Difference between revisions of "ESAT Bibliography Sna-Sow"

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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
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Sneddon, E. 1981. Mag van die gesproke word. NEON, 37: 1-6.
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Snow, Leida 1990. South African director encounters the Shuberts in the classroom. Theater week, 3(29): 31-32. February 26.
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Snowball, J.D. 2008. The impact of a change in ticket price on the demand for university live theatre: an illustrative case study of the Young Directors’ season at Rhodes Univesrity. South African theatre journal, 22: 119-129.
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SNOWBALL, Jeanette. D. 2008 Measuring the Value of Culture. Methods and examples in Cultural Economics (A study of the Grahamstown festival) Berlin: Springer-Verlag. 
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Snowball, J.D. & Antrobus, G.G. 2009. The experiences of Fringe producers at the South African National Arts Festival: production, profits and non-market benefits. South African theatre journal, 23: 53-67.
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Snyman, H. 1970. Vyfling: T.T. Cloete. Unie, 67: 30-34.
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Snyman, Henning 1994. Kabaret: ‘n literêre grensgeval. South African theatre journal, 8(2): 27-37.
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Snyman, Maritha 1996. ‘n Pot vol winter : woordteks tot getransponeerde beeldteks. Tydskrif vir letterkunde, 32(21) : 43-60.
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Snyman, Maritha 1998. Kabaret van die Fin de Siècle: Le Chat Noir en Amanda Strydom se Vrou by die Spieël: ‘n vergelykende blik. Tydskrif vir Letterkunde. xxxvi/2: 76.
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Snyman, N.J. 1985. Periandros van Korinthe (D.J. Opperman).  Tydskrif vir letterkunde, 23(3): 112-123.
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Snyman, R. 1987. Rolspel as aanvullende onderwysmetode vir kreatiewe onderrig en leer van taalvaardighede. Journal for language teaching, 21(3): 49-60. September.
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Snyman, Wilhelm. 1998. Fest: Praise and scorn in equal dollops. In: The Cape Times, July 7, 1998: 11.
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Snyman, Wilhelm. 2003. Play pulls no punches on AIDS debate. In: The Cape Times, August 19, 2003: 10.
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Solberg, Rolf 1999. Alternative theatre in South Africa :talks with prime movers since the 1970's. Pietermaritzburg : Hadeda.
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Solberg, Rolf 2001. African studies review. 44, no. 3, (2001): 79 JSG KOM 960.05 AFR
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Solberg, Rolf. 2003. South African theatre in the melting pot :trends and developments at the turn of the millennium /interviews by Rolf Solberg ; [edited by Laurence Wright].    [Grahamstown, South Africa] :  Institute for the Study of English in South Africa, Rhodes University.
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SOLE, KELWYN. 1984. Black Literature and Performance: Some Notes on Class and Populism. South African Labour Bulletin 9 (8): 54-76.
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Sole, Kelwyn 1987a. Identities and priorities in recent Black literature and performance: a preliminary Investigation.  South African theatre journal, 1(1): 45 – 113.
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Sole, Kelwyn 1987b. Oral performance and social struggle in contemporary Black South African literature. In Bunn, David & Taylor, Jane (eds). From South Africa: new writing, photographs and art. Evanston, Ill.: Northwestern University Press. p. 254-271.
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Sole, T. 1980. Sun City theatre. Scenaria, (18): 29-30.
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SOLOMON, E.: 193/34. The Arts in South Africa, Durban, Knox Printing and Publishing Co.
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Sommige vriende noem my bitterbek. [Wilma Stockenström]. 1977. Huisgenoot, 16-17. May 6.
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Songololo:  Voices of Change (video) (Maureen Eke & Keyan Tomaselli) South African theatre journal,  6(2):96-98.
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Soni, Sumithra Jaysooklal 1990. A general survey of Zulu drama with a critical analysis of selected plays. Durban: University of Natal. (M.A.-Zulu Language and Literature thesis).
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South Africa’s gains. 1941. Forum. 4(3): 31.
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South African amateur theatre grows. 1941. Forum. 4(10): 29. June 7.
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South African theatre. 1941. Forum. 3(48): 5.
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South African theatre helps to build national unit [Afrikaans and English societies produce Twelfth night]. 1940. Forum. 3(3): 5, 13.
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SOWDEN, Lewis. 1964. Both Sides of the Mask. The World of Muriel Alexander. Cape Town: Howard Timmins.
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Sowden, Lewis 1964. Both sides of the mask: the world of Muriel Alexander. Cape Town: Howard Timmins.
  
  

Revision as of 15:06, 3 December 2010

Click on the appropriate letters of the alphabet in the sub-list below.

Sa-Saz Sca-Sce Scha Sche-Schi Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance


Sneddon, E. 1981. Mag van die gesproke word. NEON, 37: 1-6.


Snow, Leida 1990. South African director encounters the Shuberts in the classroom. Theater week, 3(29): 31-32. February 26.

Snowball, J.D. 2008. The impact of a change in ticket price on the demand for university live theatre: an illustrative case study of the Young Directors’ season at Rhodes Univesrity. South African theatre journal, 22: 119-129.

SNOWBALL, Jeanette. D. 2008 Measuring the Value of Culture. Methods and examples in Cultural Economics (A study of the Grahamstown festival) Berlin: Springer-Verlag.


Snowball, J.D. & Antrobus, G.G. 2009. The experiences of Fringe producers at the South African National Arts Festival: production, profits and non-market benefits. South African theatre journal, 23: 53-67.

Snyman, H. 1970. Vyfling: T.T. Cloete. Unie, 67: 30-34.

Snyman, Henning 1994. Kabaret: ‘n literêre grensgeval. South African theatre journal, 8(2): 27-37.

Snyman, Maritha 1996. ‘n Pot vol winter : woordteks tot getransponeerde beeldteks. Tydskrif vir letterkunde, 32(21) : 43-60.

Snyman, Maritha 1998. Kabaret van die Fin de Siècle: Le Chat Noir en Amanda Strydom se Vrou by die Spieël: ‘n vergelykende blik. Tydskrif vir Letterkunde. xxxvi/2: 76.

Snyman, N.J. 1985. Periandros van Korinthe (D.J. Opperman). Tydskrif vir letterkunde, 23(3): 112-123.

Snyman, R. 1987. Rolspel as aanvullende onderwysmetode vir kreatiewe onderrig en leer van taalvaardighede. Journal for language teaching, 21(3): 49-60. September.

Snyman, Wilhelm. 1998. Fest: Praise and scorn in equal dollops. In: The Cape Times, July 7, 1998: 11.

Snyman, Wilhelm. 2003. Play pulls no punches on AIDS debate. In: The Cape Times, August 19, 2003: 10.

Solberg, Rolf 1999. Alternative theatre in South Africa :talks with prime movers since the 1970's. Pietermaritzburg : Hadeda.

Solberg, Rolf 2001. African studies review. 44, no. 3, (2001): 79 JSG KOM 960.05 AFR

Solberg, Rolf. 2003. South African theatre in the melting pot :trends and developments at the turn of the millennium /interviews by Rolf Solberg ; [edited by Laurence Wright]. [Grahamstown, South Africa] : Institute for the Study of English in South Africa, Rhodes University.

SOLE, KELWYN. 1984. Black Literature and Performance: Some Notes on Class and Populism. South African Labour Bulletin 9 (8): 54-76.

Sole, Kelwyn 1987a. Identities and priorities in recent Black literature and performance: a preliminary Investigation. South African theatre journal, 1(1): 45 – 113.

Sole, Kelwyn 1987b. Oral performance and social struggle in contemporary Black South African literature. In Bunn, David & Taylor, Jane (eds). From South Africa: new writing, photographs and art. Evanston, Ill.: Northwestern University Press. p. 254-271.

Sole, T. 1980. Sun City theatre. Scenaria, (18): 29-30.

SOLOMON, E.: 193/34. The Arts in South Africa, Durban, Knox Printing and Publishing Co.

Sommige vriende noem my bitterbek. [Wilma Stockenström]. 1977. Huisgenoot, 16-17. May 6.

Songololo: Voices of Change (video) (Maureen Eke & Keyan Tomaselli) South African theatre journal, 6(2):96-98.

Soni, Sumithra Jaysooklal 1990. A general survey of Zulu drama with a critical analysis of selected plays. Durban: University of Natal. (M.A.-Zulu Language and Literature thesis).


South Africa’s gains. 1941. Forum. 4(3): 31.

South African amateur theatre grows. 1941. Forum. 4(10): 29. June 7.

South African theatre. 1941. Forum. 3(48): 5.

South African theatre helps to build national unit [Afrikaans and English societies produce Twelfth night]. 1940. Forum. 3(3): 5, 13.

SOWDEN, Lewis. 1964. Both Sides of the Mask. The World of Muriel Alexander. Cape Town: Howard Timmins.

Sowden, Lewis 1964. Both sides of the mask: the world of Muriel Alexander. Cape Town: Howard Timmins.


Click on the appropriate letters of the alphabet in the sub-list below.

Sa-Saz Sca-Sce Scha Sche-Schi Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance

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