Difference between revisions of "ESAT Bibliography Sa-Saz"
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Click on the appropriate letters of the alphabet in the sub-list below. | Click on the appropriate letters of the alphabet in the sub-list below. | ||
| − | [[ESAT Bibliography Sa-Saz|Sa-Saz]] [[ESAT Bibliography Sca-Sce|Sca-Sce]] [[ESAT Bibliography Scha|Scha]] [[ESAT Bibliography Sche- | + | [[ESAT Bibliography Sa-Saz|Sa-Saz]] [[ESAT Bibliography Sca-Sce|Sca-Sce]] [[ESAT Bibliography Scha|Scha]] [[ESAT Bibliography Sche-Schn|Sche-Schn]] [[ESAT Bibliography Scho|Scho]] [[ESAT Bibliography Schr-Schw|Schr-Schw]] [[ESAT Bibliography Sci-Sez|Sci-Sez]] [[ESAT Bibliography Sh-Sid|Sh-Sid]] [[ESAT Bibliography Sie-Slo|Sie-Slo]] [[ESAT Bibliography Sma-Smu|Sma-Smu]] [[ESAT Bibliography Sna-Sow|Sna-Sow]] [[ESAT Bibliography Spa-Sta|Spa-Sta]] [[ESAT Bibliography Stea|Stea]] [[ESAT Bibliography Stee-Stey|Stee-Stey]] [[ESAT Bibliography Sti-Suz|Sti-Suz]] [[ESAT Bibliography Swa-Syz|Swa-Syz]] |
To return to any other letter, click on the list below | To return to any other letter, click on the list below | ||
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[[J. Sachs|Sachs, J.]] 1951. Cape Town scene. ''Trek'', 15(11) – 15(12). | [[J. Sachs|Sachs, J.]] 1951. Cape Town scene. ''Trek'', 15(11) – 15(12). | ||
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| + | [[J. Sachs|Sachs, J.]] 1952. The drama festival: the [[Van Riebeeck Festival]] in review. ''Trek'', 14(4). | ||
[[Leontine Sagan|Sagan, Leontine]] 1940. South Africans have dramatic talent. ''Outspan'', 27(699):29-31. July 19. | [[Leontine Sagan|Sagan, Leontine]] 1940. South Africans have dramatic talent. ''Outspan'', 27(699):29-31. July 19. | ||
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[[Leontine Sagan|Sagan, Leontine]] 1948. Wenke vir jong toneelspelers. ''Huisgenoot'', 32(1360):19. April 16. | [[Leontine Sagan|Sagan, Leontine]] 1948. Wenke vir jong toneelspelers. ''Huisgenoot'', 32(1360):19. April 16. | ||
| − | [[Leontine Sagan|Sagan, Leontine]] 1950a. Actor’s talent. ''Trek'', 14(1):18-19. | + | [[Leontine Sagan|Sagan, Leontine]] 1950a. Actor’s talent. ''[[Trek]]'', 14(1):18-19. |
[[Leontine Sagan|Sagan, Leontine]] 1950b. Drama en die skool: liefde vir die toneel kan reeds by ons jeug aangekweek word. ''Huisgenoot'', 34(1454):7. February 3. | [[Leontine Sagan|Sagan, Leontine]] 1950b. Drama en die skool: liefde vir die toneel kan reeds by ons jeug aangekweek word. ''Huisgenoot'', 34(1454):7. February 3. | ||
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[[David Saks|Saks, David]] (ed.). 2006. ''South African Jews in the Theatre''. Houghton: South African Jewish Board of Deputies. | [[David Saks|Saks, David]] (ed.). 2006. ''South African Jews in the Theatre''. Houghton: South African Jewish Board of Deputies. | ||
| − | [[ | + | [[Elsie Salomon|Salomon, Elsie]] 1933-34. Elocution and dramatic art in South Africa, in Knox, W.H. (ed.). ''The Arts in South Africa''. Durban: Knox. 199-201. |
| + | |||
| + | [[Denis Salter|Salter, Denis]] 2004. Exile, Return and the New South Africa - An interview with [[Anthony Akerman]]. (Part 1 in 1996 and part 2 in 2003). ''[[South African Theatre Journal]]'', 18: 257-276. | ||
| + | |||
| + | [[I. Salzwedel|Salzwedel, I.]] 2006a. Agter die voetligte: Suid-Afrikaans ([[Wena Naudé]]; [[Lydia Lindeque]]; [[Mathilde Hanekom]]; [[André Huguenet]]; [[Hendrik Hanekom]]). ''[[Die Taalgenoot]]'', 32(1):23-24. | ||
| − | [[I. Salzwedel|Salzwedel, I.]] | + | [[I. Salzwedel|Salzwedel, I.]] 2006b. [[Pieter Fourie]] die mens. ''Rooi Rose'', Mei: 35. |
| + | |||
| + | [[I. Salzwedel|Salzwedel, I.]] 2009. Ruimhartig: beeld van 'n vrou. ([[Trudie Taljaard]]) ''Rooi Rose'', 67(9): , September. | ||
Sampson 2004. [[Athol Fugard|Fugard]] at The Fountain. ''American Theatre'', 21(6):94. | Sampson 2004. [[Athol Fugard|Fugard]] at The Fountain. ''American Theatre'', 21(6):94. | ||
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[[Sand du Plessis Theatre]], Bloemfontein. 1986. ''Architect and Builder'', 8-13. October. | [[Sand du Plessis Theatre]], Bloemfontein. 1986. ''Architect and Builder'', 8-13. October. | ||
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| + | Sanders, Robbin 1979. ''[[The Blood Knot]]'', by [[Athol Fugard]]. Reviewed in: ''Speak'', (6):44. | ||
[[B. Sanderson|Sanderson, B.]] 1986. Costume designer. ''My Career'', 37(3):249-252. | [[B. Sanderson|Sanderson, B.]] 1986. Costume designer. ''My Career'', 37(3):249-252. | ||
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[[Devi Sarinjeive|Sarinjeive Devi]] 1990. Fugard's Situations: An Existentialist Study of Selected Plays of [[Athol Fugard]] 1958-1972. Dissertation Abstracts International [serial online]. September 1990;51(3):848A. | [[Devi Sarinjeive|Sarinjeive Devi]] 1990. Fugard's Situations: An Existentialist Study of Selected Plays of [[Athol Fugard]] 1958-1972. Dissertation Abstracts International [serial online]. September 1990;51(3):848A. | ||
| − | [[Devi Sarinjeive|Sarinjeive Devi]] 2001. [[Athol Fugard]]'s dramatic representation and gender politics, in Lokangaka, Losambi & [[Devi Sarinjeive|Sarinjeive Devi]] (eds.). ''Pre-colonial and Post-colonial Theatre in Africa''. Claremont, South Africa: New Africa Education. 128-139. | + | [[Devi Sarinjeive|Sarinjeive Devi]] 2001. [[Athol Fugard]]'s dramatic representation and gender politics, in [[Losambi Lokangaka|Lokangaka, Losambi]] & [[Devi Sarinjeive|Sarinjeive Devi]] (eds.). ''Pre-colonial and Post-colonial Theatre in Africa''. Claremont, South Africa: New Africa Education. 128-139. |
[[Daniella Sarkin|Sarkin, Daniella]] 1998. Performance art is an effective site for the exploration of a feminist discourse, the female psyche, and an explosive space in which to challenge the status quo. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand. | [[Daniella Sarkin|Sarkin, Daniella]] 1998. Performance art is an effective site for the exploration of a feminist discourse, the female psyche, and an explosive space in which to challenge the status quo. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand. | ||
| + | |||
| + | [[R. Sassen|Sassen, R.]] 2000. Mirroring a world gone mad : [[Max Beckmann|Beckmann]] and [[William Kentridge|Kentridge]] : research. ''De Arte'', 21(61):24-46. | ||
SATJ interviews [[Ian Steadman]], winner 1987 [[Vita Award]] for Theatre Research. ''[[South African Theatre Journal]]'', 1(2):78-81. | SATJ interviews [[Ian Steadman]], winner 1987 [[Vita Award]] for Theatre Research. ''[[South African Theatre Journal]]'', 1(2):78-81. | ||
| + | |||
| + | [[Saturday Post]]. Port Elizabeth weekly newspaper. | ||
[[Walter G. Saunders|Saunders, Walter G.]] 1972. [[Hart Crane]]: a brief critical and biographical essay. ''Unisa English Studies'', 10(3): 6-42. September. | [[Walter G. Saunders|Saunders, Walter G.]] 1972. [[Hart Crane]]: a brief critical and biographical essay. ''Unisa English Studies'', 10(3): 6-42. September. | ||
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Click on the appropriate letters of the alphabet in the sub-list below. | Click on the appropriate letters of the alphabet in the sub-list below. | ||
| − | [[ESAT Bibliography Sa-Saz|Sa-Saz]] [[ESAT Bibliography Sca-Sce|Sca-Sce]] [[ESAT Bibliography Scha|Scha]] [[ESAT Bibliography Sche- | + | [[ESAT Bibliography Sa-Saz|Sa-Saz]] [[ESAT Bibliography Sca-Sce|Sca-Sce]] [[ESAT Bibliography Scha|Scha]] [[ESAT Bibliography Sche-Schn|Sche-Schn]] [[ESAT Bibliography Scho|Scho]] [[ESAT Bibliography Schr-Schw|Schr-Schw]] [[ESAT Bibliography Sci-Sez|Sci-Sez]] [[ESAT Bibliography Sh-Sid|Sh-Sid]] [[ESAT Bibliography Sie-Slo|Sie-Slo]] [[ESAT Bibliography Sma-Smu|Sma-Smu]] [[ESAT Bibliography Sna-Sow|Sna-Sow]] [[ESAT Bibliography Spa-Sta|Spa-Sta]] [[ESAT Bibliography Stea|Stea]] [[ESAT Bibliography Stee-Stey|Stee-Stey]] [[ESAT Bibliography Sti-Suz|Sti-Suz]] [[ESAT Bibliography Swa-Syz|Swa-Syz]] |
To return to any other letter, click on the list below | To return to any other letter, click on the list below | ||
Latest revision as of 08:16, 14 December 2021
Click on the appropriate letters of the alphabet in the sub-list below.
Sa-Saz Sca-Sce Scha Sche-Schn Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
SAACE/construction award in mechanical/electrical category: (State Theatre, Pretoria). 1983. Construction Southern Africa, 28(7):39-54.
Sabata, S. 2000. Giants. Unpublished manuscript.
Sachs, Albie 1991. Preparing ourselves for freedom: culture and the ANC constitutional guidelines. The Drama Review, 35(1):187-193.
Sachs, J. 1951. Cape Town scene. Trek, 15(11) – 15(12).
Sachs, J. 1952. The drama festival: the Van Riebeeck Festival in review. Trek, 14(4).
Sagan, Leontine 1940. South Africans have dramatic talent. Outspan, 27(699):29-31. July 19.
Sagan, Leontine 1948. Wenke vir jong toneelspelers. Huisgenoot, 32(1360):19. April 16.
Sagan, Leontine 1950a. Actor’s talent. Trek, 14(1):18-19.
Sagan, Leontine 1950b. Drama en die skool: liefde vir die toneel kan reeds by ons jeug aangekweek word. Huisgenoot, 34(1454):7. February 3.
Sagan, Leontine 1996. Lights & Shadows The Autobiography of Leontine Sagan, edited and introduced by Loren Kruger. Johannesburg: Witwatersrand University Press.
Saks, David (ed.). 2006. South African Jews in the Theatre. Houghton: South African Jewish Board of Deputies.
Salomon, Elsie 1933-34. Elocution and dramatic art in South Africa, in Knox, W.H. (ed.). The Arts in South Africa. Durban: Knox. 199-201.
Salter, Denis 2004. Exile, Return and the New South Africa - An interview with Anthony Akerman. (Part 1 in 1996 and part 2 in 2003). South African Theatre Journal, 18: 257-276.
Salzwedel, I. 2006a. Agter die voetligte: Suid-Afrikaans (Wena Naudé; Lydia Lindeque; Mathilde Hanekom; André Huguenet; Hendrik Hanekom). Die Taalgenoot, 32(1):23-24.
Salzwedel, I. 2006b. Pieter Fourie die mens. Rooi Rose, Mei: 35.
Salzwedel, I. 2009. Ruimhartig: beeld van 'n vrou. (Trudie Taljaard) Rooi Rose, 67(9): , September.
Sampson 2004. Fugard at The Fountain. American Theatre, 21(6):94.
Sand du Plessis Theatre. 1985. Scenaria, (55) 5-20..
Sand du Plessis Theatre, Bloemfontein. 1986. Architect and Builder, 8-13. October.
Sanders, Robbin 1979. The Blood Knot, by Athol Fugard. Reviewed in: Speak, (6):44.
Sanderson, B. 1986. Costume designer. My Career, 37(3):249-252.
Sandoval, Enrique 1986. The Metaphoric Style in Politically Censored Theatre. Edmonton, AB: Concordia University.
Sandra Prinsloo: ‘n top aktrise. 1978. Sarie, 29(25):50-53. June 14.
Sarinjeive Devi 1990. Fugard's Situations: An Existentialist Study of Selected Plays of Athol Fugard 1958-1972. Dissertation Abstracts International [serial online]. September 1990;51(3):848A.
Sarinjeive Devi 2001. Athol Fugard's dramatic representation and gender politics, in Lokangaka, Losambi & Sarinjeive Devi (eds.). Pre-colonial and Post-colonial Theatre in Africa. Claremont, South Africa: New Africa Education. 128-139.
Sarkin, Daniella 1998. Performance art is an effective site for the exploration of a feminist discourse, the female psyche, and an explosive space in which to challenge the status quo. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.
Sassen, R. 2000. Mirroring a world gone mad : Beckmann and Kentridge : research. De Arte, 21(61):24-46.
SATJ interviews Ian Steadman, winner 1987 Vita Award for Theatre Research. South African Theatre Journal, 1(2):78-81.
Saturday Post. Port Elizabeth weekly newspaper.
Saunders, Walter G. 1972. Hart Crane: a brief critical and biographical essay. Unisa English Studies, 10(3): 6-42. September.
Click on the appropriate letters of the alphabet in the sub-list below.
Sa-Saz Sca-Sce Scha Sche-Schn Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
