Difference between revisions of "ESAT Bibliography Ken-Kez"
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[[Gibson Kente|Kente, Gibson]] 1981. ''[[Too Late]]'', in [[Robert Mshengu Kavanagh|Kavanagh, Robert Mshengu]] (ed.). ''South African People's Plays''. London: Heinemann. 85-88. | [[Gibson Kente|Kente, Gibson]] 1981. ''[[Too Late]]'', in [[Robert Mshengu Kavanagh|Kavanagh, Robert Mshengu]] (ed.). ''South African People's Plays''. London: Heinemann. 85-88. | ||
| − | [[ | + | [[Catherine Kentridge|Kentridge, Catherine]] 1988. Sophiatown: breaking the silence of oppression. ''Theatre Week'', 1(49):26-32. July 18. |
| − | [[ | + | [[Matthew Kentridge|Kentridge, Matthew]] 1982. The [[Tandem Theatre]] of King Edward school – a polite view. ''[[Teaterforum]]'', 3(1):11-17. |
[[David Kerr|Kerr, David]] 1995. ''African Popular Theatre. From Pre-Colonial Times to the Present Day''. Portsmouth: Heinemann. | [[David Kerr|Kerr, David]] 1995. ''African Popular Theatre. From Pre-Colonial Times to the Present Day''. Portsmouth: Heinemann. | ||
| − | [[David Kerr|Kerr, David]] 1996a. African theories of African theatre. ''[[South African Theatre Journal]]'', 10(1):3-23. | + | [[David Kerr|Kerr, David]] 1996a. African theories of African theatre. ([[H.I.E. Dhlomo]], [[Lewis Nkosi]], [[M. Tshabangu|Mango Tshabangu]], [[Matsemela Manaka]], [[Athol Fugard]], [[Zakes Mda]]). ''[[South African Theatre Journal]]'', 10(1):3-23. |
[[David Kerr|Kerr, David]] 1996b. Giving voice to the silent war: An essay review of Simuka Zimbabwe! by Zambuko/Izibuko. ''[[South African Theatre Journal]]'', 10(1):107-112. | [[David Kerr|Kerr, David]] 1996b. Giving voice to the silent war: An essay review of Simuka Zimbabwe! by Zambuko/Izibuko. ''[[South African Theatre Journal]]'', 10(1):107-112. | ||
| Line 39: | Line 39: | ||
[[H.J.W. Kesselberg|Kesselberg, H.J.W.]] & [[G. Knight|Knight, G.]] 1970. Stage mechanical equipment: [[Nico Malan Theatre]] centre. ''South African Engineer'', 61(623):39-49. April. | [[H.J.W. Kesselberg|Kesselberg, H.J.W.]] & [[G. Knight|Knight, G.]] 1970. Stage mechanical equipment: [[Nico Malan Theatre]] centre. ''South African Engineer'', 61(623):39-49. April. | ||
| − | [[Marisa Keuris|Keuris, Marisa]] | + | [[Marisa Keuris|Keuris, Marisa]] 1994. Ostensie en die dramateks/opvoeringverhouding (insluitend bespreking van ''[[Die Koggelaar]]'', deur [[Pieter Fourie]]). ''Tydskrif vir Lliteratuurwetenskap'', 10(2):196-207. |
| + | |||
| + | [[Marisa Keuris|Keuris, Marisa]] 1996. Drama. ''Tydskrif vir Lliteratuurwetenskap'', 12(4):365-511. | ||
| + | |||
| + | [[Marisa Keuris|Keuris, Marisa]] 1998. [[Pieter Fourie]] (1940-), in Van Coller, H.P. (red.) ''Perspektief en profiel: | ||
| + | ‘n Afrikaanse Literatuurgeskiedenis''. Deel 1. Pretoria: Van Schaik, 447, 455. | ||
[[Marisa Keuris|Keuris, Marisa]] 2004 Found in translation: Chekhov revisited by [[Reza de Wet]] and [[Janet Suzman]]. ''Journal of Literary Studies'', 20(1):148-164. | [[Marisa Keuris|Keuris, Marisa]] 2004 Found in translation: Chekhov revisited by [[Reza de Wet]] and [[Janet Suzman]]. ''Journal of Literary Studies'', 20(1):148-164. | ||
[[Marisa Keuris|Keuris, Marisa]] 2006. ''[[Baby Tshepang|Tshepang]]'' - universal effect and resonance : book review. ''Literator'', 27(1):235-237. | [[Marisa Keuris|Keuris, Marisa]] 2006. ''[[Baby Tshepang|Tshepang]]'' - universal effect and resonance : book review. ''Literator'', 27(1):235-237. | ||
| + | |||
| + | [[Marisa Keuris|Keuris, Marisa]] 2006. Die rol van die sprokie in [[Reza de Wet]] se ''[[Op Dees Aarde]]'' (1987). ''Stilet''. 18(1):39-50. | ||
| + | |||
| + | [[Marisa Keuris|Keuris, Marisa]] 2007. An ecocritical reading of [[Pieter Fourie]]'s ''[[Die Koggelaar]]''. ''Journal of Literary Studies'', 23(4): | ||
| + | |||
| + | [[Marisa Keuris|Keuris, Marisa]] 2007. The [re]working of dramatic language in [[Janet Suzman]]'s ''[[The Free State]]''. ''Journal of Literary Studies'', 23(1): | ||
[[Marisa Keuris|Keuris, Marisa]] 2008. [[Athol Fugard]]'s ''[[Exits and Entrances]]'': The Playwright, the Actor and the Poet . ''Journal of Literary Studies'', 24(2):71-84. | [[Marisa Keuris|Keuris, Marisa]] 2008. [[Athol Fugard]]'s ''[[Exits and Entrances]]'': The Playwright, the Actor and the Poet . ''Journal of Literary Studies'', 24(2):71-84. | ||
| − | [[Marisa Keuris|Keuris, Marisa]] 2010. The representation of Khoisan characters in | + | [[Marisa Keuris|Keuris, Marisa]] 2009. [[Deon Opperman]]'s ''[[Donkerland]]'': the rise and fall of Afrikaner nationalism. ''Acta Academica'', 41(3):1-15. |
| + | |||
| + | [[Marisa Keuris|Keuris, Marisa]] 2010. Between languages: [[Athol Fugard]] and/in [[Afrikaans]]. ''[[Journal of Literary Studies]]'', 26(3). | ||
| + | |||
| + | [[Marisa Keuris|Keuris, Marisa]] 2010. The representation of Khoisan characters in early Dutch-Afrikaans drama in [[Yvette Hutchison|Hutchison, Yvette]] (ed.). ''African Theatre: Histories 1850-1950''. Woodbridge, Suffolk: James Currey. 107-121. | ||
| + | |||
| + | [[Marisa Keuris|Keuris, Marisa]] 2012. "Theatre as a Memory Machine": ''[[Magrita Prinslo]]'' (1896) and ''[[Donkerland]]'' (1996), ''[[Journal of Literary Studies]]'', 28:3, 77-92. | ||
| + | |||
| + | [[Marisa Keuris|Keuris, Marisa]] 2013. [[J.R.L. van Bruggen]] (Kleinjan) se eenbedryf "[[Bloedrivier]]" uit ''[[Bakens: Gedramatiseerde mylpale uit die Groot Trek]]'' (1938/1939) – ’n terugblik vanuit 2013. ''[[LitNet]] Akademies'' 10(3). | ||
| + | |||
| + | [[Marisa Keuris|Keuris, Marisa]] 2015. "Twee Fischers, twee dramas: | ||
| + | Die geheime Bloemfontein-konferensie | ||
| + | (1938) en Die Bram Fischer-wals (2011)", in ''[[Tydskrif vir Letterkunde]]''(Vol 52, No 2)[http://www.letterkunde.up.ac.za/argief/52_2/04%20Keuris%20WEB%2003.pdf] | ||
| + | |||
| + | [[Marisa Keuris|Keuris, Marisa]] and [[Lida Krüger|Krüger, Lida]] 2012. South African Drama and Theatre Heritage (Parts I and II). E-mail draft | ||
| + | |||
| + | [[Marisa Keuris|Keuris, Marisa]] and [[Lida Krüger|Krüger, Lida]] 2014. South African drama and theatre heritage (part I): a map of where we find ourselves. ''[[South African Theatre Journal]]'', 27(1):19-31. | ||
| + | |||
| + | [[Marisa Keuris|Keuris, Marisa]] and [[Lida Krüger|Krüger, Lida]] 2014. South African drama and theatre heritage (part I): what does the future hold? ''[[South African Theatre Journal]]'', 27(2):86-94. | ||
| + | |||
Latest revision as of 05:57, 29 October 2023
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Ken Leach: drama, 1984. 2009. In Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years Randburg [South Africa] : DeskLink Media. 26-27.
Kent, et al. 1971. Cape Town’s Opera House. Architect and Builder, 21(6): 2-9. June.
Kent, et al. 1972a. Nico Malan Theatre centre. Plan, 57(8): 13-21. August.
Kent, et al. 1972b. Space Theatre. Plan, 57(8): 41. August.
Kente, Gibson 1981. Too Late, in Kavanagh, Robert Mshengu (ed.). South African People's Plays. London: Heinemann. 85-88.
Kentridge, Catherine 1988. Sophiatown: breaking the silence of oppression. Theatre Week, 1(49):26-32. July 18.
Kentridge, Matthew 1982. The Tandem Theatre of King Edward school – a polite view. Teaterforum, 3(1):11-17.
Kerr, David 1995. African Popular Theatre. From Pre-Colonial Times to the Present Day. Portsmouth: Heinemann.
Kerr, David 1996a. African theories of African theatre. (H.I.E. Dhlomo, Lewis Nkosi, Mango Tshabangu, Matsemela Manaka, Athol Fugard, Zakes Mda). South African Theatre Journal, 10(1):3-23.
Kerr, David 1996b. Giving voice to the silent war: An essay review of Simuka Zimbabwe! by Zambuko/Izibuko. South African Theatre Journal, 10(1):107-112.
Kerr, David 2004. ‘Put me on the stage’ Interview with Nomhle Nkonyeni. Winchester 20 July 2001, in Banham, Martin, Gibbs, James & Osofisan, Femi (eds). African theatre: Southern Africa. Oxford :James Currey. 79-91.
Kerr, David 2007. Space and Southern African community theatre - real, mediated and symbolic. South African Theatre Journal, 21:31-45.
Kerr, David 2009. Ethics of applied theatre. South African Theatre Journal, 23:177-187.
Kesselberg, H.J.W. & Knight, G. 1970. Stage mechanical equipment: Nico Malan Theatre centre. South African Engineer, 61(623):39-49. April.
Keuris, Marisa 1994. Ostensie en die dramateks/opvoeringverhouding (insluitend bespreking van Die Koggelaar, deur Pieter Fourie). Tydskrif vir Lliteratuurwetenskap, 10(2):196-207.
Keuris, Marisa 1996. Drama. Tydskrif vir Lliteratuurwetenskap, 12(4):365-511.
Keuris, Marisa 1998. Pieter Fourie (1940-), in Van Coller, H.P. (red.) Perspektief en profiel: ‘n Afrikaanse Literatuurgeskiedenis. Deel 1. Pretoria: Van Schaik, 447, 455.
Keuris, Marisa 2004 Found in translation: Chekhov revisited by Reza de Wet and Janet Suzman. Journal of Literary Studies, 20(1):148-164.
Keuris, Marisa 2006. Tshepang - universal effect and resonance : book review. Literator, 27(1):235-237.
Keuris, Marisa 2006. Die rol van die sprokie in Reza de Wet se Op Dees Aarde (1987). Stilet. 18(1):39-50.
Keuris, Marisa 2007. An ecocritical reading of Pieter Fourie's Die Koggelaar. Journal of Literary Studies, 23(4):
Keuris, Marisa 2007. The [re]working of dramatic language in Janet Suzman's The Free State. Journal of Literary Studies, 23(1):
Keuris, Marisa 2008. Athol Fugard's Exits and Entrances: The Playwright, the Actor and the Poet . Journal of Literary Studies, 24(2):71-84.
Keuris, Marisa 2009. Deon Opperman's Donkerland: the rise and fall of Afrikaner nationalism. Acta Academica, 41(3):1-15.
Keuris, Marisa 2010. Between languages: Athol Fugard and/in Afrikaans. Journal of Literary Studies, 26(3).
Keuris, Marisa 2010. The representation of Khoisan characters in early Dutch-Afrikaans drama in Hutchison, Yvette (ed.). African Theatre: Histories 1850-1950. Woodbridge, Suffolk: James Currey. 107-121.
Keuris, Marisa 2012. "Theatre as a Memory Machine": Magrita Prinslo (1896) and Donkerland (1996), Journal of Literary Studies, 28:3, 77-92.
Keuris, Marisa 2013. J.R.L. van Bruggen (Kleinjan) se eenbedryf "Bloedrivier" uit Bakens: Gedramatiseerde mylpale uit die Groot Trek (1938/1939) – ’n terugblik vanuit 2013. LitNet Akademies 10(3).
Keuris, Marisa 2015. "Twee Fischers, twee dramas: Die geheime Bloemfontein-konferensie (1938) en Die Bram Fischer-wals (2011)", in Tydskrif vir Letterkunde(Vol 52, No 2)[1]
Keuris, Marisa and Krüger, Lida 2012. South African Drama and Theatre Heritage (Parts I and II). E-mail draft
Keuris, Marisa and Krüger, Lida 2014. South African drama and theatre heritage (part I): a map of where we find ourselves. South African Theatre Journal, 27(1):19-31.
Keuris, Marisa and Krüger, Lida 2014. South African drama and theatre heritage (part I): what does the future hold? South African Theatre Journal, 27(2):86-94.
Click on the appropriate letters of the alphabet in the sub-list below.
K-Kem Ken-Kez Kh-Kl Kn-Kro Kru-Kz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
