Difference between revisions of "ESAT Bibliography Sti-Suz"

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[[Christélle Stoltz|Stoltz, Christélle]] 2000. Die relevansie van sangvaardighede as deel van die akteur se stem- en spraakopleiding. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.  
 
[[Christélle Stoltz|Stoltz, Christélle]] 2000. Die relevansie van sangvaardighede as deel van die akteur se stem- en spraakopleiding. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.  
  
[[Lourens Stopforth|Stopforth, Lourens Daniel Marthinus]] 1955. Drama in South Africa, 1925-1955 :a critical survey. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher Education.
+
[[Lourens Daniel Marthinus Stopforth|Stopforth, Lourens Daniel Marthinus]] 1955. Drama in South Africa, 1925-1955 :a critical survey. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher Education.
  
Die Storm [criticism]. 1978. Scenaria, June/July: 19.
+
Die Storm [criticism]. 1978. ''[[Scenaria]]'', June/July: 19.
  
Storrar, Patricia 1968. Beginners Please: A History of Children's Theatre in South Africa. Johannesburg: Children’s Theatre.
+
[[Patricia Storrar|Storrar, Patricia]] 1968. ''Beginners Please: A History of Children's Theatre in South Africa''. Johannesburg: Children’s Theatre.
  
Storrar, Patricia 1988. Drama at Ponta Delgada. Johannesburg: Lowry.
+
[[Patricia Storrar|Storrar, Patricia]] 1988. ''Drama at Ponta Delgada''. Johannesburg: Lowry.
  
Strange Library of Africana  1964. A list of theatre performances in Johannesburg, 1887-1897, based on the programme collection in the Strange Library of Africana, Johannesburg, compiled by Rosemary Ursula Hoffman. Johannesburg : Johannesburg Public Library.
+
Strange Library of Africana  1964. ''A list of theatre performances in Johannesburg, 1887-1897, based on the programme collection in the Strange Library of Africana'', Johannesburg, compiled by [[Rosemary Ursula Hoffman]]. Johannesburg : Johannesburg Public Library.
 
   
 
   
Strausbaugh, John 1989. Mhlope stages Zandile, assumes Market post. American Theatre, 6(1):34-35.  (Gcina Mhlope)
+
[[John Strausbaugh|Strausbaugh, John]] 1989. [[Gcina Mhlope|Mhlope]] stages Zandile, assumes [[Market Theatre|Market]] post. ''American Theatre'', 6(1):34-35.  (Gcina Mhlope)
  
Streicher, E. 1979. From market to theatre. South African Panorama, 24(4): 36-39. April.
+
[[E. Streicher|Streicher, E.]] 1979. From [[Market Theatre|market]] to theatre. ''South African Panorama'', 24(4): 36-39. April.
  
Strydom, Eunice 1997. Towards a theatre of reconciliation: Athol Fugard's Playland. Unpublished master’s thesis. Bloemfontein: University of the Orange Free State.
+
[[Eunice Strydom|Strydom, Eunice]] 1997. Towards a theatre of reconciliation: [[Athol Fugard]]'s ''[[Playland]]''. Unpublished master’s thesis. Bloemfontein: University of the Orange Free State.  
Stuart, Constance 1946. “Tempest” by William Shakespeare [produced with a non-European cast in Cape Town]. Libertas. 6(6):47.
 
  
Stuart, E. 1967. Magnificent commemoration. Fair Lady, 3(2):10-14. March 22.
+
[[Constance Stuart|Stuart, Constance]] 1946. “Tempest” by William Shakespeare [produced with a non-European cast in Cape Town]. ''Libertas''. 6(6):47.
  
Stuart, E. 1996. Bearer of the torch: biography. Vuka, 1(5):11-12. (Elizabeth Sneddon).
+
[[E. Stuart|Stuart, E.]] 1967. Magnificent commemoration. ''Fair Lady'', 3(2):10-14. March 22.
  
Südafrikanischer Nationaltheater. 1958. Afrika-Post, 5(1):67.
+
[[E. Stuart|Stuart, E.]] 1996. Bearer of the torch: biography ([[Elizabeth Sneddon]]). ''Vuka'', 1(5):11-12.
  
Sudworth, Jacqueline Claire 1992. An investigation into the integration of western and non-western theatrical and ritualistic techniques in performance. Unpublished master’s thesis. Pietermaritzburg: University of Natal.  
+
Südafrikanischer Nationaltheater. 1958. ''Afrika-Post'', 5(1):67.
  
SUKOVS – die eerste 10 jaar, 1963-1973. 1973. Lantern, 22(3):2-9. March.
+
[[Jacqueline Claire Sudworth|Sudworth, Jacqueline Claire]] 1992. An investigation into the integration of western and non-western theatrical and ritualistic techniques in performance. Unpublished master’s thesis. Pietermaritzburg: University of Natal.  
  
Sutherland, Alexandra 2005. Writing, identity, and change : a narrative case study of the use of journals to promote reflexivity within a Drama Studies curriculum. Unpublished master’s thesis. Grahamstown: Rhodes University.  
+
[[SUKOVS]] – die eerste 10 jaar, 1963-1973. 1973. ''Lantern'', 22(3):2-9. March.
  
Sutherland, Alexandra 2007. Writing and performing change: the use of writing journals to promote reflexivity in a Drama Studies curriculum. South African Theatre Journal, 21:109-122.
+
[[Alexandra Sutherland|Sutherland, Alexandra]] 2005. Writing, identity, and change : a narrative case study of the use of journals to promote reflexivity within a Drama Studies curriculum. Unpublished master’s thesis. Grahamstown: Rhodes University.  
  
Suzman, Janet 1978. [Acting and criticism]. Speak, 1(3):29-31. May-June.
+
[[Alexandra Sutherland|Sutherland, Alexandra]] 2007. Writing and performing change: the use of writing journals to promote reflexivity in a Drama Studies curriculum. ''[[South African Theatre Journal]]'', 21:109-122.
  
Suzman, Janet 1998. South Africa in Othello, in Bate, Jonathan, Levenson, Jill L. & Mehl, Dieter (eds.). Shakespeare and the twentieth century : the selected proceedings of the International Shakespeare Association World Congress, Los Angeles, 1996. Newark : University of Delaware Press. 23-40.
+
[[Janet Suzman|Suzman, Janet]] 1978. [Acting and criticism]. ''Speak'', 1(3):29-31. May-June.
 +
 
 +
[[Janet Suzman|Suzman, Janet]] 1998. South Africa in ''Othello'', in Bate, Jonathan, Levenson, Jill L. & Mehl, Dieter (eds.). Shakespeare and the twentieth century : the selected proceedings of the International Shakespeare Association World Congress, Los Angeles, 1996. Newark : University of Delaware Press. 23-40.
  
  

Revision as of 14:39, 28 February 2011

Click on the appropriate letters of the alphabet in the sub-list below.

Sa-Saz Sca-Sce Scha Sche-Schi Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz

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Stockenström, W. 1968. Malaise van die Afrikaanse beroepstoneel: ‘n diagnose. Teater SA, 1(2):6. December.

Stockil, Emily 2008. Development, belonging and change : a study of a community Theatre-for-Development initiative in KwaZulu-Natal. Unpublished master’s thesis. Cape Town: University of Cape Town.

Stodel, Jack 1962. The Audience Is Waiting. Cape Town: Howard Timmins.

Stoloff, C. 1954. Theatre without actresses. (Riebeeck Square, Cape Town). Playtime, 10(99):27. July-August.

Stoloff, C. 1969. How should a theatre be designed? Architect and Builder, 19(9):8-11.

Stoltz, Christélle 2000. Die relevansie van sangvaardighede as deel van die akteur se stem- en spraakopleiding. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.

Stopforth, Lourens Daniel Marthinus 1955. Drama in South Africa, 1925-1955 :a critical survey. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher Education.

Die Storm [criticism]. 1978. Scenaria, June/July: 19.

Storrar, Patricia 1968. Beginners Please: A History of Children's Theatre in South Africa. Johannesburg: Children’s Theatre.

Storrar, Patricia 1988. Drama at Ponta Delgada. Johannesburg: Lowry.

Strange Library of Africana 1964. A list of theatre performances in Johannesburg, 1887-1897, based on the programme collection in the Strange Library of Africana, Johannesburg, compiled by Rosemary Ursula Hoffman. Johannesburg : Johannesburg Public Library.

Strausbaugh, John 1989. Mhlope stages Zandile, assumes Market post. American Theatre, 6(1):34-35. (Gcina Mhlope)

Streicher, E. 1979. From market to theatre. South African Panorama, 24(4): 36-39. April.

Strydom, Eunice 1997. Towards a theatre of reconciliation: Athol Fugard's Playland. Unpublished master’s thesis. Bloemfontein: University of the Orange Free State.

Stuart, Constance 1946. “Tempest” by William Shakespeare [produced with a non-European cast in Cape Town]. Libertas. 6(6):47.

Stuart, E. 1967. Magnificent commemoration. Fair Lady, 3(2):10-14. March 22.

Stuart, E. 1996. Bearer of the torch: biography (Elizabeth Sneddon). Vuka, 1(5):11-12.

Südafrikanischer Nationaltheater. 1958. Afrika-Post, 5(1):67.

Sudworth, Jacqueline Claire 1992. An investigation into the integration of western and non-western theatrical and ritualistic techniques in performance. Unpublished master’s thesis. Pietermaritzburg: University of Natal.

SUKOVS – die eerste 10 jaar, 1963-1973. 1973. Lantern, 22(3):2-9. March.

Sutherland, Alexandra 2005. Writing, identity, and change : a narrative case study of the use of journals to promote reflexivity within a Drama Studies curriculum. Unpublished master’s thesis. Grahamstown: Rhodes University.

Sutherland, Alexandra 2007. Writing and performing change: the use of writing journals to promote reflexivity in a Drama Studies curriculum. South African Theatre Journal, 21:109-122.

Suzman, Janet 1978. [Acting and criticism]. Speak, 1(3):29-31. May-June.

Suzman, Janet 1998. South Africa in Othello, in Bate, Jonathan, Levenson, Jill L. & Mehl, Dieter (eds.). Shakespeare and the twentieth century : the selected proceedings of the International Shakespeare Association World Congress, Los Angeles, 1996. Newark : University of Delaware Press. 23-40.


Click on the appropriate letters of the alphabet in the sub-list below.

Sa-Saz Sca-Sce Scha Sche-Schi Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance