Difference between revisions of "ESAT Bibliography Sie-Slo"

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[[Elize Sieberts|Sieberts, Elize]] 1947. Agter die skerms met Hamlet. ''Ruiter'', 1(1):60-61. May 9.
 
[[Elize Sieberts|Sieberts, Elize]] 1947. Agter die skerms met Hamlet. ''Ruiter'', 1(1):60-61. May 9.
  
[[Siegfried Mynhardt]]. 1981. ''Scenaria'', Special issue: 29.
+
[[Siegfried Mynhardt]]. 1981. ''[[Scenaria]]'', Special issue: 29.
  
 
''[[Siener in die Suburbs]]''. [Literary criticism]. 1972. ''Huisgenoot'', 42(2609):87-89. April 14.
 
''[[Siener in die Suburbs]]''. [Literary criticism]. 1972. ''Huisgenoot'', 42(2609):87-89. April 14.
  
''[[Siener in die Suburbs]]''. [Literary criticism]. 1972. ''Taalgenoot'', 41(3):23. February.
+
''[[Siener in die Suburbs]]''. [Literary criticism]. 1972. ''[[Taalgenoot]]'', 41(3):23. February.
  
 
Sizemore-Barber 2009. Stages of complicity, stages of healing: a look at two theatrical responses to South Africa’s [[Truth and Reconciliation Commission]], in [[Pumla Gobodo-Madikizela|Gobodo-Madikizela, Pumla]] & [[Chris van der Merwe|Van der Merwe, Chris]] (eds.). ''Memory, Narrative and Forgiveness: Perspectives on the Unfinished Journeys of the Past''. Newcastle upon Tyne, England: Cambridge Scholars; 321-340.
 
Sizemore-Barber 2009. Stages of complicity, stages of healing: a look at two theatrical responses to South Africa’s [[Truth and Reconciliation Commission]], in [[Pumla Gobodo-Madikizela|Gobodo-Madikizela, Pumla]] & [[Chris van der Merwe|Van der Merwe, Chris]] (eds.). ''Memory, Narrative and Forgiveness: Perspectives on the Unfinished Journeys of the Past''. Newcastle upon Tyne, England: Cambridge Scholars; 321-340.

Revision as of 17:35, 8 September 2011

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Sa-Saz Sca-Sce Scha Sche-Schi Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz

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Sieberts, Elize 1945. Voortreflike drama uit ons kerkgeskiedenis. Filma, 2(2):16.

Sieberts, Elize 1947. Agter die skerms met Hamlet. Ruiter, 1(1):60-61. May 9.

Siegfried Mynhardt. 1981. Scenaria, Special issue: 29.

Siener in die Suburbs. [Literary criticism]. 1972. Huisgenoot, 42(2609):87-89. April 14.

Siener in die Suburbs. [Literary criticism]. 1972. Taalgenoot, 41(3):23. February.

Sizemore-Barber 2009. Stages of complicity, stages of healing: a look at two theatrical responses to South Africa’s Truth and Reconciliation Commission, in Gobodo-Madikizela, Pumla & Van der Merwe, Chris (eds.). Memory, Narrative and Forgiveness: Perspectives on the Unfinished Journeys of the Past. Newcastle upon Tyne, England: Cambridge Scholars; 321-340.

Silbert, Rachel 1964. Southern African Drama in English: an Annotated Bibliography. Johannesburg: University of the Witwatersrand Press.

Silverstone, Catherine 2009. ‘Honour the real thing’: Shakespeare, trauma and Titus Andronicus in South Africa. Shakespeare Survey, 62:46-57.

Singer, Jacqui 2009. Searching the silences for the sounds of a “new poetics” in the female voice. South African Theatre Journal, 23:68-83.

Sipho Sepamla, in Herber, Avril 1979. Conversations: Some People, Some Place, Some Time South Africa. Johannesburg: Bateleur. 138-141.

Sirayi, Mziwoxolo 1993. The characteristics of some Xhosa dramas. Unpublished master’s thesis. Grahamstown: Rhodes University.

Sirayi, Mzo 1996. Oral African drama in South Africa: the Xhosa indigenous drama forms. South African Theatre Journal, 10(1):49-61.

Sirayi, Mziwoxolo 2000. The pre-colonial tradition of black South African drama and theater. Unpublished doctoral dissertation. University of Fort Hare.

Sirayi, Mzo 2001. Indigenous African theatre in South Africa, in Lokangaka, Losambi & Sarinjeive D. (eds.). Pre-colonial and Post-colonial Theatre in Africa. Claremont, South Africa: New Africa Education. 14-31.

Sitas, Ari 1986. Culture and production: the contradictions of working class theatre in South Africa. Africa Perspective, NS 1(1-2):84-110.

Sitas, Ari 1994. Traditions of poetry in Natal, in Gunner, Liz (ed.). Politics and Performance: Theatre, Poetry and Song in Southern Africa’’. Johannesburg: Witwatersrand University Press. 132-139.

Sitas, Ari 1996, Description of a struggle: South African theatre since 1970. World Literature Today, 70(1):83.

Sitas, Ari 1996. The workers’ theatre in Natal, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 132-139.

Skool en toneel. Deel I. 1959. Unie, 56(6):287-288.

Skool en toneel. Deel II. 1960. Unie, 56(7):370-371.

Skool en toneel. Deel III. 1960. Unie, 56(8):405-410.

Skordis, R. 2003. Improvisation and playmaking : a look at some improvisation techniques and their applications during the directing process. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.

Slabbert, Amoré 1994. Modern theatre and the quest for God : a comparative study of the plays of Eugene O'Neill and Bartho Smit. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.

Slavin, Patricia Doris 1995. A scenographic approach to Romeo and Juliet by William Shakespeare : an investigation into the artistic, aesthetic and practical considerations in performance with specific reference to selected productions. Unpublished master’s thesis. Durban: University of Natal.

Slier, Lionel 2006. King Kong and the Jewish connection. Jewish Affairs, 61(4):69-72.

Sloman, B. 1959. Language teaching through child drama. Transvaal Education News, 55(1):11-12.

Slosberg, Bertha 1939. Pagan Tapestry. London: Rich & Cowan.

Slovo, Gillian 2000. Red Dust. New York: W. W. Norton and Company.



Click on the appropriate letters of the alphabet in the sub-list below.

Sa-Saz Sca-Sce Scha Sche-Schi Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance