South African Theatre/Plays
Original lists compiled by Temple Hauptfleisch, Hilda van Lill and Hannah Borthwick
Contents
Introductory notes
The lists
In this section we have four lists of plays, to distinguish between plays and performances created (or at least significantly adapted and/or “localized”) in South Africa or by South African authors (Plays I: Original SA plays, the first list in this section), texts created elsewhere, but performed or influential in South Africa (Plays II: Foreign plays, the second list), a list of play collections containing original South African works (Plays III: Collections , the third list) and finally a list of pageants and other theatrical events not normally considered "plays", but which nevertheless constitute "performances" (Plays IV: Pageants and public performances).
The lists are all arranged alphabetically according to the title of the play, the title of the collection of plays , etc. It is important to note that there may be a number of plays that are usually assumed to be original South African works, but which may in fact be re-workings or translations of foreign plays and stories. In such cases, the play will be listed in Plays II – so readers are advised to consult both lists when looking for a play.
Also included in this section are theatrical events or performance of another nature. Under the separate listing (Plays IV: Pageants and public performances) we provide links to public celebrations, pageants and tableaux, and other such one-off events which in some way be said to constitute performances in themselves (Please note that such events may include a number of individual performances in their structure, which will then ALSO be listed as individual performances in the appropriate "plays" sections). The events are arranged according to the name of the particular public event or pageant (e.g. The Empire Exhibition, Centenary celebrations of the Great Trek, the Emancipation Centenary Celebrations, the Presidential Inauguration of Nelson Mandela, etc.)
Festivals, competitions and similar annual events, made up of different individual performances, debates, exhibitions, etc. are listed under a separate category, South African Festivals, but they can of course also be seen as Venues for other events, hence where applicable they may also be listed in the South African Venues, Companies, Societies, etc section.(See for example The Grahamstown Festival, ATKV Amateur Toneelkompetisie)
Notes for using this section
(1) In accordance with normal bibliographic usage, in cases where the titles of plays and performances contain one of the initial articles A, An or The, the items are listed alphabetically according to the word following that initial article. (In the case of Afrikaans the articles are 'n or Die, and in the case of Dutch Een, Di, Die, Den or Het.) The article is then put at the end of the title. To illustrate: "The Arrest by Uys Krige" is listed as "Arrest, The by Uys Krige" under #A. Similarly, the original Afrikaans version ("Die Arrestasie") is listed as "Arrestasie, Die by Uys Krige", also under #A. NB: This is however only done for the numerous works listed in Afrikaans, Dutch and English. In other languages (including the other seven South African languages such as Sotho, Xhosa and Zulu and European languages such as French or German), the full titles are listed exactly as they are, with beginning article where applicable, since the grammatical structure of most such languages are too complex and unfamiliar for us to apply this procedure consistently.
Please note that plays with titles starting with a numeral or date are placed in a separate listing marked #Numbers or dates .
(2) In the case of the second list (Plays II), the term "significant" is used to refer to plays that have had an extended life or long run over the years, or a theatrical event which had a specific and demonstrale impact on the industry and the art form in South Africa. It is obvious that the sheer number of plays produced in the country over the course of almost four centuries, we cannot possibly list all plays.
(3) Since some local authors do not necessarily (or always) acknowledge their original sources, please check BOTH lists when looking for a play. Adapted/translated plays are listed under their local titles in Plays II , then cross-referenced to the original title. (Thus for example Umabatha will be listed in Plays II with a cross-referencing to Macbeth, while Absolom, My Seun! will be cross-referenced to John Ferguson by St John Ervine.)
(4) For ease of reference the plays by Shakespeare are not listed under their full Elizabethan title in Plays II, but under the the briefer, more familiar titles used by the general public. (e.g. Macbeth, Romeo and Juliet, Julius Caesar, etc.) The same is often true of the titles for the Greek, Roman and other translated plays.
(5) In the case of Collections (Plays III) only the titles of South African texts contained in the volume are listed here under “Contains”. For details about the individual plays see Plays I and II (under name of the individual play)
(6) The question of pageants, festivals and public events is a most problematic one.
In some cases such events may actually approximate Venues, since they are collections of performances (in the same way that festivals and competitions , e.g. the Grahamstown Festival, the KKNK, etc). In other cases however, they are far more akin to Performances (the Voortrekker Festival (1938), the Huguenot Festival (1939), the Van Riebeeck Festival (1952), etc) . For consistency's sake, we will list all such events in two separate lists - treating "Pageants and Public Events" as performances and listing them as a sub-section of this section, below (Plays IV: and Pageants and Public E vents). "Festivals" and "competitions" however, since they tend to be collations of individual performances, even though they me also be events in themselves, are listed in an independent Section (Section **) in the main Index to ESAT Entries.
Click on the appropriate letter of the alphabet under the relevant list below to obtain an alphabetical listing of links to entries. In the case of plays and performances, arranged alphabetically according the author(s) , in the case of collections or festivals alphabetically according the title of the work.
PLAYS I: Original SA plays
Original South African texts or significant adaptations
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Some items are listed under dates or numbers. To see the list (arranged numerically), click below: #Numbers or dates
PLAYS II: Foreign plays
Significant South African productions of foreign plays
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Some items are listed under dates or numbers. To see the list (arranged numerically), click below: #Numbers or dates
PLAYS III: Collections
Published play collections and literary anthologies containing original South African texts or significant adaptations.
Only the titles of South African texts contained in the volume are listed here under “Contains”. For details about the individual plays see Sections 1 and 2 (under name of the individual authro or play) Plays and Performances)
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Some items are listed under dates or numbers. To see the list (arranged numerically), click below: #Numbers or dates
PLAYS IV: Pageants and public performances
Public celebratory events and pageants are viewed as performances or theatrical events for the purposes of this encyclopaedia, and thus are listed here as a sub-category of the section on South African Stage Plays. Examples are
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Some items are listed under dates or numbers. To see the list (arranged numerically), click below: #Numbers or dates
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