ESAT Bibliography Sie-Slo

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Sa-Saz Sca-Sce Scha Sche-Schi Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz

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Return to A Bibliography of South African South African Theatre and Performance


Siebrits, Elize 1945. Voortreflike drama uit ons kerkgeskiedenis (Allegonda van Lier deur D.C. Postma). Filma, 2(2):16.

Sieberts, Elize 1947. Agter die skerms met Hamlet. Ruiter, 1(1):60-61. May 9.

Siegfried Mynhardt. 1981. Scenaria, Special issue: 29.

Siener in die Suburbs. [Literary criticism]. 1972. Huisgenoot, 42(2609):87-89. April 14.

Siener in die Suburbs. [Literary criticism]. 1972. Die Taalgenoot, 41(3):23. February.

Sizemore-Barber 2009. Stages of complicity, stages of healing: a look at two theatrical responses to South Africa’s Truth and Reconciliation Commission, in Gobodo-Madikizela, Pumla & Van der Merwe, Chris (eds.). Memory, Narrative and Forgiveness: Perspectives on the Unfinished Journeys of the Past. Newcastle upon Tyne, England: Cambridge Scholars; 321-340.

Silbert, Rachel 1964. Southern African Drama in English: an Annotated Bibliography. Johannesburg: University of the Witwatersrand Press.

Silverstone, Catherine 2009. ‘Honour the real thing’: Shakespeare, trauma and Titus Andronicus in South Africa. Shakespeare Survey, 62:46-57.

Simon (pseud.) 1946. Teater vir Suid-Afrika se kinders. Filma, 3(2):27-28.

Simon, Barney, in Herber, Avril 1979. Conversations: Some People, Some Place, Some Time South Africa. Johannesburg: Bateleur. 128-134.

Simon, Barney "... a commitment to creativity", in Suttner, Immanuel (ed.). 1997. Cutting Through the Mountain : Interviews with South African Jewish Activists. London: Viking. 117-141.

Simon, Barney talks about stagecraft. 1985. Theatre Crafts, 19(8):40, 61-62.

Sinding , Christina and Barnes, Hazel (Eds). 2015. Social Work Artfully. beyond Borders and Boundaries. Waterloo, Canada: Wilfrid Laurier University Press.

Singer, Jacqui 2009. Searching the silences for the sounds of a “new poetics” in the female voice. South African Theatre Journal, 23:68-83.

Singh, L, and Francis, D. 2010. Exploring responses to xenophobia: using workshopping as critical pedagogy. South African Journal Of Higher Education. 24(3):302-316.

Sipho Sepamla, in Herber, Avril 1979. Conversations: Some People, Some Place, Some Time South Africa. Johannesburg: Bateleur. 138-141.

Sirayi, Mziwoxolo 1993. The characteristics of some Xhosa dramas. Unpublished master’s thesis. Grahamstown: Rhodes University.

Sirayi, Mzo 1996. Oral African drama in South Africa: the Xhosa indigenous drama forms. South African Theatre Journal, 10(1):49-61.

Sirayi, Mziwoxolo 2000. The pre-colonial tradition of black South African drama and theater. Unpublished doctoral dissertation. University of Fort Hare.

Sirayi, Mzo 2001. Indigenous African theatre in South Africa, in Lokangaka Losambe and Devi Sarinjeive(eds.). 2001. Pre-colonial and Post-colonial Drama and Theatre in Africa. Claremont, Cape Town: New Afrika Books, pp. 14-31.

Sirayi, Mzo 2012. South African Drama and Theatre from Pre-colonial Times to the 1990s: An Alternative Reading. Bloomington: Xlibris Corporation.

Sitas, Ari 1986. Culture and production: the contradictions of working class theatre in South Africa. Africa Perspective, NS 1(1-2):84-110.

Sitas, Ari 1994. Traditions of poetry in Natal, in Gunner, Liz (ed.). Politics and Performance: Theatre, Poetry and Song in Southern Africa’’. Johannesburg: Witwatersrand University Press. 132-139.

Sitas, Ari 1996, Description of a struggle: South African theatre since 1970. World Literature Today, 70(1):83.

Sitas, Ari 1996. The workers’ theatre in Natal, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 132-139.

Skool en toneel. Deel I. 1959. Unie, 56(6):287-288.

Skool en toneel. Deel II. 1960. Unie, 56(7):370-371.

Skool en toneel. Deel III. 1960. Unie, 56(8):405-410.

Skordis, Ranza 2003. Improvisation and playmaking : a look at some improvisation techniques and their applications during the directing process. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.

Slabbert, Amoré 1994. Modern theatre and the quest for God : a comparative study of the plays of Eugene O'Neill and Bartho Smit. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.

Slabbert, Mathilda. 2011. Animals and nature: mapping storylines and metaphors in David Kramer's narratives. Literator, 32(1).

Slabbert, Mathilda. 2011. 'These people are my people, these places are my places': Cultural Hybridity and Identity in the work of South African artist, David Kramer, in Locating Life Stories: Beyond East-West Binaries in (Auto)Biographical Studies. Maureen Perkins (ed), Centre for Biographical Research, Honolulu, Hawaii Press.

Slavin, Patricia Doris 1995. A scenographic approach to Romeo and Juliet by William Shakespeare : an investigation into the artistic, aesthetic and practical considerations in performance with specific reference to selected productions. Unpublished master’s thesis. Durban: University of Natal.

Slier, Lionel 2006. King Kong and the Jewish connection. Jewish Affairs, 61(4):69-72.

Sloman, B. 1959. Language teaching through child drama. Transvaal Education News, 55(1):11-12.

Sloman, B. 1970. Thinking big on ... the school drama festival. Transvaal Educational News, 67(7):

Slosberg, Bertha 1939. Pagan Tapestry. London: Rich & Cowan.

Slovo, Gillian 2000. Red Dust. New York: W. W. Norton and Company.



Click on the appropriate letters of the alphabet in the sub-list below.

Sa-Saz Sca-Sce Scha Sche-Schi Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance