Difference between revisions of "Jannie Gildenhuys"

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GILDENHUYS, Jannie. (1929-1999) Bilingual radio, stage and film actor and stage director.   
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[[Jannie Gildenhuys]]. (1929-1999) Bilingual radio, stage and film actor and stage director.   
  
 
== Biography ==
 
== Biography ==
Born in **, trained at the University of Stellenbosch??****. Renowned for his incredibly resonant voice and vocal abilities, and his creative direction.  
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Born in Heidelberg, Cape Province. Renowned for his incredibly resonant voice and vocal abilities, and his creative direction.  
  
 
He died in August 1999.  
 
He died in August 1999.  
Line 12: Line 12:
  
 
=== Training ===
 
=== Training ===
 +
Trained at the University of Stellenbosch and UCT and in London.
  
  
 +
=== Career ===
 +
He became a lecturer at a teacher's training college, and, on a study tour of Europe, came into contact with modern trends in children's theatre and improvisational theatre, notably the work of Joan Littlewood. On his return in 1959, he proposed and later headed [[National Theatre Organisation]]'s [[National Youth Theatre|NTO Youth Theatre]] group, with former teachers [[Cobus Rossouw]] and [[Leonora Nel]]. They began touring in the Cape in August 1959, with works they devised and put on as a group, continuing in the Transvaal in 1960. By 1961 two groups had been formed for the two provinces. In 1963 this bulk of these groups became part of the Performing Arts Council of the Transvaal ([[PACT]]) drama company. Gildenhuys now performed and directed for the Performing Arts Councils. He became the head of the Performing Arts Council of the Orange Free State ([[PACOFS]]) experimental theatre group in the [[Old Presidency Theatre]], undertaking significant work as director/actor, including the first professional production of ''[[Kanna, hy kô Hystoe]]'' ([[Adam Small]]), and immensely creative productions of ''[[Cry, The Beloved Country]]'' ([[Alan Paton]]), ''[[Becket]]'' (Anouilh), ** and ''[[Medea]]'' (1973).
 +
 +
He worked for [[CAPAB]] until 1967 after which he rejoined [[PACT]].
  
=== Career ===
+
From  1985 until 1995 he toured the country with a popular one-man shows, based on books of the Bible, ''[[Die Boodskap]]''. This was followed up in the early 1990s with a sequel, ''[[Die boodskap 2]]''
Became a lecturer at a teacher's training college, and - on a study tour of Europe came into contact with modern trends in children's theatre and improvisational theatre, notably the work of Joan Littlewood. On his return in 1959, he proposed and later headed [[National Theatre Organisation]]'s [[National Youth Theatre|NTO Youth Theatre]] group, with former teachers [[Cobus Rossouw]] and [[Leonora Nel]]. They began touring in the Cape in August 1959, with works they devised and put on as a group, continuing in the Transvaal in 1960. By 1961 two groups had been formed for the two provinces. In 1963 this bulk of these groups became part of the Performing Arts Council of the Transvaal ([[PACT]]) drama company. Gildenhuys now performed and directed for the PAC's , doing * In 1970*? He became the head of the Performing Arts Council of the Orange Free State ([[PACOFS]]) experimental theatre group in the [[Old Presidency Theatre]], undertaking significant work as director/actor, including the first professional production of ''[[Kanna, hy kô Hystoe]]'' ([[Adam Small]]), and immensely creative productions of ''[[Cry, The Beloved Country]]'' ([[Alan Paton]]), ''[[Becket]]'' (Anouilh), ** and ''[[Medea]]'' (1973)**. He later moved to Cape Town?* to work for [[CAPAB]]?*
 
  
In the 1980s he toured the country with a number of popular one-man shows, based on books of the bible. die program Die
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He had more than 200 productions as actor and director, in addition to radio and television dramas.
- boodsl<:ap, gedramatiseerde vertellings
 
uit die Bybel, 'n nuwe perspektief op en
 
begrip vir die Evangelies, aangebied. In
 
die vroee jare negentig het hy die eerste
 
program opgevolg met 'n tweede, Die
 
boodskap 2.
 
  
 
==Contribution to SA theatre, film, media and/or performance==
 
==Contribution to SA theatre, film, media and/or performance==
Hy het aan sowat tweehonderd opvoerings
+
He worked on more or less two hundred productions as director or actor ranging from ''[[Hups in die Hydro]]'' to Hugo Claus's adaptation of Seneca's ''[[Oedipus]]''. ''[[Antigone]]''
as regisseur en! of akteur gewerk.
+
 
Sy repertorium het 'n groot verskeiden- ,
+
Only a few of the many productions include ''[[Le Bourgeois Gentilhomme|The Would-be Gentleman]]'' (1951), ''[[Der Zerbrochene Krug|Die Gebreekte Kruik]]'' (1963), ''[[Lokval!]]'', ''[[Bitter Einde]]'', ''[[Die Loodswaaiers]]'', ''[['n Man met Vakansie]]'', ''[[Maria Stuart]]'', ''[[Die Nag van Legio]]'', ''[[Rashomon]]'', ''[[Tartuffe]]'' and ''[[Sganarelle]]'', ''[[The Idiot]]'' by [[Dostoyevsky]] directed by [[Jo Gevers]] for [[CAPAB]].
hed stukke behEls, van Pieter Fourie se
 
Hups in die Hydro tot Hugo Claus se ver·
 
werking van Seneca se Oedipus.
 
Dit was egter sy werk in aanbiedings
 
  
Sy regie van Moliere se i
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He directed and acted in ''[[Dokter teen Wil en Dank]]'',
Die skelm Scapino vir die Nasionale Toneelorganisasie
 
(NTO) bly een van my
 
waardevolste herinnerings. Ook sy aanbieding
 
in die Nico van Sophokles seAntigone
 
met Antoinette' Kellermann en
 
Marthinus Basson.
 
Vir my 'was dit 'n oriverg
 
  
GILDENHUYS, Jannie, (regie) ''[[Die Jakkalsstreke van Scapino]]'', (vertaal deur [[Bartho Smit]]), met [[Tilana Hanekom]], [[Siegfried Mynhardt]], [[Pieter Geldenhuys]], [[Kita Redelinghuys]], [[Cobus Rossouw]], [[Anton Grobler]], [[Leonora Nel]], [[Johan van Zyl]], [[Frank Graves]], (dekor) [[Doreen Graves]] (kostuums), [[Peter Rorke]] (musiek gekomponeer). [[National Youth Theatre|NTO jeuggroep]]: Jannie Gildenhuys, [[Cobus Rossouw]], [[Leonora Nel]] & [[Irene Durr]].  Doen ook ''[[Dieselfde Pad]]'' ([[Kootjie van den Heever]].)
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He directed ''[[Jack and the Turtle Doves]]'', ''[[Gilgamesh]]'', ''[[Our Town/Ons Dorp]]'' (1976), ''[[Die Renosters]]'', ''[[A Hundred Years Old|Oupa Kanniedood]]'', ''[[Die Jakkalsstreke van Scapino]]'', also ''[[Dieselfde Pad]]''He performed in ''[[Fiela se Kind]]'' as Elias]][[ in 1986 at the [[Nico Malan Theatre]].
  
 
== Awards, etc ==
 
== Awards, etc ==
In 1992 won a [[Fleur du Cap Theatre Awards|Fleur du Cap]] Best Director Award with ''[[Die Rebellie van Lafras Verwey]]'' ([[Chris Barnard]]).
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In 1992 won a [[Fleur du Cap Theatre Awards|Fleur du Cap]] Best Director Award with ''[[Die Rebellie van Lafras Verwey]]'' ([[Chris Barnard]]). In 1993 he was awarded the [[Erepenning vir toneelkuns]] by the [[SA Akademie vir Wetenskap en Kuns]]  and the [[Gerhard Beukes prys]] for his outstanding contribution to South African Theatre over the course of 40 years.
 +
 
  
 
In 1998 he received the [[Fleur du Cap Theatre Awards|Fleur du Cap]] Lifetime Award for his contribution to the industry.
 
In 1998 he received the [[Fleur du Cap Theatre Awards|Fleur du Cap]] Lifetime Award for his contribution to the industry.
  
 
== Sources ==  
 
== Sources ==  
Obituary ''Beeld'' 24 August 1999.
+
''Lokval!'' programme notes, 1964.
 +
 
 +
[[Cape Times]], 21 January 1969
 +
 
 +
[[Die Burger]], 18 August 1986.
 +
 
 +
[[Suid-Kaap Forum]] 16 April 1999.
 +
 
 +
Obituary ''[[Beeld]]'' 24 August 1999.
  
 
Go to [[ESAT Bibliography]]
 
Go to [[ESAT Bibliography]]

Latest revision as of 15:51, 11 January 2023

Jannie Gildenhuys. (1929-1999) Bilingual radio, stage and film actor and stage director.

Biography

Born in Heidelberg, Cape Province. Renowned for his incredibly resonant voice and vocal abilities, and his creative direction.

He died in August 1999.


Youth

Training

Trained at the University of Stellenbosch and UCT and in London.


Career

He became a lecturer at a teacher's training college, and, on a study tour of Europe, came into contact with modern trends in children's theatre and improvisational theatre, notably the work of Joan Littlewood. On his return in 1959, he proposed and later headed National Theatre Organisation's NTO Youth Theatre group, with former teachers Cobus Rossouw and Leonora Nel. They began touring in the Cape in August 1959, with works they devised and put on as a group, continuing in the Transvaal in 1960. By 1961 two groups had been formed for the two provinces. In 1963 this bulk of these groups became part of the Performing Arts Council of the Transvaal (PACT) drama company. Gildenhuys now performed and directed for the Performing Arts Councils. He became the head of the Performing Arts Council of the Orange Free State (PACOFS) experimental theatre group in the Old Presidency Theatre, undertaking significant work as director/actor, including the first professional production of Kanna, hy kô Hystoe (Adam Small), and immensely creative productions of Cry, The Beloved Country (Alan Paton), Becket (Anouilh), ** and Medea (1973).

He worked for CAPAB until 1967 after which he rejoined PACT.

From 1985 until 1995 he toured the country with a popular one-man shows, based on books of the Bible, Die Boodskap. This was followed up in the early 1990s with a sequel, Die boodskap 2

He had more than 200 productions as actor and director, in addition to radio and television dramas.

Contribution to SA theatre, film, media and/or performance

He worked on more or less two hundred productions as director or actor ranging from Hups in die Hydro to Hugo Claus's adaptation of Seneca's Oedipus. Antigone

Only a few of the many productions include The Would-be Gentleman (1951), Die Gebreekte Kruik (1963), Lokval!, Bitter Einde, Die Loodswaaiers, 'n Man met Vakansie, Maria Stuart, Die Nag van Legio, Rashomon, Tartuffe and Sganarelle, The Idiot by Dostoyevsky directed by Jo Gevers for CAPAB.

He directed and acted in Dokter teen Wil en Dank,

He directed Jack and the Turtle Doves, Gilgamesh, Our Town/Ons Dorp (1976), Die Renosters, Oupa Kanniedood, Die Jakkalsstreke van Scapino, also Dieselfde Pad. He performed in Fiela se Kind as Elias]][[ in 1986 at the Nico Malan Theatre.

Awards, etc

In 1992 won a Fleur du Cap Best Director Award with Die Rebellie van Lafras Verwey (Chris Barnard). In 1993 he was awarded the Erepenning vir toneelkuns by the SA Akademie vir Wetenskap en Kuns and the Gerhard Beukes prys for his outstanding contribution to South African Theatre over the course of 40 years.


In 1998 he received the Fleur du Cap Lifetime Award for his contribution to the industry.

Sources

Lokval! programme notes, 1964.

Cape Times, 21 January 1969

Die Burger, 18 August 1986.

Suid-Kaap Forum 16 April 1999.

Obituary Beeld 24 August 1999.

Go to ESAT Bibliography

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