Difference between revisions of "ESAT Bibliography Met-Miz"

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Metelerkamp, Petrovna. 1994. Afrikaner-goed nie goed genoeg vir Afrikaans nie. Insig, 06/94: 29.
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[[Petrovna Metelerkamp|Metelerkamp, Petrovna]] 1994. Afrikaner-goed nie goed genoeg vir Afrikaans nie. ''Insig'', 06/94:29.
  
METELERKAMP, Sanni. 1946. George Rex of Knysna, The Authentic Story. Cape Town: **.
+
Mev D.F. Malan open die [[Nasionale Toneelorganisasie|N.T.O.]] se [[Van Riebeeck Fees|Van Riebeeck-toneelfees]]. 1952. ''Helikon'', 1(5):108-111. 30 June.
  
Mev D.F. Malan open  die N.T.O. se Van Riebeeck-toneelfees. 1952. Helikon, 1(5): 108. June.
+
[[J. Meyer|Meyer, J.]] 1975a. ''[[Germanicus]]'' daad en ondaad. [Literary criticism]. ''Klasgids'', 10(3):5-12. November.
  
Meyer, J. 1975. “Germanicus” daad en ondaad. [Literary criticism]. Klasgids, 10(3): 5-12. November.
+
[[J. Meyer|Meyer, J.]] 1975b. Terugkerende motiewe in ''[[Putsonderwater]]'' [deur] [[Bartho Smit]]. [Literary criticism]. ''Klasgids'', 10(3):54-59. November.
  
Meyer, J. 1975. Terugkerende motiewe in Putsonderwater [deur] Bartho Smit. [Literary criticism]. Klasgids, 10(3): 54-59. November.
+
[[J. Meyer|Meyer, J.]] 1984. Dwaaldrif: ontmoeting met drama in ''[[Ontmoeting by Dwaaldrif]]'' ([[Henriette Grové|Henriëtte Grové]]). ''Klasgids'', 19(1):29-36.
  
Meyer, J. 1984. Dwaaldrif : ontmoeting met drama in Ontmoeting by Dwaaldrif (Henriëtte Grové). Klasgids, 19(1) : 29-36.
+
[[Margit Meyer-Rödenbeck|Meyer-Rödenbeck, Margit]] 1998. ‘n Onafhanklike teateronderneming: beginsels en toepassings. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
  
Meyer-Rödenbeck, Margit 1998. ‘n Onafhanklike teateronderneming: beginsels en toepassings. Stellenbosch: Universiteit van Stellenbosch. (M.Dram. thesis).
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[[Margarter R. Mezzabotta|Mezzabotta, Margaret R.]] 1996. Greek tragedy for drama students: a practical approach. ''Akroterion'', 31(1):22-25.
  
Mezzabotta, M. “Ancient Greek drama in the new South Africa.http://www2.open.ac.uk/ClassicalStudies/GreekPlays/Conf99/mezza.htm
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[[Margarter R. Mezzabotta|Mezzabotta, Margaret R.]] 1999. Ancient Greek drama in the new South Africa. [Online].Available:  http://www2.open.ac.uk/ClassicalStudies/GreekPlays/Conf99/mezza.htm
  
Mfundo, Ndebele. 1995. Mofokeng’s challenge. In: New Nation, March 9, 1995: 15.
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[[Martin Middeke|Middeke, Martin]], [[Peter Paul Schnierer|Schnierer, Peter Paul]] and [[Greg Homann|Homann, Greg]] (editors). 2015. ''[[The Methuen Drama Guide to Contemporary South African Theatre]]''. London: Bloomsbury Publishing.  
  
Miles, Henry 1947. Awakening of South African theatre. Outspan. 41(1050): 25. April 11.
+
[[Peter Midgley|Midgley, Peter]] 2000. [[Sol T. Plaatje]], in Scanlon, Paul A. (ed.). ''South African Writers''. Detroit: Gale Group. 346-357.
  
Millar, G. 1976. At home in Rome. [Berdine Groenewald]. Fair lady, 12(1): 72-75. March 31.
+
[[Henry Miles|Miles, Henry]] 1947. Awakening of South African theatre. ''Outspan'', 41(1050):25. April 11.
  
Millar, Mervyn 2006. Journey of the tall horse: a story of African theatre. London: Oberon Books.
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[[G. Millar|Millar, G.]] 1976. At home in Rome. ([[Berdine Grünewald]]). ''Fair Lady'', 12(1):72-75. March 31.
  
Mills, J. 1974. Taste of honey for Joe and Di. Personality, 80-83. March 8.
+
[[Mervyn Millar|Millar, Mervyn]] 2006. ''Journey of the Tall Horse: A Story of African Theatre''. London: Oberon Books.
  
MILLS, Liz. 1997. A Tribute to Mavis Taylor. In ****
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[[J. Mills|Mills, J.]] 1974. Taste of honey for Joe and Di. ''Personality'', 80-83. March 8.
  
Mills, Liz 2007. Dramatic Learning Spaces Conference: African performance practice – research in action. 22-25 September 2006. South African theatre journal, 21: 245-350.
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[[Liz Mills|Mills, Elizabeth Catherine]] 2000. Theatre voice as metaphor : the advocacy of a praxis based on the centrality of voice to performance. Unpublished master’s thesis. Grahamstown: Rhodes University.
  
Mills, Liz 2009. Theatre voice: practice, performance and cultural identity. South African theatre journal, 23: 84-93.
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[[Liz Mills|Mills, Liz]] 2005. A conversation that is research. ''[[South African Theatre Journal]]'', 19:35-42.
  
Minnaar, L.C. 1956. J.F.W. Grosskopf as dramaturg. Pretoria: University of South Africa. (M.A. thesis).  
+
[[Liz Mills|Mills, Liz]] 2007. Dramatic Learning Spaces Conference: African performance practice – research in action. 22-25 September 2006. ''[[South African Theatre Journal]]'', 21:245-350.
  
Minnaar-Vos, Anna 1969. Die spel gaan voort: die verhaal van Hendrik en Mathilde Hanekom. Kaapstad: Tafelberg.
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[[Liz Mills|Mills, Liz]] 2009. Theatre voice: practice, performance and cultural identity. ''[[South African Theatre Journal]]'', 23:84-93.
  
Mitchell, F. 1984. Play’s the thing : thoughts on the methodology of educational drama and its place in South Africa today. Teaterforum, 5(2) : 83-98.
+
[[L.C. Minnaar|Minnaar, L.C.]] 1956. [[J.F.W. Grosskopf]] as dramaturg. . Unpublished master’s thesis. Pretoria: University of South Africa.
  
Mitchell, Julian 1976. Athol Fugard in London, in Jones, Eldred Durosimi (ed.). African literature today: A review. London: Heinemann. 130-137.
+
[[Anna Minnaar-Vos|Minnaar-Vos, Anna]] 1969. ''Die Spel Gaan Voort: Die Verhaal van [[Hendrik Hanekom|Hendrik]] en [[Mathilde Hanekom]]''. Kaapstad: Tafelberg.
 +
 
 +
[[Marise Mishan|Mishan, Marise]] and [[Anthony Prangley|Prangley, Anthony]] 2014. Barriers to inter-organisational collaboration amongst performing arts organisations in South Africa. ''[[South African Theatre Journal]]'', 27(2):125-146.
 +
 
 +
[[Floss Mitchell|Mitchell, Floss]] 1984. Play’s the thing: thoughts on the methodology of educational drama and its place in South Africa today. ''[[Teaterforum]]'', 5(2):83-98.
 +
 
 +
[[Julian Mitchell|Mitchell, Julian]] 1976. [[Athol Fugard]] in London, in Jones, Eldred Durosimi (ed.). ''African Literature Today: A Review''. London: Heinemann. 130-137.
 +
 
 +
Mitchell, M. 2002. Tales of dragons: a re-evaluation of [[Athol Fugard]]’s ''[[Dimetos]]''. ''Journal of Commonwealth Literature'', 37(1):57-75.
  
Mizoguchi A. 2006. Seiginaki 'wakai' no shinjitsu. Eigo Seinen/Rising Generation . September 2006;152(6):352.
 
  
  

Latest revision as of 15:54, 22 May 2017

Click on the appropriate letters of the alphabet in the sub-list below.

Maa-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz

To return to any other letter, click on the list below

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Metelerkamp, Petrovna 1994. Afrikaner-goed nie goed genoeg vir Afrikaans nie. Insig, 06/94:29.

Mev D.F. Malan open die N.T.O. se Van Riebeeck-toneelfees. 1952. Helikon, 1(5):108-111. 30 June.

Meyer, J. 1975a. Germanicus daad en ondaad. [Literary criticism]. Klasgids, 10(3):5-12. November.

Meyer, J. 1975b. Terugkerende motiewe in Putsonderwater [deur] Bartho Smit. [Literary criticism]. Klasgids, 10(3):54-59. November.

Meyer, J. 1984. Dwaaldrif: ontmoeting met drama in Ontmoeting by Dwaaldrif (Henriëtte Grové). Klasgids, 19(1):29-36.

Meyer-Rödenbeck, Margit 1998. ‘n Onafhanklike teateronderneming: beginsels en toepassings. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.

Mezzabotta, Margaret R. 1996. Greek tragedy for drama students: a practical approach. Akroterion, 31(1):22-25.

Mezzabotta, Margaret R. 1999. Ancient Greek drama in the new South Africa. [Online].Available: http://www2.open.ac.uk/ClassicalStudies/GreekPlays/Conf99/mezza.htm

Middeke, Martin, Schnierer, Peter Paul and Homann, Greg (editors). 2015. The Methuen Drama Guide to Contemporary South African Theatre. London: Bloomsbury Publishing.

Midgley, Peter 2000. Sol T. Plaatje, in Scanlon, Paul A. (ed.). South African Writers. Detroit: Gale Group. 346-357.

Miles, Henry 1947. Awakening of South African theatre. Outspan, 41(1050):25. April 11.

Millar, G. 1976. At home in Rome. (Berdine Grünewald). Fair Lady, 12(1):72-75. March 31.

Millar, Mervyn 2006. Journey of the Tall Horse: A Story of African Theatre. London: Oberon Books.

Mills, J. 1974. Taste of honey for Joe and Di. Personality, 80-83. March 8.

Mills, Elizabeth Catherine 2000. Theatre voice as metaphor : the advocacy of a praxis based on the centrality of voice to performance. Unpublished master’s thesis. Grahamstown: Rhodes University.

Mills, Liz 2005. A conversation that is research. South African Theatre Journal, 19:35-42.

Mills, Liz 2007. Dramatic Learning Spaces Conference: African performance practice – research in action. 22-25 September 2006. South African Theatre Journal, 21:245-350.

Mills, Liz 2009. Theatre voice: practice, performance and cultural identity. South African Theatre Journal, 23:84-93.

Minnaar, L.C. 1956. J.F.W. Grosskopf as dramaturg. . Unpublished master’s thesis. Pretoria: University of South Africa.

Minnaar-Vos, Anna 1969. Die Spel Gaan Voort: Die Verhaal van Hendrik en Mathilde Hanekom. Kaapstad: Tafelberg.

Mishan, Marise and Prangley, Anthony 2014. Barriers to inter-organisational collaboration amongst performing arts organisations in South Africa. South African Theatre Journal, 27(2):125-146.

Mitchell, Floss 1984. Play’s the thing: thoughts on the methodology of educational drama and its place in South Africa today. Teaterforum, 5(2):83-98.

Mitchell, Julian 1976. Athol Fugard in London, in Jones, Eldred Durosimi (ed.). African Literature Today: A Review. London: Heinemann. 130-137.

Mitchell, M. 2002. Tales of dragons: a re-evaluation of Athol Fugard’s Dimetos. Journal of Commonwealth Literature, 37(1):57-75.


Click on the appropriate letters of the alphabet in the sub-list below.

Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance