Difference between revisions of "ESAT Bibliography Sti-Suz"
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[[Wilma Stockenström|Stockenström, Wilma]] 1968. Malaise van die Afrikaanse beroepstoneel: ‘n diagnose. ''[[Teater SA]]'', 1(2):6. December. | [[Wilma Stockenström|Stockenström, Wilma]] 1968. Malaise van die Afrikaanse beroepstoneel: ‘n diagnose. ''[[Teater SA]]'', 1(2):6. December. | ||
| − | [[Emily Stockil|Stockil, Emily]] 2008. Development, belonging and change : a study of a community Theatre-for-Development initiative in KwaZulu-Natal. Unpublished master’s thesis. Cape Town: University of Cape Town. | + | [[Emily Stockil|Stockil, Emily]] 2008. Development, belonging and change : a study of a community Theatre-for-Development initiative in KwaZulu-Natal. Unpublished master’s thesis. Cape Town: [[University of Cape Town]]. |
| − | [[Jack Stodel|Stodel, Jack]] 1962. ''The Audience Is Waiting''. Cape Town: Howard Timmins. | + | [[Jack Stodel|Stodel, Jack]] 1962. ''The Audience Is Waiting''. Cape Town: [[Howard Timmins]]. |
[[C. Stoloff|Stoloff, C.]] 1954. [[Riebeeck Square Theatre|Theatre]] without actresses. ([[Riebeeck Square]], Cape Town). ''Playtime'', 10(99):27. July-August. | [[C. Stoloff|Stoloff, C.]] 1954. [[Riebeeck Square Theatre|Theatre]] without actresses. ([[Riebeeck Square]], Cape Town). ''Playtime'', 10(99):27. July-August. | ||
Revision as of 19:11, 22 December 2021
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Stockenström, Wilma 1968. Malaise van die Afrikaanse beroepstoneel: ‘n diagnose. Teater SA, 1(2):6. December.
Stockil, Emily 2008. Development, belonging and change : a study of a community Theatre-for-Development initiative in KwaZulu-Natal. Unpublished master’s thesis. Cape Town: University of Cape Town.
Stodel, Jack 1962. The Audience Is Waiting. Cape Town: Howard Timmins.
Stoloff, C. 1954. Theatre without actresses. (Riebeeck Square, Cape Town). Playtime, 10(99):27. July-August.
Stoloff, C. 1969. How should a theatre be designed? Architect and Builder, 19(9):8-11.
Stols, Amori 2013. Die ontwikkeling van kritiese denke deur die gebruik van drama as onderrigmetode binne die vak Lewensoriëntering. Unpublished master's thesis. Stellenbosch: Stellenbsoch University.
Stoltz, Christélle 2000. Die relevansie van sangvaardighede as deel van die akteur se stem- en spraakopleiding. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
Stopford, Clare & Krueger, Anton 2006. Intuition/intellect - sex/sensibility. South African Theatre Journal, 20:233-251.
Stopforth, Lourens Daniel Marthinus 1955. Drama in South Africa, 1925-1955 :a critical survey. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher Education.
Die Storm [criticism]. 1978. Scenaria, June/July: 19.
Storrar, Patricia 1968. Beginners Please: A History of Children's Theatre in South Africa. Johannesburg: Children’s Theatre.
Storrar, Patricia 1988. Drama at Ponta Delgada. Johannesburg: Lowry.
Stott, Catherine 1972. Janet Suzman. Guardian, 14 June:11.
Strange Library of Africana 1964. A list of theatre performances in Johannesburg, 1887-1897, based on the programme collection in the Strange Library of Africana, Johannesburg, compiled by Rosemary Ursula Hoffman. Johannesburg : Johannesburg Public Library.
Strausbaugh, John 1989. Mhlope stages Zandile, assumes Market post. American Theatre, 6(1):34-35. (Gcina Mhlope)
Streicher, E. 1979. From market to theatre. South African Panorama, 24(4): 36-39. April.
The strength of South African theatre. 1985. Writers' Ring, (22):28-30.
Strydom, Eunice 1997. Towards a theatre of reconciliation: Athol Fugard's Playland. Unpublished master’s thesis. Bloemfontein: University of the Orange Free State.
Stuart, Constance 1946. “Tempest” by William Shakespeare [produced with a non-European cast in Cape Town]. Libertas. 6(6):47.
Stuart, E. 1967. Magnificent commemoration. Fair Lady, 3(2):10-14. March 22.
Stuart, E. 1996. Bearer of the torch: biography (Elizabeth Sneddon). Vuka, 1(5):11-12.
Südafrikanischer Nationaltheater. 1958. Afrika-Post, 5(1):67.
Sudworth, Jacqueline Claire 1992. An investigation into the integration of western and non-western theatrical and ritualistic techniques in performance. Unpublished master’s thesis. Pietermaritzburg: University of Natal.
SUKOVS – die eerste 10 jaar, 1963-1973. 1973. Lantern, 22(3):2-9. March.
Sutherland, Alexandra 2005. Writing, identity, and change : a narrative case study of the use of journals to promote reflexivity within a Drama Studies curriculum. Unpublished master’s thesis. Grahamstown: Rhodes University.
Sutherland, Alexandra 2007. Writing and performing change: the use of writing journals to promote reflexivity in a Drama Studies curriculum. South African Theatre Journal, 21:109-122.
Suzman, Janet 1978. [Acting and criticism]. Speak, 1(3):29-31. May-June.
Suzman, Janet 1998. South Africa in Othello, in Bate, Jonathan, Levenson, Jill L. & Mehl, Dieter (eds.). Shakespeare and the twentieth century : the selected proceedings of the International Shakespeare Association World Congress, Los Angeles, 1996. Newark : University of Delaware Press. 23-40.
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