Difference between revisions of "ESAT Bibliography Sna-Sow"
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[[Kelwyn Sole|Sole, Kelwyn]] 1984. Black literature and performance: some notes on class and populism. ''South African Labour Bulletin'', 9(8):54-76. | [[Kelwyn Sole|Sole, Kelwyn]] 1984. Black literature and performance: some notes on class and populism. ''South African Labour Bulletin'', 9(8):54-76. | ||
| + | |||
| + | [[Kelwyn Sole|Sole, Kelwyn]] 1985. ''South African Theatre and Development'', edited by [[Temple Hauptfleisch]] and [[Ian Steadman]]. Reviewed in: ''Critical Arts'', 3(4):59-67. | ||
[[Kelwyn Sole|Sole, Kelwyn]] 1987a. Identities and priorities in recent Black literature and performance: a preliminary Investigation. ''[[South African Theatre Journal]]'', 1(1):45-113. | [[Kelwyn Sole|Sole, Kelwyn]] 1987a. Identities and priorities in recent Black literature and performance: a preliminary Investigation. ''[[South African Theatre Journal]]'', 1(1):45-113. | ||
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[[Kelwyn Sole|Sole, Kelwyn]] 1987b. Oral performance and social struggle in contemporary Black South African literature, in [[David Bunn|Bunn, David]] & [[Jane Taylor|Taylor, Jane]] (eds.). ''From South Africa: New Writing, Photographs and Art''. Evanston, Ill.: Northwestern University Press. 254-271. | [[Kelwyn Sole|Sole, Kelwyn]] 1987b. Oral performance and social struggle in contemporary Black South African literature, in [[David Bunn|Bunn, David]] & [[Jane Taylor|Taylor, Jane]] (eds.). ''From South Africa: New Writing, Photographs and Art''. Evanston, Ill.: Northwestern University Press. 254-271. | ||
| − | [[T. | + | [[T. Sole|Sole, T.]] 1980. [[Sun City Theatre]]. ''[[Scenaria]]'', (18):29-30. |
Sommige vriende noem my bitterbek. ([[Wilma Stockenström]]). 1977. ''Huisgenoot'', 16-17. May 6. | Sommige vriende noem my bitterbek. ([[Wilma Stockenström]]). 1977. ''Huisgenoot'', 16-17. May 6. | ||
Revision as of 10:42, 27 May 2011
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Sa-Saz Sca-Sce Scha Sche-Schi Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz
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Sneddon, E. 1981. Mag van die gesproke woord. NEON, 37:1-6.
Snow, Leida 1990. South African director encounters the Schuberts in the classroom. Theater Week, 3(29):31-32. February 26.
Snowball, J.D. 2008. The impact of a change in ticket price on the demand for university live theatre: an illustrative case study of the Young Directors’ season at Rhodes Univesrity. South African Theatre Journal, 22:119-129.
Snowball, Jeanette D. 2008 Measuring the Value of Culture. Methods and examples in Cultural Economics. (A study of the Grahamstown Festival) Berlin: Springer-Verlag.
Snowball, J.D. & Antrobus, G.G. 2009. The experiences of Fringe producers at the South African National Arts Festival: production, profits and non-market benefits. South African Theatre Journal, 23:53-67.
Snyman, H. 1970. Vyfling: T.T. Cloete. Unie, 67:30-34.
Snyman, Henning 1981. Die Nag van Legio, deur P.G. du Plessis. Reviewed in: Snyman, Henning. Verkenningsvlugte: Opstelle oor Literêre en Literêr-semantiese Temas. Kaapstad: Perskor. 88-98.
Snyman, Henning 1994. Kabaret: ‘n literêre grensgeval. South African Theatre Journal, 8(2):27-37.
Snyman, Maritha 1996. ‘n Pot Vol Winter : woordteks tot getransponeerde beeldteks. Tydskrif vir Letterkunde, 32(21):43-60.
Snyman, Maritha 1998. Kabaret van die Fin de Siècle: Le Chat Noir en Amanda Strydom se Vrou by die Spieël: ‘n vergelykende blik. Tydskrif vir Letterkunde, 36(2):76.
Snyman, N.J. 1985. Periandros van Korinthe (D.J. Opperman). Tydskrif vir Letterkunde, 23(3):112-123.
Snyman, R. 1987. Rolspel as aanvullende onderwysmetode vir kreatiewe onderrig en leer van taalvaardighede. Journal for Language Teaching, 21(3):49-60. September.
Solberg, Rolf 1999. Alternative Theatre in South Africa: Talks With Prime Movers Since the 1970's. Pietermaritzburg: Hadeda.
Solberg, Rolf 2003. South African theatre in the melting pot :trends and developments at the turn of the millennium /interviews by Rolf Solberg ; [edited by Laurence Wright]. [Grahamstown, South Africa] : Institute for the Study of English in South Africa, Rhodes University.
Sole, Kelwyn 1984. Black literature and performance: some notes on class and populism. South African Labour Bulletin, 9(8):54-76.
Sole, Kelwyn 1985. South African Theatre and Development, edited by Temple Hauptfleisch and Ian Steadman. Reviewed in: Critical Arts, 3(4):59-67.
Sole, Kelwyn 1987a. Identities and priorities in recent Black literature and performance: a preliminary Investigation. South African Theatre Journal, 1(1):45-113.
Sole, Kelwyn 1987b. Oral performance and social struggle in contemporary Black South African literature, in Bunn, David & Taylor, Jane (eds.). From South Africa: New Writing, Photographs and Art. Evanston, Ill.: Northwestern University Press. 254-271.
Sole, T. 1980. Sun City Theatre. Scenaria, (18):29-30.
Sommige vriende noem my bitterbek. (Wilma Stockenström). 1977. Huisgenoot, 16-17. May 6.
Soni, Sumithra Jaysooklal 1990. A general survey of Zulu drama with a critical analysis of selected plays. Unpublished master’s thesis. Durban: University of Natal.
South Africa’s gains. 1941. Forum, 4(3):31.
South African amateur theatre grows. 1941. Forum, 4(10):29. June 7.
South African theatre. 1941. Forum, 3(48): 5.
South African theatre helps to build national unit [Afrikaans and English societies produce Twelfth Night]. 1940. Forum, 3(3):5, 13.
Sowden, Lewis 1964. Both Sides of the Mask: The World of Muriel Alexander. Cape Town: Howard Timmins.
Click on the appropriate letters of the alphabet in the sub-list below.
Sa-Saz Sca-Sce Scha Sche-Schi Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
