Ver]] [[ESAT Bibliography Ves-Vis|Ves-Vis]] [[ESAT Bibliography Vit-Vz|Vit-Vz]]  
+
[[ESAT Bibliography Vaa-Van den|Vaa-Van den]] [[ESAT Bibliography Van der B-Van der W|Van der B-Van der W]] [[ESAT Bibliography Van des-Van G|Van des-Van G]] [[ESAT Bibliography Van H-Van N|Van H-Van N]] [[ESAT Bibliography Van O-Van R|Van O-Van R]] [[ESAT Bibliography Van S-Van Z|Van S-Van Z]] [[ESAT Bibliography Vand-Ver|Vand-Ver]] [[ESAT Bibliography Ves-Vis|Ves-Vis]] [[ESAT Bibliography Vit-Vz|Vit-Vz]]  
  
 
To return to any other letter, click on the list below
 
To return to any other letter, click on the list below

Latest revision as of 05:51, 31 July 2024

Click on the appropriate letters of the alphabet in the sub-list below.

Vaa-Van den Van der B-Van der W Van des-Van G Van H-Van N Van O-Van R Van S-Van Z Vand-Ver Ves-Vis Vit-Vz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance


The list

Van Heerden, C. 1966. Man met die Donker Bril, by G. Basson. Reviewed in: Tydskrif vir Geesteswetenskappe, 6(2):

Van Heerden, Esther 2011. The social and spatial construction of two South African arts festivals as liminal events. South African Theatre Journal, 25(1):54-71.

Van Heerden, J. 1972. Teatertegniek: agter die skerms. Sigma, 25-29.

Van Heerden, Jean 1978 Observatory Theatre, Bloemfontein. Scenaria, (8):13.

Van Heerden, Johann 1978. Die rol van praktiese werk in die onderrig van drama as ’n akademiese dissipline. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.

Van Heerden, Johann 1984. Teaterskepper: dramaturg of regisseur? Standpunte, 37(4):18-25.

Van Heerden, Johann 1988. Diepe Grond, deur Reza de Wet. Reviewed in: South African Theatre Journal, 2(1):81-84.

Van Heerden, Johann 1988. Onderhoud met ’n Bobbejaan, deur T.T. Cloete. Reviewed in: South African Theatre Journal, 2(1):78-80.

Van Heerden, Johann 2008. Theatre in a new democracy. Some major trends in South African theatre from 1994 to 2003[1]. Unpublished doctoral dissertation. Stellenbosch: University of Stellenbosch.

Van Heerden, Johann 2011. Beyond the miracle: trends in South African theatre and performance after 1994, in Igweonu, Kene (ed.). Trends in Twenty-First Century African Theatre and Performance. Amsterdam, Rodopi. 85-112.

Van Heerden, Joni. 2013. ‘n Psigoanalitiese perspektief op geselekteerde afrikaanse dramatekste van Reza de Wet. Unpublished MA thesis, University of Fort Hare.

Van Heyningen, Christina. 1948. A performance of The Flies by Jean-Paul Sartre. Standpunte, 3(1):46-54.

Van Heyningen, Christina. 1961. Manson. Contrast, 1(4):71-82.

Van Heyningen, Christina. 1969. Contemporary theatre. Theoria, 32:25-37. March.

Van Heyningen, Christina. 1970a. Great playwright (H.W.D. Manson). Standpunte, 23(6):11-20.

Van Heyningen, Christina. 1970b. H.W.D. Manson’s The Counsellors. Standpunte, 24(1): 26-43.

Van Heyningen, Christina. 1970c. Remembering ‘Cake’ Manson. Contrast, 6(4): 44-48.

Van Heyningen, Christina. 1970. Great playwright. [bespreking]. Standpunte, 24(2):14-17. December.

Van Heyningen, Christina. 1971. Manson’s first play (Fight at Finnsburgh) and his last (Magnus). Standpunte, 24(5):46-57. June.

Van Heyningen, Christina. 1971. Manson’s The Festival. Standpunte, 24(4):48-57. April.

Van Heyningen, Christina. 1971. New work by Manson (Karl Gunter Hoffmann). Theoria, 37:45-49. October.

Van Heyningen, Christina. 1971. H.W.D. Manson: poet and playwright, and his connections with Natal. Natalia, 1(1):23-25. September.

Van Heyningen, Christina. 1973. Misunderstandings of Manson’s plays. Theoria, 40:41-53. May.

Van Houte, Nan 1994. Over eilandbewoners en bruggenbouwers. Theater in het nieuwe Zuid-Afrika. (On islanders and bridge builders: theatre in the new South Africa). Toneel Teatraal, 115(8):29-34.

Van Huysteen, M.B. 1988a. Sosioteater as 'n benadering in maatskaplike werk. Unpublished doctoral dissertation. Bellville, University of the Western Cape.

Van Huysteen, M.B. 1988b. Die toepaslikheid van dramabenaderings in maatskaplike werk. Social Work, 24(4):273-280. October.

Van Jaarsveld, Anthea 2012. Skrapnel, by Willem Anker. Reviewed in: South African Theatre Journal, 26(1):105-107.

Van Jaarsveld, Anthea 2012. Die see by Reza de Wet. Reviewed in: Tydskrif vir Letterkunde 49(2):

Van Lill, Hilda 2010. Exploring issues of identity and belonging in the films of Mira Nair : Salaam Bombay!, Mississippi Masala and Monsoon Wedding. Unpublished master's thesis. Stellenbosch : University of Stellenbosch.

Van Maasdyk, Melissa Louise 1992. Woza Albert! in French translation: the cross-cultural transfer of a contemporary South African drama.. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.

Vanne, Marda 1941a. Nothing venture (ffrangcon-Davies-Marda Vanne Theatrical Company). Outspan, 30(773):15,17,65,67,69,71. December 19.

Vanne, Marda 1941b. Theatre can play a vital part in South Africa’s development. Outspan, 25(754): 27-31. August 8.

Van Niekerk, A.F. 1976. Poppespel as opvoedkundige medium. Unie, 72:323-326. Februarie.

Van Niekerk, Daniel Erasmus 1997. 'n Kwalitatiewe evaluasie van 'n gehoor se resepsie met betrekking tot simboliek tydens 'n toneelopvoering van Tennessee Williams se A Streetcar Named Desire. Unpublished master’s thesis. Bloemfontein: University of the Free State.

Van Niekerk, M. 2006. The Tempest in South Africa: multilinguaism and our profit on't. English Academy Review, 23(1):

Van Niekerk, Niel 2001. The problematics of qualitative research in theatre. South African Theatre Journal, 15:135-148.

Return to

Click on the appropriate letters of the alphabet in the sub-list below.

Vaa-Van den Van der B-Van der W Van des-Van G Van H-Van N Van O-Van R Van S-Van Z Vand-Ver Ves-Vis Vit-Vz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance

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