ESAT Bibliography Mam-Mar

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Mamabolo, M. 2008. Laughter and getting it right (An interview with Makhosazana Xaba). South African Labour Bulletin, 32,(4):

Mamana, June 1991. Puppets take up arms against AIDS. American Theatre, 8(4):44-45.

Manaka, Matsemela I980. Theatre of the dispossessed; an article based on discussion with James Mthoba and Joe Rahube. Staffrider, 3(3):28-30.

Manaka, Matsemela I984. Some thoughts on Black Theatre. English Academy Review, 2:33-40.

Mangoaela, Z.D. 1965. Lithoko tsa marena a Basotho. Morija : Morija Sesuto Book Depot.

Mangwane, Sam 1977. The Black theatre. Bona, June:46-47.

Manim, Mannie & McSweeney, Gavin 1978. What is a stage manager? Scenaria, February/March: 36-37.

Manim, Mannie 1989. Journeys of discovery: thoughts on theatre. South African Theatre Journal, 3(1):69-80.

Manim, Mannie 2009. Introduction: drama, in Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg, South Africa: DeskLink Media. 16-17.

Mann, Bruce & Wright L. 2001. Ariel in Africa: Leslie French and the Port Elizabeth Shakespearean Festival. Shakespeare in Southern Africa, 13:93-99.

Mann, S. 1969. Percy Tucker: businessman of theatre and cinema. Personality, 135-140. September 11.

Mannering, Desiree 1993. The subject speech and drama and its possible implementation in a curriculum model for education in South Africa. Unpublished master’s thesis. Pretoria: University of Pretoria.

Maphiri, Albina Morakane Bathsheba 1994. Naming plots in drama with reference to the works of R.J.R. Masiea. Unpublished master’s thesis. Pretoria: Vista University.

Maponya, Maishe 1984. Problems and possibilities: a discourse on the making of alternative theatre in South Africa. English Academy Review, 2:19-32.

Maponya, Maishe 1995. Doing Plays for a Change. Johannesburg, Witwatersrand University Press.

Maponya, Maishe 1998. Challenges facing theatre practitioners in the new South Africa, in Attridge, Derek & Jolly, Rosemary (eds.). Writing South Africa: Literature, Apartheid and Democracy, 1970-1995. Cambridge: Cambridge University Press. 249-256.

Maponya, Maishe 2001. The anatomy of resistance in South African theater, in Enwezor, Okwui (ed.). The Short Century: Independence and Liberation Movements in Africa, 1945-1994. Munich: Prestel. 308-313.

Marais, Chris and Du Toit, Julienne, "Clowns in the Country", in South African Country Life, April 2012 pp 49-51.

Marais, Esther 1953. Gister en Vandag, opvoering deur Volksteater. Reviewed in: Helikon, 2(11):101.

Marais, G.F. 1983. Die Pluimsaad Waai Ver (N.P. van Wyk Louw). Reviewed in: Tydskrif vir Letterkunde, 21(1):134-139.

Marais, J. L. 2010. Geskiedenis en literatuur in N.P. van Wyk Louw se Germanicus. Stilet, 22(1):1-14.

March, James 1946. A South African theatre. South African Opinion, 2(11):22-24.

Marda Vanne in 'n eksklusiewe onderhoud aan Filma. 1945. Filma, 2(7):30-32.

Maree, Cathy 1998. Resistance and remembrance: theatre during and after dictatorship and apartheid. South African Theatre Journal, 12(1&2):11-33.

Maree, Cathy 1998. Theatre and the struggle of memory against forgetting in Spain, Latin America and South Africa (including Die Jogger, by André P. Brink). Journal of Literary Studies, 14(3/4):299-321.

Maree, G. 2003. You strike for a woman, you strike a rock! : paradox in worker performances and women's rights. Anthropology Southern Africa, 26(3/4):150-158.

Margaret Inglis. 1958. Femina and Woman's Life, November 27:65.

Marguerite Isabel Murray Collection [manuscript]. 1925-1983.

"Marié du Toit". 1968. Personality, 14-18. July 4.

"Marius Weyers", in Herber, Avril 1979. Conversations: Some People, Some Place, Some Time South Africa. Johannesburg: Bateleur Press. 168-173.

Marius Weyers and South African theatre. 1980. Scenaria, (18):9-10.

Marks, Jonathan 1973. Interview with Athol Fugard. Yale / Theatre 4(1):64 – 72.

Marlin-Curiel, Stephanie 1998. When I was asked to write this piece about ARTNOW....(organizer's commentary on ARTNOW arts/performance demonstration, Capital Mall, Washington, D.C., April 1997). The Drama Review, 42(1):126-127.

Marlin-Curiel, Stephanie 2001. A little too close to the truth: anxieties of testimony and confession in Ubu and the Truth Commission and A Story I Am About To Tell. South African Theatre Journal, 15:77-106.

Marlin-Curiel, Stephanie 2001. Rave new world: trance-mission, trance-nationalism, and trans-scendence in the ‘new’ South Africa. The Drama Review, 45(3):149-168.

Marlin-Curiel, Stephanie 2002. The long road to healing: from the TRC to TfD. Theatre Research International, 27:275-288.

Marneweck, Aja 2004a. Maladamatjuate and the theatre of difference: staging the female body in South Africa. Unpublished master’s thesis. Cape Town: University of Cape Town.

Marneweck, Aja 2004b. Staging stereotype and performing the exotic erotic: an interrogation of desire in the texts of Parks and Kennedy. South African Theatre Journal, 18:50-64.

Marneweck, Aja 2006. Visual theatre moves Out the Box: developing puppetry in South Africa. South African Theatre Journal, 20:290-295.

Marquard, Davis 1949. Amateur actors can now go to school in South Africa. Outspan, 45(1171):29. August 5.

Marshall, Ken 1979. Marketing the theatre, in Hay-Whitton, Don (ed.). International Symposium of the South African Institute of Theatre Technology (1979: "Theatre - the fun house and its management" : a report of the proceedings at the International Symposium of the South African Institute of Theatre Technology (SAITT) held at the Nico Malan Theatre Centre, Cape Town, from 30 July to 3 August 1979. South African Institute of Theatre Technology. Section 3, 1-13.

Marthinus Basson: drama 1989. 2009. In Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 50-51.

Martin, Bob 2008. Highlights & Footlights : A Tribute to South African Stage and Screen, by photographer Bob Martin. Cape Town: Double Storey Books.

Martin, C. 2006. Bodies of evidence. TDR: The Drama Review, 50(3):7-15.

Martin, Denis-Constant. 1999. Coon Carnival. New Year in Cape Town, Past and Present. Cape Town: David Phillip Publishers.

Martin, Marilyn. 1985.

Marx, Lesley 1996. Underworld RSA. South African Theatre Journal, 10(2).

Marx, Lesley 1998. Slouching towards Bethlehem : Ubu and the Truth Commission. African Studies, 57(2):209-220.

Marx, Lesley 2014. ‘How much does anyone need to know about Eugène Marais?’ The Guest and Die Wonderwerker. South African Theatre Journal, 27(3):247-264.

Marx, Usula 1955. Art at Stellenbosch. Stellenbosse Student. 22-25. (Theatre, p. 24)

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Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz

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