Difference between revisions of "ESAT Bibliography Coa-Col"
| (62 intermediate revisions by 2 users not shown) | |||
| Line 7: | Line 7: | ||
[[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H|H]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S|S]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]] | [[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H|H]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S|S]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]] | ||
| − | Return to [[ | + | Return to [[ESAT Bibliography|A Bibliography of South African South African Theatre and Performance]] |
| + | |||
| + | Return to [[The ESAT Entries]] | ||
| + | |||
| + | Return to the [[Main Page]] | ||
| + | |||
| + | ==The list== | ||
| + | |||
| + | |||
| + | [[A. Coetser|Coetser, A.]] 1984. Kontekstuele vrae [en antwoorde] oor ''[[Ontmoeting by Dwaaldrif]]'' van [[Henriëtte Grové]]. ''[[Klasgids]]'', 19(1) – (2). | ||
| + | |||
| + | [[Johan Coetser|Coetser, Johannes Lodewikus]] 1985. Die allegorie in die [[Afrikaanse]] [[Drama|drama]]. Unpublished master’s thesis. Pretoria: [[University of South Africa]]. | ||
| + | |||
| + | [[Johan Coetser|Coetser, J.L.]] 1991. Dat die klip kan heers: [[Pieter Fourie]] se ''[[Die Koggelaar]]''. ''Literator'', 12(3):45-58. | ||
| + | |||
| + | [[Johan Coetser|Coetser, J.L.]] 1991. ...ek sal jou hierna verwys, maar kom ons gesels daaroor... ''Dramateorie Vandag: Die Bydrae van die Drama- en Teatersemiotiek'', by [[Marisa Keuris|Marisa Mouton]]. Reviewed in: ''[[Journal of Literary Studies]]'', 7(3/4):299-312. | ||
| + | [[Johan Coetser|Coetser, J.L.]] 1991. Die geleentheidsdrama by [[N.P. van Wyk Louw]]. Unpublished doctoral dissertation. : University of South Africa. | ||
| − | [[ | + | [[Johan Coetser|Coetser, J.L.]] 1994. ''[[Die Dieper Reg]]'' ([[N.P. van Wyk Louw]]): Royce, regsidee, resepsie. ''[[Literator]]'', 15(2):35-53. |
| − | [[J.L. | + | [[Johan Coetser|Coetser, J.L.]] 1996. Die begrip ''dramatiese didaskalia'' (weer) beskou. ''[[Literator]]'', 17(2):1-15. |
| − | [[ | + | [[Johan Coetser|Coetser, J.L.]] 1996. Een oog lag, een oog huil : ''[[Die Rebellie van Lafras Verwey]]'', [[Chris Barnard]]. Reviewed in: Klasgids, 31(4):22-26. |
| − | [[ | + | [[Johan Coetser|Coetser, J.L.]] 1998. [[Afrikaans]] theatre: a centre moving? ''[[Alternation]]'', 5(2):207-227. |
| − | [[ | + | [[Johan Coetser|Coetser, J.L.]] 1998. ''[[Drie Susters Twee]]'', deur [[Reza de Wet]]. Reviewed in: ''[[Tydskrif vir Letterkunde]]'', 36(2):97. |
| − | [[ | + | [[Johan Coetser|Coetser, J.L.]] 1998. ''Die Dramateks as Handleiding'', deur [[Marisa Keuris]]. Reviewed in: ''[[Tydskrif vir Letterkunde]]'', 36(2):99. |
| − | [[ | + | [[Johan Coetser|Coetser, J.L.]] 1999. Die [[Drama|drama]] in [[Afrikaans]]: ‘n bewegende sentrum? ''[[Tydskrif vir Letterkunde]]'', 37(2):44. |
| − | [[ | + | [[Johan Coetser|Coetser, J.L.]] 1999. Afrikaanse [[Drama|drama]] en [[Toneel|toneel]] oor die [[Anglo-Boereoorlog]], 1900-1920: Aspekte van identiteit . ''[[Tydskrif vir Nederlands en Afrikaans]]'', 6(2):131-149. |
| + | |||
| + | [[Johan Coetser|Coetser, J.L.]] 2001. [[Afrikaans]] theatre : reflections of identity. ''[[Alternation]]: international journal for the study of Southern African literature and languages'', 8(1):81-104.[https://journals.co.za/doi/pdf/10.10520/AJA10231757_297] | ||
| + | |||
| + | [[Johan Coetser|Coetser, J.L.]] 2003a. 'n Herinnering aan brokke toneelgeskiedenis : boekresensies. ''[[Literator]]'', 24(1):172-176. | ||
| + | |||
| + | [[Johan Coetser|Coetser, J.L.]] 2003b. "So little of it left": remembrance, occasion and event in [[Afrikaans]] theatre. ''[[South African Theatre Journal]]'', 17:8-36. | ||
| + | |||
| + | [[Johan Coetser|Coetser, J.L.]] 2004. Kinder- en jeugtoneel in Afrikaans: oorsig en tendense. ''[[Literator]]'', 25(3):83-105. | ||
| + | |||
| + | [[Johan Coetser|Coetser, J.L.]] 2005. Afrikaanse kinder- en jeugtoneel, in ''Van Patrys-hulle tot Hanna Hoekom : 'n Gids tot die Afrikaanse Kinder- en Jeugboek'', edited by Gretel Wybenga en Maritha Snyman. Pretoria: LAPA. 56-67. | ||
| + | |||
| + | [[Johan Coetser|Coetser, J.L.]] 2006a. Kante van dieselfde munt: volksmoeder- en Eersterust-tekste. ([[H.A. Fagan]], ''[[Ousus]]''; [[Pieter Foruie]], ''[[Koggelmanderman]]''; [[Robert J. Pearce]], ''[[Die 'Highbucks' bende]]'', ''[[Die Laaste Supper in Marabastad]]''; [[Anthony Wilson]], ''[[Die Afspringers]]'') ''[[Stilet]]'', 18(2):102-122. | ||
| − | [[ | + | [[Johan Coetser|Coetser, J.L.]] 2006b. Die leefwêreld van die [[San]]. ''[[Literator]]'', 27(2): |
| − | [[ | + | [[Johan Coetser|Coetser, J.L.]] 2006c. Plaasdramas in Afrikaans: 'n verkenning. ''[[Diepe Grond]]'' and ''[[Drie Susters Twee]]'' by [[Reza de Wet]]. ''[[Stilet]]'', 18(1): |
| − | [[ | + | [[Johan Coetser|Coetser, J.L.]] 2006d. Standaardwerk oor Suid-Afrikaanse toneelgeskiedenis: ''Voetligte en applous: die beginjare van die Afrikaanse beroepstoneel'', deur [[Danie Botha|D. Botha]]. Reviewed in: ''[[Literator]]'', 27(2):159-161. |
| − | [[ | + | [[Johan Coetser|Coetser, J.L.]] 2006e. Van millennium tot milleennium: Afrikaanse drama en teater circa 1990 tot circa 2003, in ''Perspektief en Profiel : 'n Afrikaanse Literatuurgeskiedenis'', edited by H.P. van Coller. Pretoria: Van Schaik. 3:49-189. |
| − | [[ | + | [[Johan Coetser|Coetser, J.L.]] 2008. Gemeenskapstoneel deur [[Robert Pearce|Robert J. Pearce]]: aspekte van bewussyn (‘n eerste verkenning). ''[[South African Theatre Journal]]'', 22:166-189. |
| − | [[ | + | [[Johan Coetser|Coetser, J.L.]] 2009a. Diaspora en aktualiteit in drama: ''[[Kaburu]]'' deur [[Deon Opperman]]. Reviewed in: ''[[Literator]]'', 30:177-179. |
| − | [[A.J. Coetzee|Coetzee, A.J.]] 1978. Verlede: gedagtenis en noodlot in die dramas van [[Pieter Fourie]]. ''Standpunte'', 31(4):52-60. August. | + | [[Johan Coetser|Coetser, J.L.]] 2009b. ''[[Jasmyn]]'', deur [[Pieter Fourie]]. Reviewed in: ''Tydskrif vir Letterkunde'',46(1): |
| + | |||
| + | [[Johan Coetser|Coetser, J.L.]] 2009c. ''[[Kaburu: ‘n drama vir die verhoog]]'', deur [[Deon Opperman]]. Reviewed in: ''[[Tydskrif vir Geesteswetenskappe]]'', 49(4):740-741. | ||
| + | |||
| + | [[Johan Coetser|Coetser, J.L.]] 2010. Dramakroniek 2008-9: navorsings- en oorsigartikels. (''[[Kaburu]]'' by [[Deon Opperman]], ''[[Blou Uur]]'' by [[Reza de Wet]], and ''[[Prinsloo Versus]]'', by [[Adriaan Meyer]]). ''[[Tydskrif vir Geesteswetenskappe]]'', 50(3):383-403. | ||
| + | |||
| + | [[Johan Coetser|Coetser, Johan]] 2013. Voorstellings van geweld in ''[[Slaghuis]]'' (2007) en ''[[Skrapnel]]'' (2011) deur dramaturg [[Willem Anker]]. ''[[Tydskrif vir Geesteswetenskappe]]'', 53(1):45-59. | ||
| + | |||
| + | [[Johan Coetser|Coetser, Johan]] 2014. ''[[Die See]]'' (2011) deur [[Reza de Wet]]: 'n Slawedrama?. ''[[Tydskrif vir Geesteswetenskappe]]'' , Vol 52 (2): 235-247 | ||
| + | |||
| + | [[A. Coetzee|Coetzee, A.]] 2001. ''[[With the Lid Off]]'', by [[Todd Matshikiza]] & [[John Matshikiza]]. Reviewed in: ''[[De Kat]]'', 16(10):86-87. | ||
| + | |||
| + | [[A.J. Coetzee|Coetzee, A.J.]] 1971. [[ATKV]] huldig die dramaturg [[Gerhard J. Beukes|Beukes]]. ''[[Die Taalgenoot]]'', 40(11):7. October. | ||
| + | |||
| + | [[A.J. Coetzee|Coetzee, A.J.]] 1978. Verlede: gedagtenis en noodlot in die dramas van [[Pieter Fourie]]. ''[[Standpunte]]'', 31(4):52-60. August. | ||
[[Ampie Coetzee|Coetzee, Ampie]] 1984. Woord en daad, teken en saak, teks en handeling: ''[[Pavane]]'' van [[André P. Brink]], in [[Charles Malan|Malan, Charles]] (ed.) ''Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater''. Johannesburg: Perskor. 83-92. | [[Ampie Coetzee|Coetzee, Ampie]] 1984. Woord en daad, teken en saak, teks en handeling: ''[[Pavane]]'' van [[André P. Brink]], in [[Charles Malan|Malan, Charles]] (ed.) ''Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater''. Johannesburg: Perskor. 83-92. | ||
| − | [[Erika Coetzee|Coetzee, Erika]] 1990. Stereotypes in contemporary South African cultural discourses. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch. | + | [[Erika Coetzee|Coetzee, Erika]] 1990. Stereotypes in contemporary South African cultural discourses. Unpublished master’s thesis. Stellenbosch: [[University of Stellenbosch]]. |
| − | [[Gerda Coetzee|Coetzee, Gerda]] 1995. Feesvier is nog nie teaterkultuur. ''Insig'', 08/95:42. | + | [[Gerda Coetzee|Coetzee, Gerda]] 1995. Feesvier is nog nie teaterkultuur. ''[[Insig]]'', 08/95:42. |
[[Marié-Heleen Coetzee|Coetzee, Marié-Heleen]] 2000 Playing sticks: an exploration of Zulu stick fighting as performance. ''[[South African Theatre Journal]]'', 14:97-113. | [[Marié-Heleen Coetzee|Coetzee, Marié-Heleen]] 2000 Playing sticks: an exploration of Zulu stick fighting as performance. ''[[South African Theatre Journal]]'', 14:97-113. | ||
| Line 50: | Line 92: | ||
[[Marié-Heleen Coetzee|Coetzee, Marié-Heleen]] 2001 Paddy Crean International Stage Combat Congress/Workshop, Canada. ''[[South African Theatre Journal]]'', 15:158-160. | [[Marié-Heleen Coetzee|Coetzee, Marié-Heleen]] 2001 Paddy Crean International Stage Combat Congress/Workshop, Canada. ''[[South African Theatre Journal]]'', 15:158-160. | ||
| − | [[Marié-Heleen Coetzee|Coetzee, Marié-Heleen]], [[ | + | [[Marié-Heleen Coetzee|Coetzee, Marié-Heleen]], [[Marth Munro|Munro, M.]] & [[A. de Boer|De Boer, A.]] 2004. Deeper sites through various lines: LMS and whole-brain learning in body/voice training for performers in the HET band. ''[[South African Theatre Journal]]'', 18:135-158. |
[[Marié-Heleen Coetzee|Coetzee, Marié-Heleen]] 2009. (Re)storying the self: exploring identity through performative inquiry. ''[[South African Theatre Journal]]'', 23:94-115. | [[Marié-Heleen Coetzee|Coetzee, Marié-Heleen]] 2009. (Re)storying the self: exploring identity through performative inquiry. ''[[South African Theatre Journal]]'', 23:94-115. | ||
| Line 58: | Line 100: | ||
[[P.J. Coetzee|Coetzee, P.J.]] 1978. Literêrteoretiese beginsels wat dialog beheers in die drama, met verwysing na [[D.J. Opperman]] se ''[[Periandros van Korinthe]]''. ''Unie'', 75:71-76. August. | [[P.J. Coetzee|Coetzee, P.J.]] 1978. Literêrteoretiese beginsels wat dialog beheers in die drama, met verwysing na [[D.J. Opperman]] se ''[[Periandros van Korinthe]]''. ''Unie'', 75:71-76. August. | ||
| − | [[P.J. Coetzee|Coetzee, P.J.]] 1983. Enkele gesigspunte oor die voorgeskrewewerk, ''[[Die Pluimsaad Waai | + | [[P.J. Coetzee|Coetzee, P.J.]] 1983. Enkele gesigspunte oor die voorgeskrewewerk, ''[[Die Pluimsaad Waai Vêr]]'' – [[N.P. van Wyk Louw]] (Bitter begin). ''Unie'', 80:31-34. |
| + | |||
| + | [[Paulette Coetzee|Coetzee, Paulette]] 2000. Lewis Nkosi, in Scanlon, Paul A. (ed.). ''South African Writers''. Detroit: Gale Group. 314-321. | ||
[[Yvette Cpetzee|Coetzee, Yvette]] 1998 Visibly invisible: How shifting the conventions of the traditionally invisible puppeteer allows for more dimensions in both the puppeteer-puppet relationship and the creation of theatrical meaning in ''[[Ubu and the Truth Commission]]''. ''[[South African Theatre Journal]]'', 12(1&2):35-51. | [[Yvette Cpetzee|Coetzee, Yvette]] 1998 Visibly invisible: How shifting the conventions of the traditionally invisible puppeteer allows for more dimensions in both the puppeteer-puppet relationship and the creation of theatrical meaning in ''[[Ubu and the Truth Commission]]''. ''[[South African Theatre Journal]]'', 12(1&2):35-51. | ||
| + | |||
| + | [[Derek Cohen|Cohen, Derek]] 1978. [[Athol Fugard]]’s ''[[Boesman and Lena]]''. ''Journal of Commonwealth Literature'', 12:78-83 April | ||
| + | |||
| + | [[Derek Cohen|Cohen, Derek]] 1980. Drama and the police state: [[Athol Fugard]]'s South Africa. ''Canadian Drama'', 9:151. | ||
[[Catherine M. Cole|Cole, Catherine M.]] 2001. ''Africans on Stage: Studies in Ethnological Show Business'', ed. by [[Bernth Lindfors]] and ''The Drama of South Africa: Plays, Pageants and Publics'', by [[Loren Kruger]]. Reviewed in: ''Theatre Journal'', 53(1):179-181. | [[Catherine M. Cole|Cole, Catherine M.]] 2001. ''Africans on Stage: Studies in Ethnological Show Business'', ed. by [[Bernth Lindfors]] and ''The Drama of South Africa: Plays, Pageants and Publics'', by [[Loren Kruger]]. Reviewed in: ''Theatre Journal'', 53(1):179-181. | ||
| − | [[Catherine M | + | [[Catherine M. Cole|Cole, Catherine M.]] 2004. Theatres of truth, acts of reconciliation: the [[Truth and Reconciliation Commission|TRC]] in South Africa, in [[John Conteh-Morgan|Conteh-Morgan, John]] & [[Tejumola Olaniyan|Olaniyan, Tejumola]] (eds.). ''African Drama and Performance''. Bloomington: Indiana University Press. 219-226. |
| + | |||
| + | [[Catherine M. Cole|Cole, Catherine M.]] 2007. Performance, transitional justice, and the law: South Africa’s [[Truth and Reconciliation Commission]]. ''Theatre Journal'', 59(2):167-187. | ||
| + | |||
| + | [[Catherine M. Cole|Cole, Catherine M.]] 2008. The rewind cantata. ''Theater'', 38(3):84-109. | ||
| − | [[Catherine M | + | [[Catherine M. Cole|Cole, Catherine M.]] 2010. ''Performing South Africa's [[The Truth and Reconciliation Commission|Truth Commission]]: Stages of Transition''. Bloomington: Indiana University Press. |
| − | [[Catherine M | + | [[Catherine M. Cole|Cole, Catherine M.]] 2020. ''Performance and the Afterlives of Injustice: Dance and Live Art in South Africa and Beyond''. Ann Arbor: University of Michigan Press. |
| + | |||
| + | Coleman, Carl & Kelly, Lynne 1978. Skyvers? Some thoughts on the [[Sharp Festival of the Arts]], Grahamstown. ([[University Drama Festival]]; [[Marlene van Niekerk]]; ''[[Die Duiwel, Sy Helper en die Drie Ligtekooie]]''; ''[[Vrolike Frans]]'') ''[[Speak]]'', 1(5):62-64. | ||
[[Jeanne Marie Colleran|Colleran, Jeanne Marie]] 1988. The dissenting writer in South Africa: a rhetorical analysis of the drama of [[Athol Fugard]] and the short fiction of Nadine Gordimer. Unpublished doctoral dissertation. Columbus, OH: Ohio State University. | [[Jeanne Marie Colleran|Colleran, Jeanne Marie]] 1988. The dissenting writer in South Africa: a rhetorical analysis of the drama of [[Athol Fugard]] and the short fiction of Nadine Gordimer. Unpublished doctoral dissertation. Columbus, OH: Ohio State University. | ||
| − | [[Jeanne Colleran|Colleran, Jeanne]] 1990. ''[[A Place With the Pigs]]'': [[Athol Fugard]]’s Afrikaner parable. ''Modern drama'', 33(1): 82-92. | + | [[Jeanne Colleran|Colleran, Jeanne]] 1990. ''[[A Place with the Pigs, A Personal Parable|A Place With the Pigs]]'': [[Athol Fugard]]’s Afrikaner parable. ''Modern drama'', 33(1): 82-92. |
[[Jeanne Colleran|Colleran, Jeanne]] 1995a. [[Athol Fugard]] and the problematics of the liberal critique. ''Modern Drama'', 38(3):389-407. | [[Jeanne Colleran|Colleran, Jeanne]] 1995a. [[Athol Fugard]] and the problematics of the liberal critique. ''Modern Drama'', 38(3):389-407. | ||
| Line 81: | Line 135: | ||
[[Jeanne Colleran|Colleran, Jeanne]] 1999. Lessons from a fair country, in [[Marcia Blumberg|Blumberg, Marcia]] & [[Dennis Walder|Walder, Dennis]] (eds.). ''South African Theatre as/and Intervention''. Amsterdam: Rodopi. 113-123. | [[Jeanne Colleran|Colleran, Jeanne]] 1999. Lessons from a fair country, in [[Marcia Blumberg|Blumberg, Marcia]] & [[Dennis Walder|Walder, Dennis]] (eds.). ''South African Theatre as/and Intervention''. Amsterdam: Rodopi. 113-123. | ||
| + | |||
| + | [[Jeanne Colleran|Colleran, Jeanne]] 2004. ''The Dramatic Art of Athol Fugard: from South Africa to the World'', by Albert Wertheim. Reviewed in: ''Theatre Research International'', 29(1):89-90. | ||
[[F. Collins|Collins, F.]] 1968. [[Barbara Kinghorn]]. ''Personality'', 14-19. June 20. | [[F. Collins|Collins, F.]] 1968. [[Barbara Kinghorn]]. ''Personality'', 14-19. June 20. | ||
| Line 99: | Line 155: | ||
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | ||
| + | |||
| + | Return to [[The ESAT Entries]] | ||
| + | |||
| + | Return to the [[Main Page]] | ||
Latest revision as of 09:48, 25 August 2023
Click on the appropriate letters of the alphabet in the sub-list below.
Ca-Cha Che-Cl Coa-Col Com-Cop Cor-Cri Cro-Cz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Return to The ESAT Entries
Return to the Main Page
The list
Coetser, A. 1984. Kontekstuele vrae [en antwoorde] oor Ontmoeting by Dwaaldrif van Henriëtte Grové. Klasgids, 19(1) – (2).
Coetser, Johannes Lodewikus 1985. Die allegorie in die Afrikaanse drama. Unpublished master’s thesis. Pretoria: University of South Africa.
Coetser, J.L. 1991. Dat die klip kan heers: Pieter Fourie se Die Koggelaar. Literator, 12(3):45-58.
Coetser, J.L. 1991. ...ek sal jou hierna verwys, maar kom ons gesels daaroor... Dramateorie Vandag: Die Bydrae van die Drama- en Teatersemiotiek, by Marisa Mouton. Reviewed in: Journal of Literary Studies, 7(3/4):299-312.
Coetser, J.L. 1991. Die geleentheidsdrama by N.P. van Wyk Louw. Unpublished doctoral dissertation. : University of South Africa.
Coetser, J.L. 1994. Die Dieper Reg (N.P. van Wyk Louw): Royce, regsidee, resepsie. Literator, 15(2):35-53.
Coetser, J.L. 1996. Die begrip dramatiese didaskalia (weer) beskou. Literator, 17(2):1-15.
Coetser, J.L. 1996. Een oog lag, een oog huil : Die Rebellie van Lafras Verwey, Chris Barnard. Reviewed in: Klasgids, 31(4):22-26.
Coetser, J.L. 1998. Afrikaans theatre: a centre moving? Alternation, 5(2):207-227.
Coetser, J.L. 1998. Drie Susters Twee, deur Reza de Wet. Reviewed in: Tydskrif vir Letterkunde, 36(2):97.
Coetser, J.L. 1998. Die Dramateks as Handleiding, deur Marisa Keuris. Reviewed in: Tydskrif vir Letterkunde, 36(2):99.
Coetser, J.L. 1999. Die drama in Afrikaans: ‘n bewegende sentrum? Tydskrif vir Letterkunde, 37(2):44.
Coetser, J.L. 1999. Afrikaanse drama en toneel oor die Anglo-Boereoorlog, 1900-1920: Aspekte van identiteit . Tydskrif vir Nederlands en Afrikaans, 6(2):131-149.
Coetser, J.L. 2001. Afrikaans theatre : reflections of identity. Alternation: international journal for the study of Southern African literature and languages, 8(1):81-104.[1]
Coetser, J.L. 2003a. 'n Herinnering aan brokke toneelgeskiedenis : boekresensies. Literator, 24(1):172-176.
Coetser, J.L. 2003b. "So little of it left": remembrance, occasion and event in Afrikaans theatre. South African Theatre Journal, 17:8-36.
Coetser, J.L. 2004. Kinder- en jeugtoneel in Afrikaans: oorsig en tendense. Literator, 25(3):83-105.
Coetser, J.L. 2005. Afrikaanse kinder- en jeugtoneel, in Van Patrys-hulle tot Hanna Hoekom : 'n Gids tot die Afrikaanse Kinder- en Jeugboek, edited by Gretel Wybenga en Maritha Snyman. Pretoria: LAPA. 56-67.
Coetser, J.L. 2006a. Kante van dieselfde munt: volksmoeder- en Eersterust-tekste. (H.A. Fagan, Ousus; Pieter Foruie, Koggelmanderman; Robert J. Pearce, Die 'Highbucks' bende, Die Laaste Supper in Marabastad; Anthony Wilson, Die Afspringers) Stilet, 18(2):102-122.
Coetser, J.L. 2006b. Die leefwêreld van die San. Literator, 27(2):
Coetser, J.L. 2006c. Plaasdramas in Afrikaans: 'n verkenning. Diepe Grond and Drie Susters Twee by Reza de Wet. Stilet, 18(1):
Coetser, J.L. 2006d. Standaardwerk oor Suid-Afrikaanse toneelgeskiedenis: Voetligte en applous: die beginjare van die Afrikaanse beroepstoneel, deur D. Botha. Reviewed in: Literator, 27(2):159-161.
Coetser, J.L. 2006e. Van millennium tot milleennium: Afrikaanse drama en teater circa 1990 tot circa 2003, in Perspektief en Profiel : 'n Afrikaanse Literatuurgeskiedenis, edited by H.P. van Coller. Pretoria: Van Schaik. 3:49-189.
Coetser, J.L. 2008. Gemeenskapstoneel deur Robert J. Pearce: aspekte van bewussyn (‘n eerste verkenning). South African Theatre Journal, 22:166-189.
Coetser, J.L. 2009a. Diaspora en aktualiteit in drama: Kaburu deur Deon Opperman. Reviewed in: Literator, 30:177-179.
Coetser, J.L. 2009b. Jasmyn, deur Pieter Fourie. Reviewed in: Tydskrif vir Letterkunde,46(1):
Coetser, J.L. 2009c. Kaburu: ‘n drama vir die verhoog, deur Deon Opperman. Reviewed in: Tydskrif vir Geesteswetenskappe, 49(4):740-741.
Coetser, J.L. 2010. Dramakroniek 2008-9: navorsings- en oorsigartikels. (Kaburu by Deon Opperman, Blou Uur by Reza de Wet, and Prinsloo Versus, by Adriaan Meyer). Tydskrif vir Geesteswetenskappe, 50(3):383-403.
Coetser, Johan 2013. Voorstellings van geweld in Slaghuis (2007) en Skrapnel (2011) deur dramaturg Willem Anker. Tydskrif vir Geesteswetenskappe, 53(1):45-59.
Coetser, Johan 2014. Die See (2011) deur Reza de Wet: 'n Slawedrama?. Tydskrif vir Geesteswetenskappe , Vol 52 (2): 235-247
Coetzee, A. 2001. With the Lid Off, by Todd Matshikiza & John Matshikiza. Reviewed in: De Kat, 16(10):86-87.
Coetzee, A.J. 1971. ATKV huldig die dramaturg Beukes. Die Taalgenoot, 40(11):7. October.
Coetzee, A.J. 1978. Verlede: gedagtenis en noodlot in die dramas van Pieter Fourie. Standpunte, 31(4):52-60. August.
Coetzee, Ampie 1984. Woord en daad, teken en saak, teks en handeling: Pavane van André P. Brink, in Malan, Charles (ed.) Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater. Johannesburg: Perskor. 83-92.
Coetzee, Erika 1990. Stereotypes in contemporary South African cultural discourses. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
Coetzee, Gerda 1995. Feesvier is nog nie teaterkultuur. Insig, 08/95:42.
Coetzee, Marié-Heleen 2000 Playing sticks: an exploration of Zulu stick fighting as performance. South African Theatre Journal, 14:97-113.
Coetzee, Marié-Heleen 2001 Paddy Crean International Stage Combat Congress/Workshop, Canada. South African Theatre Journal, 15:158-160.
Coetzee, Marié-Heleen, Munro, M. & De Boer, A. 2004. Deeper sites through various lines: LMS and whole-brain learning in body/voice training for performers in the HET band. South African Theatre Journal, 18:135-158.
Coetzee, Marié-Heleen 2009. (Re)storying the self: exploring identity through performative inquiry. South African Theatre Journal, 23:94-115.
Coetzee, Marié-Heleen & Munro, Marth 2010. Embodied knowledge: physical theatre and the physicality of theatre. South African Theatre Journal, 24:10-15.
Coetzee, P.J. 1978. Literêrteoretiese beginsels wat dialog beheers in die drama, met verwysing na D.J. Opperman se Periandros van Korinthe. Unie, 75:71-76. August.
Coetzee, P.J. 1983. Enkele gesigspunte oor die voorgeskrewewerk, Die Pluimsaad Waai Vêr – N.P. van Wyk Louw (Bitter begin). Unie, 80:31-34.
Coetzee, Paulette 2000. Lewis Nkosi, in Scanlon, Paul A. (ed.). South African Writers. Detroit: Gale Group. 314-321.
Coetzee, Yvette 1998 Visibly invisible: How shifting the conventions of the traditionally invisible puppeteer allows for more dimensions in both the puppeteer-puppet relationship and the creation of theatrical meaning in Ubu and the Truth Commission. South African Theatre Journal, 12(1&2):35-51.
Cohen, Derek 1978. Athol Fugard’s Boesman and Lena. Journal of Commonwealth Literature, 12:78-83 April
Cohen, Derek 1980. Drama and the police state: Athol Fugard's South Africa. Canadian Drama, 9:151.
Cole, Catherine M. 2001. Africans on Stage: Studies in Ethnological Show Business, ed. by Bernth Lindfors and The Drama of South Africa: Plays, Pageants and Publics, by Loren Kruger. Reviewed in: Theatre Journal, 53(1):179-181.
Cole, Catherine M. 2004. Theatres of truth, acts of reconciliation: the TRC in South Africa, in Conteh-Morgan, John & Olaniyan, Tejumola (eds.). African Drama and Performance. Bloomington: Indiana University Press. 219-226.
Cole, Catherine M. 2007. Performance, transitional justice, and the law: South Africa’s Truth and Reconciliation Commission. Theatre Journal, 59(2):167-187.
Cole, Catherine M. 2008. The rewind cantata. Theater, 38(3):84-109.
Cole, Catherine M. 2010. Performing South Africa's Truth Commission: Stages of Transition. Bloomington: Indiana University Press.
Cole, Catherine M. 2020. Performance and the Afterlives of Injustice: Dance and Live Art in South Africa and Beyond. Ann Arbor: University of Michigan Press.
Coleman, Carl & Kelly, Lynne 1978. Skyvers? Some thoughts on the Sharp Festival of the Arts, Grahamstown. (University Drama Festival; Marlene van Niekerk; Die Duiwel, Sy Helper en die Drie Ligtekooie; Vrolike Frans) Speak, 1(5):62-64.
Colleran, Jeanne Marie 1988. The dissenting writer in South Africa: a rhetorical analysis of the drama of Athol Fugard and the short fiction of Nadine Gordimer. Unpublished doctoral dissertation. Columbus, OH: Ohio State University.
Colleran, Jeanne 1990. A Place With the Pigs: Athol Fugard’s Afrikaner parable. Modern drama, 33(1): 82-92.
Colleran, Jeanne 1995a. Athol Fugard and the problematics of the liberal critique. Modern Drama, 38(3):389-407.
Colleran, Jeanne 1995b. Re-situating Fugard: re-thinking revolutionary theatre. South African Theatre Journal, 9(2):39-49.
Colleran, Jeanne 1998. South African theatre in the United States: the allure of the familiar and of the exotic, in Attridge, Derek & Jolly, Rosemary (eds.). Writing South Africa: Literature, Apartheid and Democracy, 1970-1995. Cambridge: Cambridge University Press. 221-236.
Colleran, Jeanne 1999. Lessons from a fair country, in Blumberg, Marcia & Walder, Dennis (eds.). South African Theatre as/and Intervention. Amsterdam: Rodopi. 113-123.
Colleran, Jeanne 2004. The Dramatic Art of Athol Fugard: from South Africa to the World, by Albert Wertheim. Reviewed in: Theatre Research International, 29(1):89-90.
Collins, F. 1968. Barbara Kinghorn. Personality, 14-19. June 20.
Collins, F. 1971. Leonard Schach: backroom boy of the theatre. Personality, 55-56. February 26.
Collins, Jane 1999. King Lear in South Africa: an interview with director James Whyle. Shakespeare Bulletin, 17(1): 35-37.
Click on the appropriate letters of the alphabet in the sub-list below.
Ca-Cha Che-Cl Coa-Col Com-Cop Cor-Cri Cro-Cz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Return to The ESAT Entries
Return to the Main Page
