Difference between revisions of "Bo Petersen"
(3 intermediate revisions by 2 users not shown) | |||
Line 19: | Line 19: | ||
==Contribution to SA theatre, film, media and/or performance== | ==Contribution to SA theatre, film, media and/or performance== | ||
− | Performed in ''[[Equus]]'' (in Afrikaans, at the Market Theatre), ''[[Grease]]'' (as “Rizzo” for Brickhill/Burke), ''[[You Can't Take it With You]]'', ''[[Play it again, Sam]]'', ''[[Brecht on Brecht]]'' and in several productions of ''[[Twelfth Night]]''. Starred in [[Barney Simon]]’s production of ''[[Cincinatti – Scenes from City Life]]'' together with [[Marcel van Heerden]], [[Danny Keogh]], [[Lesley Nott]], [[Barrie Shah]], [[Thoko Ntshinga]], [[Vanessa Cooke]], [[Sam Williams]] and [[Robin Smith]] for The [[Company]] at The [[Market Theatre]], [[Upstairs at the Market]], the [[Baxter Theatre]] and the [[Brooke Theatre]] in 1979. Starred in the [[Baxter Theatre]] production of ''[[Seer in the Suburbs]]'', the English translation of [[P.G. du Plessis]]’ ''[[Siener in die Suburbs]]'' together with [[Trudie Taljaard]], [[Dale Cutts]] and [[Marcel van Heerden]] at the [[Academy Theatre]] in 1981. Starred in [[Pieter Toerien]] and [[Shirley Firth]]’s last joint production namely the [[Baxter Theatre]] production of [[Robert Kirby]]’s ''[[It's a Boy!]]'' together with [[Dale Cutts]] and [[James Irwin]] with direction by [[Keith Grenville]] at the [[Intimate]] in 1982. She starred in [[Graham Wright]]’s [[Baxter]] production of [[Steven Berkoff]]’s ''[[Decadence]]'' together with [[John Maytham]] (replacing [[Fiona Ramsay]] and [[Henry Goodman]] who had played the roles in Cape Town) with direction by [[Ron Smerczak]] at the Durban [[Alhambra Theatre]] and [[Wits Theatre]] in 1984. ''[[Panorama]]'' ([[Pieter-Dirk Uys]], (1988), ''[[From My Point of View]]'' (1989), [[Ons Sal Offer Wat Jy Vra]] (1990), ''[[Steel Magnolias]]'' (1990), title role in ''[[Medea]]'', 1994. | + | Performed in ''[[Equus]]'' (in Afrikaans, at the Market Theatre), ''[[Grease]]'' (as “Rizzo” for Brickhill/Burke), ''[[You Can't Take it With You]]'', ''[[Play it again, Sam]]'', ''[[Brecht on Brecht]]'' and in several productions of ''[[Twelfth Night]]''. Starred in [[Barney Simon]]’s production of ''[[Cincinatti – Scenes from City Life]]'' together with [[Marcel van Heerden]], [[Danny Keogh]], [[Lesley Nott]], [[Barrie Shah]], [[Thoko Ntshinga]], [[Vanessa Cooke]], [[Sam Williams]] and [[Robin Smith]] for The [[Company]] at The [[Market Theatre]], [[Upstairs at the Market]], the [[Baxter Theatre]] and the [[Brooke Theatre]] in 1979. Starred in the [[Baxter Theatre]] production of ''[[Seer in the Suburbs]]'', the English translation of [[P.G. du Plessis]]’ ''[[Siener in die Suburbs]]'' together with [[Trudie Taljaard]], [[Dale Cutts]] and [[Marcel van Heerden]] at the [[Academy Theatre]] in 1981. Starred in [[Pieter Toerien]] and [[Shirley Firth]]’s last joint production namely the [[Baxter Theatre]] production of [[Robert Kirby]]’s ''[[It's a Boy!]]'' together with [[Dale Cutts]] and [[James Irwin]] with direction by [[Keith Grenville]] at the [[Intimate]] in 1982. She starred in [[Graham Wright]]’s [[Baxter]] production of [[Steven Berkoff]]’s ''[[Decadence]]'' together with [[John Maytham]] (replacing [[Fiona Ramsay]] and [[Henry Goodman]] who had played the roles in Cape Town) with direction by [[Ron Smerczak]] at the Durban [[Alhambra Theatre]] and [[Wits Theatre]] in 1984. ''[[Panorama]]'' ([[Pieter-Dirk Uys]], (1988), ''[[From My Point of View]]'' (1989), [[Shakespeare's Macbeth]] by [[Heiner Müller]] in 1989, [[Ons Sal Offer Wat Jy Vra]] (1990), ''[[Steel Magnolias]]'' (1990), title role in ''[[Medea]]'', 1994. |
Quoted from the program notes of the 1984 run of ''[[Decadence]]'': 'Her first production was ''[[Equus]]'' in Pretoria (where an enthusiastic police contingent chased her backstage and attempted to arrest her under the Immorality Act) but she fortunately managed to escape and perform in many others, namely: ''[[Play It Again Sam]]'', ''[[Grease]]'', ''[[Cincinatti]]'', ''[[The Best Little Whorehouse in Texas]]'', ''[[Wieretuin]]'', ''[[Passion Play]]'', ''[[Seer in the Suburbs]]'', ''[[Buried Child]]'', ''[[It's a Boy!]]'' and ''[[Up 'n Atom]]''. Bo is still recognised for her TV part in ''[[Oh George!]]'' but she has also appeared in ''[[Miss Candida]]'', ''[[Highrise Cowboy]]'' and others that she would rather not mention. Bo has appeared in a number of films including ''[[Waar en Wolhaarstories]]'', ''[[Skollie]]'', and others which she can't mention because she's forgotten the titles. She remains committed however to local fringe theatre and instrumental in the production of the satire, ''[[Day in the Life of South Africa]]'' (under white supervision), ''[[A Fact of Life]]'', ''[[Upfront]]'', ''[[Going Dark]]'' (which she wrote). ' | Quoted from the program notes of the 1984 run of ''[[Decadence]]'': 'Her first production was ''[[Equus]]'' in Pretoria (where an enthusiastic police contingent chased her backstage and attempted to arrest her under the Immorality Act) but she fortunately managed to escape and perform in many others, namely: ''[[Play It Again Sam]]'', ''[[Grease]]'', ''[[Cincinatti]]'', ''[[The Best Little Whorehouse in Texas]]'', ''[[Wieretuin]]'', ''[[Passion Play]]'', ''[[Seer in the Suburbs]]'', ''[[Buried Child]]'', ''[[It's a Boy!]]'' and ''[[Up 'n Atom]]''. Bo is still recognised for her TV part in ''[[Oh George!]]'' but she has also appeared in ''[[Miss Candida]]'', ''[[Highrise Cowboy]]'' and others that she would rather not mention. Bo has appeared in a number of films including ''[[Waar en Wolhaarstories]]'', ''[[Skollie]]'', and others which she can't mention because she's forgotten the titles. She remains committed however to local fringe theatre and instrumental in the production of the satire, ''[[Day in the Life of South Africa]]'' (under white supervision), ''[[A Fact of Life]]'', ''[[Upfront]]'', ''[[Going Dark]]'' (which she wrote). ' | ||
Line 28: | Line 28: | ||
Her extensive film and TV involvement includes ''Death in the Family'', ''[[Chronicle]]'' (2012), ''[[Safe House]]'' (2012) and ''[[The Bone Snatcher]]'' (2003). | Her extensive film and TV involvement includes ''Death in the Family'', ''[[Chronicle]]'' (2012), ''[[Safe House]]'' (2012) and ''[[The Bone Snatcher]]'' (2003). | ||
+ | |||
+ | She performed her one-woman show, ''[[Pieces of Me: Love and Silence under Apartheid]]'' at the [[National Arts Festival]] in 2024. | ||
== Awards, etc == | == Awards, etc == | ||
Line 42: | Line 44: | ||
https://alex.lateforlunch.life/show/whiteelephant/ | https://alex.lateforlunch.life/show/whiteelephant/ | ||
+ | |||
+ | [[CAPAB Brochure]], Aug-Nov 1989. | ||
[[Die Burger]], 11 April 1990. | [[Die Burger]], 11 April 1990. |
Latest revision as of 12:20, 19 August 2024
Bo Petersen (1955-) is a versatile actress, singer, dancer and director.
She is often incorrectly credited as Bo Peterson
Not to be confused with the Danissh motorcyclist Bo Petersen (1958-)[1]
Contents
Biography
Born in Queenstown on 24 March 1955 and grew up in a mining town in Western Transvaal. She spent a year in California as an AFS exchange student.
She studied drama at the University of Cape Town from 1973 to 1976.
Career
She was a member of PACT Playwork and spent 18 months with CAPAB Drama, but from 1978 onwards worked as a freelance actress, theatre director, voice and dialogue coach, voice over artist. She also taught drama and voice at the the University of Cape Town drama school for a while, while continuing to persue a free-lance career as actor, director and voice coach.
She later settled in South Bend, Indiana in the USA, to continue as a freelance actor, theatre director, voice coach, and voice over artist.
Contribution to SA theatre, film, media and/or performance
Performed in Equus (in Afrikaans, at the Market Theatre), Grease (as “Rizzo” for Brickhill/Burke), You Can't Take it With You, Play it again, Sam, Brecht on Brecht and in several productions of Twelfth Night. Starred in Barney Simon’s production of Cincinatti – Scenes from City Life together with Marcel van Heerden, Danny Keogh, Lesley Nott, Barrie Shah, Thoko Ntshinga, Vanessa Cooke, Sam Williams and Robin Smith for The Company at The Market Theatre, Upstairs at the Market, the Baxter Theatre and the Brooke Theatre in 1979. Starred in the Baxter Theatre production of Seer in the Suburbs, the English translation of P.G. du Plessis’ Siener in die Suburbs together with Trudie Taljaard, Dale Cutts and Marcel van Heerden at the Academy Theatre in 1981. Starred in Pieter Toerien and Shirley Firth’s last joint production namely the Baxter Theatre production of Robert Kirby’s It's a Boy! together with Dale Cutts and James Irwin with direction by Keith Grenville at the Intimate in 1982. She starred in Graham Wright’s Baxter production of Steven Berkoff’s Decadence together with John Maytham (replacing Fiona Ramsay and Henry Goodman who had played the roles in Cape Town) with direction by Ron Smerczak at the Durban Alhambra Theatre and Wits Theatre in 1984. Panorama (Pieter-Dirk Uys, (1988), From My Point of View (1989), Shakespeare's Macbeth by Heiner Müller in 1989, Ons Sal Offer Wat Jy Vra (1990), Steel Magnolias (1990), title role in Medea, 1994.
Quoted from the program notes of the 1984 run of Decadence: 'Her first production was Equus in Pretoria (where an enthusiastic police contingent chased her backstage and attempted to arrest her under the Immorality Act) but she fortunately managed to escape and perform in many others, namely: Play It Again Sam, Grease, Cincinatti, The Best Little Whorehouse in Texas, Wieretuin, Passion Play, Seer in the Suburbs, Buried Child, It's a Boy! and Up 'n Atom. Bo is still recognised for her TV part in Oh George! but she has also appeared in Miss Candida, Highrise Cowboy and others that she would rather not mention. Bo has appeared in a number of films including Waar en Wolhaarstories, Skollie, and others which she can't mention because she's forgotten the titles. She remains committed however to local fringe theatre and instrumental in the production of the satire, Day in the Life of South Africa (under white supervision), A Fact of Life, Upfront, Going Dark (which she wrote). '
Other productions include Statements After an Arrest Under the Immorality Act, Simple Bloody Simon, The Bergvliet Murder Mystery, Walking Wounded, Taxi Ranks, Elizabeth I, Cream Passions, Kindertransport, Whose Life is it Anyway?, Everything in the Garden, Vanya and Sonia and Masha and Spike, Rustlers.
She co-directed The Road to Mecca 1989 and directed Woza Albert! 1996, Mind the Gap by Graham Weir 2001,The Bicycle Thief by Jonathan Nkala, 2009.
Her extensive film and TV involvement includes Death in the Family, Chronicle (2012), Safe House (2012) and The Bone Snatcher (2003).
She performed her one-woman show, Pieces of Me: Love and Silence under Apartheid at the National Arts Festival in 2024.
Awards, etc
Nominated for Rosalie van der Gucht Prize for New Directors (2011) for Blackbird. Nominated for Fleur du Cap Best Supporting Actress for Kindertransport, 1994 and Cissie 2008. Nominated for Fleur du Cap Best Actress for Statements After an Arrest Under the Immorality Act, 2011.
Sources
https://www.imdb.com/name/nm0676775/
https://www.tvsa.co.za/actors/viewactor.aspx?actorid=8227
https://www.linkedin.com/in/bo-petersen-a4208411a/
https://alex.lateforlunch.life/show/whiteelephant/
CAPAB Brochure, Aug-Nov 1989.
Die Burger, 11 April 1990.
Tucker, 1997.
Programme notes of Decadence in 1984.
Medea programme notes, 1994.
Die Beeld 26 June 2001.
Return to
Return to ESAT Personalities P
Return to South African Theatre Personalities
Return to The ESAT Entries
Return to Main Page