ESAT Bibliography Sie-Slo
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Sa-Saz Sca-Sce Scha Sche-Schi Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz
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Siebrits, Elize 1945. Voortreflike drama uit ons kerkgeskiedenis (Allegonda van Lier deur D.C. Postma). Filma, 2(2):16.
Sieberts, Elize 1947. Agter die skerms met Hamlet. Ruiter, 1(1):60-61. May 9.
Siegfried Mynhardt. 1981. Scenaria, Special issue: 29.
Siener in die Suburbs. [Literary criticism]. 1972. Huisgenoot, 42(2609):87-89. April 14.
Siener in die Suburbs. [Literary criticism]. 1972. Taalgenoot, 41(3):23. February.
Sizemore-Barber 2009. Stages of complicity, stages of healing: a look at two theatrical responses to South Africa’s Truth and Reconciliation Commission, in Gobodo-Madikizela, Pumla & Van der Merwe, Chris (eds.). Memory, Narrative and Forgiveness: Perspectives on the Unfinished Journeys of the Past. Newcastle upon Tyne, England: Cambridge Scholars; 321-340.
Silbert, Rachel 1964. Southern African Drama in English: an Annotated Bibliography. Johannesburg: University of the Witwatersrand Press.
Silverstone, Catherine 2009. ‘Honour the real thing’: Shakespeare, trauma and Titus Andronicus in South Africa. Shakespeare Survey, 62:46-57.
Simon (pseud.) 1946. Teater vir Suid-Afrika se kinders. Filma, 3(2):27-28.
Simon, Barney, in Herber, Avril 1979. Conversations: Some People, Some Place, Some Time South Africa. Johannesburg: Bateleur. 128-134.
Simon, Barney "... a commitment to creativity", in Suttner, Immanuel (ed.). 1997. Cutting Through the Mountain : Interviews with South African Jewish Activists. London: Viking. 117-141.
Simon, Barney talks about stagecraft. 1985. Theatre Crafts, 19(8):40, 61-62.
Singer, Jacqui 2009. Searching the silences for the sounds of a “new poetics” in the female voice. South African Theatre Journal, 23:68-83.
Singh, L, & Francis, D. 2010. Exploring responses to xenophobia: using workshopping as critical pedagogy. South African Journal Of Higher Education. 24(3):302-316.
Sipho Sepamla, in Herber, Avril 1979. Conversations: Some People, Some Place, Some Time South Africa. Johannesburg: Bateleur. 138-141.
Sirayi, Mziwoxolo 1993. The characteristics of some Xhosa dramas. Unpublished master’s thesis. Grahamstown: Rhodes University.
Sirayi, Mzo 1996. Oral African drama in South Africa: the Xhosa indigenous drama forms. South African Theatre Journal, 10(1):49-61.
Sirayi, Mziwoxolo 2000. The pre-colonial tradition of black South African drama and theater. Unpublished doctoral dissertation. University of Fort Hare.
Sirayi, Mzo 2001. Indigenous African theatre in South Africa, in Lokangaka, Losambi & Sarinjeive D. (eds.). Pre-colonial and Post-colonial Theatre in Africa. Claremont, South Africa: New Africa Education. 14-31.
Sitas, Ari 1986. Culture and production: the contradictions of working class theatre in South Africa. Africa Perspective, NS 1(1-2):84-110.
Sitas, Ari 1994. Traditions of poetry in Natal, in Gunner, Liz (ed.). Politics and Performance: Theatre, Poetry and Song in Southern Africa’’. Johannesburg: Witwatersrand University Press. 132-139.
Sitas, Ari 1996, Description of a struggle: South African theatre since 1970. World Literature Today, 70(1):83.
Sitas, Ari 1996. The workers’ theatre in Natal, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 132-139.
Skool en toneel. Deel I. 1959. Unie, 56(6):287-288.
Skool en toneel. Deel II. 1960. Unie, 56(7):370-371.
Skool en toneel. Deel III. 1960. Unie, 56(8):405-410.
Skordis, R. 2003. Improvisation and playmaking : a look at some improvisation techniques and their applications during the directing process. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
Slabbert, Amoré 1994. Modern theatre and the quest for God : a comparative study of the plays of Eugene O'Neill and Bartho Smit. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
Slabbert, Mathilda. 2011. Animals and nature: mapping storylines and metaphors in David Kramer's narratives. Literator, 32(1).
Slabbert, Mathilda. 2011. 'These people are my people, these places are my places': Cultural Hybridity and Identity in the work of South African artist, David Kramer, in Locating Life Stories: Beyond East-West Binaries in (Auto)Biographical Studies. Maureen Perkins (ed), Centre for Biographical Research, Honolulu, Hawaii Press.
Slavin, Patricia Doris 1995. A scenographic approach to Romeo and Juliet by William Shakespeare : an investigation into the artistic, aesthetic and practical considerations in performance with specific reference to selected productions. Unpublished master’s thesis. Durban: University of Natal.
Slier, Lionel 2006. King Kong and the Jewish connection. Jewish Affairs, 61(4):69-72.
Sloman, B. 1959. Language teaching through child drama. Transvaal Education News, 55(1):11-12.
Sloman, B. 1970. Thinking big on ... the school drama festival. Transvaal Educational News, 67(7):
Slosberg, Bertha 1939. Pagan Tapestry. London: Rich & Cowan.
Slovo, Gillian 2000. Red Dust. New York: W. W. Norton and Company.
Click on the appropriate letters of the alphabet in the sub-list below.
Sa-Saz Sca-Sce Scha Sche-Schi Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
