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Return to A Bibliography of South African South African Theatre and Performance

Bateman, Genevieve 2006. Creative misreadings : allegory in Tracey Rose's Ciao Bella. Unpublished master’s thesis. Grahamstown: Rhodes University.

Bateman, Philip 1951a. Do we need national theatre? Outspan, 49(1258):37. April 6.

Bateman, Philip 1951b. We musn't let hard times kill the theatre. Outspan, 48(1247):21. January 19.

Bateman, Philip 1952a. “Mixed” Cape Town audience – a compromise solution [admitting Coloureds to the theatres]. Outspan, 51(1332):53. September 5.

Bateman, Philip 1952b. Will National theatre silence the critics? Outspan, 50(1297):25. January 4.

Baxter, Veronica 1992. Popular performance in South Africa in the 1980s. Unpublished master’s thesis. Durban: University of Natal.

Baxter, Veronica 2000 Unizima Lomthawala: Satisfying everyone all of the time in drama and theatre as education. South African Theatre Journal, 14:55-72.

Baxter, Veronica 2005. Forum theatre: learning to live with limitations. South African Theatre Journal, 19:130-142.

Baxter, Veronica and Aitchison, James 2006. The playful theatre of Nicholas Ellenbogen. 1985-1990. South African Theatre Journal, 20:48-64.

Baxter, Veronica and Aitchison, James 2010. Embodying 'lightness' in the new South Africa: the theatre of Ellis Pearson and Bheki Mkhwane 1993-2008. South African Theatre Journal, 24:51-66.

Baxter, Veronica and Low, Katharine E. 2017. Applied Theatre: Performing Health and Wellbeing. London: Bloomsbury Publishing.

The Baxter Theatre. 1977. Scenaria, August/ September:12-13.

Baxter Theatre. [Air conditioning, heating and ventilation]. 1978. Construction in Southern Africa, 23(6):54-63. September.

Baxter’s first five years. 1982. Scenaria, (32):17-19.

Beard, Margot 2002. King Lear: a production of the North West Arts Drama Youth group, directed by Mpumelelo Grootboom at the Grahamstown Festival, June/July 2002. Shalespeare in Southern Africa, 14:59-60.

Becker, Florian Nikolas 2010. Capitalism and crime: Brechtian economies in the Threepenny Opera and Love, Crime and Johannesburg (Junction Avenue Theatre Company). Modern Drama, 53(2):159-186.

Bedford, Jacoba W. 1988. The presence of the past in selected works by Pieter-Dirk Uys. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for C.H.E.

Behrens, Aldo Georg 1978. Speelgoed van glas [Tennessee Williams] : 'n aanbieding in die opvoedkundige teater. Unpublished master’s thesis.Potchefstroom: Potchefstroom University for C.H.E.

Behrens, Aldo 1985. Dominante en determinante in die ensceneringsproses. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for C.H.E.

Belasting op die toneel. 1945. Huisgenoot, 30(1225):5. September 14.

Bell, David and Jacobs, Johan U. 2009. Ways of writing : critical essays on Zakes Mda. Scottsville : University of KwaZulu-Natal Press.

Bell, Elizabeth Anne Charlton 1984. Speech and drama as a secondary school subject : an analysis of selected problem areas with reference to South Africa and England. Unpublished master’s thesis. Durban: University of Natal.

Bell, Lynette 1978. An approach to theatre make-up. Scenaria, December/January: 41.

Belling, Veronica Penkin 2004. A Yiddish actor in Port Elizabeth (Henry Ariel). Jewish Affairs, 59(1):40-42.

Belling, Veronica Penkin 2006. Yiddish theatre in South Africa. Jewish Affairs, 61(4):5-16.

Belling, Veronica Penkin 2008. Yiddish theatre in South Africa: :a history from the late nineteenth century to 1960. Cape Town : Isaac and Jessie Kaplan Centre for Jewish Studies and Research.

Belowende begin. [Nasionale toneel se eerste opvoerings]. 1948. Huisgenoot, 32(1353):15. February 27.

Beneke, Johannes Jacobus Petrus 1980. Die dramatiese funksie van die flits. Unpublished doctoral dissertation. Johannesburg: Rand Afrikaans University.

Beneke, Johannes Jacobus Petrus 1984. Christine: model van die flitsvertelling, in Malan, Charles (ed.) Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater. Johannesburg: Perskor. 51-63.

Benjy Francis: director/actor, in Herber, Avril 1979. Conversations: Some People, Some Place, Some Time South Africa. Johannesburg: Bateleur. 156-159.

Bennett, Vane 1885. Biographical and Memorial Sketch of Francis Algernon Disney Roebuck, Late Capt. 23rd Royal Welsh Fusiliers. Cape Town: Saul Solomon and Co.

Benson, Eugene and Connolly, L.W. 1994 Encyclopedia of Post-Colonial Literatures in English. Routledge (Revised 2004).

Benson, Mary 1972. Athol Fugard and "one little corner of the world". London Magazine, 11:13140.

Benson, Mary 1973 Athol Fugard and "one little corner of the world". Yale / Theatre, IV, no.1 (Winter 1973):55-62

Benson, Mary 1977. Keeping an appointment with the future: the theatre of Athol Fugard. Theatre Quarterly, 7(28):77-83.

Benson, Mary 1997. Athol Fugard and Barney Simon: Bare Stage, A Few Props, Great Theatre. Johannesburg: Ravan Press.

Bensusan, A.D. 1968. Case for the banning of smoking in theatres. Municipal Affairs, 33(389):31-37. January.

Bentley, Edmond 1960. "All the world's a stage": a plea for live theatre in South Africa. Talent, 1(1):10-12.

Benz, M. 1964. Nuwe vermaaklikheid in Suid-Afrika: bioskoop, teater saam op een verhoog. Brandwag, 28(5):29. April 3.

Berk, Anita 2001. Female bodies as text : disobedient representations of the witch. Unpublished master’s thesis. Cape Town: University of Cape Town.

Bernstein, Daphne 1972. The History of the Standard Theatre, Johannesburg, with special reference to the contribution of Leonard Rayne. Unpublished bachelor’s essay. Johannesburg: University of the Witwatersrand.

Berold, Ralph et al. 2000. Interactive Drama for Environmental Educators. Howick: Share-net.

Besselaar, Gerrit. 1914.Zuid-Afrika in de Letterkunde. J.H. de Bussy, Amsterdam/ J. Dusseau, Kaapstad.[1]

Bester, G. and Bester C.A. 2006. Affektiewe faktore wat met drama op sekondere skoolvlak verband hou. Journal for Language Teaching, 40(2):

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