Difference between revisions of "ESAT Bibliography Sti-Suz"
| (20 intermediate revisions by 2 users not shown) | |||
| Line 1: | Line 1: | ||
Click on the appropriate letters of the alphabet in the sub-list below. | Click on the appropriate letters of the alphabet in the sub-list below. | ||
| − | [[ESAT Bibliography Sa-Saz|Sa-Saz]] [[ESAT Bibliography Sca-Sce|Sca-Sce]] [[ESAT Bibliography Scha|Scha]] [[ESAT Bibliography Sche- | + | [[ESAT Bibliography Sa-Saz|Sa-Saz]] [[ESAT Bibliography Sca-Sce|Sca-Sce]] [[ESAT Bibliography Scha|Scha]] [[ESAT Bibliography Sche-Schn|Sche-Schn]] [[ESAT Bibliography Scho|Scho]] [[ESAT Bibliography Schr-Schw|Schr-Schw]] [[ESAT Bibliography Sci-Sez|Sci-Sez]] [[ESAT Bibliography Sh-Sid|Sh-Sid]] [[ESAT Bibliography Sie-Slo|Sie-Slo]] [[ESAT Bibliography Sma-Smu|Sma-Smu]] [[ESAT Bibliography Sna-Sow|Sna-Sow]] [[ESAT Bibliography Spa-Sta|Spa-Sta]] [[ESAT Bibliography Stea|Stea]] [[ESAT Bibliography Stee-Stey|Stee-Stey]] [[ESAT Bibliography Sti-Suz|Sti-Suz]] [[ESAT Bibliography Swa-Syz|Swa-Syz]] |
To return to any other letter, click on the list below | To return to any other letter, click on the list below | ||
| Line 10: | Line 10: | ||
| − | Stockenström, | + | [[Wilma Stockenström|Stockenström, Wilma]] 1968. Malaise van die Afrikaanse beroepstoneel: ‘n diagnose. ''[[Teater SA]]'', 1(2):6. December. |
| − | Stockil, Emily 2008. Development, belonging and change : a study of a community Theatre-for-Development initiative in KwaZulu-Natal. Cape Town: University of Cape Town | + | [[Emily Stockil|Stockil, Emily]] 2008. Development, belonging and change : a study of a community Theatre-for-Development initiative in KwaZulu-Natal. Unpublished master’s thesis. Cape Town: [[University of Cape Town]]. |
| − | + | [[Jack Stodel|Stodel, Jack]] 1962. ''The Audience Is Waiting''. Cape Town: [[Howard Timmins]]. | |
| − | Stoloff, C. 1954. Theatre without actresses. [Riebeeck Square, Cape Town | + | [[C. Stoloff|Stoloff, C.]] 1954. [[Riebeeck Square Theatre|Theatre]] without actresses. ([[Riebeeck Square]], Cape Town). ''[[Playtime]]'', 10(99):27. July-August. |
| − | Stoloff, C. 1969. How should a theatre be designed? Architect and | + | [[C. Stoloff|Stoloff, C.]] 1969. How should a theatre be designed? ''[[Architect and Builder]]'', 19(9):8-11. |
| − | + | [[Amori Stols|Stols, Amori]] 2013. Die ontwikkeling van kritiese denke deur die gebruik van drama as onderrigmetode binne die vak Lewensoriëntering. Unpublished master's thesis. Stellenbosch: [[Stellenbosch University]]. | |
| − | + | [[Christélle Stoltz|Stoltz, Christélle]] 2000. Die relevansie van sangvaardighede as deel van die akteur se stem- en spraakopleiding. Unpublished master’s thesis. Stellenbosch: [[University of Stellenbosch]]. | |
| − | + | [[Clare Stopford|Stopford, Clare]] & [[Anton Krueger|Krueger, Anton]] 2006. Intuition/intellect - sex/sensibility. ''[[South African Theatre Journal]]'', 20:233-251. | |
| − | + | [[Lourens Daniel Marthinus Stopforth|Stopforth, Lourens Daniel Marthinus]] 1955. Drama in South Africa, 1925-1955 :a critical survey. Unpublished doctoral dissertation. Potchefstroom: [[Potchefstroom University for Christian Higher Education]]. | |
| − | + | ''[[Die Storm]]'' [criticism]. 1978. ''[[Scenaria]]'', June/July: 19. | |
| − | + | [[Patricia Storrar|Storrar, Patricia]] 1968. ''Beginners Please: A History of Children's Theatre in South Africa''. Johannesburg: Children’s Theatre. | |
| − | + | [[Patricia Storrar|Storrar, Patricia]] 1988. ''Drama at Ponta Delgada''. Johannesburg: Lowry. | |
| − | + | Stott, Catherine 1972. [[Janet Suzman]]. ''Guardian'', 14 June:11. | |
| − | + | Strange Library of Africana 1964. ''A list of theatre performances in Johannesburg, 1887-1897, based on the programme collection in the Strange Library of Africana'', Johannesburg, compiled by [[Rosemary Ursula Hoffman]]. Johannesburg : Johannesburg Public Library. | |
| + | |||
| + | [[John Strausbaugh|Strausbaugh, John]] 1989. [[Gcina Mhlope|Mhlope]] stages Zandile, assumes [[Market Theatre|Market]] post. ''American Theatre'', 6(1):34-35. (Gcina Mhlope) | ||
| − | + | [[E. Streicher|Streicher, E.]] 1979. From [[Market Theatre|market]] to theatre. ''South African Panorama'', 24(4): 36-39. April. | |
| − | + | The strength of South African theatre. 1985. ''Writers' Ring'', (22):28-30. | |
| − | + | [[Eunice Strydom|Strydom, Eunice]] 1997. Towards a theatre of reconciliation: [[Athol Fugard]]'s ''[[Playland]]''. Unpublished master’s thesis. Bloemfontein: University of the Orange Free State. | |
| − | + | [[Constance Stuart|Stuart, Constance]] 1946. “Tempest” by William Shakespeare [produced with a non-European cast in Cape Town]. ''Libertas''. 6(6):47. | |
| − | + | [[E. Stuart|Stuart, E.]] 1967. Magnificent commemoration. ''Fair Lady'', 3(2):10-14. March 22. | |
| − | + | [[E. Stuart|Stuart, E.]] 1996. Bearer of the torch: biography ([[Elizabeth Sneddon]]). ''Vuka'', 1(5):11-12. | |
| − | + | Südafrikanischer [[National Theatre Organisation|Nationaltheater]]. 1958. ''Afrika-Post'', 5(1):67. | |
| − | + | [[Jacqueline Claire Sudworth|Sudworth, Jacqueline Claire]] 1992. An investigation into the integration of western and non-western theatrical and ritualistic techniques in performance. Unpublished master’s thesis. Pietermaritzburg: University of Natal. | |
| − | + | [[SUKOVS]] – die eerste 10 jaar, 1963-1973. 1973. ''Lantern'', 22(3):2-9. March. | |
| − | Suzman, Janet 1998. South Africa in Othello | + | [[Alexandra Sutherland|Sutherland, Alexandra]] 2005. Writing, identity, and change : a narrative case study of the use of journals to promote reflexivity within a Drama Studies curriculum. Unpublished master’s thesis. Grahamstown: Rhodes University. |
| + | |||
| + | [[Alexandra Sutherland|Sutherland, Alexandra]] 2007. Writing and performing change: the use of writing journals to promote reflexivity in a Drama Studies curriculum. ''[[South African Theatre Journal]]'', 21:109-122. | ||
| + | |||
| + | [[Janet Suzman|Suzman, Janet]] 1978. [Acting and criticism]. ''Speak'', 1(3):29-31. May-June. | ||
| + | |||
| + | [[Janet Suzman|Suzman, Janet]] 1998. South Africa in ''Othello'', in Bate, Jonathan, Levenson, Jill L. & Mehl, Dieter (eds.). Shakespeare and the twentieth century : the selected proceedings of the International Shakespeare Association World Congress, Los Angeles, 1996. Newark : University of Delaware Press. 23-40. | ||
| Line 62: | Line 70: | ||
Click on the appropriate letters of the alphabet in the sub-list below. | Click on the appropriate letters of the alphabet in the sub-list below. | ||
| − | [[ESAT Bibliography Sa-Saz|Sa-Saz]] [[ESAT Bibliography Sca-Sce|Sca-Sce]] [[ESAT Bibliography Scha|Scha]] [[ESAT Bibliography Sche- | + | [[ESAT Bibliography Sa-Saz|Sa-Saz]] [[ESAT Bibliography Sca-Sce|Sca-Sce]] [[ESAT Bibliography Scha|Scha]] [[ESAT Bibliography Sche-Schn|Sche-Schn]] [[ESAT Bibliography Scho|Scho]] [[ESAT Bibliography Schr-Schw|Schr-Schw]] [[ESAT Bibliography Sci-Sez|Sci-Sez]] [[ESAT Bibliography Sh-Sid|Sh-Sid]] [[ESAT Bibliography Sie-Slo|Sie-Slo]] [[ESAT Bibliography Sma-Smu|Sma-Smu]] [[ESAT Bibliography Sna-Sow|Sna-Sow]] [[ESAT Bibliography Spa-Sta|Spa-Sta]] [[ESAT Bibliography Stea|Stea]] [[ESAT Bibliography Stee-Stey|Stee-Stey]] [[ESAT Bibliography Sti-Suz|Sti-Suz]] [[ESAT Bibliography Swa-Syz|Swa-Syz]] |
To return to any other letter, click on the list below | To return to any other letter, click on the list below | ||
Latest revision as of 19:14, 22 December 2021
Click on the appropriate letters of the alphabet in the sub-list below.
Sa-Saz Sca-Sce Scha Sche-Schn Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Stockenström, Wilma 1968. Malaise van die Afrikaanse beroepstoneel: ‘n diagnose. Teater SA, 1(2):6. December.
Stockil, Emily 2008. Development, belonging and change : a study of a community Theatre-for-Development initiative in KwaZulu-Natal. Unpublished master’s thesis. Cape Town: University of Cape Town.
Stodel, Jack 1962. The Audience Is Waiting. Cape Town: Howard Timmins.
Stoloff, C. 1954. Theatre without actresses. (Riebeeck Square, Cape Town). Playtime, 10(99):27. July-August.
Stoloff, C. 1969. How should a theatre be designed? Architect and Builder, 19(9):8-11.
Stols, Amori 2013. Die ontwikkeling van kritiese denke deur die gebruik van drama as onderrigmetode binne die vak Lewensoriëntering. Unpublished master's thesis. Stellenbosch: Stellenbosch University.
Stoltz, Christélle 2000. Die relevansie van sangvaardighede as deel van die akteur se stem- en spraakopleiding. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
Stopford, Clare & Krueger, Anton 2006. Intuition/intellect - sex/sensibility. South African Theatre Journal, 20:233-251.
Stopforth, Lourens Daniel Marthinus 1955. Drama in South Africa, 1925-1955 :a critical survey. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher Education.
Die Storm [criticism]. 1978. Scenaria, June/July: 19.
Storrar, Patricia 1968. Beginners Please: A History of Children's Theatre in South Africa. Johannesburg: Children’s Theatre.
Storrar, Patricia 1988. Drama at Ponta Delgada. Johannesburg: Lowry.
Stott, Catherine 1972. Janet Suzman. Guardian, 14 June:11.
Strange Library of Africana 1964. A list of theatre performances in Johannesburg, 1887-1897, based on the programme collection in the Strange Library of Africana, Johannesburg, compiled by Rosemary Ursula Hoffman. Johannesburg : Johannesburg Public Library.
Strausbaugh, John 1989. Mhlope stages Zandile, assumes Market post. American Theatre, 6(1):34-35. (Gcina Mhlope)
Streicher, E. 1979. From market to theatre. South African Panorama, 24(4): 36-39. April.
The strength of South African theatre. 1985. Writers' Ring, (22):28-30.
Strydom, Eunice 1997. Towards a theatre of reconciliation: Athol Fugard's Playland. Unpublished master’s thesis. Bloemfontein: University of the Orange Free State.
Stuart, Constance 1946. “Tempest” by William Shakespeare [produced with a non-European cast in Cape Town]. Libertas. 6(6):47.
Stuart, E. 1967. Magnificent commemoration. Fair Lady, 3(2):10-14. March 22.
Stuart, E. 1996. Bearer of the torch: biography (Elizabeth Sneddon). Vuka, 1(5):11-12.
Südafrikanischer Nationaltheater. 1958. Afrika-Post, 5(1):67.
Sudworth, Jacqueline Claire 1992. An investigation into the integration of western and non-western theatrical and ritualistic techniques in performance. Unpublished master’s thesis. Pietermaritzburg: University of Natal.
SUKOVS – die eerste 10 jaar, 1963-1973. 1973. Lantern, 22(3):2-9. March.
Sutherland, Alexandra 2005. Writing, identity, and change : a narrative case study of the use of journals to promote reflexivity within a Drama Studies curriculum. Unpublished master’s thesis. Grahamstown: Rhodes University.
Sutherland, Alexandra 2007. Writing and performing change: the use of writing journals to promote reflexivity in a Drama Studies curriculum. South African Theatre Journal, 21:109-122.
Suzman, Janet 1978. [Acting and criticism]. Speak, 1(3):29-31. May-June.
Suzman, Janet 1998. South Africa in Othello, in Bate, Jonathan, Levenson, Jill L. & Mehl, Dieter (eds.). Shakespeare and the twentieth century : the selected proceedings of the International Shakespeare Association World Congress, Los Angeles, 1996. Newark : University of Delaware Press. 23-40.
Click on the appropriate letters of the alphabet in the sub-list below.
Sa-Saz Sca-Sce Scha Sche-Schn Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
