Bo Petersen

Bo Petersen (1955-) is a versatile actress, singer, dancer and director.

She is often incorrectly credited as Bo Peterson

Not to be confused with the Danissh motorcyclist Bo Petersen (1958-)[1]

Biography

Born in Queenstown on 24 March 1955 and grew up in a mining town in Western Transvaal. She spent a year in California as an AFS exchange student.

She studied drama at the University of Cape Town from 1973 to 1976.

Career

She was a member of PACT Playwork and spent 18 months with CAPAB Drama, but from 1978 onwards worked as a freelance actress, theatre director, voice and dialogue coach, voice over artist. She also taught drama and voice at the the University of Cape Town drama school for a while, while continuing to persue a free-lance career as actor, director and voice coach.

She later settled in South Bend, Indiana in the USA, to continue as a freelance actor, theatre director, voice coach, and voice over artist.

Contribution to SA theatre, film, media and/or performance

Performed in Equus (in Afrikaans, at the Market Theatre), Grease (as “Rizzo” for Brickhill/Burke), You Can't Take it With You, Play it again, Sam, Brecht on Brecht and in several productions of Twelfth Night. Starred in Barney Simon’s production of Cincinatti – Scenes from City Life together with Marcel van Heerden, Danny Keogh, Lesley Nott, Barrie Shah, Thoko Ntshinga, Vanessa Cooke, Sam Williams and Robin Smith for The Company at The Market Theatre, Upstairs at the Market, the Baxter Theatre and the Brooke Theatre in 1979. Starred in the Baxter Theatre production of Seer in the Suburbs, the English translation of P.G. du Plessis’ Siener in die Suburbs together with Trudie Taljaard, Dale Cutts and Marcel van Heerden at the Academy Theatre in 1981. Starred in Pieter Toerien and Shirley Firth’s last joint production namely the Baxter Theatre production of Robert Kirby’s It's a Boy! together with Dale Cutts and James Irwin with direction by Keith Grenville at the Intimate in 1982. She starred in Graham Wright’s Baxter production of Steven Berkoff’s Decadence together with John Maytham (replacing Fiona Ramsay and Henry Goodman who had played the roles in Cape Town) with direction by Ron Smerczak at the Durban Alhambra Theatre and Wits Theatre in 1984. Panorama (Pieter-Dirk Uys, (1988), From My Point of View (1989), Shakespeare's Macbeth by Heiner Müller in 1989, Ons Sal Offer Wat Jy Vra (1990), Steel Magnolias (1990), title role in Medea, 1994.

Quoted from the program notes of the 1984 run of Decadence: 'Her first production was Equus in Pretoria (where an enthusiastic police contingent chased her backstage and attempted to arrest her under the Immorality Act) but she fortunately managed to escape and perform in many others, namely: Play It Again Sam, Grease, Cincinatti, The Best Little Whorehouse in Texas, Wieretuin, Passion Play, Seer in the Suburbs, Buried Child, It's a Boy! and Up 'n Atom. Bo is still recognised for her TV part in Oh George! but she has also appeared in Miss Candida, Highrise Cowboy and others that she would rather not mention. Bo has appeared in a number of films including Waar en Wolhaarstories, Skollie, and others which she can't mention because she's forgotten the titles. She remains committed however to local fringe theatre and instrumental in the production of the satire, Day in the Life of South Africa (under white supervision), A Fact of Life, Upfront, Going Dark (which she wrote). '