Difference between revisions of "Aladdin"
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The tale has been a popular subject for [[pantomime]] for over 200 years. For example one of the earliest dramatisations in England was done by John O'Keefe for the Theatre Royal, Covent Garden, in 1788. | The tale has been a popular subject for [[pantomime]] for over 200 years. For example one of the earliest dramatisations in England was done by John O'Keefe for the Theatre Royal, Covent Garden, in 1788. | ||
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+ | The titles vary greatly, depending on the company, venue, etc. | ||
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+ | Among the titles found in South African performances in the 19th century are | ||
There have also been a number of straight plays and musicals based on the tale, for instance Adam Oehlenschläger's verse drama ''[[Aladdin]]'' (1805), ''[[The New Aladdin]]'', an Edwardian musical comedy (1906) and a musical comedy version with a book by S.J. Perelman and music and lyrics by Cole Porter (1958-9), and various versions of ''[[Disney's Aladdin: A Musical Spectacular]]'', a musical stage production that opened in Disney California Adventure in January 2003. | There have also been a number of straight plays and musicals based on the tale, for instance Adam Oehlenschläger's verse drama ''[[Aladdin]]'' (1805), ''[[The New Aladdin]]'', an Edwardian musical comedy (1906) and a musical comedy version with a book by S.J. Perelman and music and lyrics by Cole Porter (1958-9), and various versions of ''[[Disney's Aladdin: A Musical Spectacular]]'', a musical stage production that opened in Disney California Adventure in January 2003. |
Revision as of 05:13, 22 August 2017
The traditional tale of Aladdin and his lamp is one of the most popular themes for Pantomime, children’s plays and musicals in the world, performed under a variety of titles over the years.
Contents
The original tale
Although the Middle Eastern folk tale of Aladdin is one of the best known tales in The Book of One Thousand and One Nights (also known as The Arabian Nights), it was not part of the original Arabic text, but is an 18th century addition to his French translation of the book by the Frenchman Antoine Galland, based on a story he had been told by a Syrian storyteller from Aleppo.
For a summary overview on the origins of this tale, see for example the entry on Aladdin in Wikipedia[1].
Stage adaptations
The tale has been a popular subject for pantomime for over 200 years. For example one of the earliest dramatisations in England was done by John O'Keefe for the Theatre Royal, Covent Garden, in 1788.
The titles vary greatly, depending on the company, venue, etc.
Among the titles found in South African performances in the 19th century are
There have also been a number of straight plays and musicals based on the tale, for instance Adam Oehlenschläger's verse drama Aladdin (1805), The New Aladdin, an Edwardian musical comedy (1906) and a musical comedy version with a book by S.J. Perelman and music and lyrics by Cole Porter (1958-9), and various versions of Disney's Aladdin: A Musical Spectacular, a musical stage production that opened in Disney California Adventure in January 2003.
A number of films and TV versions (both live action and animated), have also been made of the story, the best known today perhaps being the Disney animated version of 1992.
For more see the entry on Aladdin in Wikipedia[2].
South African stage adaptations
The basic story has had many adaptations done by South African authors and directors, including:
Aladdin by Maralin Vanrenen and Ian Ferguson in 1984,
A Lad ‘n’ a Lamp by Janice Honeyman in 1988.
Aladdin (in Sjiena), an Afrikaans translation by Nerina Ferreira of Janice Honeyman's text in 1994
Aladdin, an Afrikaans version by De Wet Lauscher (undated)
Performance history in South Africa
In South Africa many versions of the Aladdin story have been done.
Among them:
1861: Produced as Aladdin, or The Wonderful Lamp
1919: Produced as Aladdin and His Wonderful Lamp, with Thomas Pauncefort and Dan Thomas, at His Majesty's Theatre in Johannesburg.
1945: Produced as Aladdin by Philip D. Levard for African Consolidated Theatres in the Empire Theatre and at the Alhambra Theatre in 1945, featuring Ivy Tresmand, Harry Hambleton and Neil McKay);
1978: Produced as Aladdin, written and produced by John Moss for NAPAC at the Alhambra Theatre Durban from 7 December 1978;
1984: Produced as ** , directed by Maralin Vanrenen who co-wrote the script with Ian Ferguson in 1984, with what they called “a Cape flavour” with Dale Cutts, Charles Comyn, Adrienne Pearce, Peter Krummeck, Jennifer Ferguson, Peter Butler, Mike Chase and others at the Baxter Theatre, 1984. Marilyn Taylor’s musical band;
1986: Produced by Joyce Levinsohn and Jill Gerard at the Intimate Theatre in 1986;
1988: Produced by PACT in the State Theatre Pretoria. Directed by Janice Honeyman, assisted by André Odendaal, with Robert Finlayson, Jenny de Lenta, Michael Richard, Bruce Alexander, Jeremy Taylor, Lisa Bobbert, Dorrit Rothschild, John Lesley, Kate Edwards, Neville Thomas, Christine Weir, Melinda Ferguson, Lisa Melman, Zane Meas, Rodney-Mark Venner, Shireen Hollier, Lauren Sherwood, Steven Breger, Bev Elgie, Lulu Tshoeula, Glenn Swart, André Odendaal, Nomsa Nene. Designed by Frances Michaletos, musical direction by Didi Kriel, choreography by Jennie Reznek and lighting design by Nic Michaletos.
1994: Produced as Aladdin (in Sjiena), Nerina Ferreira's version in Afrikaans of the text by Janice Honeyman was presented by TRUK Toneel at the State Theatre, Pretoria, from 30 September to 5 November under the direction of James Borthwick, starring, among others, A.J. van der Merwe, Ilse Fourie-Mazzone, Vanessa Pike and Siyabonga Twala.
Produced as A Lad ‘n’ a LampAgain in *****. Janice Honeyman’s version A Lad ‘n’ a Lamp.
Produced as Aladdin, a pantomime version by De Wet Laubscher in ****.**
Sources
Baxter pamphlet
Programme of the production in 1988 produced by PACT.
Aladdin (in Sjiena) poster and programme (PACT 1994).
Go to ESAT Bibliography
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