ESAT Bibliography Stea
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Stead, Rinie 1956. Afrikaanse toneel op kruispad. Brandwag, 20(6):24-26.
Stead, Rinie 1967. Portret van 'n toneelpionier: hulde aan P.P.B. Breytenbach. Lantern, 17(2): 2-19.
Stead, Rinie 1969. Raimond Schoop en die teater. Lantern, 18(4): 58-71. June.
Stead, Rinie 1971. Sip of Jerepigo: Patrick Mynhardt maak toneelgeskiedenis. Lantern, 20(4): 72-80. June.
Stead, Rinie ca.1981. Die Nasionale Toneelorganisasie. Unpublished manuscript, State Archives Pretoria.
Stead, Rinie 1985a. "Die toneel is belangriker as ek" - 'n Persoonlike beskouing van P.P.B. Breytenbach, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 21-26.
Stead, Rinie 1985b. The National Theatre Organisation (NTO: 1947-1962), in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 65-72.
Steadman, Ian P. 1978. Bear matket: Long Day's Journey Into Night. Reviewed in: Speak, 1(4):49-50.
Steadman, Ian P. 1980a. Critical responses to contemporary South African theatre. Critical Arts, 1(3): 40-46.
Steadman, Ian P. 1980b. Theatre of commitment: the political made theatrical in South African theatre. Scenaria, (17): 3.
Steadman, Ian P. 1981a. Culture and context: notes on performance in South Africa. Critical Arts, 2(1):1-13.
Steadman, Ian P. 1981b. Performance research: a select bibliography. Critical Ats, 2(1): 60-65.
Steadman, Ian P. 1983. Night of the Long Wake by Dukuza Ka Macu. Reviewed in: Scenaria, (36):29.
Steadman, Ian P. 1984a. Alternative politics, alternative performance; 1976 and Black South African theatre, in Daymond, Margaret J., Jacobs, Johan & Lenta, Margaret (eds.). Momentum: On Recent South African Writing. Pietermaritzburg: University of Natal Press. 215-232.
Steadman, Ian P. 1984b. Alternative theatre: fifty years of performance in Johannesburg, in White, Landeg and Couzens, Tim (eds.). Literature and Society in South Africa. Pinelands, Cape Town : Maskew Miller Longman. 138-146.
Steadman, Ian P. 1984c. Black South African theatre after nationalism. English Academy Review, 2:9-18.
Steadman, Ian P. 1984d. Theatre, criticism and cultural studies: new directions for the 1980s. Teaterforum, 5(1): 80-93.
Steadman, Ian P. 1985a. Drama and social consciousness: themes in Black theatre on the Witwatersrand until 1984. Unpublished doctoral dissertation. Johannesburg: University of the Witwatersrand.
Steadman, Ian P. 1985b. The other face. Index to Censorship, 14 (1): 26-30.
Steadman, Ian P. 1985c. The radical paradigm in South African theatre studies: a review of Theatre and Cultural Struggle in South Africa, by Robert Mshengu Kavanagh. Critical Arts, 4(1):80-84.
Steadman, Ian P. 1985d. Stages in the revolution: Black South African theater since 1976. Research in African Literatures, 19(1).
Steadman, Ian P. 1986a. Another world [Theatre – political aspects]. Leadership South Africa, 5(5):96-101.
Steadman, Ian P. 1986b. Popular Culture and Performance in South Africa. Durban: Contemporary Cultural Studies Unit.
Steadman, Ian P. 1986c. Theatre and Cultural Struggle in South Africa, by Robert Mshengu Kavanagh. Reviewed in: Research in African Literatures, 17(2):267-271.
Steadman, Ian P. 1987. Theatre and society, in Breitenbach R. (ed.). The Arts in Society, a collection of lectures. Grahamstown, 1820 Foundation.
Steadman, Ian P. 1988a. Popular entertainment on tour (editorial). South African Theatre Journal, 2(2):1-2.
Steadman, Ian P. 1988b. Stages in revolution: Black South African theatre since 1976. Research in African Literatures, 19:24-33.
Steadman, Ian P. 1989. Theatre studies in the 1990s. South African Theatre Journal, 3(2):1-3.
Steadman, Ian P. 1990a. Collective creativity: theatre for a post-apartheid society, in Trump, Martin (ed.). Rendering things visible : essays on South African literary culture. Johannesburg: Ravan. 307-321.
Steadman, Ian P. 1990b. The theatre industry in the 1990s. South African Theatre Journal, 4(2):1-11.
Steadman, Ian P. 1990c. Towards popular theatre in South Africa. Journal of Southern African Studies, 16 (2):208-228.
Steadman, Ian P. 1991a. My Children! My Africa! and selected shorter plays, by Athol Fugard, edited by Stephen Gray. Reviewed in: South African Theatre Journal, 5(2): 111-112.
Steadman, Ian P. 1991b. South African plays and polemics: book reviews. Current Writing, 3(1):200-204.
Steadman, Ian P. 1991c. Theatre beyond Apartheid. Research in African Literatures, 22(3):70-90.
Steadman, Ian P. 1992a. Performance and politics: process and practices of representation in South African theatre. Theatre Survey, 33 (2):188-210.
Steadman, Ian P. 1992b. The uses of theatre. South African Theatre Journal, 6(1):33-45.
Steadman, Ian P. 1993a. Collective creativity: theatre for a post-apartheid society, in Hill, Romaine, Muller, Marie & Trump, Martin (eds.). African Studies Forum. Pretoria: Human Sciences Research Council. Vol. 2, p 74-88.
Steadman, Ian P. 1993b. Theatre at the crossroads: An introduction to this special issue (editorial). South African Theatre Journal, 7(2):1-2.
Steadman, Ian P. 1994a. South Africa, in Banham, Martin, Hill, Errol & Woodyard, George (eds.). African and Caribbean Theatre. Cambridge: Cambridge University Press. 101-112.
Steadman, Ian P. 1994b. Towards popular theatre in South Africa, in Gunner, Liz (ed.). Politics and Performance: Theatre, Poetry and Song in Southern Africa. Johannesburg: Witwatersrand University Press. 11-34.
Steadman, Ian P. 1995. Introduction to Maponya: Doing Plays for Change. Johannesburg: Witwatersrand University Press.
Steadman, Ian P. 1995b. Editorial. South African Theatre Journal, 9(2): 1-2.
Steadman, Ian P. 1998. Race matters in South African theatre, in Boon, Richard & Plastow, Jane (eds.). Theatre Matters: Performance and Culture on the World Stage. Cambridge: Cambridge University Press. p. 55-75.
Steadman, Ian P. 1999. Race, nationalism and theatre reconsidered, in Blumberg, Marcia & Walder, Dennis (eds.). South African Theatre as/and Intervention. Amsterdam: Rodopi. 25-37.
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Sa-Saz Sca-Sce Scha Sche-Schn Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz
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