Reza de Wet

THIS ENTRY STILL NEEDS TO BE EDITED

(1952-2012) Actress, award-winning playwright, novelist and drama lecturer.

Biography

Born in Senekal in the Free State, an only child. Her father was a judge in Bloemfontein, where she matriculated at the Hoër Meisieskool Oranje. Her mother involved in amateur operetta and drama. Her classmates thought her a bit enigmatic, but she excelled in drama, performing in the school plays. The school now has an annual drama festival named after her.

De Wet died of leukemia in 2012 and is survived by her husband Lindsay Reardon and daughter Nina.

In April 2013 the Rhodes University Drama Department devised a a tribute show to the playwright, entitled Drifting, which was performed at the Rhodes Theatre during Graduation on 4, 6 and 9 April 2013 at 7:00pm.

The Reza De Wet Post Graduate Bursary fund was established at Rhodes University in her memory.

Training

She studied English and Drama at the University of the Orange Free State (1971-1973), then completed a BA Honours degree there, before going to do a Performers Diploma at the University of Cape Town and later a part-time MA in English literature through the University of South Africa.

Career

As actress

She worked as an actress for the Market Theatre and PACT, including its experimental Arena Company. It was here she met Lindsay Reardon, whom she later married.

As director

As director De Wet did, among other plays, Arthur Miller's The Crucible, (1989) and August Strindberg's The Ghost Sonata for the Rhodes University Drama Department. Her final directing job at Rhodes was her own play Heathcliff Goes Home (2007).

As author and playwright

In addition to her plays, De Wet wrote one Afrikaans novel, Stil Mathilda, ("Silent Mathilda", 1995).

Though she had written some earlier work in English (notably Heathcliff and the Dancing Bear, in which she explores the life of Emily Brontë's brooding hero before he arrived at Wuthering Heights - later produced as De Wet's final directorial production at Rhodes University as Heathcliff Goes Home), she premiéred sensationally as a playwright in Afrikaans with Diepe Grond (Lit: “Deep Ground”) at the ATKV Kampustoneel-festival in Pretoria (1982). (S: Market Theatre, 1985, P:1987, Tr: Dearth.) Produced a steady stream of neo-Gothic (“Afrikaner Gothic”) works: Vrystaat Trilogie (“Free State Trilogy” – P: 1991) contained: Diepe Grond (S 198*), Op Dees Aarde (lit. “On this earth”, S: 1986) and Nag Generaal (“Goodnight General” – S: 1988?*). Then two English plays: In a Different Light (S: 1988) and Worm in the Bud (S: 1988, S: 1990, P: 1995). Returned to Afrikaans with the trilogy Trits: Mis, Mirakel en Drif (P: 1993), contains: Mis (a complex title which can refer to any or all of “Fog”, “Dung”, “to miss a target” or “the Catholic Mass” – S: 1993 - Winner Fleur du Cap Award for Best New Indigenous Script 1993), Mirakel (lit. “miracle” – S: 1994) and Drif (Lit. both “a ford in a river” or “passion” – S: 1994 Winner Fleur du Cap Award for Best New Indigenous Script 1994). After a novel (**** 1994), returned to a performance text for the First Physical Theatre Company, (S: 199*), then the first of her Chekhov works, the superb Drie Susters Twee (“Three Sisters Two” - S: 1997, P: 1996. Winner Fleur du Cap Award for Best New Indigenous Script 1997) and Yelena (S: 1998). These were followed by ** (199*), ** (20**), ** (200*) and Breathing In (2004). On the later productions, worked closely with director designer Marthinus Basson. The first playwright and only the second author to win the prestigious Hertzog Prize twice in a row for the same medium (1993, 1996).

DE WET, Reza. Her Diepe Grond starring Dawid Minnaar, Susan Coetzer, Gys de Villiers and Doris Simula under Lucille Gillwald’s direction was staged at Upstairs at the Market in 1986. Her A Worm in the Bud was staged in 1990.

Other plays are Concealment (2004) The Brothers, Broers (2006) On the Lake (Grahamstown Festival, 2001)

Verleiding, a piece with Antoinette Kellerman and Heike Gehring, (Woordfees, 2005)

Blou Uur (Blue Hour) Aardklop festival, 2008 Die See (The Sea), was performed at the Klein Karoo National Arts Festival in April 2011. Her last play *** was performed post-humously *** in 2012.

DE WET, Reza (1952-) Actress, award-winning playwright, novelist and drama lecturer. Born in Free State, studied Drama and English at the UOFS and UCT. Acted for the Market Theatre, married Lindsay Reardon and from 1980 taught at Rhodes University Drama Department, Grahamstown. Premiéred as playwright with Diepe Grond (Lit: “Deep Ground”) at the ATKV Kampustoneel festival]] in Pretoria (1982). (S: Market Theatre, 1985, P:1987, Tr: Dearth.) Produced a steady stream of neo-Gothic (“Afrikaner Gothic”) works: Vrystaat Trilogie (“Free State Trilogy” – P: 1991) contained: Diepe Grond (S 198*), Op Dees Aarde (lit. “On this earth”, S: 1986) and Nag Generaal (“Goodnight General” – S: 1988?*). Then two English plays: In a Different Light (S: 1988) and Worm in the Bud (S: 1988, S: 1990, P: 1995). Returned to Afrikaans with the trilogy Trits: Mis, Mirakel en Drif (P: 1993), contains: Mis (a complex title which can refer to any or all of “Fog”, “Dung”, “to miss a target” or “the Catholic Mass” – S: 1993 - Winner [[Fleur du Cap Award for Best New Indigenous Script 1993), [[Mirakel] (lit. “miracle” – S: 1994) and Drif (Lit. both “a ford in a river” or “passion” – S: 1994 Winner [[Fleur du Cap Award for Best New Indigenous Script 1994). After a novel (**** 1994), returned to a performance text for the First Physical Theatre Company, (S: 199*), then the first of her Chekhov works, the superb Drie Susters Twee (“Three Sisters Two” - S: 1997, P: 1996. Winner Fleur du Cap Award for Best New Indigenous Script 1997) and Yelena (S: 1998). These were followed by ** (199*), ** (20**), ** (200*) and Breathing In (2004). On the later productions, worked closely with director designer Marthinus Basson. The first playwright and only the second author to win the prestigious Hertzog Prize twice in a row for the same medium (1993, 1996).

DE WET, Reza. Her Diepe Grond starring Dawid Minnaar, Susan Coetzer, Gys de Villiers and Doris Simula under Lucille Gillwald’s direction was staged at Upstairs at the Market in 1986. Her A Worm in the Bud was staged in 1990. She achieved an MA in English literature through the University of South Africa and taught in the drama department at Rhodes University, where she became a professor, for more than 20 years before retiring in 2007. Die See (The Sea), was performed at the Klein Karoo National Arts Festival in April 2011, and in which she acted for the first time in 20 years, she announced that she had written everything she wanted to write and would not be writing any more. In late October last year she was diagnosed with a particularly aggressive form of leukaemia. In addition to her plays, De Wet wrote a novel called Heathcliff Goes Home, in which she explores the life of Emily Brontë's brooding hero before he arrived at Wuthering Heights.

As Lecturer

In 1982 de wet and her husband moved to Grahamstown, where they both worked in the drama department at Rhodes University. She taught in the drama department for more than 20 years, later being made a professor, and retired in 2007.

Sources

Go to South African Theatre/Bibliography

See also

http://www.argief.litnet.co.za/cgi-bin/giga.cgi?cmd=cause_dir_news_item&news_id=64476&cause_id=1270

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