The Honey Moon, or How to Rule a Wife
The original text
First produced in London at the Drury Lane Theatre on 31 January 1805, in New York in 1807. Printed London, 1805 and frequently reprinted. Was a decided success and remained a favourite on the English stage for twenty years.
Translations and adaptations
Translated into French by Charles Nodier as La Lune de Miel in Chefs d'œuvre des Théâtres Étrangers 1822.
Performance history in South Africa
A popular standby for players in Cape Town between 1811 and 1830.
1818: Performed in the African Theatre on 24 January by three visiting professional performers from Liverpool - a Mr Cooke, Mrs Cooke, Mrs Brough and Miss Williams, assisted by the Gentlemen Amateurs, probably including the talented Captain Carter. The afterpiece is The Devil To Pay (Coffey). They repeat it on 11 April, 1818, this time with The Weathercock (Tobin) as afterpiece.
1854: Performed in Cape Town on Friday, 18 August by the Amateur Company (aided by the Officers of the Garrison) in the Garrison Theatre. Also performed were Charles the Twelfth (Planché), A Peculiar Position author unnamed, but it was a translation from Scribe & Bayard by Planché) and The Two Bonnycastles (J.M. Morton).
1857: Performed as The Honeymoon, or How to Rule a Wife by Sefton Parry and his company in the Harrington Street Theatre, Cape Town, on 27 November, with Wilful Murder, or Deeds of Dreadful Note (Dubois), under the patronage of the Cape Volunteer Corps, whose band also performed on this occasion.
1877: Performed by Disney Roebuck and his company in the Theatre Royal, Cape Town, on 26 October, with Jessy Vere, or The Return of the Wanderer (Hazlewood). The evening a benefit for Charles Wilstone
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