Difference between revisions of "ESAT Bibliography Sche-Schi"

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Schechner, Richard 1991a. Interculturalism on the road (editorial). TDR, 35(1): 7-9.
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[[Richard Schechner|Schechner, Richard]] 1991a. Interculturalism on the road (editorial). ''TDR'', 35(1):7-9.
  
Schechner, Richard 1991b. A tale of a few cities: interculturalism on the road. New theatre quarterly, 7(28): 315-323.
+
[[Richard Schechner|Schechner, Richard]] 1991b. A tale of a few cities: interculturalism on the road. ''New Theatre Quarterly'', 7(28):315-323.
  
Schechner, Richard 1991c. A tale of a few cities: interculturalism on the road. South African theatre journal, 5(2): 3-14.
+
[[Richard Schechner|Schechner, Richard]] 1991c. A tale of a few cities: interculturalism on the road. ''[[South African Theatre Journal]]'', 5(2):3-14.
  
Schechner, Richard 1992. Invasions friendly and unfriendly: the dramaturgy of direct theatre. South African theatre journal, 6(1):4-24.
+
[[Richard Schechner|Schechner, Richard]] 1992. Invasions friendly and unfriendly: the dramaturgy of direct theatre. ''[[South African Theatre Journal]]'', 6(1):4-24.
  
Schechner, Richard 1994. Cuba: lift the American embargo now. (Editorial). TDR, 38(2): 7-9.
+
[[Richard Schechner|Schechner, Richard]] 1994. Cuba: lift the American embargo now. (Editorial). [[TDR]], 38(2):7-9.
  
Schechner, Richard 1997. ‘From ritual to theatre and back’. In Performance Theory. London and New York, Routledge.
+
[[Richard Schechner|Schechner, Richard]] 1997. From ritual to theatre and back, in ''Performance Theory''. London: Routledge.
  
Schechter, Joel 1984. James Earl Jones on Fugard. Theater magazine, 16(1): 40-42.
+
[[Joel Schechter|Schechter, Joel]] 1984. James Earl Jones on [[Athol Fugard|Fugard]]. ''Theater Magazine'', 16(1):40-42.
  
Scheckle, Linda Ann 1994. The relevance of the speech act theory to Buzani Kubawo. Pretoria: University of South Africa. (M.A. thesis).
+
[[Linda Ann Scheckle|Scheckle, Linda Ann]] 1994. The relevance of the speech act theory to [[Buzani Kubawo]]. Unpublished master’s thesis. Pretoria: University of South Africa.  
  
Scheepers, Elizabeth 1975. Die enscenering en aanbieding van Shakespeare se Twaalfde nag : 'n agtergrondstudie en toneeltegniese analise. Potchefstroom: Potchefstroomse Universiteit vir Christelike Ho?r Onderwys. (M.A. thesis).  
+
[[Elize Scheepers|Scheepers, Elize]] 1975. Die enscenering en aanbieding van Shakespeare se Twaalfde Nag : 'n agtergrondstudie en toneeltegniese analise. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education.  
  
Scheepers, Elize 1978.  Teateropleiding op die tweesprong. Potchefstroom:  Potchefstroomse Universiteit vir CHO. (D. Litt. Thesis).  
+
[[Elize Scheepers|Scheepers, Elize]] 1978.  Teateropleiding op die tweesprong. Unpublished doctoral dissertation. Potchefstroom:  Potchefstroom University for Christian Higher education.
  
Scheepers, E. 1980. In die beperking toon die meester hom: ‘n pleidooi vir beter versorging van die dramadepartemente aan die universiteite in die Republiek van Suid-Afrika. Teaterforum, 1(1): 37-41.
+
[[Elize Scheepers|Scheepers, Elize]] 1980. In die beperking toon die meester hom: ‘n pleidooi vir beter versorging van die dramadepartemente aan die universiteite in die Republiek van Suid-Afrika. Teaterforum, 1(1):37-41.
  
Scheepers, E. 1981. Foundational issues surrounding professional training of speech and theatre experts at universities in the RSA. Koers, 46(4): 344-364.
+
[[Elize Scheepers|Scheepers, Elize]] 1981. Eise van die beroepsteater. Teaterforum, 2(1):31-46.
  
Scheepers, E. 1981. Eise van die beroepsteater. Teaterforum, 2(1): 31-46.
+
[[Elize Scheepers|Scheepers, Elize]] 1981. Foundational issues surrounding professional training of speech and theatre experts in the RSA. Koers, 46(4):344-364.
  
Scheepers, E. 1981. Foundational issues surrounding professional training of speech and theatre experts in the RSA. Koers, 46(4): 344-364.
+
[[Elize Scheepers|Scheepers, Elize]] 1983. Training in speech and drama. Scenaria, 36-38 Mr-Jul
  
Scheepers, E. 1981. Afr van bostaande. Teaterforum, 3(1): 45-64.
+
[[Elize Scheepers|Scheepers, Elize]] 1983a. Training in speech and drama – part 1. Scenaria, (36):23-25.
  
Scheepers, E. 1982. Teaterforum, 3(1): 45-64.
+
[[Elize Scheepers|Scheepers, Elize]] 1983b. Training in speech and drama – part 2. Scenaria, (37):35-37.
  
Scheepers, E. 1983. Training in speech and drama. Scenaria, 36-38 Mr-Jul
+
Scheepers, Elize 1984. Die Toneel: ‘n onontginde studieveld aan die universiteite van die RSA. Teaterforum. 5 (1):94-110, Mei.
  
Scheepers, Elize 1983a. Training in speech and drama – part 1. Scenaria, (36): 23-25.
+
[[Elize Scheepers|Scheepers, Elize]] 1994. Besinning oor die toneelkuns in die verlede, hede en toekoms, in Venster op die kunste: Christelike perspektiewe-A window on the arts: Christian perspectives. Potchefstroom : Potchefstroomse Universiteit vir CHO.
 
 
Scheepers, Elize 1983b. Training in speech and drama – part 2. Scenaria, (37): 35-37.
 
 
 
Scheepers, Eliza 1984. Die Toneel: ‘n onontginde studieveld aan die universiteite van die RSA. Teaterforum. 5 (1): 94-110, Mei.
 
 
 
Scheepers, E. 1983. Foundational issues surrounding professional training of speech and theatre experts at universities in the RSA. [Koers, 46(4)]
 
 
 
Scheepers, Elize 1994. Besinning oor die toneelkuns in die verlede, hede en toekoms. In Venster op die kunste: Christelike perspektiewe=A window on the arts: Christian perspectives. Potchefstroom : Potchefstroomse Universiteit vir CHO.
 
  
 
Schenk, L. 1967. Theory of drama. 231-232.
 
Schenk, L. 1967. Theory of drama. 231-232.
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Scheub, Harald.  1975.  The Xhosa “ntsomi”.  Oxford: Clarendon Press.
 
Scheub, Harald.  1975.  The Xhosa “ntsomi”.  Oxford: Clarendon Press.
  
Schiess, M. 1965. Producing the play. Sestiger, 2(4): 17-26.
+
Schiess, M. 1965. Producing the play. Sestiger, 2(4):17-26.
  
Schiess, M. 1966. Teater van die absurde. Lantern, 16(1): 4-9.
+
Schiess, M. 1966. Teater van die absurde. Lantern, 16(1):4-9.
  
Schiess, M. 1967. Waarom altyd kettings aan die kuns? Tydskrif vir letterkunde, 5(2): 61-63.
+
Schiess, M. 1967. Waarom altyd kettings aan die kuns? Tydskrif vir Letterkunde, 5(2):61-63.
  
Schiess, M. 1968. Laat die kinders toneelspeel. Klasgids, 3(4): 31-34. May.
+
Schiess, M. 1968. Laat die kinders toneelspeel. Klasgids, 3(4):31-34. May.
  
Schiess, Mario 1985. Ape and archetype. Teaterforum 6(1): 20-27.
+
Schiess, Mario 1985. Ape and archetype. Teaterforum 6(1):20-27.
  
Schipper, Mineke 1982. Theatre and society in Africa. Johannesburg: Ravan Press.  
+
Schipper, Mineke 1982. Theatre and Society in Africa. Johannesburg: Ravan Press.  
  
Schipper, Mineke 1986. A la recherche d'une arme miraculeuse: Le Théâtre sud-africain depuis  les événements de Soweto. Presence Africaine: Revue Culturelle du Monde Noir/Cultural Review of  the Negro World (PA) 140: 35-46.
+
Schipper, Mineke 1986. A la recherche d'une arme miraculeuse: Le Théâtre sud-africain depuis  les événements de Soweto. Presence Africaine: Revue Culturelle du Monde Noir/Cultural Review of  the Negro World (PA) 140:35-46.
  
  

Revision as of 11:12, 21 February 2011

Click on the appropriate letters of the alphabet in the sub-list below.

Sa-Saz Sca-Sce Scha Sche-Schi Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz

To return to any other letter, click on the list below

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Schechner, Richard 1991a. Interculturalism on the road (editorial). TDR, 35(1):7-9.

Schechner, Richard 1991b. A tale of a few cities: interculturalism on the road. New Theatre Quarterly, 7(28):315-323.

Schechner, Richard 1991c. A tale of a few cities: interculturalism on the road. South African Theatre Journal, 5(2):3-14.

Schechner, Richard 1992. Invasions friendly and unfriendly: the dramaturgy of direct theatre. South African Theatre Journal, 6(1):4-24.

Schechner, Richard 1994. Cuba: lift the American embargo now. (Editorial). TDR, 38(2):7-9.

Schechner, Richard 1997. From ritual to theatre and back, in Performance Theory. London: Routledge.

Schechter, Joel 1984. James Earl Jones on Fugard. Theater Magazine, 16(1):40-42.

Scheckle, Linda Ann 1994. The relevance of the speech act theory to Buzani Kubawo. Unpublished master’s thesis. Pretoria: University of South Africa.

Scheepers, Elize 1975. Die enscenering en aanbieding van Shakespeare se Twaalfde Nag : 'n agtergrondstudie en toneeltegniese analise. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education.

Scheepers, Elize 1978. Teateropleiding op die tweesprong. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher education.

Scheepers, Elize 1980. In die beperking toon die meester hom: ‘n pleidooi vir beter versorging van die dramadepartemente aan die universiteite in die Republiek van Suid-Afrika. Teaterforum, 1(1):37-41.

Scheepers, Elize 1981. Eise van die beroepsteater. Teaterforum, 2(1):31-46.

Scheepers, Elize 1981. Foundational issues surrounding professional training of speech and theatre experts in the RSA. Koers, 46(4):344-364.

Scheepers, Elize 1983. Training in speech and drama. Scenaria, 36-38 Mr-Jul

Scheepers, Elize 1983a. Training in speech and drama – part 1. Scenaria, (36):23-25.

Scheepers, Elize 1983b. Training in speech and drama – part 2. Scenaria, (37):35-37.

Scheepers, Elize 1984. Die Toneel: ‘n onontginde studieveld aan die universiteite van die RSA. Teaterforum. 5 (1):94-110, Mei.

Scheepers, Elize 1994. Besinning oor die toneelkuns in die verlede, hede en toekoms, in Venster op die kunste: Christelike perspektiewe-A window on the arts: Christian perspectives. Potchefstroom : Potchefstroomse Universiteit vir CHO.

Schenk, L. 1967. Theory of drama. 231-232.

Scheub, Harald. 1975. The Xhosa “ntsomi”. Oxford: Clarendon Press.

Schiess, M. 1965. Producing the play. Sestiger, 2(4):17-26.

Schiess, M. 1966. Teater van die absurde. Lantern, 16(1):4-9.

Schiess, M. 1967. Waarom altyd kettings aan die kuns? Tydskrif vir Letterkunde, 5(2):61-63.

Schiess, M. 1968. Laat die kinders toneelspeel. Klasgids, 3(4):31-34. May.

Schiess, Mario 1985. Ape and archetype. Teaterforum 6(1):20-27.

Schipper, Mineke 1982. Theatre and Society in Africa. Johannesburg: Ravan Press.

Schipper, Mineke 1986. A la recherche d'une arme miraculeuse: Le Théâtre sud-africain depuis les événements de Soweto. Presence Africaine: Revue Culturelle du Monde Noir/Cultural Review of the Negro World (PA) 140:35-46.


Click on the appropriate letters of the alphabet in the sub-list below.

Sa-Saz Sca-Sce Scha Sche-Schi Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance