ESAT Bibliography Met-Miz
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Maa-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
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Metelerkamp, Petrovna 1994. Afrikaner-goed nie goed genoeg vir Afrikaans nie. Insig, 06/94:29.
Mev D.F. Malan open die N.T.O. se Van Riebeeck-toneelfees. 1952. Helikon, 1(5):108-111. 30 June.
Meyer, J. 1975a. Germanicus daad en ondaad. [Literary criticism]. Klasgids, 10(3):5-12. November.
Meyer, J. 1975b. Terugkerende motiewe in Putsonderwater [deur] Bartho Smit. [Literary criticism]. Klasgids, 10(3):54-59. November.
Meyer, J. 1984. Dwaaldrif: ontmoeting met drama in Ontmoeting by Dwaaldrif (Henriëtte Grové). Klasgids, 19(1):29-36.
Meyer-Rödenbeck, Margit 1998. ‘n Onafhanklike teateronderneming: beginsels en toepassings. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
Mezzabotta, Margaret R. 1996. Greek tragedy for drama students: a practical approach. Akroterion, 31(1):22-25.
Mezzabotta, Margaret R. 1999. Ancient Greek drama in the new South Africa. [Online].Available: http://www2.open.ac.uk/ClassicalStudies/GreekPlays/Conf99/mezza.htm
Middeke, Martin, Schnierer, Peter Paul and Homann, Greg (editors). 2015. The Methuen Drama Guide to Contemporary South African Theatre. London: Bloomsbury Publishing.
Midgley, Peter 2000. Sol T. Plaatje, in Scanlon, Paul A. (ed.). South African Writers. Detroit: Gale Group. 346-357.
Miles, Henry 1947. Awakening of South African theatre. Outspan, 41(1050):25. April 11.
Millar, G. 1976. At home in Rome. (Berdine Grünewald). Fair Lady, 12(1):72-75. March 31.
Millar, Mervyn 2006. Journey of the Tall Horse: A Story of African Theatre. London: Oberon Books.
Mills, J. 1974. Taste of honey for Joe and Di. Personality, 80-83. March 8.
Mills, Elizabeth Catherine 2000. Theatre voice as metaphor : the advocacy of a praxis based on the centrality of voice to performance. Unpublished master’s thesis. Grahamstown: Rhodes University.
Mills, Liz 2005. A conversation that is research. South African Theatre Journal, 19:35-42.
Mills, Liz 2007. Dramatic Learning Spaces Conference: African performance practice – research in action. 22-25 September 2006. South African Theatre Journal, 21:245-350.
Mills, Liz 2009. Theatre voice: practice, performance and cultural identity. South African Theatre Journal, 23:84-93.
Minnaar, L.C. 1956. J.F.W. Grosskopf as dramaturg. . Unpublished master’s thesis. Pretoria: University of South Africa.
Minnaar-Vos, Anna 1969. Die Spel Gaan Voort: Die Verhaal van Hendrik en Mathilde Hanekom. Kaapstad: Tafelberg.
Mishan, Marise and Prangley, Anthony 2014. Barriers to inter-organisational collaboration amongst performing arts organisations in South Africa. South African Theatre Journal, 27(2):125-146.
Mitchell, Floss 1984. Play’s the thing: thoughts on the methodology of educational drama and its place in South Africa today. Teaterforum, 5(2):83-98.
Mitchell, Julian 1976. Athol Fugard in London, in Jones, Eldred Durosimi (ed.). African Literature Today: A Review. London: Heinemann. 130-137.
Mitchell, M. 2002. Tales of dragons: a re-evaluation of Athol Fugard’s Dimetos. Journal of Commonwealth Literature, 37(1):57-75.
Click on the appropriate letters of the alphabet in the sub-list below.
Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
