ESAT Bibliography Coa-Col

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Coetser, A. 1984. Kontekstuele vrae [en antwoorde] oor Ontmoeting by Dwaaldrif van Henriëtte Grové. Klasgids, 19(1) – (2).

Coetser, Johannes Lodewikus 1985. Die allegorie in die Afrikaanse drama. Unpublished master’s thesis. Pretoria: University of Pretoria.

Coetser, J.L. 1991. Dat die klip kan heers: Pieter Fourie se Die Koggelaar. Literator, 12(3):45-58.

Coetser, J.L. 1994. Die Dieper Reg (N.P. van Wyk Louw): Royce, regsidee, resepsie. Literator, 15(2):35-53.

Coetser, J.L. 1996. Die begrip dramatiese didaskalia (weer) beskou. Literator, 17(2):1-15.

Coetser, J.L. 1996. Een oog lag, een oog huil : Die Rebellie van Lafras Verwey, Chris Barnard. Reviewed in: Klasgids, 31(4):22-26.

Coetser, J.L. 1998. Drie Susters Twee, deur Reza de Wet. Reviewed in: Tydskrif vir Letterkunde, 36(2):97.

Coetser, J.L. 1998. Die Dramateks as Handleiding, deur Marisa Keuris. Reviewed in: Tydskrif vir Letterkunde, 36(2):99.

Coetser, J.L. 1999. Die drama in Afrikaans: ‘n bewegende sentrum? Tydskrif vir Letterkunde, 37(2):44.

Coetser, J.L. 1999. Afrikaanse drama en toneel oor die Anglo-Boereoorlog, 1900-1920: Aspekte van identiteit . Tydskrif vir Nederlands en Afrikaans, 6(2):131-149.

Coetser, J.L. 2003a. 'n Herinnering aan brokke toneelgeskiedenis : boekresensies. Literator, 24(1):172-176.

Coetser, J.L. 2003b. “So little of it left”: remembrance, occasion and event in Afrikaans theatre. South African Theatre Journal, 17:8-36.

Coetser, J.L. 2004. Kinder- en jeugtoneel in Afrikaans: oorsig en tendense. Literator, 25(3):83-105.

Coetser, J.L. 2006. Standaardwerk oor Suid-Afrikaanse toneelgeskiedenis: Voetligte en applous: die beginjare van die Afrikaanse beroepstoneel, deur D. Botha. Reviewed in: Literator, 27(2):159-161.

Coetser, J.L. 2008. Gemeenskapstoneel deur Robert J. Pearce: aspekte van bewussyn (‘n eerste verkenning). South African Theatre Journal, 22:166-189.

Coetser, J.L. 2009a. Diaspora en aktualiteit in drama: Kaburu deur Deon Opperman. Reviewed in: Literator, 30:177-179.

Coetser, J.L. 2009b. Jasmyn, deur Pieter Fourie. Reviewed in: Tydskrif vir Letterkunde,46(1):

Coetser, J.L. 2009c. Kaburu: ‘n drama vir die verhoog, deur Deon Opperman. Reviewed in: Tydskrif vir Geesteswetenskappe, 49(4):740-741.

Jasmyn, deur P. Fourie: boekresensie. By: Coetser, J.. Tydskrif vir Letterkunde, Vol. 46, Iss 1, , May, Herfs, 2009.

Coetser, J.L. 2010. Dramakroniek 2008-9: navorsings- en oorsigartikels. (Kaburu by Deon Opperman, Blou Uur by Reza de Wet, and Prinsloo Versus, by Adriaan Meyer. Tydskrif vir Geesteswetenskappe, 50(3):

Coetzee, A. 2001. With the Lid Off, by Todd Matshikiza & John Matshikiza. Reviewed in: De Kat, 16(10):86-87.

Coetzee, A.J. 1971. ATKV huldig die dramaturg Beukes. Taalgenoot, 40(11):7. October.

Coetzee, A.J. 1978. Verlede: gedagtenis en noodlot in die dramas van Pieter Fourie. Standpunte, 31(4):52-60. August.

Coetzee, Ampie 1984. Woord en daad, teken en saak, teks en handeling: Pavane van André P. Brink, in Malan, Charles (ed.) Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater. Johannesburg: Perskor. 83-92.

Coetzee, Erika 1990. Stereotypes in contemporary South African cultural discourses. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.

Coetzee, Gerda 1995. Feesvier is nog nie teaterkultuur. Insig, 08/95:42.

Coetzee, Marié-Heleen 2000 Playing sticks: an exploration of Zulu stick fighting as performance. South African Theatre Journal, 14:97-113.

Coetzee, Marié-Heleen 2001 Paddy Crean International Stage Combat Congress/Workshop, Canada. South African Theatre Journal, 15:158-160.

Coetzee, Marié-Heleen, Munro, M. & De Boer, A. 2004. Deeper sites through various lines: LMS and whole-brain learning in body/voice training for performers in the HET band. South African Theatre Journal, 18:135-158.

Coetzee, Marié-Heleen 2009. (Re)storying the self: exploring identity through performative inquiry. South African Theatre Journal, 23:94-115.

Coetzee, Marié-Heleen & Munro, Marth 2010. Embodied knowledge: physical theatre and the physicality of theatre. South African Theatre Journal, 24:10-15.

Coetzee, P.J. 1978. Literêrteoretiese beginsels wat dialog beheers in die drama, met verwysing na D.J. Opperman se Periandros van Korinthe. Unie, 75:71-76. August.

Coetzee, P.J. 1983. Enkele gesigspunte oor die voorgeskrewewerk, Die Pluimsaad Waai Ver – N.P. van Wyk Louw (Bitter begin). Unie, 80:31-34.

Coetzee, Paulette 2000. Lewis Nkosi, in Scanlon, Paul A. (ed.). South African Writers. Detroit: Gale Group. 314-321.

Coetzee, Yvette 1998 Visibly invisible: How shifting the conventions of the traditionally invisible puppeteer allows for more dimensions in both the puppeteer-puppet relationship and the creation of theatrical meaning in Ubu and the Truth Commission. South African Theatre Journal, 12(1&2):35-51.

Cohen, Derek 1978. Athol Fugard’s Boesman and Lena. Journal of Commonwealth Literature, 12:78-83 April

Cohen, Derek 1980. Drama and the police state: Athol Fugard's South Africa. Canadian Drama, 9:151.

Cole, Catherine M. 2001. Africans on Stage: Studies in Ethnological Show Business, ed. by Bernth Lindfors and The Drama of South Africa: Plays, Pageants and Publics, by Loren Kruger. Reviewed in: Theatre Journal, 53(1):179-181.

Cole, Catherine M. 2004. Theatres of truth, acts of reconciliation: the TRC in South Africa, in Conteh-Morgan, John & Olaniyan, Tejumola (eds.). African Drama and Performance. Bloomington: Indiana University Press. 219-226.

Cole, Catherine M. 2007. Performance, transitional justice, and the law: South Africa’s Truth and Reconciliation Commission. Theatre Journal, 59(2):167-187.

Cole, Catherine M. 2008. The rewind cantata. Theater, 38(3):84-109.

Coleman, Carl & Kelly, Lynne 1978. Skyvers? Some thoughts on the Sharp Festival of the Arts, Grahamstown. (University Drama Festival; Marlene van Niekerk; Die Duiwel, Sy Helper en die Drie Ligtekooie; Vrolike Frans) Speak, 1(5):62-64.

Colleran, Jeanne Marie 1988. The dissenting writer in South Africa: a rhetorical analysis of the drama of Athol Fugard and the short fiction of Nadine Gordimer. Unpublished doctoral dissertation. Columbus, OH: Ohio State University.

Colleran, Jeanne 1990. A Place With the Pigs: Athol Fugard’s Afrikaner parable. Modern drama, 33(1): 82-92.

Colleran, Jeanne 1995a. Athol Fugard and the problematics of the liberal critique. Modern Drama, 38(3):389-407.

Colleran, Jeanne 1995b. Re-situating Fugard: re-thinking revolutionary theatre. South African Theatre Journal, 9(2):39-49.

Colleran, Jeanne 1998. South African theatre in the United States: the allure of the familiar and of the exotic, in Attridge, Derek & Jolly, Rosemary (eds.). Writing South Africa: Literature, Apartheid and Democracy, 1970-1995. Cambridge: Cambridge University Press. 221-236.

Colleran, Jeanne 1999. Lessons from a fair country, in Blumberg, Marcia & Walder, Dennis (eds.). South African Theatre as/and Intervention. Amsterdam: Rodopi. 113-123.

Collins, F. 1968. Barbara Kinghorn. Personality, 14-19. June 20.

Collins, F. 1971. Leonard Schach: backroom boy of the theatre. Personality, 55-56. February 26.

Collins, Jane 1999. King Lear in South Africa: an interview with director James Whyle. Shakespeare Bulletin, 17(1): 35-37.

Click on the appropriate letters of the alphabet in the sub-list below.

Ca-Cha Che-Cl Coa-Col Com-Cop Cor-Cri Cro-Cz

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