Difference between revisions of "ESAT Bibliography Sna-Sow"

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Sneddon, E. 1981. Mag van die gesproke word. NEON, 37: 1-6.
+
[[Elizabeth Sneddon|Sneddon, E.]] 1981. Mag van die gesproke woord. ''NEON'', 37:1-6.
  
 +
[[Leida Snow|Snow, Leida]] 1990. South African director encounters the Schuberts in the classroom. ''Theater Week'', 3(29):31-32. February 26.
  
Snow, Leida 1990. South African director encounters the Shuberts in the classroom. Theater week, 3(29): 31-32. February 26.
+
[[Jeannette D. Snowball|Snowball, J.D.]] 2008. The impact of a change in ticket price on the demand for university live theatre: an illustrative case study of the Young Directors’ season at Rhodes Univesrity. ''[[South African Theatre Journal]]'', 22:119-129.
  
Snowball, J.D. 2008. The impact of a change in ticket price on the demand for university live theatre: an illustrative case study of the Young Directors’ season at Rhodes Univesrity. South African theatre journal, 22: 119-129.
+
[[Jeannette Snowball|Snowball, Jeanette. D.]] 2008 ''Measuring the Value of Culture. Methods and examples in Cultural Economics''. (A study of the [[Grahamstown Festival]]) Berlin: Springer-Verlag.
  
SNOWBALL, Jeanette. D. 2008 Measuring the Value of Culture. Methods and examples in Cultural Economics (A study of the Grahamstown festival) Berlin: Springer-Verlag.
+
Snowball, J.D. & Antrobus, G.G. 2009. The experiences of Fringe producers at the South African National Arts Festival: production, profits and non-market benefits. South African Theatre Journal, 23:53-67.
  
 +
Snyman, H. 1970. Vyfling: T.T. Cloete. Unie, 67:30-34.
  
Snowball, J.D. & Antrobus, G.G. 2009. The experiences of Fringe producers at the South African National Arts Festival: production, profits and non-market benefits. South African theatre journal, 23: 53-67.
+
Snyman, Henning 1994. Kabaret: ‘n literêre grensgeval. South African Theatre Journal, 8(2):27-37.
  
Snyman, H. 1970. Vyfling: T.T. Cloete. Unie, 67: 30-34.
+
Snyman, Maritha 1996. ‘n Pot Vol Winter : woordteks tot getransponeerde beeldteks. Tydskrif vir Letterkunde, 32(21):43-60.
  
Snyman, Henning 1994. Kabaret: ‘n literêre grensgeval. South African theatre journal, 8(2): 27-37.
+
Snyman, Maritha 1998. Kabaret van die Fin de Siècle: Le Chat Noir en Amanda Strydom se Vrou by die Spieël: ‘n vergelykende blik. Tydskrif vir Letterkunde. 36(2):76.
  
Snyman, Maritha 1996. ‘n Pot vol winter : woordteks tot getransponeerde beeldteks. Tydskrif vir letterkunde, 32(21) : 43-60.
+
Snyman, N.J. 1985. Periandros van Korinthe (D.J. Opperman). Tydskrif vir Letterkunde, 23(3):112-123.
  
Snyman, Maritha 1998. Kabaret van die Fin de Siècle: Le Chat Noir en Amanda Strydom se Vrou by die Spieël: ‘n vergelykende blik. Tydskrif vir Letterkunde. xxxvi/2: 76.
+
Snyman, R. 1987. Rolspel as aanvullende onderwysmetode vir kreatiewe onderrig en leer van taalvaardighede. Journal for Language Teaching, 21(3):49-60. September.
  
Snyman, N.J. 1985. Periandros van Korinthe (D.J. Opperman).  Tydskrif vir letterkunde, 23(3): 112-123.
+
Solberg, Rolf 1999. Alternative Theatre in South Africa: Talks With Prime Movers Since the 1970's. Pietermaritzburg: Hadeda.
 
 
Snyman, R. 1987. Rolspel as aanvullende onderwysmetode vir kreatiewe onderrig en leer van taalvaardighede. Journal for language teaching, 21(3): 49-60. September.
 
 
 
Snyman, Wilhelm. 1998. Fest: Praise and scorn in equal dollops. In: The Cape Times, July 7, 1998: 11.
 
 
 
Snyman, Wilhelm. 2003. Play pulls no punches on AIDS debate. In: The Cape Times, August 19, 2003: 10.
 
 
 
Solberg, Rolf 1999. Alternative theatre in South Africa :talks with prime movers since the 1970's. Pietermaritzburg : Hadeda.
 
 
 
Solberg, Rolf 2001. African studies review. 44, no. 3, (2001): 79 JSG KOM 960.05 AFR
 
  
 
Solberg, Rolf. 2003. South African theatre in the melting pot :trends and developments at the turn of the millennium /interviews by Rolf Solberg ; [edited by Laurence Wright].    [Grahamstown, South Africa] :  Institute for the Study of English in South Africa, Rhodes University.
 
Solberg, Rolf. 2003. South African theatre in the melting pot :trends and developments at the turn of the millennium /interviews by Rolf Solberg ; [edited by Laurence Wright].    [Grahamstown, South Africa] :  Institute for the Study of English in South Africa, Rhodes University.
  
SOLE, KELWYN. 1984. Black Literature and Performance: Some Notes on Class and Populism. South African Labour Bulletin 9 (8): 54-76.
+
Sole, Kelwyn 1984. Black literature and performance: some notes on class and populism. South African Labour Bulletin 9 (8):54-76.
 
 
Sole, Kelwyn 1987a. Identities and priorities in recent Black literature and performance: a preliminary Investigation.  South African theatre journal, 1(1): 45 – 113.
 
 
 
Sole, Kelwyn 1987b. Oral performance and social struggle in contemporary Black South African literature. In Bunn, David & Taylor, Jane (eds). From South Africa: new writing, photographs and art. Evanston, Ill.: Northwestern University Press. p. 254-271.
 
 
 
Sole, T. 1980. Sun City theatre. Scenaria, (18): 29-30.
 
 
 
SOLOMON, E.: 193/34. The Arts in South Africa, Durban, Knox Printing and Publishing Co.
 
  
Sommige vriende noem my bitterbek. [Wilma Stockenström]. 1977. Huisgenoot, 16-17. May 6.
+
Sole, Kelwyn 1987a. Identities and priorities in recent Black literature and performance: a preliminary Investigation. South African Theatre Journal, 1(1):45-113.  
  
Songololo:  Voices of Change (video) (Maureen Eke & Keyan Tomaselli) South African theatre journal, 6(2):96-98.
+
Sole, Kelwyn 1987b. Oral performance and social struggle in contemporary Black South African literature, in Bunn, David & Taylor, Jane (eds.). From South Africa: New Writing, Photographs and Art. Evanston, Ill.: Northwestern University Press. 254-271.
 
 
Soni, Sumithra Jaysooklal 1990. A general survey of Zulu drama with a critical analysis of selected plays. Durban: University of Natal. (M.A.-Zulu Language and Literature thesis).
 
  
 +
Sole, T. 1980. Sun City Theatre. Scenaria, (18):29-30.
  
 +
Sommige vriende noem my bitterbek. (Wilma Stockenström). 1977. Huisgenoot, 16-17. May 6.
  
South Africa’s gains. 1941. Forum. 4(3): 31.
+
Soni, Sumithra Jaysooklal 1990. A general survey of Zulu drama with a critical analysis of selected plays. Unpublished master’s thesis. Durban: University of Natal.
  
South African amateur theatre grows. 1941. Forum. 4(10): 29. June 7.
+
South Africa’s gains. 1941. Forum, 4(3):31.
  
South African theatre. 1941. Forum. 3(48): 5.
+
South African amateur theatre grows. 1941. Forum, 4(10):29. June 7.
  
South African theatre helps to build national unit [Afrikaans and English societies produce Twelfth night]. 1940. Forum. 3(3): 5, 13.
+
South African theatre. 1941. Forum, 3(48): 5.
  
SOWDEN, Lewis. 1964. Both Sides of the Mask. The World of Muriel Alexander. Cape Town: Howard Timmins.  
+
South African theatre helps to build national unit [Afrikaans and English societies produce Twelfth Night]. 1940. Forum. 3(3):5, 13.
  
Sowden, Lewis 1964. Both sides of the mask: the world of Muriel Alexander. Cape Town: Howard Timmins.
+
Sowden, Lewis 1964. Both Sides of the Mask: The World of Muriel Alexander. Cape Town: Howard Timmins.
  
  

Revision as of 08:59, 24 February 2011

Click on the appropriate letters of the alphabet in the sub-list below.

Sa-Saz Sca-Sce Scha Sche-Schi Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz

To return to any other letter, click on the list below

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Return to A Bibliography of South African South African Theatre and Performance


Sneddon, E. 1981. Mag van die gesproke woord. NEON, 37:1-6.

Snow, Leida 1990. South African director encounters the Schuberts in the classroom. Theater Week, 3(29):31-32. February 26.

Snowball, J.D. 2008. The impact of a change in ticket price on the demand for university live theatre: an illustrative case study of the Young Directors’ season at Rhodes Univesrity. South African Theatre Journal, 22:119-129.

Snowball, Jeanette. D. 2008 Measuring the Value of Culture. Methods and examples in Cultural Economics. (A study of the Grahamstown Festival) Berlin: Springer-Verlag.

Snowball, J.D. & Antrobus, G.G. 2009. The experiences of Fringe producers at the South African National Arts Festival: production, profits and non-market benefits. South African Theatre Journal, 23:53-67.

Snyman, H. 1970. Vyfling: T.T. Cloete. Unie, 67:30-34.

Snyman, Henning 1994. Kabaret: ‘n literêre grensgeval. South African Theatre Journal, 8(2):27-37.

Snyman, Maritha 1996. ‘n Pot Vol Winter : woordteks tot getransponeerde beeldteks. Tydskrif vir Letterkunde, 32(21):43-60.

Snyman, Maritha 1998. Kabaret van die Fin de Siècle: Le Chat Noir en Amanda Strydom se Vrou by die Spieël: ‘n vergelykende blik. Tydskrif vir Letterkunde. 36(2):76.

Snyman, N.J. 1985. Periandros van Korinthe (D.J. Opperman). Tydskrif vir Letterkunde, 23(3):112-123.

Snyman, R. 1987. Rolspel as aanvullende onderwysmetode vir kreatiewe onderrig en leer van taalvaardighede. Journal for Language Teaching, 21(3):49-60. September.

Solberg, Rolf 1999. Alternative Theatre in South Africa: Talks With Prime Movers Since the 1970's. Pietermaritzburg: Hadeda.

Solberg, Rolf. 2003. South African theatre in the melting pot :trends and developments at the turn of the millennium /interviews by Rolf Solberg ; [edited by Laurence Wright]. [Grahamstown, South Africa] : Institute for the Study of English in South Africa, Rhodes University.

Sole, Kelwyn 1984. Black literature and performance: some notes on class and populism. South African Labour Bulletin 9 (8):54-76.

Sole, Kelwyn 1987a. Identities and priorities in recent Black literature and performance: a preliminary Investigation. South African Theatre Journal, 1(1):45-113.

Sole, Kelwyn 1987b. Oral performance and social struggle in contemporary Black South African literature, in Bunn, David & Taylor, Jane (eds.). From South Africa: New Writing, Photographs and Art. Evanston, Ill.: Northwestern University Press. 254-271.

Sole, T. 1980. Sun City Theatre. Scenaria, (18):29-30.

Sommige vriende noem my bitterbek. (Wilma Stockenström). 1977. Huisgenoot, 16-17. May 6.

Soni, Sumithra Jaysooklal 1990. A general survey of Zulu drama with a critical analysis of selected plays. Unpublished master’s thesis. Durban: University of Natal.

South Africa’s gains. 1941. Forum, 4(3):31.

South African amateur theatre grows. 1941. Forum, 4(10):29. June 7.

South African theatre. 1941. Forum, 3(48): 5.

South African theatre helps to build national unit [Afrikaans and English societies produce Twelfth Night]. 1940. Forum. 3(3):5, 13.

Sowden, Lewis 1964. Both Sides of the Mask: The World of Muriel Alexander. Cape Town: Howard Timmins.


Click on the appropriate letters of the alphabet in the sub-list below.

Sa-Saz Sca-Sce Scha Sche-Schi Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance