Difference between revisions of "Stephen Black"
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[[Stephen Black]] (1879-1931) was a South African playwright, actor, director-producer, satirist, journalist and novelist. He is also known as "South Africa's first professional dramatist". | [[Stephen Black]] (1879-1931) was a South African playwright, actor, director-producer, satirist, journalist and novelist. He is also known as "South Africa's first professional dramatist". | ||
| − | Also known as '''[[Edward Radlowe]]''' | + | Also known by his stage name as actor, '''[[Edward Radlowe]]''', and the "[[nom de plume]]" '''[[T. Werner Laurie]]''' for his novels. |
== Biography == | == Biography == | ||
| − | + | He was born [[Stephen William Black]] in September 1879 (Gray says probably 1880) in Claremont, Cape Town and was brought up and educated under extremely poor circumstances. He left school in standard six, but later returned and completed his schooling at Diocesan College ("Bishops") at the age of 23. | |
| − | He was born [[Stephen William Black]] in September 1879 in Claremont, Cape Town and was brought up and educated under extremely poor circumstances. He left school in standard six, but later returned and completed his schooling at Diocesan College ("Bishops") at the age of 23. | ||
| − | |||
| − | |||
He started out as an amateur boxer, boxing writer and manager of heavyweight boxer Mike Williams. In 1902, he was engaged by George Kingswell who was owner and editor of ''[[The Owl]]'', to write articles on boxing for the weekly paper. After working as sports editor for some time, he left ''[[The Owl]]'' and joined ''The [[Cape Argus]]'' in 1904 as a sports writer - in that year he also wrote a series of articles for The ''[[Cape Argus|Argus]]'' about the plight of the so-called "[[Cape Coloured]]s". This is when the English author and journalist [[Rudyard Kipling]] [https://en.wikipedia.org/wiki/Rudyard_Kipling], on a visit to Cape Town, advised him to keep writing, but to concentrate on his stories of the Cape characters and dialect. This led to him writing his first stage play. He also wrote three novels, two published under the pen name [[T. Werner Laurie]] and the third unpublished, and the screenplay for the film ''[[The Life of Rhodes]]''. | He started out as an amateur boxer, boxing writer and manager of heavyweight boxer Mike Williams. In 1902, he was engaged by George Kingswell who was owner and editor of ''[[The Owl]]'', to write articles on boxing for the weekly paper. After working as sports editor for some time, he left ''[[The Owl]]'' and joined ''The [[Cape Argus]]'' in 1904 as a sports writer - in that year he also wrote a series of articles for The ''[[Cape Argus|Argus]]'' about the plight of the so-called "[[Cape Coloured]]s". This is when the English author and journalist [[Rudyard Kipling]] [https://en.wikipedia.org/wiki/Rudyard_Kipling], on a visit to Cape Town, advised him to keep writing, but to concentrate on his stories of the Cape characters and dialect. This led to him writing his first stage play. He also wrote three novels, two published under the pen name [[T. Werner Laurie]] and the third unpublished, and the screenplay for the film ''[[The Life of Rhodes]]''. | ||
| − | He staged his plays with | + | He staged his plays with a dedicated theatre company he set up with [[Frank de Jong]], and they toured the country for fifteen years. After this he went to London as the representative of [[I.W. Schlesinger]], and then retired to a farm near Nice, France. After tiring of this, he left his wife Andrée (née Judin) there, went to Rhodesia for a while, and then returned to the Cape in 1928 as freelance journalist for the [[Argus]] and for a while published and edited a journal known as ''[[LSD]]'' ("Life, Sports and Drama"). |
| − | |||
| − | |||
| − | + | He then created a new theatre company which took the road with reworked versions of his plays for two years before being employed by the [[Schlesinger Organisation]] to edit ''[[The Sjambok]]'' (1929-1930), a weekly critical paper they were bringing out. This was forced to close because of the many libel suits. In July 1931 he started a ''[[New Sjambok]]'' (1931), but fell ill and died shortly afterwards in Johannesburg on the 8th August 1931 of lung cancer. | |
==Contribution to SA theatre, film, media and/or performance== | ==Contribution to SA theatre, film, media and/or performance== | ||
| − | While working as a part-time journalist in Cape Town he wrote his first stage play, the immensely popular farce ''[[Love and the Hyphen]]'' (staged by [[ | + | While working as a part-time journalist in Cape Town he wrote his first stage play, the immensely popular farce ''[[Love and the Hyphen]]'' (staged by [[Frank de Jong]] in 1908). This was not only the first English play written by a born and bred South African, but also the first really to deal openly with the complex and humourous implications of colour in South Africa. He followed this with ''[[Helena’s Hope, Ltd]]'', (1910), based on his experiences of mining in Rhodesia (Zimbabwe) and (after a stint as reporter for the ''London Daily Mail''), ''[[Van Kalabas Does His Bit]]'' (1916). These were his most successful plays, a trilogy of pieces all using the same wide range of South African characters, produced by what was then called the [[De Jong-Black Company]] theatrical company, recruited in England by [[Frank de Jong]] and [[Stephen Black]] as a result of the immense success of ''[[Love and the Hyphen]]''. |
| − | He also made his first appearance as an actor for the [[De Jong-Black Company]], taking the role of "Jeremiah Luke M'bene" in ''[[Helena's Hope, Ltd]]'', under the | + | He also made his first appearance as an actor for the [[De Jong-Black Company]], taking the role of "Jeremiah Luke M'bene" in ''[[Helena's Hope, Ltd]]'', under the stage name [[Edward Radlowe]]. When this company folded due to the flu epidemic and the workers strikes in the early twenties, he became an actor in [[Leonard Rayne]]'s company. |
After the time he spent in Europe he returned to the Cape and set up a new company which took the road with reworked versions of his plays. | After the time he spent in Europe he returned to the Cape and set up a new company which took the road with reworked versions of his plays. | ||
| Line 34: | Line 29: | ||
''[[Helena's Hope, Ltd]]'' (premiered 1910) | ''[[Helena's Hope, Ltd]]'' (premiered 1910) | ||
| + | |||
| + | ''[[Dr Pepper]]'' (1910) (a one-act play) | ||
''[[The Uitlanders]]'' (1911) | ''[[The Uitlanders]]'' (1911) | ||
| − | ''[[A Boer's Honour]]'' (1912) | + | ''[[A Boer's Honour]]'' (1912) (this is as an earlier version of ''[[A Backveld Boer]]'') |
''[[The Flapper]]'' (1911) (adapted from the French 1911 farce ''[[La Gamine]]'' , written by Henri Gorsse and Pierre Veber) | ''[[The Flapper]]'' (1911) (adapted from the French 1911 farce ''[[La Gamine]]'' , written by Henri Gorsse and Pierre Veber) | ||
''[[I.D.B]].'' (1912) | ''[[I.D.B]].'' (1912) | ||
| + | |||
| + | ''[[In a Belgian Village]]'' (1915) (a one-act play) | ||
| + | |||
| + | ''[[The Brute]]'' (1915/1916) (set in England) | ||
| + | |||
| + | ''[[A Matter of Fat]]'' (1915/1916) (also set in England) | ||
''[[Van Kalabas Does His Bit]]'' (1916) | ''[[Van Kalabas Does His Bit]]'' (1916) | ||
| + | |||
| + | ''[[The Peacemaker]]'' (also known as ''[[The Lodger]]'') | ||
| + | |||
| + | ''[[Love and Altitude]]'' (another version is recorded as ''[[The Belle of the Dorp]]'') (a musical) | ||
| + | |||
| + | ''[[Folly]]'' (a full length play) | ||
| + | |||
| + | ''[[The House of Luxury]]'' (an incomplete four-act drama) | ||
| + | |||
| + | ===Screenplay=== | ||
| + | |||
| + | ''[[The Yellow Streak]]'' | ||
=== Novels === | === Novels === | ||
| Line 58: | Line 73: | ||
[[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]]: pp. 48, 302, 428, 431-437, | [[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]]: pp. 48, 302, 428, 431-437, | ||
| + | |||
| + | M.F. Cartwright. 1981. "Stephen Black 1879-1931: A Chronology" in ''[[English in Africa]]'' (Vol. 8, No. 2 - September: pp. 91-94)[https://www.jstor.org/stable/40399037] | ||
[[Jill Fletcher]]. 1994. ''The Story of Theatre in South Africa: A Guide to its History from 1780-1930''. Cape Town: Vlaeberg. | [[Jill Fletcher]]. 1994. ''The Story of Theatre in South Africa: A Guide to its History from 1780-1930''. Cape Town: Vlaeberg. | ||
| Line 64: | Line 81: | ||
[[Stephen Gray|Gray, Stephen]] 1984. The theatre of [[Stephen Black]]: an example of cultural discontinuity in South Africa. In White, Landeg and [[Tim Couzens|Couzens, Tim]] (eds.). ''Literature and Society in South Africa''. Pinelands, Cape Town : Maskew Miller Longman. 101-109. | [[Stephen Gray|Gray, Stephen]] 1984. The theatre of [[Stephen Black]]: an example of cultural discontinuity in South Africa. In White, Landeg and [[Tim Couzens|Couzens, Tim]] (eds.). ''Literature and Society in South Africa''. Pinelands, Cape Town : Maskew Miller Longman. 101-109. | ||
| + | |||
| + | [[Stephen Gray]] (ed.) 1984. ''Stephen Black Three Plays''. A.D. Donker. | ||
[[Peter Joyce]]. 1999. ''A Concise Dictionary of South African Biography''. Cape Town: Francolin Publishers. | [[Peter Joyce]]. 1999. ''A Concise Dictionary of South African Biography''. Cape Town: Francolin Publishers. | ||
Latest revision as of 14:34, 24 January 2024
Stephen Black (1879-1931) was a South African playwright, actor, director-producer, satirist, journalist and novelist. He is also known as "South Africa's first professional dramatist".
Also known by his stage name as actor, Edward Radlowe, and the "nom de plume" T. Werner Laurie for his novels.
Contents
Biography
He was born Stephen William Black in September 1879 (Gray says probably 1880) in Claremont, Cape Town and was brought up and educated under extremely poor circumstances. He left school in standard six, but later returned and completed his schooling at Diocesan College ("Bishops") at the age of 23.
He started out as an amateur boxer, boxing writer and manager of heavyweight boxer Mike Williams. In 1902, he was engaged by George Kingswell who was owner and editor of The Owl, to write articles on boxing for the weekly paper. After working as sports editor for some time, he left The Owl and joined The Cape Argus in 1904 as a sports writer - in that year he also wrote a series of articles for The Argus about the plight of the so-called "Cape Coloureds". This is when the English author and journalist Rudyard Kipling [1], on a visit to Cape Town, advised him to keep writing, but to concentrate on his stories of the Cape characters and dialect. This led to him writing his first stage play. He also wrote three novels, two published under the pen name T. Werner Laurie and the third unpublished, and the screenplay for the film The Life of Rhodes.
He staged his plays with a dedicated theatre company he set up with Frank de Jong, and they toured the country for fifteen years. After this he went to London as the representative of I.W. Schlesinger, and then retired to a farm near Nice, France. After tiring of this, he left his wife Andrée (née Judin) there, went to Rhodesia for a while, and then returned to the Cape in 1928 as freelance journalist for the Argus and for a while published and edited a journal known as LSD ("Life, Sports and Drama").
He then created a new theatre company which took the road with reworked versions of his plays for two years before being employed by the Schlesinger Organisation to edit The Sjambok (1929-1930), a weekly critical paper they were bringing out. This was forced to close because of the many libel suits. In July 1931 he started a New Sjambok (1931), but fell ill and died shortly afterwards in Johannesburg on the 8th August 1931 of lung cancer.
Contribution to SA theatre, film, media and/or performance
While working as a part-time journalist in Cape Town he wrote his first stage play, the immensely popular farce Love and the Hyphen (staged by Frank de Jong in 1908). This was not only the first English play written by a born and bred South African, but also the first really to deal openly with the complex and humourous implications of colour in South Africa. He followed this with Helena’s Hope, Ltd, (1910), based on his experiences of mining in Rhodesia (Zimbabwe) and (after a stint as reporter for the London Daily Mail), Van Kalabas Does His Bit (1916). These were his most successful plays, a trilogy of pieces all using the same wide range of South African characters, produced by what was then called the De Jong-Black Company theatrical company, recruited in England by Frank de Jong and Stephen Black as a result of the immense success of Love and the Hyphen.
He also made his first appearance as an actor for the De Jong-Black Company, taking the role of "Jeremiah Luke M'bene" in Helena's Hope, Ltd, under the stage name Edward Radlowe. When this company folded due to the flu epidemic and the workers strikes in the early twenties, he became an actor in Leonard Rayne's company.
After the time he spent in Europe he returned to the Cape and set up a new company which took the road with reworked versions of his plays.
His plays were never published during his life-time, but only re-discovered in the seventies when there was an upsurge of interest in early South African writing in English and the three major plays were collected and edited by Stephen Gray and published by Ad Donker in 1984, with the assistance of the Centre for South African Theatre Research at the Human Sciences Research Council.
Works
Plays
Love and the Hyphen (premiered 16 November 1908)
Helena's Hope, Ltd (premiered 1910)
Dr Pepper (1910) (a one-act play)
The Uitlanders (1911)
A Boer's Honour (1912) (this is as an earlier version of A Backveld Boer)
The Flapper (1911) (adapted from the French 1911 farce La Gamine , written by Henri Gorsse and Pierre Veber)
I.D.B. (1912)
In a Belgian Village (1915) (a one-act play)
The Brute (1915/1916) (set in England)
A Matter of Fat (1915/1916) (also set in England)
Van Kalabas Does His Bit (1916)
The Peacemaker (also known as The Lodger)
Love and Altitude (another version is recorded as The Belle of the Dorp) (a musical)
Folly (a full length play)
The House of Luxury (an incomplete four-act drama)
Screenplay
Novels
The Dorp (under the pen name T. Werner Laurie, 1920)
The Golden Calf: A Story of the Diamond Fields (under the pen name T. Werner Laurie, London, 1925)
Limelight (unpublished)
Sources
D.C. Boonzaier. 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1923. (Reprinted in Bosman 1980: pp. 374-439.)
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp. 48, 302, 428, 431-437,
M.F. Cartwright. 1981. "Stephen Black 1879-1931: A Chronology" in English in Africa (Vol. 8, No. 2 - September: pp. 91-94)[2]
Jill Fletcher. 1994. The Story of Theatre in South Africa: A Guide to its History from 1780-1930. Cape Town: Vlaeberg.
Gray, Stephen (ed.). 1982. Athol Fugard. Johannesburg, McGraw Hill.
Gray, Stephen 1984. The theatre of Stephen Black: an example of cultural discontinuity in South Africa. In White, Landeg and Couzens, Tim (eds.). Literature and Society in South Africa. Pinelands, Cape Town : Maskew Miller Longman. 101-109.
Stephen Gray (ed.) 1984. Stephen Black Three Plays. A.D. Donker.
Peter Joyce. 1999. A Concise Dictionary of South African Biography. Cape Town: Francolin Publishers.
South African History Online [3]
"Stephen Black (Playwright)" in Wikipedia[4]
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