Difference between revisions of "ESAT Bibliography Sci-Sez"
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[[M.C.A. Seyffert|Seyffert, M.C.A.]] 1988. ''[[André]]'', by [[Temple Hauptfleisch]]. Reviewed in: ''[[South African Theatre Journal]]'', 2(1):85-87. | [[M.C.A. Seyffert|Seyffert, M.C.A.]] 1988. ''[[André]]'', by [[Temple Hauptfleisch]]. Reviewed in: ''[[South African Theatre Journal]]'', 2(1):85-87. | ||
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| + | [[Hilary Seymour|Seymour, Hilary]] 1980. ''[[Sizwe Banzi is dead]]'': a study of artisitic ambivalence. ''Race & Class'', 21(3):273-289. | ||
Revision as of 16:42, 28 June 2011
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Sa-Saz Sca-Sce Scha Sche-Schi Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz
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Seda, O. 1995. Politics and Performance : Theatre, Poetry and Song in Southern Africa, edited by Liz Gunner. Reviewed in: Southern African Review of Books, 9(35):5.
Seda, O. 2000. A response to Hazel Barnes’ ‘Ihlanzi ishelwe amanzi — as fish out of water: finding authentic voices in a multicultural student production’ (RIDE 4(2)). Research in Drama Education, 5(1):95-97.
Seddon D. 2004. Shakespeare's orality: Solomon Plaatje's Setswana translations. English Studies in Africa, 47(2):77-96.
Seeds, Dale E. 1996. Trickster by trade: Thomas Riccio on indigenous theatre, an interview. Drama Review, 40(4):118-133.
Seeff, Adele 2004. Recovering the history of the African theatre. Quarterly Bulletin of the National Library of South Africa, 58(4):159-167.
Seeff, Adele A quick buck. Quarterly Bulletin of the National Library of South Africa, 59(1):8-12.
Seeff, Adele 2009. Othello at the Market Theatre. Shakespeare Bulletin, 27(3):377-398.
Segall, Kimberly Wedeven 2001. Over my dead body : trauma and unreconciled truths in South African performances. Unpublished doctoral dissertation. Evanston, Ill.: Northwestern University.
Seidenspinner, Margarete 1986. Exploring the Labyrinth: Athol Fugard’s Approach to South African Drama. Essen: Blaue Eule.
Seitisho, B. 2002. Lamenting Shakespeare : the missing link in South Africa’s Outcomes Based Education System (OBE). Perspectives in Education, 20(3):133-139.
Sekgobela, Sesi Angelina 1992. Tshekatsheko ya kgotlhang mo dikgankhutshweng tsa Setswana. Unpublished master’s thesis. Yunibesithi ya Bophuthatswana.
A selected reading list on South African theatre, compiled by CESAT. 1985, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 156-159.
Sello Maake ka Ncube: drama 2002. 2009. In Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 140-141.
Semple, Hilary 1987. ‚The idea’s the thing’. Shakespeare Society of Southern Africa: Occasional Papers and Reviews, 2(2):3-6.
Semple, Hilary 1987. Othello: an historic milestone. Shakespeare in Southern Africa, 1:67-69.
Senekal, Jan 1978. Beeld en Bedryf : Inleidende Opstelle oor Fasette van die Afrikaanse Drama / saamgestel deur J.H. Senekal. Pretoria: Van Schaik.
Senekal, Jan & Van Aswegen, Karien (eds.). 1980. Bronne by die Studie van Afrikaanse Dramas 1900-1978. Johannesburg: Perskor.
Serfontein, P. & Brown, Graham 1970. Ontwerp vir die teater. Lantern, 19(3): 38-45.
Sergeant, Roy 1985. The performing arts in a hostile society. Die Suid-Afrikaan, (5):38-39.
Serudu, S.M. 1984. Ga a mo swanela, by M.L. Maloma. Reviewed in: South African Journal of African Languages, supplement 2:23-33.
Seyffert, M.C.A. 1988. André, by Temple Hauptfleisch. Reviewed in: South African Theatre Journal, 2(1):85-87.
Seymour, Hilary 1980. Sizwe Banzi is dead: a study of artisitic ambivalence. Race & Class, 21(3):273-289.
Click on the appropriate letters of the alphabet in the sub-list below.
Sa-Saz Sca-Sce Scha Sche-Schi Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
