Difference between revisions of "ESAT Bibliography Mja-Moo"

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Click on the appropriate letters of the alphabet in the sub-list below.  
 
Click on the appropriate letters of the alphabet in the sub-list below.  
  
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[[ESAT Bibliography Ma=Mal|Ma-Mal]] [[ESAT Bibliography Mam-Mar|Mam-Mar]] [[ESAT Bibliography Mas-Mcl|Mas-Mcl]] [[ESAT Bibliography Mcm-Mda|Mcm-Mda]] [[ESAT Bibliography Mde-Mes|Mde-Mes]] [[ESAT Bibliography Met-Miz|Met-Miz]] [[ESAT Bibliography Mja-Moo|Mja-Moo]] [[ESAT Bibliography Mop-Mot|Mop-Mot]] [[ESAT Bibliography Mou-Moz|Mou-Moz]] [[ESAT Bibliography Mpa-Mz|Mpa-Mz]]  
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[[ESAT Bibliography Maa-Mal|Maa-Mal]] [[ESAT Bibliography Mam-Mar|Mam-Mar]] [[ESAT Bibliography Mas-Mcl|Mas-Mcl]] [[ESAT Bibliography Mcm-Mda|Mcm-Mda]] [[ESAT Bibliography Mde-Mes|Mde-Mes]] [[ESAT Bibliography Met-Miz|Met-Miz]] [[ESAT Bibliography Mja-Moo|Mja-Moo]] [[ESAT Bibliography Mop-Mot|Mop-Mot]] [[ESAT Bibliography Mou-Moz|Mou-Moz]] [[ESAT Bibliography Mpa-Mz|Mpa-Mz]]  
  
 
To return to any other letter, click on the list below
 
To return to any other letter, click on the list below
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
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[[Knowledge Lwazi Bonginkosi Mjiyako|Mjiyako, Knowledge Lwazi Bonginkosi]] 1999. Drama in the integrated arts curriculum. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.
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[[Bench Buyile Mikonton|Mkonto, Bench Buyile]] 1984. A study of conflict and theme in some modern Xhosa plays. Unpublished master’s thesis. Alice (South Africa): University of Fort Hare.
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[[Jabulani Mkhize|Mkhize, Jabulani]] 2008. Shades of Nkosi: ''Still Beating the Drum: Critical Perspectives on [[Lewis Nkosi]]'', edited by [[Lindy Stiebel]] and [[Liz Gunner]]. Reviewed in: ''Alternation'', 15(2):416-426.
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[[Mncedisi Shabangu]]: drama 2004. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 158-159.
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[[Sikhumbuzo Mngadi|Mngadi, Sikhumbuzo]] 1996. The antinomies and possibilities of 'radical' historical consciousness: the case of three South African playtexts in English. (''[[UNosilimela]]'', by [[Credo V. Mutwa|Credo Mutwa]]; ''[[The Hungry Earth]]'', by [[Isaiah Maishe Maponya|Maishe Maponya]]; ''[[The Fantastical History of a Useless Man]]'', by [[Malcolm Purkey]] & [[Junction Avenue Theatre Company|The Junction Avenue Theatre]].) ''Alternation'', 3(1):30-55.
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[[Sikhumbuzo Mngadi|Mngadi, Sikhumbuzo]] 2005. Some thoughts on black male homosexualities in South African writing: [[Zakes Mda]]'s ''[[The Hill]]'' and Kaizer Nyatsumba's ''In Happiness and in Sorrow''. ''English in Africa'', 32(2):
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[[Hlalanathi Pius Mnikathi|Mnikathi, Hlalanathi Pius]] 1992. Characterisation and time in [[B.J. Dube]]'s play ''[[UThemi]]''. Unpublished master’s thesis. Pretoria : Vista University.
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Mock, Roberta 2003. ''Crucible of Cultures: Anglophone Drama at the Dawn of the New Millenium'', edited by Marc Maufort and Franca Bellarsi. Reviewed in: ''New Theatre Quarterly'', 19(3):296.
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[[Etrecia I. Mocke|Mocke, Etrecia I.]] 1952. [[André Huguenet]]. ''Helikon'', 1(4):11-12. April.
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[[Etrecia I. Mocke|Mocke, Etrecia I.]] 1952. Dr [[F.C.L. Bosman]]. ''Helikon'', 1(5):13-14.
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[[Etrecia I. Mocke|Mocke, Etrecia I.]] 1952. [[Federation of Amateur Theatrical Societies of South Africa|FATSA]]-konferensie 1952. ''Helikon'', 1(6):68-72.
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[[Etrecia I. Mocke|Mocke, Etrecia I.]] 1952. [[Muriel Alexander]]. ''Helikon'', 1(6):10.
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[[Etrecia I. Mocke|Mocke, Etrecia I.]] 1952. N.T.O.-produksie: ''[[Die Jaar van die Vuuros]]'', deur [[W.A. de Klerk]] in die [[Johannesburg Repertory Theatre|Reps-teater]]. Reviewed in: ''Helikon'', 1(5):116-117.
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[[Etrecia I. Mocke|Mocke, Etrecia I.]] 1952. ''Tartuffe'' aangebied deur die [[Johannesburg Repertory Players|Repertory-spelers]] onder regie van [[Leon Gluckman]] in die [[Johannesburg Repertory Theatre|Reps-teater]]. ''Helikon'', 1(6):41-43.
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[[Etrecia I. Mocke|Mocke, Etrecia I.]] 1952. ''The White Sheep of the Family'' aangebied deur die [[Brian Brooke Company|Brian Brooke-Geselskap]] in [[His Majesty's Theatre|His Majesty's Teater]]. ''Helikon'', 1(6):44-46.
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[[Etrecia I. Mocke|Mocke, Etrecia I.]] 1952. ''[[Salome Dans!]]'' aangebied deur [[Volksteater]] in Pretoriusaal.  ''Helikon'', 1(6):47-48.
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[[Etrecia I. Mocke|Mocke, Etrecia I.]] 1952. Van Riebeeck prys-blyspel baie gewild: ''[[As ons twee eers getroud is]]'', deur [[Gerhard J. Beukes]]. Reviewed in: ''Helikon'', 1(5):117.
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[[Ignatius Mocke|Mocke, S.Ignatius]] 1951. ''Helikon'' huldig [[Hendrik Hanekom]]. ''Helikon'', 1(2):3-6.
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[[Ignatius Mocke|Mocke, S.Ignatius]] 1953. Nasionale toneel se vyf dramas. ''Brandwag'', 17(36):35-37. September 25.
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[[Ignatius Mocke|Mocke, S.Ignatius]] 1955. Die einde van 'n nuwe rigting? ''[[Periandros van Korinthe]]'', deur [[D.J. Opperman]]. reviewed in: ''Helikon'', 4(19):19-23.
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Mocke, Olga Esme 1953. ''[[Die Ryk Weduwee]]'', by Uys Krige. Reviewed in: ''Helikon'', 2(9):22-23.
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Mocke, Olga Esme 1953. ''[[Twelfth Night]]'', by William Shakespeare. Reviewed in: ''Helikon'', 2(9):19-21.
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[[Morongoe Neria Modikoe|Modikoe, Morongoe Neria]] 1993.  Images in ''[[Senkatana]]'' by [[S.M. Mofokeng]]. Unpublished honours thesis. Bloemfontein : University of the Orange Free State.
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[[Bloke Modisane|Modisane, Bloke]] 1963. ''Blame Me On History''. London: Thames & Hudson. 
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[[Jerry Mofokeng|Mofokeng, Jerry]] 1996. Theatre for export: the commercialization of the black people’s struggle in South African export musicals, in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.). ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing. 85-88.
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[[S.M. Mofokeng|Mofokeng, S.M.]] 1987. From ''[[Senkatana]]'', in [[David Bunn|Bunn, David]] & [[Jane Taylor|Taylor, Jane]] (eds.). ''From South Africa: New Writing, Photographs and Art''. Evanston, Ill.: Northwestern University Press. 336-337.
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[[Edwin Joseph Mohatlane|Mohatlane, Edwin Joseph]] 1989. Stageability in the Southern Sotho drama : a study of 3 texts. Unpublished honours thesis. Bloemfontein : University of the Oranje Free State.
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[[Edwin Joseph Mohatlane|Mohatlane, Edwin Joseph]] 1991. The presentation of time in South Sotho drama : a study of texts. Unpublished master’s thesis. Bloemfontein : University of the Free State.
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[[Robert Möhr|Mohr, Robert]] 1960. Kuns op soek na ‘n vorm. ''[[Tydskrif vir Letterkunde]]'', 10(1):7-12.
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[[Robert Möhr|Mohr, Robert]] 1968a. Theatres: have we got what we need? ''[[Teater SA]]'', 1(1):5-7. October.
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[[Robert Möhr|Mohr, Robert]] 1968b. Theatres: have we got what we need? Discussion. ''[[Teater SA]]'', 1(2):23. December.
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[[Robert Möhr|Mohr, Robert]] 1973. ''No Homage Unto the Sun: The Missed Opportunities of South African Theatre''. Cape Town: University of Cape Town.
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[[Robert Möhr|Mohr, Robert]] 1978. Acting out South Africa. ''Theatre Quarterly'', 7(28):95.
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[[Robert Möhr|Mohr, Robert]] 1980. Drama – mistress of arts. ''Unisa English Studies'', 18
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(2):15-18.
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[[A.M. Moleleki|Moleleki, A.M.]] 1980. ''[[Senkatana]]'' by [[S.M. Mofokeng]]: the role played by Moboni and Seboni – a preliminary look at imagery. ''Educamus'', 26(2):29-33.
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[[Ernst Lodewykus Moller|Moller, Ernst Lodewykus]] 1943. Die dramatiese metode van onderwys : 'n kritiese beskouing van die metode soos toegepas deur Mej. Harriet Finlay-Johnson en beskryf in haar boek: ''The Dramatic Method of Teaching''.  Unpublished bachelor’s thesis. Stellenbosch: University of Stellenbosch.
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[[Godfrey Moloi|Moloi, Godfrey]] 1991. ''My life''. Johannesburg: Jonathan Ball.
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Monday after the miracle. [[William Gibson]] 1982. [Dramatic criticism]. ''South African Panorama'', 27(8):30-31.
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Money and the box office. 1978. ''Financial Mail'', 69:34-35. July 7.
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[[Sumboornam Moodley|Moodley, Sumboornam]] 1994. Culture and consciousness of physically disabled persons: the need for drama within the special school curriculum. Unpublished master’s thesis. Durban: University of Natal.
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[[G. Moolman|Moolman, G.]] 1959. Ons vat ons ou goedjies en trek. ''Rooi Rose'', 14(9):18-19. April.
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[[Kobus Moolman|Moolman, Kobus]] 2015. Why it matters that poetry flourishes on the page as well as on the stage.
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''[[The Conversation]]'', 28 October 2015.
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[[P.J. Moolman|Moolman, P.J.]] 1972. [[Johannesburg Opera House|Johannesburgse Operagebouprojek]]. ''Plan'', 57(11):14-20. November.
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[[P.J. Moolman|Moolman, P.J.]] 1978. [[Etienne Rousseau Teater]], Sasolburg. ''Planning & Building Developments'', 36:7-15. November-December.
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[[E. Moolman|Moolman, E.]] 1985. Kan sy ‘n Sondagskooljuffrou word? ([[Brümilda van Rensburg]]). ''Huisgenoot'', 148-151. Mei 23.
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[[Mabitle Moorosi|Moorosi, Mabitle]] 1998. The notion of commitment in selected works of [[Isaiah Maishe Maponya|Maishe Maponya]]. Unpublished master’s thesis. Grahamstown: Rhodes University.
  
  

Latest revision as of 09:26, 31 October 2015

Click on the appropriate letters of the alphabet in the sub-list below.

Maa-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance


Mjiyako, Knowledge Lwazi Bonginkosi 1999. Drama in the integrated arts curriculum. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.

Mkonto, Bench Buyile 1984. A study of conflict and theme in some modern Xhosa plays. Unpublished master’s thesis. Alice (South Africa): University of Fort Hare.

Mkhize, Jabulani 2008. Shades of Nkosi: Still Beating the Drum: Critical Perspectives on Lewis Nkosi, edited by Lindy Stiebel and Liz Gunner. Reviewed in: Alternation, 15(2):416-426.

Mncedisi Shabangu: drama 2004. 2009. In Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 158-159.

Mngadi, Sikhumbuzo 1996. The antinomies and possibilities of 'radical' historical consciousness: the case of three South African playtexts in English. (UNosilimela, by Credo Mutwa; The Hungry Earth, by Maishe Maponya; The Fantastical History of a Useless Man, by Malcolm Purkey & The Junction Avenue Theatre.) Alternation, 3(1):30-55.

Mngadi, Sikhumbuzo 2005. Some thoughts on black male homosexualities in South African writing: Zakes Mda's The Hill and Kaizer Nyatsumba's In Happiness and in Sorrow. English in Africa, 32(2):

Mnikathi, Hlalanathi Pius 1992. Characterisation and time in B.J. Dube's play UThemi. Unpublished master’s thesis. Pretoria : Vista University.

Mock, Roberta 2003. Crucible of Cultures: Anglophone Drama at the Dawn of the New Millenium, edited by Marc Maufort and Franca Bellarsi. Reviewed in: New Theatre Quarterly, 19(3):296.

Mocke, Etrecia I. 1952. André Huguenet. Helikon, 1(4):11-12. April.

Mocke, Etrecia I. 1952. Dr F.C.L. Bosman. Helikon, 1(5):13-14.

Mocke, Etrecia I. 1952. FATSA-konferensie 1952. Helikon, 1(6):68-72.

Mocke, Etrecia I. 1952. Muriel Alexander. Helikon, 1(6):10.

Mocke, Etrecia I. 1952. N.T.O.-produksie: Die Jaar van die Vuuros, deur W.A. de Klerk in die Reps-teater. Reviewed in: Helikon, 1(5):116-117.

Mocke, Etrecia I. 1952. Tartuffe aangebied deur die Repertory-spelers onder regie van Leon Gluckman in die Reps-teater. Helikon, 1(6):41-43.

Mocke, Etrecia I. 1952. The White Sheep of the Family aangebied deur die Brian Brooke-Geselskap in His Majesty's Teater. Helikon, 1(6):44-46.

Mocke, Etrecia I. 1952. Salome Dans! aangebied deur Volksteater in Pretoriusaal. Helikon, 1(6):47-48.

Mocke, Etrecia I. 1952. Van Riebeeck prys-blyspel baie gewild: As ons twee eers getroud is, deur Gerhard J. Beukes. Reviewed in: Helikon, 1(5):117.

Mocke, S.Ignatius 1951. Helikon huldig Hendrik Hanekom. Helikon, 1(2):3-6.

Mocke, S.Ignatius 1953. Nasionale toneel se vyf dramas. Brandwag, 17(36):35-37. September 25.

Mocke, S.Ignatius 1955. Die einde van 'n nuwe rigting? Periandros van Korinthe, deur D.J. Opperman. reviewed in: Helikon, 4(19):19-23.

Mocke, Olga Esme 1953. Die Ryk Weduwee, by Uys Krige. Reviewed in: Helikon, 2(9):22-23.

Mocke, Olga Esme 1953. Twelfth Night, by William Shakespeare. Reviewed in: Helikon, 2(9):19-21.

Modikoe, Morongoe Neria 1993. Images in Senkatana by S.M. Mofokeng. Unpublished honours thesis. Bloemfontein : University of the Orange Free State.

Modisane, Bloke 1963. Blame Me On History. London: Thames & Hudson.

Mofokeng, Jerry 1996. Theatre for export: the commercialization of the black people’s struggle in South African export musicals, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 85-88.

Mofokeng, S.M. 1987. From Senkatana, in Bunn, David & Taylor, Jane (eds.). From South Africa: New Writing, Photographs and Art. Evanston, Ill.: Northwestern University Press. 336-337.

Mohatlane, Edwin Joseph 1989. Stageability in the Southern Sotho drama : a study of 3 texts. Unpublished honours thesis. Bloemfontein : University of the Oranje Free State.

Mohatlane, Edwin Joseph 1991. The presentation of time in South Sotho drama : a study of texts. Unpublished master’s thesis. Bloemfontein : University of the Free State.

Mohr, Robert 1960. Kuns op soek na ‘n vorm. Tydskrif vir Letterkunde, 10(1):7-12.

Mohr, Robert 1968a. Theatres: have we got what we need? Teater SA, 1(1):5-7. October.

Mohr, Robert 1968b. Theatres: have we got what we need? Discussion. Teater SA, 1(2):23. December.

Mohr, Robert 1973. No Homage Unto the Sun: The Missed Opportunities of South African Theatre. Cape Town: University of Cape Town.

Mohr, Robert 1978. Acting out South Africa. Theatre Quarterly, 7(28):95.

Mohr, Robert 1980. Drama – mistress of arts. Unisa English Studies, 18 (2):15-18.

Moleleki, A.M. 1980. Senkatana by S.M. Mofokeng: the role played by Moboni and Seboni – a preliminary look at imagery. Educamus, 26(2):29-33.

Moller, Ernst Lodewykus 1943. Die dramatiese metode van onderwys : 'n kritiese beskouing van die metode soos toegepas deur Mej. Harriet Finlay-Johnson en beskryf in haar boek: The Dramatic Method of Teaching. Unpublished bachelor’s thesis. Stellenbosch: University of Stellenbosch.

Moloi, Godfrey 1991. My life. Johannesburg: Jonathan Ball.

Monday after the miracle. William Gibson 1982. [Dramatic criticism]. South African Panorama, 27(8):30-31.

Money and the box office. 1978. Financial Mail, 69:34-35. July 7.

Moodley, Sumboornam 1994. Culture and consciousness of physically disabled persons: the need for drama within the special school curriculum. Unpublished master’s thesis. Durban: University of Natal.

Moolman, G. 1959. Ons vat ons ou goedjies en trek. Rooi Rose, 14(9):18-19. April.

Moolman, Kobus 2015. Why it matters that poetry flourishes on the page as well as on the stage. The Conversation, 28 October 2015.

Moolman, P.J. 1972. Johannesburgse Operagebouprojek. Plan, 57(11):14-20. November.

Moolman, P.J. 1978. Etienne Rousseau Teater, Sasolburg. Planning & Building Developments, 36:7-15. November-December.

Moolman, E. 1985. Kan sy ‘n Sondagskooljuffrou word? (Brümilda van Rensburg). Huisgenoot, 148-151. Mei 23.

Moorosi, Mabitle 1998. The notion of commitment in selected works of Maishe Maponya. Unpublished master’s thesis. Grahamstown: Rhodes University.


Click on the appropriate letters of the alphabet in the sub-list below.

Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance

Retrieved from "https://esat.sun.ac.za/index.php?title=ESAT_Bibliography_Mja-Moo&oldid=92536"