ESAT Bibliography K-Kem

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K-Kem Ken-Kez Kh-Kl Kn-Kro Kru-Kz

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K., N. 1951a. Ons eie Nasionale toneelorganisasie. Inspan, 10(6):24-25. March.

K., N. 1951b. Nasionale toneel presteer. Staatsamptenaar, 31(8):57-58.

Ka Ncube, Sello Maake See Ncube, Sello Maake ka

Kaahwa, Jessica A. 2005. First time encounter narrative of the 31st National Arts Festival held at Grahamstown. South African Theatre Journal, 19:285-296.

Kaapstadse Afrikaanse Toneelvereniging: drie eenbedrywe (onder andere Die Stem van die See deur Marguerite I. Murray) Hofmeyrsaal, 22 Mei 1945. 1945.

Kaapstadse Afrikaanse Toneelvereniging. Jaarverslag. 1948-1956.

Kaapstadse Afrikaanse Toneelvereniging Versameling [manuscript]. 1934-1955.

Kaarsholm, P. 1990. Mental colonisation or catharsis? Theatre, democracy and cultural struggle from Rhodesia to... Journal of Southern African Studies, 16(2):246,.

Kabwe, Mwenya B. 2007. Trangressing boundaries: making theatre from an Afropolitan perspective. South African Theatre Journal, 21:46-63.

Kabwe, Mwenya 2008. Towards performing an afropolitan subjectivity. Unpublished master’s thesis. Cape Town: University of Cape Town.

Kagan-Moore, Patrick 1990. The "Zandile" Project: A collaboration between UT, Carpetbag Theatre, and South African playwright Gcina Mhlope. An Interview. TDR, 34(1):115-130.

Kakaza, L. & Dlamini, M. 2006a. People’s theatre; Swazi Dlamini; Up close and personal with Eric Miyeni. Rootz Africa, 19(11):32, 34, 36-40, 42-43, 45.

Kakaza, L. & Thepa, M. 2006b. South Africa's Mr Theatre; Put a sock in it; Lamontville revisited. Rootz Africa. 20(10):130-133.

Kakaza, L. 2006c. Suffer little children - Baby Tshepang: theatre. Rootz Africa, 22(2):128.

Kakaza, L. 2006d. Wathint' imbokodo wathint' bafazi - You strike a woman you strike a rock: theatre. Rootz Africa, 21(9):

Kamp, M. 2003. Festivalisering: Een culturele stem van het Zuid-Afrika van vandaag. In een politieke, economische, culturele en kunsten context. Unpublished master's thesis. Amsterdam: University of Amsterdam.

Kannemeyer, J.C. 1969. Vergelegen as dualiteitsdrama. Standpunte, 22(4):15-27.

Kannemeyer, J.C. 1970. Twee debuutdramas (Nag van Legio deur P.G. du Plessis en 'n Skip is Ons Beloof deur George Louw). Standpunte, 23(5):7-13.

Kannemeyer, J.C. 1971. Du Plessis se Siener. [Literary criticism]. Standpunte, 25(2):42-46. December.

Kannemeyer, J.C. 1972. Christine [deur] Bartho Smit. [Literary criticism]. Standpunte, 25(6): 59-62. August.

Kannemeyer, J.C. 1974. Du Plessis se Plaston. Standpunte, 27(5):57-61. June.

Kannemeyer, J.C. 1978. Geskiedenis van die Afrikaanse Literatuur I. Pretoria: Academica. (Second edition, 1984[1]).

Kannemeyer, J.C. 1983. Geskiedenis van die Afrikaanse Literatuur II. Pretoria: Academica (Second edition, 1984[2]).

Kannemeyer, J.C. 1988. Die Afrikaanse Literatuur 1652-1987. Pretoria: Human en Rousseau.

Kannemeyer, J.C. 1995. Langenhoven. 'n Lewe. Cape Town: Tafelberg.

Kannemeyer, J.C. 1999. Leipoldt: ‘n Lewensverhaal. Cape Town: Tafelberg.

Kannemeyer, J.C. 2002. Die Goue Seun: Die Lewe en Werk van Uys Krige. Cape Town: Tafelberg.

Kannemeyer, J.C. 2004. Die Afrikaanse Literatuur 1652-2004. Kaapstad: Human & Rousseau.

Kaptein, Aat 1998. Bedevaart na Oudsthoorn. Insig, 04/98:30.

Kaschula, Russell 1991a. The role of the Xhosa oral poet in contemporary South African society. South African Journal of African Languages, 11(1):47-54.

Kaschula, Russell 1991b.Power and the poet in contemporary Transkei. Journal of Contemporary African Studies, 10(2):24-43.

Kaschula, Russell 1991c. Mandela comes home: the poets' perspective. Journal of Ethnic Studies, 19(1):1-19.

Kaschula, Russell (ed.). 1993. Imbongi in profile. English in Africa, 20(1):65-76.

Kaschula, Russell 1997. Exploring the oral-written interface with particular reference to Xhosa oral poetry. Research in African Literatures, 28(1):173-191.

Kaschula, Russell 2002. The Bones of the Ancestors are Shaking: Xhosa Oral Poetry in Context. Landsdowne: Juta.

Kasiram M. & Oliphant E. 2007. Indigenizing family therapy for South African use: challenges and changes. Journal of Family Psychotherapy, 18(2):71-82.

Kavanagh, Muriel 1958. Australian play a success in South Africa. (Summer of the Seventeenth Doll). Lantern, 9(4):381-383.

Kavanagh, Robert Mshengu 1972. Discussion on contemporary theatre. Artlook, 5(9):30-31. September.

Kavanagh, Robert Mshengu 1978. Tradition and innovation in the theatre of Workshop ’71. Theatre Quarterly, 7(28):63-67.

Kavanagh, Robert Mshengu 1979. After Soweto: People's theatre and the political struggle in South Africa. Theatre Quarterly, 9(33):31-38.

Kavanagh, Robert Mshengu (ed.). 1981. South African People's Plays. London: Heinemann.

Kavanagh, Robert Mshengu 1982. Political theatre in South Africa and the work of Athol Fugard. Theatre Research International, 7(3):160-179.

Kavanagh, Robert Mshengu 1983. The theatre of Gibson Kente. African Communist, 95(3):91-103.

Kavanagh, Robert Mshengu 1985. Theatre and Cultural Struggle in South Africa. London: Zed Books.

Kavanagh, Robert Mshengu 1997. Making People's Theatre. Johannesburg : Witwatersrand University Press.

Kavanagh, W. 1948. Souvenirs and memories of famous persons [who have performed in East London]. Outspan. 42(1091):59. January 23.

Keeney, Patricia and Rubin, Don 2011. Of Africa and things African (in Canada). South African Theatre Journal, 25(2):167-174.

Keet, W. de V. 1978. Acoustical design of the Etienne Rousseau Theatre, Sasolburg. Planning & Building Developments, 35:17-19. November-December.

Keet, W. 1985. Acoustic design. Scenaria, 55-56. Ag-S

Kellaway, Kate 1993. Violence at the end of every sentence (interview with Athol Fugard concerning Playland). Observer, 21 Feb.57.

Kellaway, Kate 1996. "Plus ca change." New Statesman [1996] 21 Feb. 2000: 47.

Kellermann, Antoinette 2012. 'n Historiese ondersoek na die aard van enkele aktrises se vertolking van broekrolle en 'n kreatiewe verkenning van geslagsverruiling op die verhoog. Unpublished master's thesis. Stellenbosch : Stellenbosch University.

Kemp, Amanda Denise 1997. "Up from slavery” and other narratives. Black South African performances of the American Negro (1920-1943). Unpublished doctoral dissertation. Evanston, Ill.:Northwestern University.

Kemp, David E. 1993. Ronald Harwood: overview, in Berney, K.A. Contemporary Dramatists. 5th ed. London: St. James Press.

Kempe, Andy & Holroyd, Rick 1994. A South African Scrapbook. London: Hodder & Stoughton.


Click on the appropriate letters of the alphabet in the sub-list below.

K-Kem Ken-Kez Kh-Kl Kn-Kro Kru-Kz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

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