Difference between revisions of "ESAT Bibliography Sie-Slo"

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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
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Sieberts, Elize 1947. Agter die skerms met Hamlet. Ruiter, 1(1): 60-61. May 9.
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Siegfried Mynhardt. 1981. Scenaria, Special issue: 29.
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Siener in die suburbs. [Literary criticism]. 1972. Huisgenoot, 42(2609): 87-89. April 14.
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Siener in die suburbs. [Literary criticism]. 1972. Taalgenoot, 41(3): 23. February.
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SILBERT, RACHEL. 1964. Southern African Drama in English: an Annotated Bibliography. Johannesburg:  University of the Witwatersrand Press.
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Silverstone, Catherine 2009. ‘Honour the real thing’: Shakespeare, trauma and Titus Andronicus in South Africa. Shakespeare survey, 62: 46-57.
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Singer, Jacqui 2009. Searching the silences for the sounds of a “new poetics” in the female voice. South African theatre journal, 23: 68-83.
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Sirayi, Mziwoxolo 1993. The characteristics of some Xhosa dramas. Grhamstown: Rhodes University. (M.A. thesis).
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Sirayi, Mzo 1996. Oral African drama in South Africa: the Xhosa indigenous drama forms. South African theatre journal, 10(1): 49-61.
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Sirayi, Mziwoxolo 2000. The pre-colonial tradition of black South African drama and theater. University of Fort Hare. Thesis (DTech. degree in Literature and Philosophy)
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Sitas, Ari 1986. Culture and production: the contradictions of working class theatre in South Africa.  Africa perspective  NS 1(1-2): 84-110.
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Sitas, Ari 1996. The workers’ theatre in Natal. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 132-139.
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Sizemore-Barber 2009. Stages of complicity, stages of healing: a look at two theatrical responses to South Africa’s Truth and Reconciliation Commission. In  Gobodo-Madikizela, Pumla (ed. and preface); Van der Merwe, Chris (ed. and preface); Minow, Martha (foreword) Memory, Narrative and Forgiveness: Perspectives on the Unfinished Journeys of the Past. Newcastle upon Tyne, England: Cambridge Scholars; 321-340.
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Skool en toneel. Deel I. 1959. Unie, 56(6): 287-288.
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Skool en toneel. Deel II. 1960. Unie, 56(7): 370-371.
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Skool en toneel. Deel III. 1960. Unie, 56(8): 405-410.
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Skordis, R. 2003. Improvisation and playmaking : a look at some improvisation techniques and their applications during the directing process. Stellenbosch: University of Stellenbosch. (M (Dram)-thesis.)
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SKOTA, T.D.M. (ed and comp). 1931. The African Yearly Register. Being an Illustrated National Biographical Dictionary (Who’s Who) of of Black Folks in Africa. Johannesburg: R.L. Esson. 
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SLABBER, C. 1976. Stel Teater en Verhoog nou aan almal in SA oop, vra grotes. Rapport, 29 Augustus: 21.
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Slabbert, Amoré 1994. Modern theatre and the quest for God : a comparative study of the plays of Eugene O'Neill and Bartho Smit. Stellenbosch: University of Stellenbosch. (M.Dram. thesis).
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Slabolepszy, Paul. 1998. Paul and Janet praise Slab’s latest. Letter to the editor in: The Star, February 18, 1998: 2.
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Slavin, Patricia Doris 1995. A scenographic approach to Romeo and Juliet by William Shakespeare : an investigation into the artistic, aesthetic and practical considerations in performance with specific reference to selected productions. Durban: University of Natal. (MA (Speech and Drama) thesis).
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Slier, Lionel 2006. King Kong and the Jewish connection. Jewish affairs, 61(4): 69-72.
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Sloman, B. 1959. Language teaching through child drama. Transvaal education news, 55(1): 11-12.
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SLOSBERG, B. 1939. Pagan Tapestry. London: Rich and Cravan.
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Slovo, G. (2000) Red Dust. New York, London: W. W. Norton and Company.
  
  

Revision as of 15:04, 3 December 2010

Click on the appropriate letters of the alphabet in the sub-list below.

Sa-Saz Sca-Sce Scha Sche-Schi Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance


Sieberts, Elize 1947. Agter die skerms met Hamlet. Ruiter, 1(1): 60-61. May 9.

Siegfried Mynhardt. 1981. Scenaria, Special issue: 29.

Siener in die suburbs. [Literary criticism]. 1972. Huisgenoot, 42(2609): 87-89. April 14.

Siener in die suburbs. [Literary criticism]. 1972. Taalgenoot, 41(3): 23. February.


SILBERT, RACHEL. 1964. Southern African Drama in English: an Annotated Bibliography. Johannesburg: University of the Witwatersrand Press.

Silverstone, Catherine 2009. ‘Honour the real thing’: Shakespeare, trauma and Titus Andronicus in South Africa. Shakespeare survey, 62: 46-57.

Singer, Jacqui 2009. Searching the silences for the sounds of a “new poetics” in the female voice. South African theatre journal, 23: 68-83.


Sirayi, Mziwoxolo 1993. The characteristics of some Xhosa dramas. Grhamstown: Rhodes University. (M.A. thesis).

Sirayi, Mzo 1996. Oral African drama in South Africa: the Xhosa indigenous drama forms. South African theatre journal, 10(1): 49-61.

Sirayi, Mziwoxolo 2000. The pre-colonial tradition of black South African drama and theater. University of Fort Hare. Thesis (DTech. degree in Literature and Philosophy)

Sitas, Ari 1986. Culture and production: the contradictions of working class theatre in South Africa. Africa perspective NS 1(1-2): 84-110.

Sitas, Ari 1996. The workers’ theatre in Natal. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 132-139.

Sizemore-Barber 2009. Stages of complicity, stages of healing: a look at two theatrical responses to South Africa’s Truth and Reconciliation Commission. In Gobodo-Madikizela, Pumla (ed. and preface); Van der Merwe, Chris (ed. and preface); Minow, Martha (foreword) Memory, Narrative and Forgiveness: Perspectives on the Unfinished Journeys of the Past. Newcastle upon Tyne, England: Cambridge Scholars; 321-340.

Skool en toneel. Deel I. 1959. Unie, 56(6): 287-288.

Skool en toneel. Deel II. 1960. Unie, 56(7): 370-371.

Skool en toneel. Deel III. 1960. Unie, 56(8): 405-410.

Skordis, R. 2003. Improvisation and playmaking : a look at some improvisation techniques and their applications during the directing process. Stellenbosch: University of Stellenbosch. (M (Dram)-thesis.)

SKOTA, T.D.M. (ed and comp). 1931. The African Yearly Register. Being an Illustrated National Biographical Dictionary (Who’s Who) of of Black Folks in Africa. Johannesburg: R.L. Esson.

SLABBER, C. 1976. Stel Teater en Verhoog nou aan almal in SA oop, vra grotes. Rapport, 29 Augustus: 21.

Slabbert, Amoré 1994. Modern theatre and the quest for God : a comparative study of the plays of Eugene O'Neill and Bartho Smit. Stellenbosch: University of Stellenbosch. (M.Dram. thesis).

Slabolepszy, Paul. 1998. Paul and Janet praise Slab’s latest. Letter to the editor in: The Star, February 18, 1998: 2.

Slavin, Patricia Doris 1995. A scenographic approach to Romeo and Juliet by William Shakespeare : an investigation into the artistic, aesthetic and practical considerations in performance with specific reference to selected productions. Durban: University of Natal. (MA (Speech and Drama) thesis).

Slier, Lionel 2006. King Kong and the Jewish connection. Jewish affairs, 61(4): 69-72.

Sloman, B. 1959. Language teaching through child drama. Transvaal education news, 55(1): 11-12.

SLOSBERG, B. 1939. Pagan Tapestry. London: Rich and Cravan.

Slovo, G. (2000) Red Dust. New York, London: W. W. Norton and Company.


Click on the appropriate letters of the alphabet in the sub-list below.

Sa-Saz Sca-Sce Scha Sche-Schi Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance

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