Difference between revisions of "Beverley Melnick"
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− | (19**-). Actress. Performed in | + | [[Beverley Melnick]] (19**-). Actress. |
− | ''[[Story Theatre]]'' (in Johannesburg and Cape Town), | + | |
+ | == Biography == | ||
+ | |||
+ | |||
+ | |||
+ | === Youth === | ||
+ | |||
+ | |||
+ | |||
+ | === Training === | ||
+ | [[UCT]] | ||
+ | |||
+ | |||
+ | === Career === | ||
+ | |||
+ | |||
+ | ==Contribution to SA theatre, film, media and/or performance== | ||
+ | Performed in various productions with UCT Drama School. | ||
+ | |||
+ | Performed in [[Barney Simon]]’s production of the ''[[Marat/Sade]]'', the official opening production of the [[Market Theatre]] in 1976. | ||
+ | |||
+ | Other productions include ''[[Story Theatre]]'' (in Johannesburg and Cape Town), | ||
''[[The Voyage of the Santiago]]'', | ''[[The Voyage of the Santiago]]'', | ||
''[[Subject to Fits]]'', | ''[[Subject to Fits]]'', | ||
''[[El Grande de Coca Cola]]'', | ''[[El Grande de Coca Cola]]'', | ||
− | ''[[Tug o' War]]'', | + | ''[[Tug o' War]]'', (1974) |
''[[Tommy Flowers]]'', | ''[[Tommy Flowers]]'', | ||
− | ''[[Elizabeth I]]'' | + | ''[[Elizabeth I]]'' (1974) |
''[[Second Edition]]'', | ''[[Second Edition]]'', | ||
− | ''[[Antigone]]'', | + | ''[[Antigone]]'' (1975), |
''[[People Too]]'', | ''[[People Too]]'', | ||
''[[The Crucible]]'', | ''[[The Crucible]]'', | ||
''[[The Me Nobody Knows]]'', | ''[[The Me Nobody Knows]]'', | ||
''[[Travesties]]'' (at the [[Market Theatre]]), | ''[[Travesties]]'' (at the [[Market Theatre]]), | ||
− | ''[[Play it again, Sam]]'', (at the [[Market Theatre]]), | + | ''[[Play it again, Sam]]'', (at the [[Market Theatre]] 1979), |
''[[Romantic Comedy]]'' (for [[Pieter Toerien]]), | ''[[Romantic Comedy]]'' (for [[Pieter Toerien]]), | ||
− | ''[[Ain't We Got Fun]]'' (at the [[Market Theatre]]). | + | ''[[Ain't We Got Fun]]'' (at the [[Market Theatre]] 1981). |
− | ([[ | + | |
+ | She has also appeared in ''[[And Green And Golden]]'' (1982/3), ''[[The Crucible]]'' (1975), ''[[Exit the King]]'' (1982), ''[[Mother Courage]]'' (1977), ''[[Romeo and Juliet]]'' (1982), ''[[Madame Butterfly]]'' (1982), ''[[A Sunny Morning]]'' (1982), ''[[America Hurrah]]'', ''[[Sweeney Todd]]'' (1982). | ||
+ | |||
+ | |||
+ | == Awards, etc == | ||
− | |||
== Sources == | == Sources == | ||
− | + | [[SACD]] 1974; 1975/76; 1977/78; 1979/80; 1981/82. | |
+ | |||
+ | [[ESAT Bibliography Schr-Schw|Schwartz]], 1988. | ||
+ | |||
+ | Go to [[ESAT Bibliography]] | ||
+ | == Return to == | ||
− | Return to [[ESAT Personalities M]] | + | Return to [[ESAT Personalities M]] |
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]] | Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]] | ||
+ | |||
+ | Return to [[The ESAT Entries]] | ||
Return to [[Main Page]] | Return to [[Main Page]] |
Latest revision as of 08:03, 6 May 2016
Beverley Melnick (19**-). Actress.
Contents
Biography
Youth
Training
Career
Contribution to SA theatre, film, media and/or performance
Performed in various productions with UCT Drama School.
Performed in Barney Simon’s production of the Marat/Sade, the official opening production of the Market Theatre in 1976.
Other productions include Story Theatre (in Johannesburg and Cape Town), The Voyage of the Santiago, Subject to Fits, El Grande de Coca Cola, Tug o' War, (1974) Tommy Flowers, Elizabeth I (1974) Second Edition, Antigone (1975), People Too, The Crucible, The Me Nobody Knows, Travesties (at the Market Theatre), Play it again, Sam, (at the Market Theatre 1979), Romantic Comedy (for Pieter Toerien), Ain't We Got Fun (at the Market Theatre 1981).
She has also appeared in And Green And Golden (1982/3), The Crucible (1975), Exit the King (1982), Mother Courage (1977), Romeo and Juliet (1982), Madame Butterfly (1982), A Sunny Morning (1982), America Hurrah, Sweeney Todd (1982).
Awards, etc
Sources
SACD 1974; 1975/76; 1977/78; 1979/80; 1981/82.
Schwartz, 1988.
Go to ESAT Bibliography
Return to
Return to ESAT Personalities M
Return to South African Theatre Personalities
Return to The ESAT Entries
Return to Main Page