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Botha, Bet 1982. Enkele gedagtes oor 'n blitskursus in toneelskryf. Teaterforum, 3(1):1-10.

Botha, Bet 1985. Die Christen se verantwoordelikheid by die vertolking van ‘n woordkunswerk. Teaterforum, 6(1):28-45.

Botha, Danie 2006. Voetligte & Applous!: Die Beginjare van die Afrikaanse Beroepstoneel. Pretoria: Protea Boekhuis.

Botha, E. 1961, Twee opvoerings van N.T.O. Standpunte, 17:66-67.

Botha, Elizabeth Maria 1973. Vertolking van die woordkunswerk in die twintigste eeu. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher Education.

Botha, Elize 1975. P.G. du Plessis oor Plaston : DNS-kind in gesprek met Elize Botha. Tydskrif vir Letterkunde, 13(1):38.

Botha Estelle 1989. Anton Chekhov: reception of a Russian dramatist in South Africa, in Mondry, Henrietta (ed.). The Waking Sphinx: South African Essays on Russian Culture. Johannesburg: University of the Witwatersrand Library, 168-178.

Botha, E.M. 1980. Plea for poverty. Scenaria, (18):3. …Discussion and reply. Scenaria, (20):2 …Discussion Scenaria, (21):29.

Botha, E.M. 1982. Enkele gedagtes oor ‘n “blitskursus” in toneelskryf. Teaterforum, 3(1):1-10.

Botha, Estelle (Esther Elsa) 2006. Where dance and drama meet again : aspects of the expressive body in the 20th century. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.

Botha, H. & Smit, W. 1981. State Theatre Pretoria. Architect and Builder, 31(12):2-9.

Botha, Johann 1998. Vasbyt, daar’s geen beloftes! Insig, 04/98: 28.

Botha, Karin, Slabbert, Elmarie, Rossouw, Riaan & Viviers, Pierre-Andrè 2011. Expenditure-based segmentation of visitors to Aardklop National Arts Festival. South African Theatre Journal, 25(2):142-166.

Botha, Karin, Viviers, Pierre-Andrè & Slabbert, Elmarie 2012. What really matters to the audience: Analysing the key factors contributing to arts festival ticket purchases. South African Theatre Journal, 26(1):22-44.

Botha Teunis 1985. Opvoekundige teater: ‘n herwaardering. Teaterforum, 6(1):1-19.

Botha, Teunis 1986. Die dramadepartement. Opvoeding en Kultuur, 9(3):32-33.

Botha, W. 2006. Die aard van die daad: wat doen Germanicus [nie] ... en waarom [nie]. Journal for Language Teaching, 40(1):

Bothma, Stephanus Johannes 1989. Dramateks teenoor verhoogteks met besondere verwysing na bekroning van Afrikaanse dramas. Unpublished doctoral dissertation. Pretoria: University of Pretoria.

Bothma,S.J. 1991. Kampustoneel van tagtig (Aku vang ‘n Ster, Nico Luwes). Stilet, 3(1):123-138.

Botma, Gabriël J. 2014. Brothers in Armchairs. Post-apartheid cultural struggles at Die Burger. Stellenbosch: Sun Press

Bourgault, Louise M. 2003. Playing for Life: Performance in Africa in the Age of AIDS. Durham, NC: Carolina Academic.

Bourke, Myles 1940. National theatre. The South African Theatre, Music and Dance, 1(2):44.

Bouwer, Stephan 1989. Dramateorie Vandag - Die Bydrae van die Drama- en Teatersemiotiek, deur M. Mouton. Reviewed in: Communicare, 8(2):60-61.

Bouwer, Stephan 1997. Ons treur oor 'n 'trouper'. Grafskrif: Dulsie van den Bergh. Insig,December:37.

Bouws, Jan 1977. Bedrywige Kaapse burger in die 19de eeu: J.J. de Kock. Kwartaalblad van die Suid-Afrikaanse Biblioteek, 32:34-35.

Bowen, B. 1993. Writing Caliban: anitcolonial appropriations of The Tempest. Current Writing, 5(2):80-99.

Bowker, Veronica 1985. Fugard: deconstructing the text. Journal of Literary Studies, 1(3):78-89.

Bowker, Veronica 1990. The evolution of critical responses to Fugard’s work, culminating in a feminist reading of The Road to Mecca. Literator, 11(2):1-16.

Bowker, Veronica 1995. Fugard's experimentation in My Life: the practice of representation and representation of practice under scrutiny. Current Writing, 7(1):51.

Boxall, Dorothy 1945. Children’s theatre: The Children’s Overture by Roger Quilter. Transvaal Educational News. 41(10):11.

Boys’ High School (Oudtshoorn) 1926. Grand concert : programme, Gaiety Theatre Oudtshoorn, 25th March, 1926. Oudtshoorn: Courant Printing Works.

Brand, Amelda 2002. Gemeenskapsgebaseerde teater: 'n Suid-Afrikaans georiënteerde ondersoek. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.

Breitinger, Eckhard (ed.) 1994. Theatre and Performance in Africa: Intercultural Perspectives. Bayreuth: Breitinger.

Breitinger, Eckhard 1999. The German presence in new South African theatre, in Blumberg, Marcia & Walder, Dennis (eds). South African Theatre As/And Intervention. Amsterdam: Rodopi, 207-216.

Breitinger, Eckhard 2000. Heroes of South African history as operatic heroes: Akin Eub’s Chaka and Nbongemi Ngema’s The Zulu. South African Theatre Journal, 13(1&2):104-108.

Breitinger, Eckhard 2001. Alternative Theatre in South Africa: Talks with Prime Movers since the 1970s by Rolf Solberg. The Dramatic Art of Athol Fugard: From South Africa to the World by Albert Wertheim. Reviewed in: African Studies Review. 44(3):79-82.

Breitinger, Eckhard 2001. Farewell to the old Standard Bank National Arts Festival in Grahamstown?. South African Theatre Journal, 15:178-191.

Breitinger, Eckhard 2003. Satirizing those aspects of our life we don't approve of'-A view of the 'Dark Comedies' from the townships, in Breitinger, Eckhard (ed.) Theatre and Performance in Africa. Bayreuth: Breitinger, 135-158.

Breuer, Rosemarie 2005. Stellenbosch Writers, Stellenbosch: SSI Stellenbosch Writers Publishers.

Breytenbach, Doris & Hauptfleisch, Temple 1985. P.P.B. Breytenbach - a chronology, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press, 49-51.

Breytenbach, Doris, Taylor, Norah & Breytenbach, P.P.B. 1987. A tribute to Breytie from the Market Theatre Foundation. [Johannesburg] : [The Market Theatre Foundation].

Breytenbach, P.P.B. 1940. FATSSA Presidential address, 1939. The South African Theatre, Music and Dance, 1(2):20-22.

Breytenbach, P.P.B. 1949a. Nasionale Toneelorganisasie (N.T.O.). Tydskrif vir Wetenskap en Kuns, 9(2):120-128.

Breytenbach, P.P.B. 1949b. Two languages to interpret one common South African culture (Federation of Amateur Theatrical Societies of South Africa). Outspan, 45(1164):26-27. June 17.

Breytenbach, P.P.B. 1950. Ons toneel – ’n oorsig. Afrikaanse Skrywer, 15:49-52.

Breytenbach, P.P.B. 1951. Referaat voor die S.A. Akademie: die Nasionale Toneelorganisasie (N.T.O.). Helikon, 1(2):18-28. December.

Breytenbach, P.P.B. 1952. Gedagtes oor die moontlike ontwikkelingsrigting van Nasionale Toneelorganisasie (N.T.O.). Tydskrif vir Wetenskap en Kuns, 12: 108-114.

Breytenbach, P.P.B. 1971. Opening. Lantern, 21(1):64-69. September.

Breytenbach, P.P.B. 1985. The Theatre Benevolent Fund and The Theatre Residential Clubs, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press, 117-118.

Breytenbach, T.M. 1986. Actor. My Career, 37(3):313-316.

Breytenbach Theatre, Pretoria. 1978. Scenaria, February/March: 18-19.

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