Michael Richard

(****-****). Actor. Performed in Santiago, Subject to Fits, Tug o’ War (at the Arena), Where has Tommy Flowers Gone (at the Arena), Fangs (as “Suckular”), London Assurance (as “Young Courtly”), Director of the Opera (as “Toto”), Hamlet (as “Hamlet”), Archie and Mehitabel (as “Archie”), Coca Cola, The Unvarnished Truth (as “Tom”), Macbeth (as “Macduff”) (SACD 1974) (SACD 1975/76) (SACD 1977/78) (SACD 1978/79) (SACD1979/80) (SACD 1980/81)

(19**-) Actor on stage, TV and film. Trained at the University of Cape Town. **Plays include Post Mortem (The Space, 197*) under the name Mike Richard?*], West (Steven Berkoff, Baxter, 19**), Children of a Lesser God (Pieter Toerien, 1982), Decadence (Steven Berkoff, repeated a number of times, including 1992 and 2003), Film and TV credits include: *** Awards include: the Fleur du Cap Theatre Award as Leading Actor (1982) RICHARD, Michael. He starred in Robert Mohr’s production of The Tempest with Patrick Magee, Paul Slabolepszy and Bill Flynn for PACT at the Alexander in 1975. He starred in Ken Leach’s production of Feydeau’s A Flea in Her Ear together with Dorothy Ann Gould, Diane Wilson, Richard Haines, Paul Slabolepszy, Frantz Dobrowsky, Annelisa Weiland and Lesley Nott for PACT at the Alexander in 1976. He starred in Ken Leach’s production of the musical Fangs with Paul Slabolepszy, Annelisa Weiland, Lesley Nott and Bill Flynn for PACT in 1977. He starred in Hamlet, directed by Robert Mohr for PACT in March 1978. He directed a revival of El Grande de Coca-Cola starring Elizabeth Rae, Wilson Dunster, Gillian Harris, Etienne Puren and Alan Goldstein for PACT at the Arena in 1979. He starred in the Toerien-Firth production of Royce Ryton’s The Unvarnished Truth with Anthony Fridjohn, Nicholas Ellenbogen and Lynne White with direction by Joan Kemp-Welch at the Intimate in 1979. He starred in Geoffrey Sutherland’s production of Joan Littlewood’s Oh! What a Lovely War together with Judy Page, Gay Lambert, Michael McCabe, James White and Erica Rogers for PACT in 1980. He starred in Israel Horowitz’s The Indian Wants the Bronx together with Bill Curry and Jonathan Rands and directed by Bobby Heaney at the Laager in 1980. He starred in Robert Mohr’s production of A Midsummer Night’s Dream together with [[Louise Saint Claire], Etienne Puren and Tobie Cronje during the opening season of the Pretoria State Theatre in 1981. He starred in Mark Medoff’s Children of a Lesser God together with Jean St. Clair with direction by Philipa Ailion at the Market Theatre in 1982. He starred in Ray Cooney’s Run for Your Wife together with Rex Garner which Pieter Toerien presented at the Alhambra in February 1984 after a run in Cape Town. He starred in Mastrosimone’s Extremities together with Lena Ferugia with direction by Hugh Wooldridge for [[Pieter Toerien[[ in 1984. He starred in Bobby Heaney’s production of Brian Friel’s Translations together with Patrick Mynhardt in 1985. He starred in Michael Frayn’s adaptation of Chekhov’s comedy called Wild Honey together with Jana Cilliers under Bobby Heaney’s direction at the Alexander in August 1986. He starred in Joe Orton’s Loot together with James Borthwick, Michael McCabe and Aletta Bezuidenhout under Terrence Shank’s direction for PACT in October 1986. He starred in PACT’s production of Every Good Boy Deserves Favour, which was a collaboration of Tom Stoppard’s text Every Good Boy and André Previn’s music, together with Michael McCabe, Danny Keogh and Lynne White under Dawn Lindberg’s direction in 1986. It won the Vita Award for best production. He starred in Kean at the Leonard Rayne for Pieter Toerien in June 1985. He starred in Terrence Shank’s production of David Wiltse’s Doubles at the Alhambra in December 1986. He starred in PACT’s revival of Look Back in Anger at the Alexander in 1987. He starred in revival of Anthony Shaffer’s Sleuth at the Andre Huguenet in 1988. He starred in Lerner and Louwe’s Camelot at the State Theatre in 1989. He starred in Janice Honeyman’s production of Sinbad’s African Adventures at the Civic in 1992. He starred in Steven Berkoff’s Decadence in 1993.

Sources

Tucker, 1997

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